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Journal articles on the topic 'Johann Maria'

Author: Grafiati

Published: 26 July 2024

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1

Heintzsch, Sabrina. "“O Mother / how must you have felt?” Mary in Spiritual Poetry of the Baroque Era as Exemplified by Johann Rist and Friedrich Spee (“O Mutter/ wie war Dir zumuht?” Maria in der geistlichen Dichtung der Barockzeit am Beispiel von Johann Rist und Friedrich Spee)." Daphnis 45, no. 1-2 (2017): 58–82. http://dx.doi.org/10.1163/18796583-04502005.

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The Virgin Mary is important for both Catholic and Lutheran seventeenth century religious poetry. However, spiritual poetry differs significantly regarding the role attributed to Mary. In Catholic poems, first and foremost, Mary is a moral example of her faith and compassion for Jesus Christ. This is exemplified by Mary’s agony juxtaposed to the suffering of Christ on the Cross. In comparison, Lutheran poets describe Mary as an example of the promise that God chooses the inferior so that the sinners may trust in God’s grace. This article shows the confessional similarities as well as the diffe

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Wiermann, Barbara. "Carl Philipp Emanuel Bach und Adam Friedrich Oeser." Bach-Jahrbuch 94 (March 13, 2018): 334–36. http://dx.doi.org/10.13141/bjb.v20081914.

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In Ergänzung zu Arbeiten zu Johann Sebastian Bach d. J., Carl Philipp Emanuel Bach und Adam Friedrich Oeser wird ein bisher unbekannter Brief des letztgenannten ausgewertet, aus dem sich auf eine persönliche Begegnung mit C. P. E. Bach schließen lässt.  Vergleiche auch: Maria Hübner: Der Zeichner Johann Sebastian Bach d. J. (1748 bis 1778). Zu seinem 250. Geburtstag. BJ 1998, S. 187-200 Maria Hübner: Ein Brief von Carl Philipp Emanuel Bach an Adam Friedrich Oeser. BJ 2007, S. 243-254

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Hübner, Maria. "Neues zu Johann Sebastian Bachs Reisen nach Karlsbad." Bach-Jahrbuch 92 (March 12, 2018): 93–107. http://dx.doi.org/10.13141/bjb.v20061797.

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Der Artikel widmet sich den in J. S. Bachs Köthener Zeit vorgenommenen Reisen Fürst Leopolds nach Karlsbad 1718 und 1720, auf denen der Kapellmeister ihn begleitete. Zu beiden Reisen werden Quellen vorgestellt und weiterhin das musikalische und gesellschaftliche Leben in Karlsbad zu dieser Zeit skizziert. Erwähnte Artikel: Alois Plichta: Johann Sebastian Bach und Johann Adam Graf von Questenberg. BJ 1981, S. 23-28 Eva-Maria Ranft: Ein unbekannter Aufenthalt Johann Sebastian Bachs in Gotha? BJ 1985, S. 165-166 Hans-Joachim Schulze: Johann Sebastian Bach und Zerbst 1722: Randno

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Hlavac, Christian. "Verschönerung der Landschaft durch Graf Johann Philipp Cobenzl und Fürst Johann I. von Liechtenstein in Niederösterreich." AHA! Miszellen zur Gartengeschichte und Gartendenkmalpflege, no. 9 (March 1, 2024): 114–29. http://dx.doi.org/10.25531/aha.vol9.p114-129.

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Der Autor berichtet zunächst über ein – im kontinentaleuropäischen Vergleich – frühes Beispiel der Verschönerung einer Landschaft: die etwa ab 1776 geschaffenen Anlagen des Grafen Johann Philipp Cobenzl (1741–1810) am Reisenberg bei Wien. Anschließend nimmt er die überaus raumgreifenden (circa 700 Hektar) Verschönerungsmaßnahmen unter Fürst Johann I. von Liechtenstein (1760–1836) im Gebiet der heutigen Gemeinden Mödling, Maria Enzersdorf und Hinterbrühl in Niederösterreich, aber auch in Loosdorf (Gemeinde Fallbach) in den Blick. Die Bedeutung der Landwirtschaft als Element einer verschönerten

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Valentim, Jorge Vicente. "Quando a literatura encontra a música: reflexões em torno dos diálogos intertextuais em "Lisboaleipzig 2: o ensaio de música", de Maria Gabriela Llansol." Terra Roxa e Outras Terras: Revista de Estudos Literários 30 (December 5, 2015): 42. http://dx.doi.org/10.5433/1678-2054.2015v30p42.

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Apresenta-se, aqui, uma proposta de leitura da obra Lisboaleipzig 2: o ensaio de música (1994), da escritora portuguesa Maria Gabriela Llansol, procurando observar os diálogos intertextuais estabelecidos entre a sua efabulação ficcional e as técnicas composicionais do músico alemão Johann Sebastian Bach. A partir da observação de elos ordenados entre estas duas instâncias discursivas, objetiva-se uma reflexão que contemple o fenômeno da intertextualidade como recurso criador.We present here a reading proposal for Lisboaleipzig 2: O ensaio de música (1994), by the Portuguese writer Maria Gabrie

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Wiermann, Barbara. "Altnickol, Faber, Fulde - drei Breslauer Choralisten im Umfeld Johann Sebastian Bachs." Bach-Jahrbuch 89 (March 12, 2018): 259–66. http://dx.doi.org/10.13141/bjb.v20031772.

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Der Beitrag schildert die kirchenmusikalischen Bedingungen in Breslau insbesondere in den Jahren 1740-1743, in denen Johann Christoph Altnickol an der dasigen Maria-Magdalenen-Kirche als Chorsänger nachzuweisen ist. Über seine Person hinaus werden Johann Gottfried Fulde und Benjamin Gottlieb Faber erwähnt, die zeitgleich mit Altnickol dort wirkten und denen anhand neuerer Quellenfunde erstmals eine tiefergehende Verbindung nachzuweisen ist. Bezugnehmend darauf werden auch mögliche Verbindungen der beiden letztgenannten zum Hause Bach neu bewertet. Erwähnte Artikel: Ein Brief von Jo

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Maul, Michael. ""Die große catholische Messe". Bach, Graf Questenberg und die "Musicalische Congregation" in Wien." Bach-Jahrbuch 95 (March 13, 2018): 153–75. http://dx.doi.org/10.13141/bjb.v20091864.

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Unter Berücksichtigung neuerer Widersprüche gegen das Verständnis der h-moll-Messe BWV 232 als Vermächtniswerk ohne eigentlichen Anlass wird im vorliegenden Artikel, der im Wesentlichen ein Referat des Autors auf dem Symposium „Understanding Bach’s B-minor Mass 2007 in Belfast wiedergibt, eine weitere neue Erklärungsgrundlage für die Vervollständigung der Messe eingeführt. Dazu wird die Person Graf Johann Adam von Questenbergs mit seiner Hofhaltung im mährischen Jarmeritz und ihren Beziehungen zum kaiserlichen Hof in Wien in den Mittelpunkt gestellt. Über die Frage eines möglichen Kontakts zu

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Hübner, Maria. "Ein Brief von Carl Philipp Emanuel Bach an Adam Friedrich Oeser." Bach-Jahrbuch 93 (March 12, 2018): 243–54. http://dx.doi.org/10.13141/bjb.v20071826.

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Ein kürzlich aufgefundener Brief C. P. E. Bachs an den Direktor der Leipziger Kunstakademie gibt Anlass, dessen Rolle im Umfeld von Bach und Breitkopf zu beleuchten. Dabei wird auch die Rolle von C. P. E. Bachs jüngstem Sohn, Johann Sebastian (1748-1778) thematisiert.  Erwähnte Artikel: Maria Hübner: Der Zeichner Johann Sebastian Bach d. J. (1748 bis 1778). Zu seinem 250. Geburtstag. BJ 1998, S. 187-200 Barbara Wiermann: Carl Philipp Emanuel Bach und Adam Friedrich Oeser - Eine Ergänzung. BJ 2008, S. 334-336

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Gubergrits, N. B. "The last note in the notebook." Herald of Pancreatic Club 53, no. 4 (2022): 36–37. http://dx.doi.org/10.33149/vkp.2021.04.05.

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René Karl Wilhelm Johann Josef Maria Rilke (4 December 1875 — 29 December 1926), better known as Rainer Maria Rilke, was one of the most influential modernist poets in the 20th century. He wrote both verse and prose. His writings were greatly influenced by the philosophy of existentialism. Born in Prague, had Austrian citizenship, wrote in German. Lived and worked in Trieste, Paris, Switzerland. At the end of his life, suffering from pancreatic cancer, he described his torment in verse.

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Heilandová, Lucie. "Christoph Augustynowicz - Johannes Frimmek (Hrsg.): Der Buchdrucker Maria Theresias: Johann Thomas Trattner (1719-1798) und sein Medienimperium." Knihy a dějiny 27, no. 1-2 (2020): 277–78. http://dx.doi.org/10.23852/kad.2020.27.10.

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Bahlcke, Joachim. "Christoph Augustynowicz / Johannes Frimmel (Hg.): Der Buchdrucker Maria Theresias. Johann Thomas Trattner (1719 – 1798) und sein Medienimperium." Das Historisch-Politische Buch (HPB): Volume 68, Issue 1 68, no. 1 (2020): 62. http://dx.doi.org/10.3790/hpb.68.1.62.

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Slouka, Petr. "Johann Heinrich Schmelzer's serenata for the celebrations of Maria Antonia Habsburg's birthday." Musicologica Brunensia, no. 2 (2017): 243–51. http://dx.doi.org/10.5817/mb2017-2-19.

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Bagdonė, Karolina. "World Literature and Mythology: Guarantees of Freedom of Man and Nation in Sigitas Geda’s Poetry." Interlitteraria 28, no. 2 (2023): 273–90. http://dx.doi.org/10.12697/il.2023.28.2.7.

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In this article, the author uses the theory of intertextuality (Julia Kristeva, Gérard Genette, Marco Juvan) to analyse reflections on the openness of cultural identity and Europeanness in Sigitas Geda’s (1943–2008) poetry and his commentaries. The objective is to discuss how resistance to Soviet ideology could be constructed in mythological and world-literary contexts. Johann Wolfgang von Goethe’s vision of the universality of World Literature has remained important in Geda’s work. The Lithuanian poet adopted and applied it in his work by creating a mythological foundation as a unifying unive

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Ernst, Hans Peter. "Joh. Seb. Bachs Wirken am ehemaligen Mühlhäuser Augustinerinnenkloster und das Schicksal seiner Wender-Orgel." Bach-Jahrbuch 73 (May 9, 2018): 75–83. http://dx.doi.org/10.13141/bjb.v19872558.

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Wie seine Vorgänger und Nachfolger als Organist an der Kirche Divi Blasii in Mühlhausen, versah Bach nebenamtlich den Organistendienst auch an verschiedenen kleineren Kirchen in der Stadt. Eine dieser Kirchen war die Maria-Magdalena-Kirche, die 1884 abgerissen wurde. Von der von Johann Friedrich Wender gebauten Orgel sind nur noch das Gehäuse, die Windlade, die manuelle Tastatur und einige andere Teile erhalten. Alle diese Teile wurden 1985 in die Kirche in Dörna bei Mühlhausen verlegt; eine Restaurierung des Instruments ist geplant. (Übertragung des englischen Resümees am Ende des Bandes)

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Flood, John L. "Der Buchdrucker Maria Theresias. Johann Thomas Trattner (1719–1798) und sein Mediumimperium. Ed. by Christoph Augustynowicz and Johannes Frimmel." Library 21, no. 3 (2020): 398–400. http://dx.doi.org/10.1093/library/21.3.398.

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Fischbacher, Thomas. "Ein Werk zweier Künstler? Paul Egell, Johann Peter Benckert und der Kruzifixus mit Maria Magdalena in der Propsteikirche St. Peter und Paul zu Potsdam." Zeitschrift für Kunstgeschichte 81, no. 2 (2018): 268–81. http://dx.doi.org/10.1515/zkg-2018-0019.

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Abstract The author suggests an attribution for two largely unknown Baroque sculptures inside the Church of St. Peter and Paul at Potsdam. The crucifixus, which has so far not been attributed to an artist, is shown to exhibit parallels to a 1716 work by Paul Egell. It remains unclear, however, whether the Potsdam crucifixus was also created by Egell himself or by Johann Peter Benckert, who congenially completed it in 1763 with a statue of the kneeling Maria Magdalena. The appealing depiction of the saint as an elegant sinner and penitent offers believers various possibilities for identificatio

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Gaasland, Rolf. "Retorikk og romskapelse." Nordlit 51, no. 1 (2023): 56–66. http://dx.doi.org/10.7557/13.7121.

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Denne artikkelen er opptatt av hvordan den som taler i Johann Wolfgang von Goethes «Wandrers Nachtlied II» og Rainer Maria Rilkes «Herbst» best kan forstås. Den tar sitt utgangspunkt i observasjonen av at utsigelseshandlingene i de to diktene kombinerer en retorisk funksjon med en romskapende funksjon, og at begge funksjonene deltar i diktenes organisering som kommunikativ handling på avgjørende måter. Min konklusjon er at forventningene om det følsomme lyriske jeget og den sublime naturen som vi ofte møter romantiske dikt med, motsies av måten utsigelseshandlingen er utformet på i disse to di

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Reznicek, Matthew L. "Absurd Speculations." Nineteenth-Century Literature 71, no. 3 (2016): 291–314. http://dx.doi.org/10.1525/ncl.2016.71.3.291.

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Matthew L. Reznicek, “Absurd Speculations: The Tragedy of Development in Maria Edgeworth’s Ormond” (pp. 291–314) This essay explores shared concerns regarding the representation of economic development that occurs in Maria Edgeworth’s Irish bildungsromanOrmond (1817) and in Johann Wolfang von Goethe’s two-part tragic retelling of the Faust myth (1808, 1832), building on recent interest in the representation of money in literature from the romantic period. While these two literary works are often seen as foundational texts in their respective national literatures, they both also explore the dam

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Lubis, Sofni Indah Arifa. "THE ROLE OF SCHOOL AND TEACHING METHOD THROUGH MARIA MONTESSORI AND JOHANN HEINRICH PESTALOZZI`S VIEW." International Journal of Economic, Technology and Social Sciences (Injects) 2, no. 1 (2021): 87–92. http://dx.doi.org/10.53695/injects.v2i1.238.

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The development of each child must be observed. The education and teaching methods need to be adjusted to the child’s development. Montessori and Pestalozzi are early childhood education experts who opened-up the eyes to a new way of teaching method in the golden age stages in children. This study examined Montessori’s and Pestalozzi`s concepts on early childhood education. Pestalozzi believed empowering individual skills can improve the society, capable of knowing what is right and what is wrong and of acting according to this knowledge. On the other hand, Montessori believed that children ha

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Markova, Yekaterina A. "After Rilke": revisiting the question of the genre of Derek Mahon’s poem "Night Drive"." Vestnik of Kostroma State University, no. 4 (2019): 126–29. http://dx.doi.org/10.34216/1998-0817-2019-25-4-126-129.

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The present article approaches the issue of the genre definition of Derek Mahon’s poem "Night Drive", which was written "after Rilke". Possible definitions of the genre are as follows – "(loose) translation", "adaptation", "version", "pastiche". Mahon’s concept of translation implies that it is essential to adapt the original to the literary tradition of the language of translation. This concept is linked with Mahon’s use of Byzantium image in imitation of William Butler Yeats in his poem. In addition, a hypothesis is suggested about Mahon’s interpretation of the poem by Rainer Maria Rilke: th

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Matzerath, Josef. "Residenz - Festung - Zentralort : Dresdner Spezifika des 17. Jahrhunderts." Schütz-Jahrbuch 29 (August 25, 2017): 7–16. http://dx.doi.org/10.13141/sjb.v2007976.

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Das Wirken von Heinrich Schütz in Dresden fällt in die Zeit des sächsischen Kurfürsten Johann Georgs I., unter dessen Herrschaft die Residenzstadt eine hohe soziale Dynamik erlebte. Neben Hof und staatlicher Zentralverwaltung entwickelte sich residenzspezifisch ein auf Luxusprodukte spezialisiertes Handwerk. In Dresden lebten aber auch Menschen ohne Bürgerrecht: Tagelöhner, Söldner und böhmische Exulanten. Kursächsische Landtage brachten im Abstand von einigen Jahren mehrere hundert Mitglieder der gesellschaftlichen Führungsformationen auf einige Monate in die Stadt. Ästhetisch hatte der Dresd

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Puchalski, Lucjan. "Preußisch, modern – und doch österreichisch? Österreichische Reminiszenzen und Bezüge in Johann Gottlieb Schummels "Reise durch Schlesien"." Germanica Wratislaviensia 144 (November 20, 2019): 13–27. http://dx.doi.org/10.19195/0435-5865.144.1.

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Johann Gottlieb Schummels 1792 veröffentlichte Reise durch Schlesien war eine wichtige Stimme in der Debatte um die Identität der vor einem halben Jahrhundert von Preußen annektierten Provinz. Der Verfasser machte sich auf den Weg mit einem klaren Programm. Er wollte die Erfolge der wirtschaftlichen Entwicklung und Fortschritte der Aufklärung verzeichnen und damit das Land an der Oder als vollwertigen Teil des modernen preußischen Staates präsentieren. Im Text und in der Haltung des Reisenden kann man aber immer wieder Inhalte und Wertungen finden, die an die vielfachen Bindungen Schlesiens an

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Hennig, Mareike. "Sulamith und Maria – Italia und Germania – Die Freundschaft: Ein Stich von Nikolaus Hoff nach Johann Friedrich Overbeck." Jahrbuch des Freien Deutschen Hochstifts 2016 (January 1, 2017): 349–56. http://dx.doi.org/10.46500/83531934-012.

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Piotrowska, Anna G. "The Gypsy Baron Operetta (1885) as a musical document of a certain age." Review of Nationalities 7, no. 1 (2017): 329–54. http://dx.doi.org/10.1515/pn-2017-0010.

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Abstract Considered a musical monument to the Austro- Hungarian Empire – The Gypsy Baron (originally Der Zigeunerbaron) of 1885 composed by Johann Strauss II (1825-1899) reveals how important position Maria Theresia had in the Empire in the long nineteenth century. It is also a great example of keeping, in Vienna at the end of the nineteenth century, hold of the memory of her politics. The Gypsy Baron is clearly the work inscribed into political situation as it constituted a specific response to a concrete need to stimulate civil attitudes (so desired within the Empire at that time). Treating

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Koloch, Sabine, Mitarbeit von, Frank Böhling, and Hermann Ehmer. "AKKUMULATION VON ANSEHENSKAPITAL." Daphnis 35, no. 1-2 (2006): 51–132. http://dx.doi.org/10.1163/18796583-90000971.

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Nach dem Tod Johann Valentin Andreaes (1586-1654) stellte sein Sohn Gottlieb (1622-1683) eine einzigartige Gedenkschrift zusammen: den Bonus odor suave olens nominis Andreani (�Duftender Wohlgeruch des Andreaeschen Namens�). Die Texte der Sammelschrift stammen u.a. von Mitgliedern der H�fe von Braunschweig- Wolfenb�ttel (darunter Herzog August) und W�rttemberg, von den Verlegern Stern aus L�neburg, von Freunden aus drei s�ddeutschen Reichsst�dten und � ein bemerkenswertes Faktum � von drei gelehrten Frauen: Herzogin Antonia von W�rttemberg, Herzogin Sibylla Ursula von Braunschweig-L�neburg und

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Gábor, Gaylhoffer-Kovács. "Johann Ignaz Cimbal „védjegye”, a VSG-monogram." Művészettörténeti Értesítő 69, no. 1 (2020): 57–70. http://dx.doi.org/10.1556/080.2020.00004.

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Next to his signature, Viennese painter Johann Ignaz Cimbal often added a peculiar sign in his frescoes and oils. It is a combination of letters, appearing in a different form in each of the studied cases (Zalaegerszeg, Oberlaa, Zwettl, Peremarton, Tornyiszentmiklós, Nagykároly [ Carei]), which – and the poor state of the works – make the identification of the letters difficult. In most cases the sign reads VSG, so it is not the initials of the painter.In some Cimbal works the three letters also appear with iconographic meaning. On the picture of the King Saint Stephen side altar in the parish

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Gábor, Gaylhoffer-Kovács. "Johann Ignaz Cimbal „védjegye”, a VSG-monogram." Művészettörténeti Értesítő 69, no. 1 (2020): 57–70. http://dx.doi.org/10.1556/080.2020.00004.

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Next to his signature, Viennese painter Johann Ignaz Cimbal often added a peculiar sign in his frescoes and oils. It is a combination of letters, appearing in a different form in each of the studied cases (Zalaegerszeg, Oberlaa, Zwettl, Peremarton, Tornyiszentmiklós, Nagykároly [ Carei]), which – and the poor state of the works – make the identification of the letters difficult. In most cases the sign reads VSG, so it is not the initials of the painter.In some Cimbal works the three letters also appear with iconographic meaning. On the picture of the King Saint Stephen side altar in the parish

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Rücker, Michaela, Peter Antes, Hans-Christof Kraus, et al. "Biografien." Das Historisch-Politische Buch (HPB) 65, no. 4-6 (2017): 386–407. http://dx.doi.org/10.3790/hpb.65.4-6.386.

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Hellmut Flashar: Hippokrates. Meister der Heilkunst (Michaela Rücker) Manfred Clauss: Athanasius der Große. Der unbeugsame Heilige (Peter Antes) Johannes Willms: Mirabeau oder die Morgenröte der Revolution. Eine Biografie (Hans-Christof Kraus) Stephanie Velten: Johann Julius Wilhelm Ritter von Planck. Leben und Werk (Dirk Blasius) Katharina Abermeth: Heinrich Schnee. Karriereweg und Erfahrungswelten eines deutschen Kolonialbeamten (Ulrich van der Heyden) Marianna Butenschön: Die Hessin auf dem Zarenthron. Maria. Kaiserin von Russland (Martin Malek) Henrik Meinander: Gustaf Mannerheim. Aristokr

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Hardinghaus, Christian. "Vom Marianischen Spital zum Prinzenkarneval." Der Klinikarzt 49, no. 03 (2020): 53. http://dx.doi.org/10.1055/a-1069-4404.

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Bevor der wohlhabende Kaufmann Johann von Wespien, ehemaliger Bürgermeister der Stadt Aachen, im Jahr 1759 kinderlos verstarb, verabredete er mit seiner Frau Anna Maria, was sie alles mit dem ihr vermachten, beträchtlichen Vermögen anzustellen habe. Unter anderem erhielt sie den Auftrag, eine eigene Klinik für 12 kranke und arme Männer aus beiderseitigen Familien zu eröffnen, die in vertrauter Umgebung nah ihrer Angehörigen behandelt werden sollten. Zu dieser Zeit existierte dort nämlich nur eines für arme Frauen: das bereits 1336 gegründete Elisabeth-Hospital. Anna von Wespien folgte den Wüns

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Béhague, Emmanuel. "Mythification et démythification dans le théâtre contemporain. Ulrike Meinhof de Johann Kresnik et Ulrike Maria Stuart d’Elfriede Jelinek/ Nicolas Stemann." Cahiers d’études germaniques 54, no. 1 (2008): 155–73. http://dx.doi.org/10.3406/cetge.2008.1766.

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Pinto, Nelson Guilherme Machado, Bruno Pereira Conte, Rodrigo Abbade da Silva, and Daniel Arruda Coronel. "A DISCUSSÃO ENTRE TEORIA E PRÁTICA NAS CIÊNCIAS ADMINISTRATIVAS: UMA ANÁLISE DAS DISSERTAÇÕES DO PROGRAMA DE PÓS-GRADUAÇÃO EM ADMINISTRAÇÃO DA UNIVERSIDADE FEDERAL DE SANTA MARIA." Revista de Administração de Roraima - RARR 5, no. 2 (2015): 285. http://dx.doi.org/10.18227/2237-8057rarr.v5i2.3072.

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Os debates entre o relacionamento de teóricos e práticos acabam levando a alguns conflitos entre estes. Essa discussão acaba acentuando-se dentro do contexto dos centros de ensino em Administração. Assim, o objetivo deste trabalho consiste em analisar as dissertações do mestrado acadêmico do Programa de Pós-Graduação em Administração (PPGA) da Universidade Federal de Santa Maria (UFSM), no período de 2008 a 2012, a fim de verificar se os trabalhos teóricos do curso possuem orientação para a prática organizacional. Para o atendimento deste objetivo, foi utilizado um roteiro de análise baseado n

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Szántay, Antal. "Cameralism in the Habsburg Monarchy and Hungary." History of Political Economy 53, no. 3 (2021): 551–69. http://dx.doi.org/10.1215/00182702-8993400.

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The article argues that Cameralism and the Habsburg Monarchy were in strong mutual interchange during the eighteenth century. After the Great Turkish War and the War of the Spanish Succession, the Habsburg Monarchy had to incorporate vast territories into the monarchy’s governmental system. Integration, unification, and centralization were on the agenda. Viennese government circles relied on Cameralism as the leading theory of state, economy, and society, while Cameralism rose, broadened, and became institutionalized in administration and higher education. The most important works of late-seve

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Reimer, Erich. "Friedelena Margaretha Bach (1675-1729)." Die Musikforschung 63, no. 3 (2021): 248–56. http://dx.doi.org/10.52412/mf.2010.h3.245.

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Vergegenwärtigt man sich, dass Friedelena Margaretha Bach von 1709 bis 1729 in der Familie ihres Schwagers Johann Sebastian Bach gelebt hat, und reflektiert man diese Tatsache vor dem Hintergrund bekannter Fakten der Bach-Biographie, wird deutlich, dass Friedelena Bach wegen des frühen Todes ihrer Schwester Maria Barbara für Bachs Familie eine Bedeutung gewonnen haben muss, die über die normale Rolle einer im Haushalt helfenden unverheirateten Schwägerin hinausgegangen ist. Ihre wichtigste Aufgabe dürfte darin bestanden haben, die vier Kinder nach dem Tod der Schwester (Juli 1720) und der Wied

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Bennett, Lawrence. "IGNAZ HOLZBAUER AND THE ORIGINS OF GERMAN OPERA IN VIENNA." Eighteenth Century Music 3, no. 1 (2006): 63–90. http://dx.doi.org/10.1017/s1478570606000492.

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Ignaz Holzbauer (1711–1783) is best known for his singspiel Günther von Schwarzburg (1777), a work that deeply impressed Mozart during his sojourn in Mannheim. A much earlier German opera by Holzbauer, however, has gone virtually unnoticed. In the summer or autumn of 1741 the composer’s full-length, three-act teutsche Opera entitled Hypermnestra was performed at the Kärntnertortheater in Vienna. Following the death of Emperor Charles VI and the accession of Maria Theresia, the Kärntnertortheater Intendant Joseph Selliers commissioned a German-language opera, selecting Holzbauer, who had recent

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Kadar, Nicholas. "A Note on Semmelweis’s Animal Experiments and Their Historical Significance." Journal of the History of Medicine and Allied Sciences 75, no. 4 (2020): 383–407. http://dx.doi.org/10.1093/jhmas/jraa039.

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Abstract This article seeks to establish what animal experiments Semmelweis conducted, and when and why he conducted them, because the Semmelweis literature contains conflicting claims about these topics or has ignored them altogether. Semmelweis first conducted animal experiments between 22 March and 20 August 1849 with Rokitansky’s assistant, Georg Maria Lautner, because his chief, Johann Klein, did not accept that by merely reducing the mortality rate from childbed fever with chlorine hand-disinfection, Semmelweis had proved his theory of the cause of childbed fever. However, Skoda conclude

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Schweizer, C. "Geological travellers in view of their philosophical and economical intentions: Johann Wolfgang von Goethe (1749–1832) and Caspar Maria Count Sternberg (1761–1838)." Geological Society, London, Special Publications 287, no. 1 (2007): 63–72. http://dx.doi.org/10.1144/sp287.6.

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Bagdonė, Karolina. "Jonas Aistis’ and Sigitas Geda’s Notion of Open Cultural Identity: Between Universality and National Self-Preservation." Colloquia 49 (July 19, 2022): 118–37. http://dx.doi.org/10.51554/coll.22.49.07.

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In this article, author uses the theory of intertextuality to examine how the works of two Lithuanian poets, Jonas Aistis and Sigitas Geda, revised Western literary works during the Soviet era and what kind of European identity they conveyed by creating intertextual connections. Both poets during the Cold War looked for the ways to make vital links with Western literature and to continue to reflect on the relationship between Europeanness and Lithuanianness that had taken place in Lithuania before World War II. Aistis turned to the classical era that was popular in the interwar period, especia

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Dzik, Janina. "The Reception of the Engravings of Gottfried Bernhard Göz’s Marian Series in the Monumental Painting of the Lviv Circle in the 18th Century." Roczniki Humanistyczne 67, no. 4 SELECTED PAPERS IN ENGLISH (2019): 7–32. http://dx.doi.org/10.18290/rh.2019.68.4-1en.

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The Polish version of the article was published in Roczniki Humanistyczne vol. 63, issue 4 (2015). The graphic series dedicated to the Mother of God, defined as Sub tuum praesidium confugimus, by Gottfried Bernhard Göz (1708–1774) was an inspiration for the monumental painting of the Rococo period in Poland in the times of the Saxon kings. The series of engravings with a devotional character made with the stipple engraving technique presents 12 signed Marian scenes: the Immaculate Conception of the Blessed Virgin Mary, Mary’s Birth, the Presentation of Mary, Mary and Joseph’s Matrimony,

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Tracz, Szymon. "Italian Inspiration for the Painting Decorations by Maciej Jan Meyer from the First Half of the Eighteenth Century in Szembek Chapel at the Cathedral in Frombork." Perspektywy Kultury 30, no. 3 (2020): 151–78. http://dx.doi.org/10.35765/pk.2020.3003.11.

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The Bishop of Warmia, Krzysztof Andrzej Jan Szembek from Słupów (1680– 1740), erected a domed reliquary chapel devoted to the Most Holy Savior and St. Theodore the Martyr (Saint Theodore of Amasea) at the cathedral in Frombork, also known as Szembek Chapel. The entire interior of the chapel is covered with frescoes dating from around 1735 by Maciej Jan Meyer (Matthias Johann Meyer) from Lidzbark Warmiński. Educated in Italy, the artist made polychrome decorations in the style of illusionistic architectural painting known as quadrature. In the lower part of the chapel stand busts of saints an

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Godsey, William D. "Habsburg Government and Intermediary Authority under Joseph II (1780–90): The Estates of Lower Austria in Comparative Perspective." Central European History 46, no. 4 (2013): 699–740. http://dx.doi.org/10.1017/s0008938914000016.

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On October 18, 1783, a cortege of gala carriages escorted by liveried attendants, lackeys, and trumpeters drew up in the main courtyard of the Hofburg, the Imperial palace in Vienna. Received with military honors, it bore a deputation of the Lower Austrian Estates led by Landmarschall Count Johann Anton Pergen and that included a dozen representatives of the four orders (prelates, lords, knights, and townsmen) that composed the diet. The group ascended into the ceremonial apartments to be welcomed by the Imperial grand chamberlain, who announced its arrival. The emperor's appearance in the aud

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Košárková, Monika, Luboš Machačko, and Radka Šefců. "COMPREHENSIVE NATURAL HISTORY RESEARCH OF THE TECHNIQUE AND TECHNOLOGY OF THE PAINTING BY GABRIEL MÜLLER ON THE EXAMPLE OF THE PORTRAITS OF JOHANN ADAM OF QUESTENBERG AND MARIA ANTONIA OF QUESTENBERG." Průzkumy památek 26, no. 2 (2019): 39–46. http://dx.doi.org/10.56112/pp.2019.2.04.

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Mr. Maris, mr. Spoor, Prof. mr. Heider, mr. Wentink, and ir. Van Leeuwen. "’1. Cornelia Catharina Maria Looyen 2. Elisabeth Johanna Maria Adriaansen / 1. Cornelia Johanna Maria Adriaansen 2. Maria Johanna Cornelia Augustijn’ (TvAR 1990/4352)." Tijdschrift voor Agrarisch Recht 50, no. 5 (1990): ㅤ. http://dx.doi.org/10.5117/tvar1990.5.010.

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Maiste, Juhan. "Miks kõneleb Laokoon kirjasõnas ja ei kõnele marmoris?" Baltic Journal of Art History 11 (November 30, 2016): 9. http://dx.doi.org/10.12697/bjah.2016.11.02.

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In this article, the author focuses on the work called Laocoön, which was one of the most popular subjects for 18th century art writers. The first description of the work was provided by Pliny the Elder who, in the 36th volume of his Naturalis historia, calls it the best work of the art in the world – be it painting or sculpture. Pliny identifies three artists from Rhodes – Hagesandros, Polydoros and Athenedorus – as the authors of the Laocoön Group. After the sculpture was found in the vicinity of the Basilica of Santa Maria Maggiore, the Laocoön has repeatedly aroused the interest of art his

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Nikolskaia, Kseniia D. "Lutheran Romance. Missionaries of Tranquenar in Search for Life Companions." Oriental Courier, no. 1 (2022): 103. http://dx.doi.org/10.18254/s268684310021415-4.

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The Danish East India Company (Dansk Østindisk Kompagni) was established in Europe at the beginning of the 17th century. Its stronghold in India was the city of Trankebar (Dansborg Fortress), located 250 km from Madras. In the early years of the 18th century, the first Lutheran missionaries, Bartholomäus Ziegenbalg and Heinrich Plütschau, appeared on the Coromandel Coast. It was at this time that the Danish Royal Mission, financed by King Frederick IV, was established in the Indian South. It consisted mainly of Germans, graduates of the University of Halle in Saxony, a bastion of pietism in Ge

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Savuliak, R. V. "Features of the codification works on the Josephine Code of 1787." Analytical and Comparative Jurisprudence, no. 4 (September 14, 2023): 41–49. http://dx.doi.org/10.24144/2788-6018.2023.04.5.

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The author considered the peculiarities of the codification process of concluding the Josephine Code of 1787 in the Habsburg monarchy. At the same time, first of all, the state of the scientific research of the specified problem was analyzed both in the science of the history of Austrian law, in the 19th century and in modern, as well as in Ukrainian historical and legal science. The article reveals the prerequisites for concluding the Josephine Code as a result of the revision of the Draft of Codex Theresianus of 1766. The main focus of the study is on highlighting the stages of long-term cod

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SEMENOVSKA, L., I. VAZHENINA, and V. FAZAN. "INDIVIDUALIZATION OF LEARNING AS A DEVELOPMENT ACTUALITY INFORMATION TECHNOLOGICAL SOCIETY." Pedagogical Sciences, no. 82 (December 28, 2023): 30–34. http://dx.doi.org/10.33989/2524-2474.2023.82.295073.

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The article reveals the formation of the idea of individualization of education in the works of Jean-Jacques Rousseau, Johann Gottfried Herder, Helen Parkhurst, Maria Montessori, John Dewey, etc. On the basis of studying the works of foreign researchers, in particular, Ken Robinson, Diana Laurillard, Candace Thille, etc., the key theoretical aspects of the development of individualized learning are highlighted: diagnostics (collection and analysis of data about a person for understanding its needs, abilities and level of knowledge); personalization (development of educational programs, tasks a

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Pista, Leon. "Der mariologische Ansatz von Joseph Ratzinger." DIALOG TEOLOGIC XXIII, no. 46 (2020): 48–63. http://dx.doi.org/10.53438/egvj5450.

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In diesem Artikel wird es den mariologischen Ansatz von Joseph Ratzinger analysiert. Dessen erster Teil skizziert drei methodische Aspekte, die für eine redliche Auslegung der Enzyklika „Redemptoris Mater“ von Papst Johannes Paul II. wichtig sind. Nach der Skizzierung dieser drei methodischen Aspekte werden drei inhaltliche Schwerpunkte der Enzyklika präsentiert. Der zweite Teil des Artikels analysiert das Buch „Die Tochter Zion“ von Joseph Ratzinger. Hier werden die drei großen Mariendogmen ausgelegt, und zwar: Maria, Jungfrau und Gottesmutter, ihr Freisein von der Erbsünde und die Aufnahme d

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Mr. Mar is, mr. Spoor, mr. Kok, and baron De Weichs de Wenne en De Wolf. "’1. Johannes Adrianus Josephus Jansen 2.Maria Johanna Verschueren-Jansen / Jan Bruurs’ (TvAR 1990/4373)." Tijdschrift voor Agrarisch Recht 50, no. 7 (1990): ㅤ. http://dx.doi.org/10.5117/tvar1990.7.004.

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Schreurs, Eugeen. "Missa Maria Assumpta." Forum+ 25, no. 3 (2018): 44–51. http://dx.doi.org/10.5117/forum2018.3.schr.

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Er bestaan hardnekkige misverstanden over de Mariae Assumptae-mis uit 1720 van de Antwerpse componist Johannes Adamus Faber. Die werd immers lang beschouwd als de eerste bekende, maar verdwenen klarinetpartituur. Naar aanleiding van de recente opname van deze partituur door Terra Nova Collective onder leiding van Vlad Weverberg geeft Eugeen Schreurs meer context en nuancering bij deze mis.There are many persistent misconceptions about the Mariae Assumptae mass of 1720 composed in Antwerp by Johannes Adamus Faber. Indeed it was long regarded as the first known, albeit lost, score ever written f

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Vodosek, Peter. "Augustynowicz, Christoph; Frimmel, Johannes (Hrsg.): Der Buchdrucker Maria Theresias: Johann Thomas Trattner (1719–1798) und sein Medienimperium. (Buchforschung. Beiträge zum Buchwesen in Österreich, Band 10). Wiesbaden: Harrassowitz Verlag, 2019. 173 S., Illustrationen, fest gebunden. ISSN 1562-9279, ISBN 978-3-447-11235-2. 54,– €." Bibliothek Forschung und Praxis 45, no. 1 (2021): 186–88. http://dx.doi.org/10.1515/bfp-2020-0128.

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