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Dissertations / Theses on the topic 'Johann Sebastian'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Beisswenger, Kirsten. "Johann Sebastian Bachs Notenbibliothek /." Kassel ; Basel ; London : Bärenreiter, 1992. http://catalogue.bnf.fr/ark:/12148/cb35518086m.

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2

Linsley, Dennis Edward. "Melodic inversion in J. S. Bach's keyboard suites / by Dennis Edward Linsley." Connect to title online (Scholars' Bank), 2008. http://hdl.handle.net/1794/7770.

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3

Chung, Erin H. "The Well-tempered clavier by J.S. Bach : a performance guide to twelve selected preludes and fugues arranged in order of ascending difficulty /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/11280.

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4

Elbon, Virginia Elizabeth. "Symmetry and proportion generative and formative procedures of J.S. Bach's Brandenburg concerto no. 3 /." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1961.

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Thesis (M.M.)--West Virginia University, 2001.<br>Title from document title page. Document formatted into pages; contains vii, 33 p. : music, ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 31-32).

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5

Felix, Werner. "Wie familiär war Johann Sebastian Bach?" Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37242.

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6

Matyl, Ulrich. "Die Choralbearbeitungen der Schüler Johann Sebastian Bachs /." Kassel ; Basel ; London : Bärenreiter, 1995. http://catalogue.bnf.fr/ark:/12148/cb36959513p.

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7

Sackmann, Dominik. "Bach und Corelli : Studien zu Bachs Rezeption von Corellis Violinsonaten op. 5 unter besonderer Berücksichtigung der "Passagio-Orgelchoräle" und der langsamen Konzertsätze /." München ; Salzburg : Katzbichler, 2000. http://catalogue.bnf.fr/ark:/12148/cb37120125j.

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8

Mašlaň, Petr. "Johann Sebastian Bach. Kantáty s obligátním violoncellem." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-177718.

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This thesis is engaged in cantatas of Johann Sebastian Bach, in which composer calls for violoncello piccolo. It is divided into four chapters. The first chapter deals with the issue of instrument, the following chapter is dedicated to the historical kontext of cantatas and their instrumentation in connection with violoncello piccolo. The third chapter is a musical analysis of individual arias in nine subsections. The fourth chapter deals with the question, on which instrument can be now these solos. The thesis contains actual score examples and the footnotes.

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9

Peters, Manfred. "Johann Sebastian Bach als Klang-Redner : die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen." Saarbrücken Pfau, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=014738632&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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10

Cho, Yoonju. "A study of Baroque tempo practices and their applications to the Violoncello suite no. 2 by Johann Sebastian Bach /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/11292.

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11

Boresch, Hans-Werner. "Besetzung und Instrumentation : Studien zur kompositorischen Praxis Johann Sebastian Bachs /." Kassel ; Basel ; London : Bärenreiter, 1993. http://catalogue.bnf.fr/ark:/12148/cb35642932h.

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12

Fanselau, Clemens. "Mehrstimmigkeit in J.S. Bachs Werken für Melodieinstrumente ohne Begleitung /." Sinzig : Studio, 2000. http://catalogue.bnf.fr/ark:/12148/cb39996123d.

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13

Zwetzschke, Jana. ""...ich bin sicher, dass ich ihn lieben lerne..." : Studien zur Bach-Rezeption in Russland /." Hildesheim : G. Olms, 2008. http://catalogue.bnf.fr/ark:/12148/cb41430472w.

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14

Green, Curtis A. "A comparison of selected editions of Bach's Suite no. 5 in C minor, BWV 1011." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/822.

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15

Deppert, Heinrich. "Einige Anmerkungen zu Johann Sebastian Bachs vierstimmigen Choralgesängen." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37234.

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16

Cosma, Viorel. "Enescus Interpretation der Musik von Johann Sebastian Bach." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38304.

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17

Lee, Yoonnah Lim. "A Pedal Study of Johann Sebastian Bach's Orgelbuchlein." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1368086071.

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18

Cuddeford, Tara. "Performance techniques for selected works of: J.S. Bach, J. Brahms and E. Elgar /." St. Lucia, Qld, 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16408.pdf.

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19

Bertling, Rebekka. "Das Arioso und das ariose Accompagnato im Vokalwerk Johann Sebastian Bachs /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1992. http://catalogue.bnf.fr/ark:/12148/cb355394673.

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20

Turnbull, Catherine. "Performing the Bach cello suites on the viola /." [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19293.pdf.

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21

Jokic, Natasa. "Flute partita a-minor BWV 1013 : arrangement for guitar." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-60.

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22

Cole, Warwick. "The performance of small-note VorschlaÌˆge in the keyboard and chamber music of J.S. Bach". Thesis, Birmingham City University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248605.

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This study is concerned with conventions of notation and of performance in the music of Johann Sebastian Bach. The small-note Vorschlag represents one of the most puzzling and least understood aspects of western musical notation during the period under discussion. Although the issue has been examined extensively in the past. the lack of consensus among scholars and performers - coupled with Bach's copious use of the small-note Vorschlag - indicates that a reassessment is warranted. The aim is to arrive at an understanding of Bach's notation of the Vorschlag and its implications for informed pe

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23

Säfström, Lovisa. "Cellosvit nr 1 av J.S. Bach." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2082.

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24

Kempen, Suzanne van. "Bach - musikpädagogisch betrachtet." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/996278222/04.

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25

Klingfors, Gunno. "Bach går igen : källkritiska studier i JS Bachs uppförandepraxis /." Göteborg : Göteborgs universitet, 1991. http://catalogue.bnf.fr/ark:/12148/cb36955876f.

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26

Kao, Shu Phyllis. "Affective gesture in J.S. Bach's keyboard music with special reference to selected works in D minor /." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B17313867.

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27

Salmen, Rebecca L. "Performance practice and analysis of Johann Sabastian Bach's Aria for tenor and flute obbligato, Wo wird in diesem Jammertale, from Cantata BWV 114." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/827.

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28

Dehnhard, Walther. "Kritik der zahlensymbolischen Deutung im Werk Johann Sebastian Bachs." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37250.

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29

Justi, Katia Regina Kato. "A missa em si menor de Johann Sebastian Bach = a poética e o trágico = Johann Sebastian Bach's B minor mass : poetic and the tragic." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284540.

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Orientador: Paulo Mugayar Kühl<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-22T02:53:23Z (GMT). No. of bitstreams: 1 Justi_KatiaReginaKato_D.pdf: 3770115 bytes, checksum: 6eb29bd8ac1ceaed915ae65400aadb14 (MD5) Previous issue date: 2013<br>Resumo: A proposta deste trabalho é fazer uma investigação da Missa em Si menor, BWV 232, de Johann Sebastian Bach, seguindo parâmetros que enfoquem alguns procedimentos poéticos e retóricos nela utilizados. Investigando a luz das poéticas clássicas, sobretudo da Poética de Aristóteles, e

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30

Schubert, Benedikt [Verfasser]. "Bild, Affekt, Inventio : Zur «Johannespassion» Johann Sebastian Bachs / Benedikt Schubert." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/114480258X/34.

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31

Dequevauviller, Vincent. "Etude sur certains procédés architectoniques, en particulier numériques, dans la composition des oeuvres de Jean-Sébastien Bach." Paris 4, 2003. http://www.theses.fr/2003PA040070.

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L'objectif de la thèse est analytique : essayer de mettre en valeur des régularités formelles récurrentes dans quelques pièces et cycle de Bach. On observe d'abord que le triple-prélude et la triple-fugue en mi bémol majeur, opposés en apparence, utilisent le même principe de construction : une succession de périodes disposées par paires (quatre paires pour le prélude, trois pour la fugue). En outre, la longueur des périodes (c'est-à-dire leur nombre de mesures) suit des règles arithmétiques rigoureuses, utilisant des catégories particulières de "nombres remarquables" (signatures, miroirs, etc

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32

Weman, Ericsson Lena. ""... världens skridskotystnad före Bach" : historiskt informerad uppförandepraxis ur ett kontextuellt musikontologiskt perspektiv, belyst genom en fallstudie av Sonat i E-dur, BWV 1035, av J S Bach." Piteå Department of music and media, Luleå University of Technology, 2008. http://epubl.ltu.se/1402-1544/2008/54/LTU-DT-0854-SE.pdf.

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33

Lim, Aesook. "The long chorale preludes of J.S. Bach (1685-1750) study of accompaniments, together with three recitals of selected work by Dietrich Buxtehude (1637-1707), J.S. Bach, and Louis Vierne (1870-1937) and others /." connect to online resource. Access restricted to the University of North Texas campus, 2006. http://www.unt.edu/etd/all/May2006/lim%5Faesook/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2006.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Nov. 15, 1999, July 16, 2001, Apr. 29, 2005, and Nov. 17, 2005. Includes bibliographical references (p. 36-37).

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34

Ngo, Nightingale. "From the Baroque to the Classical: The Organ Works and Contributions of W. F. Bach, C. P. E. Bach, J. C. Bach, and J. Krebs." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/187.

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Johann Sebastian Bach is considered the foremost organist and composer of organ music of his time. His vast knowledge of the instrument and his ability to reveal the organ?s brilliance were unparalleled, taking the organ to its peak in the Baroque era. Bach perfected many musical styles and forms of the day, and also became well-known for his improvisational skills. However, by the end of Bach?s life, the styles and forms began to change. The forms Bach knew so well slowly gave way to new ideas, signaling the beginning of what music historians label the ?Classical? period. It was during this

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35

Harris, Raymond Stanley. "Scripture in song J.S. Bach's exegesis of Matthew 26 and 27 in the S̲t̲.̲ M̲a̲t̲t̲h̲e̲w̲ P̲a̲s̲s̲i̲o̲n̲ /." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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36

Person, Gretchen E. "The expression of joy." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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37

Sandberger, Wolfgang. "Das Bach-Bild Phlipp Spittas : ein Beitrag zur Geschichte der Bach-Rezeption im 19. Jahrhundert /." Stuttgart : F. Steiner, 1997. http://catalogue.bnf.fr/ark:/12148/cb35869634t.

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38

Heinemann, Michael. "Die Bach-Rezeption von Franz Liszt /." Köln : Studio, 1995. http://catalogue.bnf.fr/ark:/12148/cb357825583.

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39

Teuber, Richard. "Die Bach-Rezeption im frühen Instrumentalwerk Paul Hindemiths /." Frankfurt am Main ; Bern ; Bruxelles : P. Lang, 2001. http://catalogue.bnf.fr/ark:/12148/cb37218777b.

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40

Cantoni, Angelo. "La référence à Bach dans les oeuvres néo-classiques de Stravinsky /." Hildesheim ; Zürich ; New York : G. Olms, 1998. http://catalogue.bnf.fr/ark:/12148/cb369686566.

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41

Cantoni, Angelo. "La référence à Bach dans les oeuvres néo-classiques de Stravinsky : sa fonction dans le renouvellement stylistique du compositeur /." Tours : [A. Cantoni], 1994. http://catalogue.bnf.fr/ark:/12148/cb401156670.

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42

Abravaya, Ido. "On Bach's rhythm and tempo /." Kassel [u.a.] : Bärenreiter, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014918243&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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43

Noyer, Jérémie. "L'utopie liturgique : la "Missa en si mineur" de Johann Sebastian Bach." Aix-Marseille 1, 2000. http://www.theses.fr/2000AIX10077.

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La missa en si mineur de bach pose un certain nombre de problemes lies tant a notre situation actuelle qu'a son site natif. L'absence d'activation de cette oeuvre dans toutes les situations qu'elle a rencontrees jusqu'ici, au profit de la messe en si, nous invite vraiment a l'interroger. Interroger tout d'abord sa tres faible activation dans les interpositions de toutes les couches stratigraphiques qu'elle a rencontrees, a l'interieur une demarche recursive ou a rebours, veritable demarche de recherche, et interroger cette oeuvre dans son actualite, dans toutes les dimensions qu'elle revet auj

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44

Schadow, Sebastian [Verfasser]. "Rechtswissenschaft und praktische Bedürfnisse : Johann Christian Hasse (1779-1830) / Sebastian Schadow." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2016. http://d-nb.info/1122043899/34.

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45

Huron, D. "Voice segregation in selected polyphonic keyboard works by Johann Sebastian Bach." Thesis, University of Nottingham, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234610.

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46

Johann, Sebastian S. [Verfasser]. "On Simultaneous Domination and Mixed Connectivity in Graphs / Sebastian S. Johann." München : Verlag Dr. Hut, 2021. http://d-nb.info/1233525549/34.

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47

Morton, Wyant. "Questions of authenticity in three motets attributed to Johann Sebastian Bach." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185862.

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The motets Der Gerechte kommt um, Jauchzet dem Herrn alle Welt and Ich lasse dich nicht have figured prominently in the ongoing discussion regarding the authentic and spurious motets of Johann Sebastian Bach. While the high musical quality of these compositions has long been recognized, disagreement over their authorship has continued because of the complexity of their source transmission. Evaluation of previous scholarship in light of recent investigations into the source transmission of these pieces suggests that all three works were, indeed, the handiwork of J. S. Bach. In support of this p

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48

Watson, Marva J. "The Historical Figures of the Birthday Cantatas of Johann Sebastian Bach." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/157.

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Johann Sebastian Bach is credited with writing over 300 cantatas. Sacred cantatas comprise most of that repertory, but there are just under forty known secular cantatas composed by Bach. About half of these secular cantatas were written to celebrate a person’s birthday. This thesis will attempt to provide a view of the life of the historical figures for which the birthday cantatas were written, reflections of the personality of the individual in the cantata, Bach’s relationship to the recipient, and political or social connotations associated with the work. From a study of the individuals con

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49

Alevizos, Konstantinos. "Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040033.

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La thèse veut démontrer que toutes les compositions contenues dans L'Art de la Fugue possèdent entre elles des liaisons strictes et essentielles qui vont au-delà de la simple coprésence et/ou élaboration du même sujet, en créant une unité et une progression de la complexité technique dans son évolution. À travers une analyse détaillée de toutes les fugues sur trois niveaux: rythmique, harmonique et morphologique, notre objectif est d’identifier et de cataloguer tous les éléments spécifiques qui créent cette unité, afin d'arriver à la présentation du système des techniques compositionnelles uti

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50

Pérez, Torres René. "Bach's Mass in B minor an analytical study of parody movements and their function in the large-scale architectural design of the mass /." connect to online resource, 2005. http://www.unt.edu/etd/all/Dec2005/perez%5Ftorres%5Frene/index.htm.

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