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Journal articles on the topic 'Johann Wolfgang von 1749-1832 Poems'

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Published: 10 December 2022
Last updated: 31 July 2025

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1

Shahar, Galili. "Goethe’s Song of Songs : Reorientation, World Literature." Prooftexts 40, no. 1 (2023): 110–39. http://dx.doi.org/10.2979/ptx.2023.a899251.

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Abstract: The engagement of the German poet Johann Wolfgang von Goethe (1749–1832) with biblical Hebrew poetry already during the early stages of his career in the 1770s and later during the Divan period (1814–27) was associated with his study of Oriental literatures. Under the influence of his mentor and friend, Johann Gottfried Herder, Goethe devoted himself to studying and translating Hebrew and Arabic sources (mostly from the Latin), among them the Song of Songs, alongside chapters from the Qurʿan. In his late work his reflections on the Hebrew biblical poem were associated with his interp
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2

Firoze Basu. "Goethe’s “Welt” poet in Bengal: The Influence of World Literature on Jibanananda Das and other Bengali Poets of the 1930s-40s." Creative Launcher 6, no. 3 (2021): 1–8. http://dx.doi.org/10.53032/tcl.2021.6.3.01.

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This study aims to establish a link between the concept of “Weltliteratur” or World Literature, in terms of the free movement of literary themes and ideas between nations in original form or translation, and the Bengali poets of the thirties and forties who actively translated French and German poets. It identifies Johann Wolfgang von Goethe's (1749-1832) concept of World Literature as a vehicle for the Kallol Jug poets. Johann Wolfgang von Goethe introduced the concept of “Weltliteratur” in a few of his essays in the first half of the nineteenth century to describe the international circulati
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3

Tidjani, Ridwan Adewale. "Al muqaranah Al Adabiyah Baina Imru Al Qais wa Lord Alfred Tennysson." (الطموحات ) EL-THUMUHAT 2, no. 1 (2020): 1–13. http://dx.doi.org/10.25299/elthumuhat.2019.vol2(1).2340.

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 Imru-l-qais remains an idol in the ancient Arabic poem. He had transformed it by introducing some new metaphor and rhetoric, which Arabian poets stayed on for decades after. Also, Imru-l-qais poem has been able to move outside Arabian peninsula into other international literature. This paper focused on one of his greatest poem (Almuhalaqoh) and how influencial this work was received by poets in their different literature - English, French, Dutch, and Russian. Alfred Lord Tennyson's _Locksley_ _Hall_ (1892) was was inspired by Imru-l-qais' poem. He read it, diggest it, and reprod
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4

Haas, L. F. "Johann Wolfgang von Goethe (1749-1832)." Journal of Neurology, Neurosurgery & Psychiatry 56, no. 11 (1993): 1148. http://dx.doi.org/10.1136/jnnp.56.11.1148.

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5

Mannetstätter, Antje, and Christoph Friedrich. "Die Zürcher Arzt-Apotheker-Familie Lavater und Johann Wolfgang von Goethe." Gesnerus 55, no. 1-2 (1998): 5–16. http://dx.doi.org/10.1163/22977953-0550102002.

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The aim of this paper is to demonstrate the connections between Johann Wolfgang von Goethe (1749-1832) and the physician and pharmacist family Lavater in Zurich. The analysis of the correspondence between Johann Bartholomäus Trommsdorff (1770-1837) and the Lavater family and between the Lavater family and the government of the duchy of Weimar shows an interesting story about a picture "Goethe in Italy".
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6

Herrmann, Helmut. "Johann Wolfgang von Goethe (1749-1832) und seine Hohenloher Vorfahren." Württembergisch Franken 84 (May 17, 2023): 181–86. http://dx.doi.org/10.53458/wfr.v84i.5620.

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7

Rojas Alvarado, Arturo. "Entre orden y justicia: Goethe ante la violencia." Revista de Filosofía de la Universidad de Costa Rica 64, no. 168 (2025): 157–64. https://doi.org/10.15517/revfil.2025.61966.

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El presente artículo plantea el posicionamiento de Johann Wolfgang von Goethe (1749-1832), respecto a la violencia, principalmente desde su experiencia en el sitio de Mainz, mediante las nociones de orden y justicia que se presentan en algunos pasajes de su obra.
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8

Kestler, Izabela Maria Furtado. "Johann Wolfgang von Goethe: arte e natureza, poesia e ciência." História, Ciências, Saúde-Manguinhos 13, suppl (2006): 39–54. http://dx.doi.org/10.1590/s0104-59702006000500003.

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Este artigo apresenta a obra científica do poeta alemão Johann Wolfgang von Goethe (1749-1832), a qual engloba os campos da anatomia humana e animal, ótica, geologia, mineralogia, química, botânica, morfologia e meteorologia. Goethe considerava que na natureza e na arte vigiam as mesmas leis, conceituadas por ele como leis da polaridade e da intensificação. Sua obra poética só pode ser avaliada e interpretada à luz de sua visão da harmonia entre homem e natureza, assim como da complementaridade entre espírito e matéria.
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9

Fein, I. Alan, and Gregg Y. Lipschik. "“We only see what we know”—Johann Wolfgang von Goethe [1749–1832]*." Critical Care Medicine 37, no. 1 (2009): 352–53. http://dx.doi.org/10.1097/ccm.0b013e31819305f3.

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10

Todd, Malcolm. "Goethe and prehistory." Antiquity 59, no. 227 (1985): 197–201. http://dx.doi.org/10.1017/s0003598x00057264.

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In this fascinating article, the Professor of Archaeology in the University of Exeter shows us that Johann Wolfgang von Goethe (1749–1832) was not only the author of Faust, The Sorrows of Young Werther, and of beautiful lyrics, ballads and love-songs, but was keenly interested in prehistory and was well abreast of the subject as it was developing in Germany in the early nineteenth century.
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11

Tocha, Veronika. "Dichtung und Wahrheit. Gesichtsmasken in der Berliner Gipsformerei." Zeitschrift für Ideengeschichte 14, no. 1 (2020): 27–38. http://dx.doi.org/10.17104/1863-8937-2020-1-27.

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Johann Wolfgang von Goethe (1749-1832) sah etwas "Fremdartiges, ja völlig Unwahres" im Medium der Totenmaske. Überhaupt schien ihm der Tod "ein sehr mittelmäßiger Porträtmaler", weshalb er sich nicht nur gegen die Abnahme seiner eigenen Totenmaske aussprach, sondern es auch ablehnte die Totenmasken seiner Freunde zu betrachten. Mit dieser Haltung nimmt Goethe im Kontext seiner Zeit eine Ausnahmestellung ein, waren Totenmasken von öffentlichen Persönlichkeiten und Geistesgrößen aller Art ab dem frühen 19. Jahrhundert doch höchst populär und wurde die Abformung des Totengesichts gerade deshalb p
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12

Nawata, Yūji. "Phantasmagoric Literatures from 1827 : Johann Wolfgang von Goethe, Sin Chaha, and Kyokutei Bakin1." Jahrbuch für Internationale Germanistik 54, no. 1 (2022): 145–66. http://dx.doi.org/10.3726/jig541_145.

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The magic lantern as a projection technique, which has existed in Europe since the 17th century (at the latest), and phantasmagoria as a large-scale magic lantern occupy a prominent place in the world history of visual culture. As they spread across the world, these technologies encountered written cultures and produced fantastic literature—phantasmagorical literature, so to speak. This article analyzes phantasmagorical literature written or published circa 1827 by Johann Wolfgang von Goethe (1749–1832) of Germany, (SIN Chaha, also called [SIN Wi], 1769–18452 of Korea, and (KYOKUTEI Bakin, 176
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13

BARRENTO, JOÃO. "Poesia. A glorificação do sensível." Estudos Avançados 33, no. 96 (2019): 317–38. http://dx.doi.org/10.1590/s0103-4014.2019.3396.0017.

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resumo Este ensaio busca ressaltar algumas características da extensa obra lírica de Johann Wolfgang von Goethe, desde os versos de “ocasião” com que saúda os avós maternos no Ano Novo de 1757, até pouco antes de sua morte em março de 1832. Distinguindo-se por profícua interpenetração de estilos, formas, motivos e também de várias tradições da lírica europeia, a obra poética de Goethe - dotada de extraordinária força onomatúrgica e inclinada a consumar na palavra uma epifania da ideia a partir do fenômeno - apresenta-nos, em alguns momentos mais “prosaicos”, uma faceta surpreendentemente moder
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14

Makhmudova, Muattar Makhsatilloevna. "FUNDAMENTALS AND IDEOLOGICAL CONTENT OF THE CREATION OF Y.V. GOETHE'S "WEST-EAST COLLECTION OF POEMS"." Scientific Reports of Bukhara State University 5, no. 5 (2021): 119–30. http://dx.doi.org/10.52297/2181-1466/2021/5/5/11.

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Background. The article tells about the work of the famous German writer Johann Wolfgang Goethe and about the history of the creation of the famous "West-Eastern Divan". Methods. The famous German writer Johann Wolfgang Goethe (1749-1832) was a poet, playwright, literary critic, jurist, orientalist, historian and philosopher, painter, theater critic, naturalist, and scientist and statesman who made discoveries in biology and mineralogy. He was one of the first to use the term "world literature." His 143-volume artistic and scientific legacy includes his works such as Faust, The Sufferings of Y
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15

Fleischer, Jürg, Michael Cysouw, Augustin Speyer, and Richard Wiese. "Variation and its determinants: A corpus-based study of German schwa in the letters of Goethe." Zeitschrift für Sprachwissenschaft 37, no. 1 (2018): 55–81. http://dx.doi.org/10.1515/zfs-2018-0002.

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Abstract This paper studies some factors governing the presence or absence of word-final schwa in German. To obtain data as homogeneous as possible we focus on three adverbs outside morphological paradigms, namely, heut(e) ‘today’, gern(e) ‘willingly’, and bald(e) ‘soon’, in one particular text type, the letters written by one and the same person, the writer Johann Wolfgang von Goethe (1749–1832). Apart from lexical differences between the items studied and change over time, various phonological factors are shown to be important, most prominently the accent pattern of the following word (schwa
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16

Pires, Pedro Giovanetti Cesar. "Cultura e formação: os anos de aprendizado de Wilhelm Meister e o desencantamento de Goethe frente ao mundo burguês." Século XXI – Revista de Ciências Sociais 6, no. 2 (2017): 385. http://dx.doi.org/10.5902/2236672526328.

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No presente artigo, gostaríamos de apresentar uma caracterização do contexto histórico que subjaz ao romance de Johann Wolfgang von Goethe (1749-1832) Os anos de aprendizado de Wilhelm Meister (1796). Uma vez que o romance viria a se tornar uma peça-chave do gênero “romance de formação”, o contexto histórico do romance pode nos ajudar a entender justamente como a noção alemã de formação se cristalizou a partir da experiência histórica dessa nação. Mais especificamente, a cristalização da noção alemã de Bildung relaciona-se tanto com a posição da intelligentsia burguesa na estrutura social alem
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17

LIRA, André Augusto Diniz, and Maria da Conceição PASSEGGI. "Autobiografia e formação humana." Pontos de Interrogação – Revista de Crítica Cultural 11, no. 2 (2021): 113–36. http://dx.doi.org/10.30620/pdi.v11n2.p113.

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O objetivo do artigo é identificar processos de formação humana na autobiografia de Johann Wolfgang von Goethe (1749-1832) – De minha vida: poesia e verdade – com foco na análise do prefácio à obra em que o autor responde a uma carta de amigos leitores, compreendida como um texto do próprio Goethe, e explicita pontos e contrapontos de sua opção por uma escrita autobiográfica para satisfazer o pedido de seus leitores. O presente estudo, situado no paradigma narrativo-(auto)biográfico, discute quatro dimensões do processo de autobiografização na linha da Bildung: enquanto processo autoral; tomad
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18

Schweizer, C. "Geological travellers in view of their philosophical and economical intentions: Johann Wolfgang von Goethe (1749–1832) and Caspar Maria Count Sternberg (1761–1838)." Geological Society, London, Special Publications 287, no. 1 (2007): 63–72. http://dx.doi.org/10.1144/sp287.6.

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19

Saatci, Edibe Nuray. "Goethe’nin Eserlerinde İslâm ve İslâm Tasavvufu." Üsküdar Üniversitesi Tasavvuf Araştırmaları Enstitüsü Dergisi 1, no. 1 (2022): 41–69. http://dx.doi.org/10.32739/ustad.2022.1.16.

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Bilindiği üzere Johann Wolfgang Goethe (1749-1832), Almanya’nın gelmiş geçmiş en ünlü şair ve edibidir. Çok iyi bir eğitim almış olan Goethe’nin bilgisi ve merakı sadece edebiyat alanıyla sınırlı kalmamıştır. Kendisi çok yönlüdür; doğa bilimleri, resim, mûsıkî, felsefe, teoloji ile ilgilenip, bu dallarda da kendini geliştirmiştir. Daha çocuk yaşlarında çeşitli dillerde ders almıştır. Fransızca, İngilizce, Latince ve Grekçe’nin yanı sıra İbranice de bilmektedir ve Arapça’ya da ilgi duyup öğrenmeye başlamıştır. Kendisi hukuk okumuş ve devlet bakanı olarak görev yapmıştır. Protestan bir ailede ye
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20

Zelle, Carsten. "‚Ganzheitswissen‘ in der Diätetik um 1750, 1800 und 1850." Body Politics 10, no. 14 (2023). https://doi.org/10.12685/bp.v10i14.1542.

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English Abstract: The article is in the research context of a literary anthropology of the ‘whole human being’. Examples of three relevant works by Friedrich Hoffmann (1660– 1742), Christoph Wilhelm Hufeland (1762-1836) and Ernst Freiherr von Feuchtersleben (1806-1849) verify the relevance of dietetic (‘Lebensordnung’) and its holistic knowledge for the change of affect economy and subject constitution during the threshold of the ‘Sattelzeit’ (1750/1850). The ‘holistic knowledge’ inherent in the diet not only shapes literature as a relevant thematic context, but also functions in this discours
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21

Sassoon, Judyth. "The metamorphosis of the Megatherium: Examples of Goethe's heterodox palaeontology." Interdisciplinary Science Reviews, May 9, 2024. http://dx.doi.org/10.1177/03080188241239532.

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In this paper I present the well-known German literary giant Johann Wolfgang von Goethe (1749–1832) as a heterodox thinker in palaeontology. In Britain, Goethe is best known as a poet, playwright and man of letters, despite producing substantial and detailed scientific studies to which he occasionally attached highly controversial interpretations. In his scientific studies and perhaps especially in palaeontology, Goethe was at times orthodox and at other times highly heterodox. His fundamental project was to comprehend the unifying principle within all nature and in that respect he was one of
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22

TEKİN, Habib. "GOETHE’NİN MAHOMETS GESANG İSİMLİ ŞİİRİNDEKİ NEHİR METAFORU VE İSLAMİYET’İN YAYILIŞINA İLİŞKİN BİR İNCELEME." Marmara Türkiyat Araştırmaları Dergisi, September 15, 2022. http://dx.doi.org/10.16985/mtad.1149342.

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Johann Wolfgang von Goethe (1749-1832) Alman Edebiyatının en önemli yazarlarındandır. Hayatının son zamanlarında doğu, şark ve İslam hakkında yoğun ilgi duymuş, Arapça öğrenmiş ve bu yönde birçok eser ele almıştır. Bu çalışmada hedeflenen İslam dininin peygamberi Hz. Muhammed üzerine ele alınan biyografik eserlere dayanılarak, tamamlanmamış bir yapıt olarak kalan Mahomet tragedyasına ve özellikle yapıtın içinde yer alan Mahomets Gesang isimli şiire odaklanılacak ve şiir, İslam’ın yayılışında önemli bir simge olarak öne çıkan nehir metaforu ışığında yorumlanarak bir çözümleme girişiminde bulunu
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23

Stegmann, Ulrich E. "A willow drawing from 1786: the earliest depiction of intraspecific trait variation in plants?" Annals of Botany, May 9, 2020. http://dx.doi.org/10.1093/aob/mcaa091.

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Abstract Background and Aims The study of intraspecific trait variation (ITV) in plants has a long history, dating back to the fourth century BC. Its existence was widely acknowledged by the end of the 18th century, although systematic and experimental studies commenced only a century later. However, the historiography of ITV has many gaps, especially with regard to early observations and visual documents. This note identifies an early depiction of plant ITV. Methods The botanical works of Johann Wolfgang von Goethe (1749–1832), a German writer and naturalist, were subjected to close reading.
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