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Relevant bibliographies by topics / Johann Georg Brief

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Academic literature on the topic 'Johann Georg Brief'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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Journal articles on the topic "Johann Georg Brief"

1

Pantijelew, Grigorij Ja. "Johann Sebastian Bachs Briefe an Georg Erdmann." Bach-Jahrbuch 71 (March 23, 2018): 83–98. http://dx.doi.org/10.13141/bjb.v19852092.

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Präsentiert und kommentiert wird ein Brief von Bach vom 28. Juli 1726, der 1982 wiederentdeckt wurde. In der Folge wird die Biografie von Georg Erdmann betrachtet und die Glaubwürdigkeit von Bachs schriftlichen Äußerungen über ihn diskutiert. Daraus ergeben sich Konsequenzen für die Betrachtung des Verhältnisses von "säkular" und "geistlich" bei Bach und damit für unser heutiges Verständnis seiner Person. (Übertragung des englischen Resümees am Ende des Bandes)

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Koch, Ernst. "Johann Sebastian Bachs Musik als höchste Kunst. Ein unbekannter Brief aus Leipzig vom 9. August 1723." Bach-Jahrbuch 90 (March 28, 2018): 215–20. http://dx.doi.org/10.13141/bjb.v20042130.

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Der Text befasst sich mit einem Brief Georg Groschs an Ernst Salomon Cyprian, der eine Passage zu einer Festmusik Bachs anlässlich eines akademischen Festakts enthält. Am Schluss des Beitrages wird der Brief im lateinischen Original wie in deutscher Übersetzung wiedergegeben.

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Renckens, Han, and Frans Jozef van Beeck. "Israel's God, the Psalms, and the City of Jerusalem: Life Experience and the Sacrifice of Praise and Prayer." Horizons 19, no. 2 (1992): 219–39. http://dx.doi.org/10.1017/s0360966900026232.

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AbstractWedged in between interpretations of brief passages from Aquinas' introduction to his commentary on the Psalms and Johann Georg Hamann'sEntkleidung und Verklärung, this essay argues that Israel's conception of God (which North American culture is poorly equipped to appreciate) must determine the fundamental form of prayer. This basic form is: the offering up to God, in praise and entreaty, of the whole world as well as of ourselves, along with all of our historic experience.

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4

Schulze, Hans-Joachim. "Rätselhafte Auftragswerke Johann Sebastian Bachs. Anmerkungen zu einigen Kantatentexten." Bach-Jahrbuch 96 (January 1, 2010): 69–93. http://dx.doi.org/10.13141/bjb.v20101881.

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Die behandelten Kantaten sind Nach dir Herr, verlanget mich BWV 150, Schwingt freudig euch empor BWV 36c und Non sa che sia dolore BWV 209. BWV 150 wird anhand des enthaltenen Meckbach-Akrostychons zum einen fest in die Mühlhäuser Zeit 1707-1708 datiert, zum anderen als mögliches Auftragswerk des dort lebenden Dr. Conrad Meckbach betrachtet. BWV 36c wird anhand der gesicherten Datierung und verschiedener textlicher Bezüge eine Zuordnung zu einem möglichen Huldigungsempfänger versucht, jedoch keiner möglichen Version der Vorzug gegeben. BWV 209 wird nach längerer Diskussion verschiedener in Betracht zu ziehender Aspekte als Auftragswerk zu Ehren Lorenz Albrecht Becks. Ein Epilog betrachtet die Freiherren von Lyncker als mögliche Mäzene Becks. Erwähnte Artikel: Hermann von Hase: Breitkopfsche Textdrucke zu Leipziger Musikaufführungen zu Bachs Zeiten. BJ 1913, S. 69-127 Georg Schünemann: J. G. Walther und H. Bokemeyer. BJ 1933, S. 86-118 Andreas Glöckner: Neuerkenntnisse zu Johann Sebastian Bachs Aufführungskalender zwischen 1729 und 1735. BJ 1981, S. 43-76 Harald Schieckel: Johann Sebastian Bachs Auflösung eines Kanons von Teodoro Riccio. BJ 1982, S. 125-127 Hans-Joachim Schulze: "Entfernet euch, ihr heitern Sterne", BWV Anh. 9. BJ 1985, S. 166-168 Andreas Glöckner: Zur Echtheit und Datierung der Kantate BWV 150 "Nach dir, Herr, verlanget mich". BJ 1988, S. 195-203 Klaus Hofmann: "Wo sind meine Wunderwerke" - eine verschollene Thomasschulkantate Johann Sebastian Bachs? BJ 1988, S. 211-218 Klaus Hofmann: Alte und neue Überlegungen zur Kantate "Non sa che sia dolore" BWV 209. BJ 1990, S. 7-26 Ares Rolf: Die Besetzung des sechsten Brandenburgischen Konzerts. BJ 1998, S. 171-182 Michael Maul: Johann Sebastian Bachs Besuche in der Residenzstadt Gera. BJ 2004, S. 101-120 Ernst Koch: Johann Sebastian Bachs Musik als höchste Kunst. Ein unbekannter Brief aus Leipzig vom 9. August 1723. BJ 2004, S. 215-220 Markus Rathey: Zur Datierung einiger Vokalwerke Bachs in den Jahren 1707 und 1708. BJ 2006, S. 65-92 Tatjana Schabalina: "Texte zur Music" in Sankt Petersburg. Neue Quellen zur Leipziger Musikgeschichte sowie zur Kompositions- und Aufführungstätigkeit Johann Sebastian Bachs. BJ 2008, S. 33-98 Vergleiche auch: Hans-Joachim Schulze: Die Bach-Kantate "Nach dir, Herr, verlanget mich" und ihr Meckbach-Akrostichon. BJ 2011, S. 255-258

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Christensen, Bent. "Fra Hamann til Fasc. 209.10. Om Grundtvigs forhold til Johann Georg Hamann og dennes samtidige." Grundtvig-Studier 63, no. 1 (January 1, 2012): 14–32. http://dx.doi.org/10.7146/grs.v63i1.16589.

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Fra Hamann til Fasc. 209.10. Om Grundtvigs forhold til Johann Georg Hamann og dennes samtidige[From Hamann to Fascicle 209.10. On Grundtvig's relation to Johann Georg Hamann and his contemporaries]By Bent ChristensenThe German critic and Enlightenment philosopher Johann Georg Hamann (1730-88) can be seen as a German forerunner of Grundtvig who according to a few places in his Verdenskrøniken (World Chronicle), 1817, has known about his writings and perhaps felt a spiritual kinship to him. By all accounts, the only other mention of him at all by Grundtvig occurs in a brief and somewhat enigmatic manuscript entitled “Synchronismer” (synchronisms) (The Grundtvig Archive, Fascicle 209 nr 10). It lists names of 24 German authors supplied with dates marking periods in their careers between the years 1741 and 1781 and has been regarded as a preliminary study for the World Chronicle 1817. But it can also be seen as a view of these authors from a specific “synchronistic” angle, resulting in a particular profile of these 40 years. The list also reflects Grundtvig’s detailed knowledge of German literary history.After a presentation of Hamann, Grundtvig’s evaluation of him in the World Chronicle of 1817 is quoted and commented upon, followed by a an examination of the manuscript list author by author, inclusive of references to treatments in the World Chronicle.The list begins with “Rabener 1741-57” and finishes with “Bürger 1769- 78”; the latest year brought up, however, is “1781” (under the names of Kant and Hamann). In his World Chronicle, Grundtvig states that the period he wants to depict, covers the reign of the Prussian king Frederick the Great (1740-86). The list corresponds almost exactly to this ambition. Hamann’s first year, 1759, is the year in which Sokratische Denkwürdigkeiten appeared, his first work addressing a general public. Hamann’s last year, 1781, indicates that he at that time started to write a critical review of Kant’s Kritik der reinen Vernunft, having read the proofs of it, as a personal friend of the philosopher, before its publication that same year. At first, however, Hamann did not print his text but only communicated it to Herder in a personal letter. The Metakritik über den Purismum der Vernunft was finished in 1784 but not published until 1800. When Kant in his work asks for a foundation of cognition prior to and independent of experience, Hamann accuses him of aiming at constituting a new kind of metaphysics. Two later works published by Hamann (1784 and 1786) are of a retrospective and summary nature.Concerning the other authors listed, the “first year” in most cases presents the very first step in their literary careers, and the “last year” marks the ending of their initial period. This applies, for example, to Rabener’s “last year”, 1757, when his satires had started already to appear in book form. In Lessing’s case, 1761 is the year in which he accepted a position as secretary for the governor of Breslau. Wieland was appointed town clerk in Biberach in 1760, but in the World Chronicle Grundtvig emphasizes the importance of his Shakespeare translations which did not begin to appear until 1762, though it is likely that Wieland had been encouraged to take up this project as early as 1759. Herder’s “last year” is 1767, the date of publication featured on the title page of Fragmente über die neuere deutsche Literatur—a date often considered to be the prime year of the “Sturm und Drang” (“Storm and Stress”) movement. Goethe’s “last year” is 1774 due to the publication of his best-seller novel Die Leiden des jungen Werthers.In several cases the often paired dates of Grundtvig’s list differ from those found in ordinary histories of literature as well as in the World Chronicle of 1817. A closer study of them—and a study of Grundtvig as compared to Hamann—might cause important contributions to Grundtvig research and to the study of German intellectual and literary history.

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Küster, Konrad. "Bach als Mitarbeiter am "Walther-Lexikon"?" Bach-Jahrbuch 77 (May 11, 2018): 187–92. http://dx.doi.org/10.13141/bjb.v19912734.

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Der Beitrag versucht, die Knappheit des Artikels zu Johann Sebastian Bach im Musicalischen Lexikon (1732) seines Vetters Johann Gottfried Walther zu begründen und geht der Frage nach, ob Bach Informationen zum Lexikon beigetragen haben könnte. Erwähnte Artikel: Georg Schünemann: J. G. Walther und H. Bokemeyer. BJ 1933, S. 86-118 Grigorij Ja. Pantijelew: Johann Sebastian Bachs Briefe an Georg Erdmann. Nebst Beiträgen zur Lebensgeschichte von Bachs Jugendfreund. BJ 1985, S. 83-98

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Hoffmann, Volker. "Johann Georg Hamann, Fliegender Brief. Historisch-kritische Ausgabe. Bd. 1: Edition. Bd. 2: Anhang. Mit einer Einführung, Kommentar, Dokumenten zur Entstehungsgeschichte hg. von Janina Reibold. Meiner, Hamburg 2018. 395, 245 S., € 128,‒." Arbitrium 37, no. 1 (March 27, 2019): 76–79. http://dx.doi.org/10.1515/arb-2018-0091.

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Schabalina, Tatjana. "Zur Echtheit von zwei Briefen aus dem Glinka-Museum in Moskau." Bach-Jahrbuch 93 (March 12, 2018): 179–96. http://dx.doi.org/10.13141/bjb.v20071820.

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9

Paprotny, Zbigniew. "Johann George Schreiber’s Atlas selectus: editions and dating." Polish Cartographical Review 52, no. 1 (March 1, 2020): 39–50. http://dx.doi.org/10.2478/pcr-2020-0002.

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AbstractThe author of this paper sets out to identify and date the individual editions of Atlas selectus that were published in Leipzig by Johann George Schreiber and his heirs. The paper is based on the analysis of maps and printed registers from 27 unique editions of the atlas. After a brief summary of Schreiber’s non-cartographic activity, the atlas is presented and dating of its eight editions is proposed, from 1741 to the end of the 18th century. Some special editions of the atlas are also identified and briefly described. The estimated production rate of maps in Schreiber’s workshop is compared with earlier research. Finally, a few misconceptions concerning Schreiber and his cartography are clarified.

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Haye, Thomas. "Poetische Briefe aus der Unterwelt. Zwei posthume Invektiven gegen Georg Podiebrad, Johann Rokycana und die Prager Utraquisten." Wiener Studien 119 (2007): 247–60. http://dx.doi.org/10.1553/wst119s247.

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Dissertations / Theses on the topic "Johann Georg Brief"

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Krebs, David Haller Albrecht von Gmelin Johann Georg. "Die lateinische Korrespondenz zwischen Albrecht von Haller und Johann Georg Gmelin, 1743-1755 /." Bern : Selbstverl, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?sys=000253994.

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Books on the topic "Johann Georg Brief"

1

Day, Walter. Twin Galaxies' Official Video Game & Pinball Book Of World Records; Second Edition, Arcade Volume. Edited by Walter Day and Mr Kelly R. Flewin. Fairfield, IA: 1st World Publishing, 2007.

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2

Jacobi, Johann Georg, and Ernst Martin. Ungedruckte Briefe von und an Johann Georg Jacobi: MIT Einem Abrisse Seines Lebens und Seiner Dichtung. De Gruyter, Inc., 2018.

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Day, Walter. TWIN GALAXIES' OFFICIAL VIDEO GAME & PINBALLBOOK OF WORLD RECORDS; Arcade Volume, Second Edition. 2nd ed. 1st World Publishing, 2007.

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Book chapters on the topic "Johann Georg Brief"

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"5.11 Johann Georg Hamann." In Handbuch Brief, 945–53. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110376531-074.

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2

"„Sylvain und die Dryaden gehen noch über die Musen.“ Botanisches und gartenbauliches Wissen im (Brief-)Werk Johann Georg Sulzers." In Johann Georg Sulzer - Aufklärung im Umbruch, 252–85. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110596557-014.

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"John Aubrey, from ‘Brief Lives’, post 1667." In George Herbert, 109. Routledge, 2013. http://dx.doi.org/10.4324/9781315004464-30.

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4

"Der „J’accuse“-Brief an John A. Wilson Drei Ansichten von Georg Steindorff." In Ägyptologen und Ägyptologien zwischen Kaiserreich und Gründung der beiden deutschen Staaten, 345–76. Akademie Verlag, 2013. http://dx.doi.org/10.1524/9783050063416.345.

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Nahin, Paul J. "George Boole and Claude Shannon." In The Logician and the Engineer. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691176000.003.0003.

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This chapter presents brief biographical sketches of George Boole and Claude Shannon. George was born in Lincoln, a town in the north of England, on November 2, 1815. His father John, while simple tradesman (a cobbler), taught George geometry and trigonometry, subjects John had found of great aid in his optical studies. Boole was essentially self-taught, with a formal education that stopped at what today would be a junior in high school. Eventually he became a master mathematician (who succeeded in merging algebra with logic), one held in the highest esteem by talented, highly educated men who had graduated from Cambridge and Oxford. Claude was born on April 30, 1916, in Petoskey, Michigan. He enrolled at the University of Michigan, from which he graduated in 1936 with double bachelor's degrees in mathematics and electrical engineering. It was in a class there that he was introduced to Boole's algebra of logic.

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Mayer, Peta. "The Dandy in Brief Lives (1990)." In Misreading Anita Brookner, 117–59. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620597.003.0004.

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This chapter utilises tropes of French and British aestheticism to read character, female friendship and asexual sexuality in Brief Lives (1990). Brookner’s Brief Lives is explored as a text that embraces multiple performance modes through Fay Dodworth’s self-described dull and boring first-person narration and her biographical representation of anachronistic diseuse, Julia Morton’s, celebrity persona.Based on the intertextual indications between John Aubrey’s Brief Lives regarding inconsequential and scandalous detail, and the significance of nineteenth-century detail in aestheticism, the dandy is proferred as the novel’s key personae. Balzac’s understanding of the dandy as constituted by behaviours of talking, dressing, eating and walking operate as the central narrative categories through which Brookner’s text is read. It emphasises the text’s narrative orality and ex tempore forms, Julia’s styling by Madame Gres, Patou and Lelong, Fay’s delicately crafted menus, her walks through West London as well as a romance of interiors. In addition, the dandy’s particular forms of boredom, and gender, sexual and temporal subversion are engaged. Clara Tuite’s specification of the rise-and-fall narrative as the key form through which Captain Jesse James writes Life of George Brummell provides the device through which to propel the dandy’s movement through the text.

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Kahn, Richard J. "“Alkaline Doctor” and “A Dangerous Innovator”." In Diseases in the District of Maine 1772 - 1820, 87–117. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780190053253.003.0004.

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In 1795 Barker read Lavoisier’s chemistry, experimented on tainted meat made edible by soaking in alkalis, and began using alkaline therapy such a limewater. He wrote about this to Samuel Mitchill and Benjamin Rush, telling them that he had been called a “dangerous innovator.” A brief history of the acid/alkali debates of the seventeenth and eighteenth centuries includes information about Otto Tachenius, John Colbatch, Hermann Boerhaave, George Ernst Stahl, William Cullen, Joseph Black, and Antoine Lavoisier. Barker wrote about his experiments, azotic air (nitrogen), and his difficulty understanding the mechanism of this apparently successful therapy. His results were published in the Medical Repository, beginning a correspondence with Samuel Latham Mitchill, professor of chemistry at Columbia University. Contributors to the discussion of alkalis included David Hosack, Thomas Beddoes and James Watt, Humphry Davy, and Matthew Carey. Comments by Charles Rosenberg, John Harley Warner, Lester King, and others help us make sense of medical science and the acid/alkali battle.

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Pierson, Christopher. "Liberals I." In Just Property, 5–33. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198787105.003.0002.

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This chapter begins with a brief discussion of what we mean by liberalism. It continues with an evaluation of the views that liberals have taken of the justification of property. I first consider the broadly utilitarian case developed by William Paley, James Mill, and Jeremy Bentham. I then assess the distinctive view taken (in France) by Benjamin Constant and (in the US) by Thomas Jefferson and James Madison. I devote careful attention to the work of John Stuart Mill, who is a key source for a distinctively modern (or ‘new’) liberal view in which property is not so much a right of persons as a social institution, legitimately open to collective regulation. The chapter ends with an outline of the liberal case for communal ownership of the land made by the American journalist Henry George.

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Ellenberger, Allan R. "“An Expensive Leading Woman”." In Miriam Hopkins. University Press of Kentucky, 2018. http://dx.doi.org/10.5810/kentucky/9780813174310.003.0007.

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Hopkins is cast in Two Kinds of Women, William C. de Mille’s final film. She has a brief affair with actor John Gilbert. She does Dancing in the Dark with George Raft, with whom she battles on the set. Hopkins is given a two-month leave. On the way to New York, she adopts a baby boy in Chicago. Hopkins returns to Paramount, where Emanuel Cohen has replaced B. P. Schulberg as production chief. She argues with Cohen over assignments until she is assigned to Lubitsch’s iconic Trouble in Paradise. She’s scheduled to do No Man of Her Own with Clark Gable, but script problems cause a rift and she walks out. Hopkins agrees to do an adaptation of William Faulkner’s sordid novel Sanctuary, renamed The Story of Temple Drake. Battles between Paramount and the Hays office over how to bring the novel to the screen make this film a key reason the Production Code is enforced.

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Davis, William L. "Laying Down Heads in Written and Oral Composition." In Visions in a Seer Stone, 14–32. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469655666.003.0003.

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Chapter Two explores Joseph Smith's personal style of composition in relation to contemporary print conventions, as well as early American education and popular preaching methods and techniques. The chapter focuses on the method of "laying down heads," or the use of preliminary outlines to compose and deliver sermons. The chapter begins with a brief look at John Walker's popular system of composition in early American education, followed by an exploration of the techniques in relation to Congregationalist preaching styles practiced in the Connecticut River Valley, where Smith spent much of his childhood. Smith's older brother, Hyrum Smith, attended Moor's Indian Charity School, an institution created by Congregationalist preacher Eleazar Wheelock in conjunction with the formation of Dartmouth College. The preaching style taught at the school reflected the semi-extemporaneous style of the famous preacher, George Whitefield, and provides evidence of a Smith family member receiving formal instruction in preaching styles, delivery, and rhetorical performance.

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