Dissertations / Theses: 'Johann Wolfgang Goethe'

1

Schmeissner, Katrin. ""Goethe è tedesco ma è anche nostro" : die Goethe-Rezeption in Italien 1905-1945 /." Hamburg DOBU, Wiss. Verl. Dokumentation & Buch, 2008. http://d-nb.info/992806763/04.

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2

Kaus, Rainer J. "Anmerkungen zu Goethe eine psychoanalytische Untersuchung über Goethe als Repräsentant deutscher Kultur /." [S.l. : [Groningen] : s.n.] ; [University Library Groningen] [Host], 1994. http://irs.ub.rug.nl/ppn/123904323.

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3

Meier, Richard. "Gesellschaftliche Modernisierung in Goethes Alterswerken "Wilhelm Meisters Wanderjahre" und "Faust II" /." Freiburg im Breisgau : Rombach, 2002. http://www.gbv.de/dms/bs/toc/345470346.pdf.

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4

Hofmann, Peter. "Goethes Theologie /." Paderborn : F. Schöningh, 2001. http://catalogue.bnf.fr/ark:/12148/cb388609326.

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5

Jordan, Katrin. ">Ihr liebt und schreibt Sonette! Weh der Grille!< : die Sonette Johann Wolfgang von Goethes." Würzburg Königshausen & Neumann, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3125432&prov=M&dokv̲ar=1&doke̲xt=htm.

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6

Azzouni, Safia. "Kunst als praktische Wissenschaft : Goethes "Wilhelm Meisters Wanderjahre" und die Hefte "Zur Morphologie /." Köln : Böhlau, 2005. http://catalogue.bnf.fr/ark:/12148/cb41111843q.

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7

Fick, Monika. "Das Scheitern des Genius : Mignon und die Symbolik der Liebesgeschichten in Wilhelm Meisters Lehrjahren /." Würzburg : Königshausen und Neumann, 1987. http://catalogue.bnf.fr/ark:/12148/cb349839381.

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Diss. : Neuphilologische Fakultät : Heidelberg : 1984, sous le titre : "Erkenntnisgeschichte und Liebesroman. Mignon und ihre Gegenbilder in Wilhelm Meisters Lehrjahren". - Bibliogr. p. 266-277. Index. -

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8

Grefe, Maxine Anderson. ""Apollo in the wilderness" : an analysis of critical reception of Goethe in America, 1806-1840 /." New York ; London : Garland, 1988. http://catalogue.bnf.fr/ark:/12148/cb35031559z.

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9

Meier, Bettina. "Goethe in Trümmern : zur Rezeption eines Klassikers in der Nachkriegszeit /." Wiesbaden : Deutscher Universitätsverlag, 1989. http://catalogue.bnf.fr/ark:/12148/cb362095003.

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10

Büchsenschuß, Jan. "Goethe und die Architekturtheorie /." kostenfrei, 2009. http://nbn-resolving.de/urn:nbn:de:kobv:83-opus-23241.

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11

Büchsenschuss, Jan. "Goethe und die Architekturtheorie." Hamburg Kovač, 2009. http://d-nb.info/999630091/04.

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12

Manteau, Roger Avanzini Guy. "Les Idées pédagogiques de Goethe." [S.l.] : [s.n.], 1985. http://theses.univ-lyon2.fr/sdx/theses/lyon2/1985/manteau_r.

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13

Ravini, Sinziana. "Goethes Schöpfungsmythen." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/989362132/04.

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14

Hurson, Didier. "L'idée de totalité chez Johann Wolfgang von Goethe." Nancy 2, 1995. http://www.theses.fr/1995NAN21006.

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La notion de totalité postule l'existence d'une sphère de réalité inaccessible aux sens comme à la pensée discursive, mais sentie comme légitimation transcendantale du continuum phénoménal, donc du consentement au monde. Le corpus scientifique et littéraire de Goethe est examiné à l'aide de larges extraits situés dans la diachronie de l'histoire des idées (pensée présocratique, stoïcisme, Renaissance européenne, philosophie critique de Kant). L'idée de totalité apparaît alors tel un principe structurant, une base heuristique qui oriente la quête ontologique de Goethe lors de son questionnement de la natura naturata et son admiration productive devant la natura naturans. La critique esthétique de Goethe (Mantegna, Laocoon) révèle la présence d'un temps mixte garant de complétude et de plénitude. L'exquise rareté de "l'aperçu" convoque devant la conscience la totalité qui a dépassé l'état d'énigme
The notion of totality postulates the existence of a sphere of reality inaccessible to the senses as well as to the discursive approach; totality is much more felt as the transcendental legitimacy of the phenomenal continuum and thus of the consent of existence. The scientific and literary works of Goethe are examined by way of large extracts which are placed into the diachronical context of the history of ideas (Presocrates, Stoa, European Renaissance, critical philosophy of Kant). The idea of totality appears to be a structure-creating principle, an heuristic base which directs the ontological request of Goethe during his investigations of the natura naturata and when being inspired by the natura naturans. Goethe's reflexion on art (Mantegna, Laocoon) reveals the existence of a mixed time contributing to a sense of completeness and serenity. The rare and unique appeatance called "apercu" makes us aware of a totality no longer being an enigma

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15

Schwanke, Martina. "Name und Namengebung bei Goethe : computergestützte Studien zu epischen Werken /." Heidelberg : C. Winter, 1992. http://catalogue.bnf.fr/ark:/12148/cb36151838j.

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16

Kroucheva, Katerina. ""Goethereif!" : die bulgarischen Faust-Übersetzungen /." Wiesbaden : O. Harrassowitz, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783447059442.

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17

Schmeißner, Katrin. ""Goethe è tedesco ma è anche nostro" : die Goethe-Rezeption in Italien 1905-1945 /." Hamburg : DOBU-Verl, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3247757&prov=M&dokv̲ar=1&doke̲xt=htm.

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18

Stricker, Stefanie. "Substantivbildung durch Suffixableitung um 1800 : Untersucht an Personenbezeichnungen in der Sprache Goethes /." Heidelberg : C. Winter, 2000. http://catalogue.bnf.fr/ark:/12148/cb39262668z.

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19

Moeller, Hans. "Differenz und Bewegung Untersuchungen zu Goethes "Trilogie der Leidenschaften /." Paderborn : Paderborn : FIT-Verl. ; Univ. Press, 1998. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=008340009&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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20

Powik, Andreas Christian. "Goethe's poetic epistemology and the visual arts /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/6642.

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21

Lacoste, Jean. ""Goethe : art, science, poésie"." Paris, EPHE, 2006. http://www.theses.fr/2006EPHE4060.

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Les études qui composent cette thèse, hétérogènes sans doute par leur objet, leurs méthodes et leurs ambitions, ont toutes en commun de chercher à éclairer l'oeuvre littéraire de Goethe à partir des notions élaborées dans les "écrits scientifiques". Si ces études sont fragmentaires, à dessein, et par nécessité, elles renvoient toutes à une certaine unité de la pensée de Goethe, elles la postulent même. C'est dans les écrits consacrés à la géologie, à la "théorie des couleurs", à la biologie et à la botanique, etc - écrits auxquels Goethe lui-même accordait une importance qui surprenait ses interlocuteurs -, que l'on trouve exprimée dans la prose la plus ample, ou sous une forme fragmentaire, mais au plus près de son origine, "la pensée la plus profonde" de Goethe, celle qui trouve, ailleurs, dans la poésie, sa forme la plus condensée. Non que la poésie soit la traduction versifiée d'une pensée "scientifique", dogmatique, qui chercherait à se vulgariser post festum par un poème didactique; elle est au contraire la condensation la plus authentique - la quintessence, au gré des circonstances biographiques - d'une approche du monde, d'une vision de l'homme, d'une philosophie de la nature, qui trouve dans les écrits scientifiques (surtout dans la Farbenlehre) sa manifestation la plus explicite. Comme la feuille du gingko biloba dans le Divan, on pourrait dire que la pensée de Goethe, simultanément poétique et rationnelle, est à la fois "une et double", eins und doppelt. Il s'agit de mieux comprendre les relations entre Dichtung et Science
Even if they are heteregeneous in their scope, their methods and their object, these studies on Goethe have a common purpose: they intent to elucidate Goethe's literary work thanks to the notions that the German poet has elaborated in his scientific works. If, therefore, these studies are, of necessity, fragmentary, all, of them put in evidence a certain unity in Goethe's thought, and even postulate it. Goethe's writing on geology, on theory of colours, on biology and botany - writings which, for Goethe himself, were of paramount importance, to the great surprise of his admirers - give expression, either by the medium of an ample prosa or in aphorisms, to Goethe's deepest thought, the world-view that finds in Goethe's poetry its condensed translation. Of course, poetry in this case, is not the translation in verse of a "scientific" and dogmatic thought that would be explained to a larger audience by way of a didactic poem. It is, on the contrary, the most genuine condensation, the quintessence, hidden in the biographical data - of a Weltaanschauung, that is to say of a conception of man and a vision of Nature which find in the scientific writings (in particular the Theory of colours) its clearest expression. It could be said that Goethe's thought, at the same time rational and poetic, is simultaneously one and double, eins and doppelt, like the celebrated ginko biloba at the West-östlicher Divan

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22

Birus, Hendrik. "Vergleichung, Goethes Einführung in die Schreibweise Jean Pauls /." Stuttgart : Metzler, 1986. http://catalogue.bnf.fr/ark:/12148/cb349197552.

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23

Tillmann, Thomas. "Hermeneutik und Bibelexegese beim jungen Goethe." Berlin New York de Gruyter, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2848288&prov=M&dok_var=1&dok_ext=htm.

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24

Krines, Sigrid. "Das häusliche Umfeld Goethes /." Frankfurt am Main : P. Lang, 2000. http://catalogue.bnf.fr/ark:/12148/cb39012845g.

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25

Willison, Lemke Ann. "Singing Goethe’s Praises. Goethe Songs by Women Composers." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71966.

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26

Van, Eynde Laurent. "La libre raison du phénomène : essai sur la "Naturphilosophie" de Goethe /." Paris : J. Vrin, 1998. http://catalogue.bnf.fr/ark:/12148/cb370042225.

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27

Peters, Friedrich Ernst. "Goethe in Vicenza 1952." Universität Potsdam, 2012. http://opus.kobv.de/ubp/volltexte/2012/5959/.

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Besichtigung des Teatro Olimpico in Vicenza mit einer Führung durch einen deutschlandbegeisterten Italiener, der, neuer Architekt des Goethe-Mythos, des Dichters Aufenthalt in Vicenza für die Reisenden neu erfindet.

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28

Böge, Ulrike. "Die Inbesitznahme Goethes durch die Philosophie : Goetherezeption bei deutschsprachigen Philosophen in der ersten Hälfte des 20. Jahrhunderts /." Kiel : [s.n.], 2001. http://www.loc.gov/catdir/toc/fy0701/2005433244.html.

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29

Waldura, Markus. "Goethe und Figaro." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71950.

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30

Grimm, Claudia. "Die Transformation von Gefühlsdarstellungen in Buch und Film medienwissenschaftliche Analysen zu vier filmischen Literaturadaptionen von Goethes Roman "Die Wahlverwandtschaften" /." [S.l. : s.n.], 2005. http://geb.uni-giessen.de/geb/volltexte/2005/2265/.

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31

Voss, Alexandra. "Zwischen den Zeiten zur gesellschaftlichen Modernität in Goethes späten Erzählungen ; eine literatursoziologische Analyse /." [S.l. : s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=972872019.

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32

Brown, Kathryn. "The mirror of narrative : on the textual interpretation of Goethe's Die Wahlverwandschaften /." Title page, contents and abstract only, 1988. http://web4.library.adelaide.edu.au/theses/09ARM/09armb878.pdf.

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33

Bohnenkamp-Renken, Anne. ""...das Hauptgeschäft nicht ausser Augen lassend" : die Paralipomena zu Goethes Faust /." Frankfurt am Main ; Leipzig : Insel Verl, 1994. http://catalogue.bnf.fr/ark:/12148/cb377350518.

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34

Kruckis, Hans-Martin. ""Ein potenziertes Abbild der Menschheit" : Biographischer Diskurs und Etablierung der Neugermanistik in der Goethe-Biographik bis Gundolf /." Heidelberg : C. Winter, 1995. http://catalogue.bnf.fr/ark:/12148/cb39909526d.

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35

Wolf, Norbert Christian. "Streitbare Ästhetik : Goethes kunst- und literaturtheoretische Schriften 1771 - 1789 /." Tübingen : M. Niemeyer, 2001. http://catalogue.bnf.fr/ark:/12148/cb39196990c.

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36

Schneider, Steffen. "Archivpoetik : die Funktion des Wissens in Goethes "Faust II /." Tübingen : M. Niemeyer, 2005. http://catalogue.bnf.fr/ark:/12148/cb40021832z.

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37

Egger, Irmgard. "Diätetik und Askese : zur Dialektik der Aufklärung in Goethes Romanen /." München : W. Fink, 2001. http://catalogue.bnf.fr/ark:/12148/cb40185287z.

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38

Zenker, Markus. "Zu Goethes Erzählweise versteckter Bezüge in "Wilhelm Meisters Wanderjahre oder die Entsagenden" /." Würzburg : Königshausen und Neumann, 1990. http://catalogue.bnf.fr/ark:/12148/cb35511134z.

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39

Elsaghe, Yahya A. "Untersuchungen zu "Hermann und Dorothea" /." Bern : P. Lang, 1990. http://catalogue.bnf.fr/ark:/12148/cb35537182p.

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40

Castillo, Andrea. ""Immortalizing a transient splendor" and the "beautiful totality" : Goethe's occasional works for Duchess Louise from 1777 to 1784 /." May be available electronically:, 2009. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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41

Piskol, Tong. "Die Entwicklung des Goethe-Verständnisses der chinesischen Intellektuellen im 20. Jahrhundert eine Analyse der chinesischen Interpretationen und Biographien zu Goethe und der chinesischen Faust-Rezeption /." kostenfrei, 2006. http://www.diss.fu-berlin.de/2006/212/index.html.

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42

Seidel, Stephan. "Goethe und Albert Steffen Konfrontation und Synopsis." Berlin dissertation.de, 2003. http://deposit.d-nb.de/cgi-bin/dokserv?id=2833672&prov=M&dok_var=1&dok_ext=htm.

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43

Marx, Friedhelm. "Erlesene Helden : Don Sylvio, Werther, Wilhelm Meister und die Literatur /." Heidelberg : C. Winter, 1995. http://catalogue.bnf.fr/ark:/12148/cb37148783q.

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44

Lasch, Markus. "Pessoas Faust : Fragmente einer subjektiven Tragödie." Freiburg i. Br. ; Berlin Rombach, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2837493&prov=M&dokv̲ar=1&doke̲xt=htm.

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45

Hoffmann, Nigel R. "Goethe's notion of 'theory' : Goethean phenomenology as a new ecological discipline /." View thesis, 1994. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030625.092616/index.html.

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46

Mortimore, Alexander G. "The response of Johann Wolfgang von Goethe to the French Revolution." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:092157cb-3844-4fa8-a6f2-5e7e79b84278.

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This thesis seeks to explain the reasons behind Johann Wolfgang von Goethe's critical response to the French Revolution, and to identify his broader political views. It casts Goethe as a reform-minded conservative, who strove to advance civilisation and law-abiding liberty, and deplored tyranny, whether of the few or of the many. He deemed the Revolution politically and socially destructive, as it countered Enlightenment values of reason, tolerance, independent thought, and self-cultivation. While acknowledging the faults of the traditional ruling elite of the monarchy and aristocracy, Goethe also recognised the inherently flawed nature of human beings. This led him to support modest changes to redress specific grievances, rather than to overturn an entire political system in the utopian hope of realising a vice-ridden 'brotherhood of Man'. The fictional works indicate an author who favoured clearly definable freedoms over an abstract 'universal' freedom, who believed that BÃ1⁄4rger should develop their intellect and find an occupation best suited to their personal attributes, and that the most temperate and politically astute among them should influence government by co-operating with aristocrats. Goethe also portrays the fall of the ancien régime as largely self-inflicted, presenting many selfish and gullible courtiers, and incompetent kings. He appears to lament its demise, however, and not wish for a repeat in Germany, as the insurgent Bürger-dominated and/or republican regimes seem even more reckless. The advocates of 'liberté, égalité, fraternité' generally come across as perilously naïve or fraudulent, often using altruistic rhetoric to conceal egocentric and vindictive aims. The best cure for a flagging regime is (sometimes considerable) reform, not revolution. Political power should be treated with humility and self-restraint, and the relationship between rulers and subjects should be as intimate as possible. Above all, no part of the social hierarchy should suffer oppression from another, and people should be free to express various opinions, and criticise their government. For Goethe, the Revolution thwarted such principles.

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47

Seidel, Stephan. "Goethe und Albert Steffen : Konfrontation und Synopsis /." Berlin : dissertation.de, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2833672&prov=M&dok_var=1&dok_ext=htm.

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48

Hartmann, Tina. "Goethes Musiktheater : Singspiele, Opern, Festspiele, "Faust /." Tübingen : M. Niemeyer, 2004. http://catalogue.bnf.fr/ark:/12148/cb399344256.

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49

Ay, Andreas. "Nachts: Göthe gelesen Heinrich Wölfflin und seine Goethe-Rezeption." Göttingen V & R Unipress, 2007. http://d-nb.info/1002223121/04.

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50

Kaus, Rainer J. "Der Fall Goethe - ein deutscher Fall : eine psychoanalytische Studie /." Heidelberg : C. Winter, 1994. http://catalogue.bnf.fr/ark:/12148/cb35742691c.

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Dissertations / Theses on the topic 'Johann Wolfgang Goethe'

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