Journal articles: 'Johann Wolfgang Goethe'

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Durrani, Osman, and Benedikt Jessing. "Johann Wolfgang Goethe." Modern Language Review 91, no. 4 (October 1996): 1036. http://dx.doi.org/10.2307/3733599.

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Seng, Joachim. "„Denn das Falsche kann echt werden“." Internationales Archiv für Sozialgeschichte der deutschen Literatur 46, no. 1 (June 1, 2021): 200–215. http://dx.doi.org/10.1515/iasl-2021-0012.

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Abstract : In his autobiographical accounts, Johann Wolfgang Goethe emphasizes the vital role that his father’s collections of books and art had for his own Bildung. In fact, the library of Johann Caspar Goethe (1710–1782) played a vital role in Goethe’s education and early studies while also attesting to his family background and status. However, soon after Johann Caspar’s death, his library was dissolved – and whereas Johann Wolfgang Goethe and other family members integrated some of the books into their own collections, the majority of objects were sold and dispersed. Today, a handwritten catalog commissioned by Goethe’s mother, Catharina Elisabeth Goethe, just before the sale (in 1793/1794), is a critical tool for reconstructing the collection. This article describes the history of Johann Caspar Goethe’s library, its dispersal as well as the efforts to reconstruct the collection. As the retrieval of the original copies from Johann Caspar’s library and the re-establishment of the original collection were impossible, the Freies Deutsches Hochstift has managed to collect equivalent titles and editions in order to restore a library that allows visitors to the Goethe-Haus in Frankfurt to learn about Goethe’s family background, the cultural setting of his upbringing, and early influences on his education.

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Williams, John R., and P. F. Ganz. "Johann Wolfgang von Goethe." Modern Language Review 81, no. 1 (January 1986): 251. http://dx.doi.org/10.2307/3728838.

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Wahl, Daniel C. ""Zarte Empirie"." Janus Head 8, no. 1 (2005): 58–76. http://dx.doi.org/10.5840/jh20058134.

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This paper explores the 'delicate empiricism' proposed by Johann Wolfgang von Goethe. Goethe's scientific work provided an alternative epistemology to that of conventional science. The author discusses the Goethean way of knowing. Particular emphasis is given to the changed understanding of process, form and participation that results from employing the epistemology expressed by Goethe. A methodology for Goethean science is introduced and its applications and their implications are explored. Goethe's "zarte Empirie" — his delicate empiricism - legitimises and organizes the role of imagination, intuition and inspiration in science. It may contribute significantly to the emerging participatory and holistic worldview, and to providing knowledge that is in tune with nature. This paper explores how and why.

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Eibl, Karl. "Johann Wolfgang Goethe,Vermischte Gedichte." Arbitrium 2, no. 1 (January 1987): 171–74. http://dx.doi.org/10.1515/arbi.1987.2.1.171.

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Haas, L. F. "Johann Wolfgang von Goethe (1749-1832)." Journal of Neurology, Neurosurgery & Psychiatry 56, no. 11 (November 1, 1993): 1148. http://dx.doi.org/10.1136/jnnp.56.11.1148.

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Gerhart Hoffmeister. "Johann Wolfgang Goethe (review)." Goethe Yearbook 8, no. 1 (1996): 313–15. http://dx.doi.org/10.1353/gyr.2011.0120.

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Körndle, Franz. "Johann Wolfgang von Goethe, Carl Friedrich Zelter und „die musikaUsche Malerey"." Anuario Musical, no. 54 (January 24, 2019): 185. http://dx.doi.org/10.3989/anuariomusical.1999.i54.259.

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Im Briefwechsel zwischen Johann Wolfgang von Goethe und Carl Friedrich Zelter nimmt die Diskussion um die sogenannte Nachahmungsästhetik einerseits und das Problem des „Durchkomponierens" andererseits einen breiten Raum ein. Am Beispiel der Ballade Johanna Sebus und ihrer Vertonung durch Zelter kann gezeigt werden, wie Goethe die Moglichkeiten der „musikalischen Malerey" einschatzte. Außerdem wird deutlich, daß der Dichter bei Balladen durchaus bereit war, vom strophischen Schema der Liedvertonung abzusehen und die individuelle Behandlung der einzelnen Abschnitte des Textes zuzulassen, hier sogar in einer der Kantate nahestehenden Form mit Vokalensemble. Mehrere Takte aus dem Eingangschor der Matthauspassion von Johann Sebastian Bach, die Zelter in seine Vertonung eingebaut hat, geben einen zusätzlichen Einblick in die ästhetischen Vorstellungen des Komponisten und belegen darüber hinaus, daß sich Zelter weitaus früher mit dem Werk Bachs befaßt hat als bisher angenommen wurde

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Pirholt, Mattias. "»Gott segne Kupfer« Goethes Kunstbeschreibungen im Zeitalter der semitechnischen Reproduzierbarkeit." Zeitschrift für Kunstgeschichte 80, no. 3 (December 30, 2017): 392–417. http://dx.doi.org/10.1515/zkg-2017-0019.

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Abstract This study investigates how the experience of reproductions – drawings, copperplate engravings, woodcuts, lithography, plaster casts, and so forth – influenced Johann Wolfgang von Goethe’s conception of art in general and his descriptions of art (e.g., ekphrases, reviews, and autobiographical accounts) in particular. Well acquainted with the technologies of reproduction of his time, Goethe, often in collaboration with Johann Heinrich Meyer, acknowledged the crucial role of reproductions for the understanding of the productive idea of the original work. Experiences of reproductions and comparisons between copies, drafts, and the original enabled Goethe to grasp the idea as an ever-transforming productive constant of the continuous process of becoming of the work.

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Mannetstätter, Antje, and Christoph Friedrich. "Die Zürcher Arzt-Apotheker-Familie Lavater und Johann Wolfgang von Goethe." Gesnerus 55, no. 1-2 (November 27, 1998): 5–16. http://dx.doi.org/10.1163/22977953-0550102002.

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The aim of this paper is to demonstrate the connections between Johann Wolfgang von Goethe (1749-1832) and the physician and pharmacist family Lavater in Zurich. The analysis of the correspondence between Johann Bartholomäus Trommsdorff (1770-1837) and the Lavater family and between the Lavater family and the government of the duchy of Weimar shows an interesting story about a picture "Goethe in Italy".

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Ehrhardt, Jana. "Natürlich gegen Krebs." kma - Klinik Management aktuell 15, no. 03 (March 2010): 16. http://dx.doi.org/10.1055/s-0036-1575531.

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Todd, Malcolm. "Goethe and prehistory." Antiquity 59, no. 227 (November 1985): 197–201. http://dx.doi.org/10.1017/s0003598x00057264.

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In this fascinating article, the Professor of Archaeology in the University of Exeter shows us that Johann Wolfgang von Goethe (1749–1832) was not only the author of Faust, The Sorrows of Young Werther, and of beautiful lyrics, ballads and love-songs, but was keenly interested in prehistory and was well abreast of the subject as it was developing in Germany in the early nineteenth century.

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Torres, Raúl. "Goethe y Platón." Tópicos, Revista de Filosofía 24, no. 1 (November 28, 2013): 211. http://dx.doi.org/10.21555/top.v24i1.284.

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A primera vista, el poeta alemán Johann Wolfgang Goethe tuvo poco que ver con la filosofía: más aún, él pensó sobre ella con desprecio. Platón, sin embargo, fue –a pesar de ser el primer acercamiento desconfiado de Goethe a la filosofía griega– una de las influencias más significativas de su desarrollo como pensador universal. Una prueba de esta afirmación podría ser la Idee de su novela Die Wahlvenvandtschaften.

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Grandy, David. "Goethe on Color and Light." Journal of Interdisciplinary Studies 17, no. 1 (2005): 26–44. http://dx.doi.org/10.5840/jis2005171/22.

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Thiis essay explores Johann Wolfgang von Goethe*s reaction to Newtonian science and its quantification of nature. In particular, Goethe insisted that Newton's mechanistic portrayal of light and color was but a partial account of their reality. Broadening the understandings upon which science is practiced, Goethe developed ideas that presuppose mind-world intimacy and the consequent need to acknowledge the limited utility of mathematical modeling and theory construction. Such an approach values human subjectivity and sees it as partly constitutive of nature. While Goethe's treatment of color and light is not religious in a traditional sense, it resonates overtones consonant with religious belief. Rejecting the materialistic emphasis of Newtonian physics, Goethe felt that science may expand our spiritual horizons by helping us see the many ways we are patterned into the phenomenological splendor of the world This outlook aligns with Goethe's belief-illustrated in Faust-that the soul holds out for something more than a materialistic metaphysics.

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Schüller, Volkmar. "Goethe versus Newton: Zum 250. Geburtstag von Johann Wolfgang von Goethe." Physik Journal 55, no. 12 (December 1999): 62–66. http://dx.doi.org/10.1002/phbl.19990551216.

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Sałdan, Switłana. "Worldview Johann Wolfgang Goethe and Anthroposophy of Rudolf Steiner." Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Edukacja Muzyczna 9 (2014): 149–58. http://dx.doi.org/10.16926/em.2014.09.10.

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Schröder, W. "Johann Wolfgang von Goethe and the aurora borealis." Acta Geodaetica et Geophysica Hungarica 43, no. 1 (March 2008): 113. http://dx.doi.org/10.1556/ageod.43.2008.1.9.

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Wetzels, Walter D., Stefan Blessin, and Johann Wolfgang Goethe. "Johann Wolfgang Goethe: Die Leiden des jungen Werther." German Quarterly 63, no. 3/4 (1990): 551. http://dx.doi.org/10.2307/406761.

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Wurst, Karin A. "Johann Wolfgang von Goethe in Conversation with Things." Goethe Yearbook 26, no. 1 (2019): 199–216. http://dx.doi.org/10.1353/gyr.2019.0027.

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Guthrie, John. "Book Review: Jeremy Adler: Johann Wolfgang von Goethe." Journal of European Studies 51, no. 1 (March 2021): 81–82. http://dx.doi.org/10.1177/0047244121990461h.

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Steinberg, Holger, and Peter Schönknecht. "Goethe: A bipolar personality? Periodicity of affective states in Johann Wolfgang von Goethe as reflected by Paul Julius Möbius." Journal of Medical Biography 28, no. 3 (January 26, 2018): 174–80. http://dx.doi.org/10.1177/0967772017743880.

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This paper aims to investigate the character and etiological basis of German poet Johann Wolfgang von Goethe’s mental disorder. From 1898, German neuropsychiatrist Paul Julius Möbius developed the hypothesis that Goethe’s work provided several hints for the notion that the German poet suffered from a distinct bipolar disorder. The paper investigates Möbius’s psychopathographic study on Goethe and his hypothesis of a mood periodicity in Goethe against the mirror of modern concepts. Möbius came to the conclusion that Goethe’s illness was bipolar in character and became visible at intervals of seven years and lasted for about two years. The majority of Möbius’s contemporary psychiatric colleagues (Emil Kraepelin, Max Isserlin, Ernst Kretschmer, Josef Breuer) supported this view which has still not been convincingly challenged. In present-day terms, Möbius’s hypothesis can be best mirrored as a subclinical foundation of mood disorder. Furthermore, with his extensive study, Möbius disproved the common notion that Goethe had suffered from an illness as the result of a syphilitic infection.

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Guimaraes, Ana Rosa Gonçalves De Paula. "GOETHE: POETA E PSICANALISTA." Trama 13, no. 30 (October 20, 2017): 59–76. http://dx.doi.org/10.48075/rt.v13i30.16762.

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O presente estudo objetiva evidenciar por quais maneiras o poeta pré-romântico alemão, Johann Wolfgang von Goethe influenciou os posteriores escritores do Romantismo, como também ensejou temas próprios à psicanálise fundada por Freud. Para isso, será feita uma breve descrição do Romantismo Alemão, para, posteriormente, analisar a construção do sujeito; o valor das vivências subjetivas; aos dualismos psíquicos e aos fenômenos de natureza inconsciente – tendo como eixo a questão de que Goethe foi psicanalista e/ou Freud foi romântico.

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Kestler, Izabela Maria Furtado. "Johann Wolfgang von Goethe: arte e natureza, poesia e ciência." História, Ciências, Saúde-Manguinhos 13, suppl (October 2006): 39–54. http://dx.doi.org/10.1590/s0104-59702006000500003.

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Este artigo apresenta a obra científica do poeta alemão Johann Wolfgang von Goethe (1749-1832), a qual engloba os campos da anatomia humana e animal, ótica, geologia, mineralogia, química, botânica, morfologia e meteorologia. Goethe considerava que na natureza e na arte vigiam as mesmas leis, conceituadas por ele como leis da polaridade e da intensificação. Sua obra poética só pode ser avaliada e interpretada à luz de sua visão da harmonia entre homem e natureza, assim como da complementaridade entre espírito e matéria.

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Firoze Basu. "Goethe’s “Welt” poet in Bengal: The Influence of World Literature on Jibanananda Das and other Bengali Poets of the 1930s-40s." Creative Launcher 6, no. 3 (August 30, 2021): 1–8. http://dx.doi.org/10.53032/tcl.2021.6.3.01.

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This study aims to establish a link between the concept of “Weltliteratur” or World Literature, in terms of the free movement of literary themes and ideas between nations in original form or translation, and the Bengali poets of the thirties and forties who actively translated French and German poets. It identifies Johann Wolfgang von Goethe's (1749-1832) concept of World Literature as a vehicle for the Kallol Jug poets. Johann Wolfgang von Goethe introduced the concept of “Weltliteratur” in a few of his essays in the first half of the nineteenth century to describe the international circulation and reception of literary works in Europe, including works of non-Western origin. My emphasis will be on Jibanananda Das (1899-1954) arguably the most celebrated poet in Bengali literature who was well versed in the contemporary Western Canons of Poetry. Jibanananda’s defamiliarization of the rural Bengal Landscape, his use of exotic foreign images owe a debt to contemporary European poets. Interestingly, Jibanananda had reviewed an English translation of German author Thomas Mann’s novel “Dr Faustus’ for a Bengali magazine “Chaturanga”. In the Bengali review he states that despite prevalent misconceptions (some critics considering the novel to be superior to the original Faust epic by Goethe) Goethe’s Faust was the first text to capture the hope, despair and crisis in the modern world and articulate it in such a manner that “true” literature of the age was created in its new light. In Jibanananda’s estimation, Thomas Mann deserves credit for treating the Faust legend in a unique and creative way.

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Suzuki, Márcio. "Os anos de aprendizado filosófico de Johann Wolfgang Goethe." Discurso, no. 42 (December 19, 2013): 139–62. http://dx.doi.org/10.11606/issn.2318-8863.discurso.2012.69231.

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Este estudo pretende prover bases para a compreensão da noção de Bildung tal como formulada por Goethe, relacionando-a à sua concepção do que é a filosofia e à maneira como ele compreende a inserção do indivíduo na história.

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Carmona Mato, Eugenio. "Juan Antonio Ramírez." Boletín de Arte, no. 25 (April 2, 2018): 811–14. http://dx.doi.org/10.24310/bolarte.2004.v0i25.4640.

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A finales del siglo XVIII, el poeta y escritor Johann Wolfgang Goethe escribió sobre el historiador del arte Johann Joaquim Winckelmann: El carácter personal de muchos hombres, y especialmente de los académicos y eruditos, tiende a desaparecer cuando miramos sus logros, en el caso de Winckelmann es precisamente todo lo contrario: todo lo que él produce es grande y destacable porque en todos sus logros nos desveló su propio carácter.

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Oh, Soo-Hyun, Jakob Sättler, and Nils Wighardt. "12th Annual Willem C. Vis International Commercial Arbitration Moot – Overview and Personal Reflection by Law Students of Johann Wolfgang Goethe University." German Law Journal 6, no. 7 (July 1, 2005): 1121–27. http://dx.doi.org/10.1017/s2071832200014176.

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The following essay has been written by team members of Johann Wolfgang Goethe University (Frankfurt/ Main, Germany) who participated in the 12th Vis Moot. Its purpose is to raise interest in the moot by means of combining a general descriptive overview with personal experiences.

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Abdullaeva, Roviyajon. "NAVOI AND GOETHE: COMMON VITAL BENCHMARKS." INTERNATIONAL JOURNAL OF WORD ART 6, no. 3 (June 30, 2020): 5–13. http://dx.doi.org/10.26739/2181-9297-2020-6-1.

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his article discusses the common (typological) intersecting or non-intersecting lines in the life and work of two great scholars of the East and the West–the sultan of poetry Nizamiddin Amir Alisher Navoi and Johann Wolfgang von Goethe, recognized as the “great German”. If we look at the issue in the context of global literary communication, translation and influence,unfortunately, the question of familiarity and influence in the work of these word masters remains an unanswered puzzle

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Vinardell Puig, Teresa. "Desplegando a Melusina. Acerca de un proyecto inconcluso de Walter Benjamin." Res Publica. Revista de Historia de las Ideas Políticas 22, no. 3 (October 23, 2019): 659–71. http://dx.doi.org/10.5209/rpub.66181.

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Durante largo tiempo Walter Benjamin acarició la idea de escribir un ensayo sobre el cuento “La nueva Melusina”, de Johann Wolfgang von Goethe, aunque nunca llegó a realizar su propósito. Se ha señalado ya, acertadamente, la afinidad de este relato con la micrología benjaminiana. El presente artículo desarrolla cómo el cuento de Goethe, refleja en su argumento aspectos extrapolables a cómo concibió Benjamin el arte del narrador y la tarea del filólogo. Asimismo se encuentran analogías entre el texto de Goethe y algunas de las ideas de Benjamin sobre la naturaleza de la infancia y la evocación o el sentimiento amorosos.

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Hilfiker, Roger. "Gemeinsam planen motiviert." physiopraxis 5, no. 09 (September 2007): 28–31. http://dx.doi.org/10.1055/s-0032-1308114.

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„Erfolgreich zu sein setzt zwei Dinge voraus: klare Ziele und den brennenden Wunsch, sie zu erreichen.“ Dieser Satz stammt von Johann Wolfgang von Goethe. Für die Therapieplanung ist er essenziell. Wie man mit einer guten Zielsetzung die Motivation des Patienten erhöht, die Teamzusammenarbeit fördert und so den Therapieerfolg leichter erreicht, lesen Sie hier.

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Klausmeyer, Bryan. "Expressions of the Interior: Physiognomic Knowledge in Lavater, Goethe, and Alexander von Humboldt." Scientia Poetica 25, no. 1 (December 6, 2021): 93–122. http://dx.doi.org/10.1515/scipo-2021-003.

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Abstract This article examines the role of Johann Caspar Lavater’s (1741-1801) physiognomic ideas in shaping the relationship between the natural sciences and aesthetics at the turn of the nineteenth century. Using the examples of Johann Wolfgang von Goethe’s early morphological writing and Alexander von Humboldt’s Ideen zu einer Physiognomik der Gewächse (1806), it makes the case for the importance of Lavater’s »scientific« physiognomy for understanding the discursive- epistemological shift from the sensual empiricism of the eighteenth century to the perception of the invisible around 1800. Far from a direct line of intellectual- historical continuity from Lavater to Goethe and Humboldt, this article contends that the diffuse uptake of physiognomic concepts by exponents of Romantic science gave them a new meaning in relation to the study of ›life‹ and its hidden dynamics as well as with respect to the roles of art and aesthetics in comprehending nature’s ›interior‹.

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GALLE, HELMUT. "De minha vida: Poesia e verdade - sobre a literariedade da autobiografia de Goethe." Estudos Avançados 33, no. 96 (August 2019): 253–76. http://dx.doi.org/10.1590/s0103-4014.2019.3396.0014.

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resumo O presente artigo discute a relevância da autobiografia de Johann Wolfgang Goethe no cânone da literatura e da escrita do eu, analisando sua composição baseada nas ideias morfológicas do poeta e questionando abordagens mais recentes que aproximam o livro da (auto-)ficção. A discussão é norteada pelo conceito da literariedade e seus aspectos constitutivos, a poeticidade e a ficcionalidade.

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de Faramiñán Fernández-Fígar, Juan Manuel. "El imaginario mítico del Fausto de Goethe." Interpretatio. Revista de Hermenéutica 6, no. 2 (September 28, 2021): 173–92. http://dx.doi.org/10.19130/irh.2021.2.345532.

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This article vindicates the mythical character of the Faustian tragedy of Johann Wolfgang von Goethe by relating its plot configuration with the hero’s symbolic itinerary. For this, the mythical structures predetermined by Gilbert Durand, Lévi-Strauss and Joseph Campbell are taken as a basis. In the first two sections Faust is diachronically compared with the mythical figure of the hero, and in the next two sections, each part of the work is related in a synchronic and specific way to the proper mythemes of the hero myth.

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Galle, Helmut. "Resenha: Goethe, Fausto I, Trad. de J. Klabin Segall com notas de M. V. Mazzari." Pandaemonium Germanicum, no. 8 (December 19, 2004): 229. http://dx.doi.org/10.11606/1982-8837.pg.2004.68428.

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RESENHA:GOETHE, Johann Wolfgang von: Fausto. Uma tragédia. Primeira parte. Tradução do original alemão de Jenny KLABIN SEGALL. Apresentação, comentários e notas de Marcus Vinícius MAZZARI. Ilustrações de Eugène Delacroix. Edição bilíngüe. São Paulo: editora 34, 2004.

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Resvick, Jessica C. "Faust: A Tragedy, Part I by Johann Wolfgang von Goethe." Eighteenth-Century Studies 54, no. 1 (2020): 225–27. http://dx.doi.org/10.1353/ecs.2020.0101.

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John, Eckhard, and Hermann Strobach. "Volkslieder gesammelt von Johann Wolfgang Goethe, Wiedergabe der Weimarer Handschrift." Jahrbuch für Volksliedforschung 31 (1986): 132. http://dx.doi.org/10.2307/848296.

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Caisley, Jennifer. "Stella: A Play for Lovers by Johann Wolfgang von Goethe." Goethe Yearbook 27, no. 1 (2020): 345–46. http://dx.doi.org/10.1353/gyr.2020.0018.

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Peterson, Brent. "Johann Wolfgang Goethe, Migrant? Or Debunking the Myth of 1955." Goethe Yearbook 28, no. 1 (2021): 345–49. http://dx.doi.org/10.1353/gyr.2021.0022.

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Torres Martínez, Raúl. "“Im Kampf, Penthesilea und Achill”. Pentesilea y Aquiles: ¿Kleist y Goethe?" Anuario de Letras Modernas 21 (October 31, 2019): 133–44. http://dx.doi.org/10.22201/ffyl.01860526p.2018.21.1190.

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Este pequeño ensayo pretende revisar la vieja teoría del agón literario entre Heinrich von Kleist y Johann Wolfgang Goethe, aportando algo novedoso desde el punto de vista de la Grecística, y tomando, a modo de ilustración, elementos de la tragedia Pentesilea del escritor prusiano. La Antigüedad, la androginia y el agón mismo son puntos de partida desde los que podemos sacar provecho al aproximarnos al llamado Goethezeit.

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Kirsten-Treptow, Petra. "Zum Nutzen aller." kma - Klinik Management aktuell 9, no. 07 (July 2004): 50. http://dx.doi.org/10.1055/s-0036-1572882.

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Es ist eine Sache, Probleme auf andere abzuwälzen und eine andere, damit bessere Voraussetzungen zu schaffen: neudeutsch “outsourcen”. Kooperationen zwischen Krankenhaus und Medizin technik-Dienstleister sorgen vielerorts für Kostenvorteile, Planungs- und Kalkulationssicherheit – alles Argumente für Weiterentwicklung und Ausbau der Zusammenarbeit. Über die Fortschritte der Kostensenkung im Einkauf wir mit Axel Kudraschow, Dezernent für Materialwirtschaft des Klinikums der Johann-Wolfgang Goethe Universität in Frankfurt am Main.

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Tocha, Veronika. "Dichtung und Wahrheit. Gesichtsmasken in der Berliner Gipsformerei." Zeitschrift für Ideengeschichte 14, no. 1 (2020): 27–38. http://dx.doi.org/10.17104/1863-8937-2020-1-27.

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Johann Wolfgang von Goethe (1749-1832) sah etwas "Fremdartiges, ja völlig Unwahres" im Medium der Totenmaske. Überhaupt schien ihm der Tod "ein sehr mittelmäßiger Porträtmaler", weshalb er sich nicht nur gegen die Abnahme seiner eigenen Totenmaske aussprach, sondern es auch ablehnte die Totenmasken seiner Freunde zu betrachten. Mit dieser Haltung nimmt Goethe im Kontext seiner Zeit eine Ausnahmestellung ein, waren Totenmasken von öffentlichen Persönlichkeiten und Geistesgrößen aller Art ab dem frühen 19. Jahrhundert doch höchst populär und wurde die Abformung des Totengesichts gerade deshalb praktiziert, weil sie - so der damalige Konsens - wie kein anderes bildgebendes Verfahren Realitätsnähe und Wahrheit verbürgte.

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Hamilton, John T. "Aspects of reception: reading Goethe’s Iphigenie auf Tauris with Adorno, Fassbinder, and Jauss." Classical Receptions Journal 12, no. 2 (October 17, 2019): 129–48. http://dx.doi.org/10.1093/crj/clz016.

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Abstract In staging his Iphigenie auf Tauris, Johann Wolfgang Goethe stages reception itself. The story about a Mycenaean maiden who, exiled from her home in the South, was welcomed and sheltered by the barbarian people of the North, readily represents how the corpus of ancient Greek culture, detached from its native historical context, came to be received and curated by German artists, poets, and scholars, including, of course, by Goethe himself. If Goethe’s text is indeed understood as an allegory of reception, then subsequent readings of his Iphigenie should exhibit any number of ways in which reception itself has been formulated and assessed. The investigations here all turn on the issue of verbal aspect. By turning to key German interpretations of Goethe’s drama by Theodor Adorno, Rainer Werner Fassbinder, and Hans Robert Jauss, which emerged during the socially and politically tumultuous period of 1967–73, the present study aims to give a critical account of receptive paradigms — an account based on an investigation into the varied aspects that distinguish different historical receptions of reception.

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Wegmann, Nikolaus. "Im Labyrinth." Bibliothek Forschung und Praxis 42, no. 2 (June 1, 2018): 370–78. http://dx.doi.org/10.1515/bfp-2018-0047.

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Zusammenfassung Ausgehend von der Fallstudie der Bibliotheksbenutzung durch Johann Wolfgang von Goethe wird die Operation des Suchens und Findens speziell in der Bibliothek als risikoreiches Eintreten in ein Labyrinth beschrieben. Den aktuellen Versuchen gerade auch nutzerorientierter Formalisierung des Suchprozesses wird entgegen gehalten, dass diese nicht der eigentlichen „Qualität“ der Bibliothek entsprechen. Es wird eine Bibliothekskritik gefordert, die das Operative des Findens jenseits von Recommender-Systemen und einfacher Serendipity in den Blick nimmt.

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Călin, Mariana Floricica, Mihaela Rus, and Mihaela Luminița Sandu. "The influence of the educational and family environment on the preschool." Technium Social Sciences Journal 15 (January 9, 2021): 55–60. http://dx.doi.org/10.47577/tssj.v15i1.2420.

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Johann Wolfgang von Goethe says behavior is "the mirror in which each reflects his image." This is also visible to preschoolers who through their innocence and sincerity exhibit behavioral differences in the family and in the educational institution. The creativity and imagination of the children goes beyond the imaginary lines of reason and the physical contour of this drawing, having a story behind the visible stories of the craft that it carries out.

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Lavernia, Kilian. "Ciencia y naturaleza en Goethe: apuntes sobre la epistemología natural goetheana a partir de La metamorfosis de las plantas." Arbor 196, no. 798 (December 30, 2020): a583. http://dx.doi.org/10.3989/arbor.2020.798n4007.

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El artículo reactualiza y defiende la potencialidad filosófica de La metamorfosis de las plantas (1791), de Johann Wolfgang Goethe. A partir de la reflexión sobre sus claves conceptuales se desplegarán, a continuación, otros momentos de talante epistemológico relativos a su reflexión sobre la naturaleza, entre otros: la morfología como teoría de la forma, su comprensión de la ciencia como experiencia viva de los fenómenos y su reivindicación de la metamorfosis del científico.

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Stuckrad, Kocku von. "Refutation and Desire: European Perceptions of Shamanism in the Late Eighteenth Century." Journal of Religion in Europe 5, no. 1 (2012): 100–121. http://dx.doi.org/10.1163/187489211x612622.

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The article discusses learned debates that evolved at the end of the eighteenth century in Europe about the interpretation of shamanism. Intellectuals, philosophers, and enlightened monarchs engaged in controversies about shamanism that were clearly linked to Enlightenment ideals of rationality and religious critique. The article addresses the ambivalence of ‘refutation and desire’ in French, German, and Russian responses to shamanism, with special attention to the French Encyclopedists, Johann Gottfried Herder, Johann Wolfgang von Goethe, and Catherine the Great. The controversies reveal the intrinsic tension of the European project of ‘modernity’: what was discussed as ‘shamanism,’ ultimately turned out to be the result of European self-reflection.

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Sá, Luiz Fernando Ferreira, and Miriam Piedade Mansur Andrade. "Rosa, Goethe e Milton." Remate de Males 39, no. 1 (June 13, 2019): 440–64. http://dx.doi.org/10.20396/remate.v39i1.8654052.

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A proposta deste artigo é analisar os traços dos textos de João Guimarães Rosa, Johann Wolfgang von Goethe e John Milton, a saber, Grande sertão: veredas, Fausto e Paradise Lost, respectivamente, que compõem diálogos poético-bíblicos, cantos paralelos ou transcriações. Este artigo também investigará o modo como o romance brasileiro dialoga com a peça trágica alemã na elaboração e recriação do mito do Diabo e em seus desdobramentos, elementos esses que também estão presentes no diálogo entre os textos em alemão e em inglês. A noção de diálogo aqui trabalhada é a estudada por Mikhail Bakhtin, o qual sugere a ideia de dialogismo como constitutivo da intertextualidade, com o texto passando a ser visto como uma absorção de e uma resposta a um outro texto. Nesse movimento de absorção de elementos e resposta a outros textos, a lógica do suplemento de Jacques Derrida promove a noção de diálogo com o termo funcionando como a escrita de proliferação de significados.

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Silva, Felipe Vale da. "A LITERATURA ALEMÃ DE WOLFGANG MENZEL, RESENHADA POR HEINRICH HEINE:." Belas Infiéis 6, no. 2 (December 20, 2017): 177–97. http://dx.doi.org/10.26512/belasinfieis.v6.n2.2017.11461.

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Die deutsche Literatur von Wolfgang Menzel (1828) não é apenas uma das resenhas mais conhecidas de Heinrich Heine, mas também um importante documento sobre a cultura alemã em sua fase de transição do romantismo para a literatura da Jovem Alemanha (Junges Deutschland). O presente artigo, além de trazer a tradução integral do texto em questão, faz uma leitura que visa a evidenciar as principais tensões vividas por escritores naquele momento de assumida estagnação cultural e censura política. Heine se vale do registro da resenha para propor um programa estético inovador, e o faz declarando o final do Período da Arte (Kunstperiode) representado por Johann Wolfgang von Goethe e os teóricos do romantismo.

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Müller, Timo. "Framing the Romantic Artist: Goethe’s Torquato Tasso and James’s Roderick Hudson." Anglia 136, no. 4 (November 9, 2018): 687–704. http://dx.doi.org/10.1515/ang-2018-0068.

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Abstract Johann Wolfgang Goethe’s Torquato Tasso (1790) and Henry James’s Roderick Hudson (1875) share not only a number of structural parallels but also an interest in the fate of the romantic artist in a regulated society. The article suggests Goethe’s play as a possible influence on James’s novel. After a brief outline of James’s relationship to Goethe and of the structural parallels between the texts, the article discusses the similarities of their stance on the romantic artist. Both texts contrast the protagonist’s classicist-idealist art with his broadly romantic personality, both remain ambivalent about the romantic conception of the poet-genius, and both take an analytical attitude toward their artist figures. On this poetological level, the article concludes, their portraits of a proto-Romantic and a late Romantic respectively form a revealing historical frame of the phenomenon of the Romantic artist.

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Aline Wagner, Sandra. "How to Fail Not One Existence, But Two… The Werewolf as Torn Antihero in the German Mash-Up Novel Werther, der Werwolf." Gothic Studies 23, no. 3 (November 2021): 280–96. http://dx.doi.org/10.3366/gothic.2021.0105.

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This article examines the recent literary form of mash-up novels by comparing the German mash-up Werther, der Werwolf (2010) to its original Die Leiden des jungen Werther (1774) by Johann Wolfgang von Goethe. In both novels, the protagonist Werther is conceptualised as an antihero. In Goethe’s original, Werther’s existential failure is a result of his mental condition and inability to integrate into the bourgeois society; in the mash-up he fails because he struggles with his metamorphosis into a werewolf. In both cases, Werther’s obsessive love for a girl called Lotte aggravates the underlying conflict. This article aims to demonstrate the extent to which the antiheroic qualities of Goethe’s Werther are reflected in the mash-up character Werewolf-Werther, and to highlight to what extent the figure of the werewolf is an apt and contemporary metaphor for Werther’s story.

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Journal articles on the topic 'Johann Wolfgang Goethe'

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