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1

John Banville. Irish Academic Press, 2009.

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2

Canniffe, Catherine. John Banville and Postmodernism. The Author], 1999.

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3

Baker, Jo. John Banville: Gothic fictions. [The Author], 1996.

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4

John Banville: Exploring fictions. Liffey Press, 2002.

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5

Imhof, Rüdiger. John Banville: A critical introduction. Wolfhound Press, 1997.

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6

John Banville: A critical introduction. Wolfhound Press, 1989.

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7

John Banville, a critical study. Gill and MacMillan, 1991.

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8

Joseph, McMinn, ed. The supreme fictions of John Banville. Manchester University Press, 1999.

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9

Logue, Joyce. Postmodernism and the novels of John Banville. The Author], 1993.

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10

Wilhelmy, Thorsten. Legitimitätsstrategien der Mythosrezeption: Thomas Mann, Christa Wolf, John Barth, Christoph Ransmayr, John Banville. Königshausen & Neumann, 2004.

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11

Amis, Kingsley. The old devils: By Kingsley Amis ; introduction by John Banville. New York Review Books, 2012.

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12

Hand, Derek. Writing the big house: W. B. Yeats, Elizabeth Bowen and John Banville. University College Dublin, 1999.

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13

Kampen, Gerd. Zwischen Welt und Text: Narratologische Studien zur irischen Gegenwartsroman am Beispiel von John McGahern und John Banville. WVT, Wissenschaftlicher Verlag Trier, 2002.

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14

Wilson, Deirdre Mary. Three criminal fictions: A comparative study of Crime and Punishment by Fyodor Dostoyersky, The Outsider byAlbert Camus and The Book of Evidence by John Banville. The Author, 1991.

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15

O’Connell, Mark. John Banville’s Narcissistic Fictions. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137365248.

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16

McGonnell, Peter Anthony. The Big House in John Banville's fiction. The Author] (c1989., 1989.

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17

Mirrors and holographic labyrinths: The process of a "new" aesthetic synthesis in John Banville's work. International Scholars Publications, 1999.

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18

John Banville. Bucknell University Press, 2018.

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19

Hand, Derek. John Banville. Oak Tree Press (Ireland), 2001.

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20

Ingersoll, Earl G., and John Cusatis. Conversations with John Banville. University Press of Mississippi, 2020.

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21

Ingersoll, Earl G., and John Cusatis. Conversations with John Banville. University Press of Mississippi, 2020.

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22

Imhof, Rudiger. John Banville: A Critical Introduction. Irish Amer Book Co, 1990.

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23

John Banville: Art and Authenticity. Lang AG International Academic Publishers, Peter, 2013.

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24

Imhof, Rudiger. John Banville: A Critical Introduction. Irish American Book Company, 1998.

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25

John Banville and His Precursors. Bloomsbury Publishing Plc, 2019.

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26

Berensmeyer, Ingo. John Banville: Fictions of Order. Authority, Authorship, Authenticity. Dissertation. Uni-Vlg. Winter, Hdlbg., 2000.

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27

D'hoker, Elke. Visions of Alterity: Representation in the Works of John Banville (Costerus NS 151). Rodopi, 2004.

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28

Mcnamee, Brendan. The Quest for God in the Novels of John Banville 1973-2005: A Postmodern Spirituality. Edwin Mellen Pr, 2006.

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29

John Banvilles Narcissistic Fictions. Palgrave Macmillan, 2013.

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30

Allen, Nicholas. Ireland, Literature, and the Coast. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857877.001.0001.

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The islands of Ireland are shaped by their relationships with land and sea. This book is a study of the various and changing ways in which literature has drawn the coast in lines that shape the contours of cultural experience. The literary and historical study of the sea has swelled in the last decade, as has an interest in the littoral and the archipelagic. Beginning with the early works of William Butler Yeats, this book travels through the diverse hydroscapes of Irish literature from the late nineteenth century to the present, framing writers and artists from James Joyce to Anne Enright in
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31

O'Connell, M. John Banville's Narcissistic Fictions: The Spectral Self. Palgrave Macmillan, 2013.

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32

Harte, Liam, ed. The Oxford Handbook of Modern Irish Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780198754893.001.0001.

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The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five distinguished scholars of Irish fiction. Collectively, they provide accessible and incisive assessments of the breadth and achievement of Ireland’s modern novelists and short story writers, whose contribution to the evolution and modification of these unique art forms has been far out of proportion to the country’s small size. The volume brings an impressive variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectua
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33

Fiorato, Sidia. Relationship Between Literature and Science in John Banville's Scientific Tetralogy. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2012.

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34

The Relationship Between Literature and Science in John Banville's Scientific Tetralogy (Anglo-Amerikanische Studien - Anglo-American Studies). Peter Lang Publishing, 2007.

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35

Fiorato, Sidia. The Relationship Between Literature and Science in John Banville's Scientific Tetralogy (Anglo-Amerikanische Studien - Anglo-American Studies). Peter Lang Publishing, 2007.

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