Relevant bibliographies by topics / John Banville

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'John Banville'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "John Banville"

1

McCann, Colum. "John Banville." ABEI Journal 22, no. 1 (2020): 39. http://dx.doi.org/10.37389/abei.v22i1.3842.

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Powell, K. T. "John Banville." English 61, no. 233 (2012): 200–202. http://dx.doi.org/10.1093/english/efs006.

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Duncan, Dawn, and Derek Hand. "John Banville: Exploring Fictions." Canadian Journal of Irish Studies 27/28 (2001): 151. http://dx.doi.org/10.2307/25515405.

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Cheong, Adel. "Neil Murphy. John Banville." ABEI Journal 22, no. 1 (2020): 233. http://dx.doi.org/10.37389/abei.v22i1.3860.

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Robin, Thierry. "Neil Murphy, John Banville." Études irlandaises, no. 43-2 (December 18, 2018): 211–13. http://dx.doi.org/10.4000/etudesirlandaises.6007.

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Borg, Darren J. "Subjectivity as Espionage: The Dark Legacy of Modernism in John Banville's The Untouchable." Irish University Review 45, no. 2 (2015): 320–34. http://dx.doi.org/10.3366/iur.2015.0179.

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John Banville's The Untouchable functions as a critique of subjectivity after modernism, specifically theories of the decentred subject. The narrator of the book, Victor Maskell, is a fictionalized version of English art historian and Soviet spy Anthony Blunt, and through this fictional memoir, Banville offers a portrait of the self with a terrible absence at its centre, implicating modernism's suspicion that the subject, or cogito, is a discursive fiction as the source of Maskell's treason and nihilism. At the heart of Maskell's identity is the death drive, the ‘blind automatism of repetition
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McCormack, David, and John Banville. "John Banville: Literature as Criticism." Irish Review (1986-), no. 2 (1987): 95. http://dx.doi.org/10.2307/29735288.

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Tarien Powell, Kersti. "John Banville: art and authenticity." Irish Studies Review 24, no. 2 (2016): 253–54. http://dx.doi.org/10.1080/09670882.2016.1149143.

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Powell, Kersti Tarien. "John Banville and his precursors." Irish Studies Review 28, no. 2 (2020): 280–81. http://dx.doi.org/10.1080/09670882.2020.1739805.

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Haughton, Hugh, and Bryan Radley. "An Interview with John Banville." Modernism/modernity 18, no. 4 (2011): 855–69. http://dx.doi.org/10.1353/mod.2011.0093.

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Dissertations / Theses on the topic "John Banville"

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Facchinello, Monica. "John Banville and Ireland : fictions of home." Thesis, University of York, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.440810.

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McIlroy, Brian. "Scientific art : the tetralogy of John Banville." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31040.

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The main thesis of this study is that John Banville's fictional scientific tetralogy makes an aesthetically challenging attempt to fuse renewed popular notions of science and scientific figures with renewed artistic forms. Banville is most interested in the creative mind of the scientist, astronomer, or mathematician, his life and times in Doctor Copernicus (1976) and Kepler (1981), and his modern day influence in The Newton Letter (1982) and Mefisto (1986). The novelist's writing is a movement of the subjective into what has normally been regarded as the objective domain of science. Chapter
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Montalbano, Kathryn. "Ecstasis of ekphrasis dialectically (de)framing self in John Banville's The book of evidence /." Diss., Connect to the thesis, 2009. http://hdl.handle.net/10066/3658.

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Ferguson, Garner James. "Modernist influences on the fiction of John Banville." Thesis, University of Ulster, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338215.

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Berensmeyer, Ingo. "John Banville : fictions of order : authority, authorship, authenticity /." Heidelberg : C. Winter, 2000. http://catalogue.bnf.fr/ark:/12148/cb388875984.

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Canon-Roger, Françoise. "Les œuvres de John Banville : fiction et métafiction." Reims, 1994. http://www.theses.fr/1994REIML008.

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La présence dans les œuvres de John Banville d'un mode de lecture incorpore, déclenche et encourage une réception réflexive. L'analyse d'une telle lecture s'attache a indiquer comment la fiction et la valeur réflexive s'articulent entre elles et la façon dont, en retour, la valeur réflexive permet de situer la fiction dans l'héritage littéraire, celui de l’Irlande en particulier<br>The "instructions for reading" incorporated into the works of john Banville trigger off and countenance a reflexive mode of reading. A close analysis of this reflexive reception shows how the fiction ties up with it
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Lustoza, Bruno Ochman. "Ritmos oceânicos do consciente: memória, arte e metaficção em O mar, de John Banville." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-22122015-120933/.

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Em uma entrevista feita por Travis Elborough para uma edição especial de quarenta anos da editora Picador, exatamente no ano em que o romance The Sea (2005), de John Banville, recebe o Booker Prize, o escritor irlandês responde da seguinte maneira a uma indagação sobre o título da obra: Acho que eu tinha o título antes de qualquer coisa, e gosto de pensar num ritmo oceânico através de cada página (p.2, tradução nossa). Realmente Banville consegue produzir o deslumbrante efeito de um movimento marítimo que percorre ciclicamente os três eixos espaço-temporais e narratológicos do romance. Entreta
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Wilhelmy, Thorsten. "Legitimitätsstrategien der Mythosrezeption : Thomas Mann, Christa Wolf, John Barth, Christoph Ransmayr, John Banville /." Würzburg : Königshausen und Neumann, 2004. http://catalogue.bnf.fr/ark:/12148/cb41052186z.

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Azevedo, Marta Coelho Moreira de. "Traduzir John Banville : as referências culturais em The Newton Letter." Dissertação, Porto : [Edição do Autor], 2010. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000206321.

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Esta dissertação de mestrado resulta essencialmente da tradução do romance The Newton Letter do escritor irlandês John Banville. Começamos por considerar a forma como o autor rescreve um conjunto de tradições e de mitos - românticos, modernos e pós-modernos - e por examinar as várias referências culturais - incluindo as intertextuais - que marcam este romance e cuja presença textual se desenha como o principal desafio para o tradutor. Num segundo momento, analisamos brevemente a especificidade da tradução literária, designadamente no que se refere aos intervenientes no processo (autor, traduto
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Azevedo, Marta Coelho Moreira de. "Traduzir John Banville : as referências culturais em The Newton Letter." Master's thesis, Porto : [Edição do Autor], 2010. http://hdl.handle.net/10216/55472.

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Esta dissertação de mestrado resulta essencialmente da tradução do romance The Newton Letter do escritor irlandês John Banville. Começamos por considerar a forma como o autor rescreve um conjunto de tradições e de mitos - românticos, modernos e pós-modernos - e por examinar as várias referências culturais - incluindo as intertextuais - que marcam este romance e cuja presença textual se desenha como o principal desafio para o tradutor. Num segundo momento, analisamos brevemente a especificidade da tradução literária, designadamente no que se refere aos intervenientes no processo (autor, traduto
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Books on the topic "John Banville"

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John Banville. Irish Academic Press, 2009.

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Canniffe, Catherine. John Banville and Postmodernism. The Author], 1999.

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Baker, Jo. John Banville: Gothic fictions. [The Author], 1996.

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John Banville: Exploring fictions. Liffey Press, 2002.

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Imhof, Rüdiger. John Banville: A critical introduction. Wolfhound Press, 1997.

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John Banville: A critical introduction. Wolfhound Press, 1989.

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John Banville, a critical study. Gill and MacMillan, 1991.

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Joseph, McMinn, ed. The supreme fictions of John Banville. Manchester University Press, 1999.

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Logue, Joyce. Postmodernism and the novels of John Banville. The Author], 1993.

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Wilhelmy, Thorsten. Legitimitätsstrategien der Mythosrezeption: Thomas Mann, Christa Wolf, John Barth, Christoph Ransmayr, John Banville. Königshausen & Neumann, 2004.

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Book chapters on the topic "John Banville"

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Imhof, Rüdiger. "Banville, John." In Englischsprachige Autoren. J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_8.

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Lusin, Caroline. "Banville, John." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7939-1.

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Martzinek, Ulrich. "Banville, John: Kepler." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7940-1.

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Imhof, Rüdiger. "Banville, John: Frames Trilogy." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7941-1.

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Lusin, Caroline. "Banville, John: The Sea." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7942-1.

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Murphy, Neil. "John Banville: The City as Illuminated Image." In Literary Urban Studies. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98322-6_9.

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Brown, Terence. "Redeeming the Time: the Novels of John McGahern and John Banville." In The British and Irish Novel Since 1960. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21522-5_11.

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Ingman, Heather. "Ageing, the Individual and the Community in the Fiction of Iris Murdoch, John Banville and John McGahern." In Ageing in Irish Writing. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96430-0_4.

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Olschner, Leonard. "Von der Kontrafaktur. Paradigmatisch-poetologische Resonanzräume zu Paul Celan. John Banville (2006/2008), Lawrence Norfolk (2000), Geoffrey Hill (1974/1978)." In Celan-Referenzen. V&R Unipress, 2016. http://dx.doi.org/10.14220/9783737004657.159.

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O’Connell, Mark. "Banville’s Narcissists." In John Banville’s Narcissistic Fictions. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137365248_2.

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