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Journal articles on the topic 'John Banville'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

McCann, Colum. "John Banville." ABEI Journal 22, no. 1 (2020): 39. http://dx.doi.org/10.37389/abei.v22i1.3842.

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2

Powell, K. T. "John Banville." English 61, no. 233 (2012): 200–202. http://dx.doi.org/10.1093/english/efs006.

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3

Duncan, Dawn, and Derek Hand. "John Banville: Exploring Fictions." Canadian Journal of Irish Studies 27/28 (2001): 151. http://dx.doi.org/10.2307/25515405.

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4

Cheong, Adel. "Neil Murphy. John Banville." ABEI Journal 22, no. 1 (2020): 233. http://dx.doi.org/10.37389/abei.v22i1.3860.

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5

Robin, Thierry. "Neil Murphy, John Banville." Études irlandaises, no. 43-2 (December 18, 2018): 211–13. http://dx.doi.org/10.4000/etudesirlandaises.6007.

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6

Borg, Darren J. "Subjectivity as Espionage: The Dark Legacy of Modernism in John Banville's The Untouchable." Irish University Review 45, no. 2 (2015): 320–34. http://dx.doi.org/10.3366/iur.2015.0179.

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John Banville's The Untouchable functions as a critique of subjectivity after modernism, specifically theories of the decentred subject. The narrator of the book, Victor Maskell, is a fictionalized version of English art historian and Soviet spy Anthony Blunt, and through this fictional memoir, Banville offers a portrait of the self with a terrible absence at its centre, implicating modernism's suspicion that the subject, or cogito, is a discursive fiction as the source of Maskell's treason and nihilism. At the heart of Maskell's identity is the death drive, the ‘blind automatism of repetition

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7

McCormack, David, and John Banville. "John Banville: Literature as Criticism." Irish Review (1986-), no. 2 (1987): 95. http://dx.doi.org/10.2307/29735288.

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8

Tarien Powell, Kersti. "John Banville: art and authenticity." Irish Studies Review 24, no. 2 (2016): 253–54. http://dx.doi.org/10.1080/09670882.2016.1149143.

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9

Powell, Kersti Tarien. "John Banville and his precursors." Irish Studies Review 28, no. 2 (2020): 280–81. http://dx.doi.org/10.1080/09670882.2020.1739805.

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10

Haughton, Hugh, and Bryan Radley. "An Interview with John Banville." Modernism/modernity 18, no. 4 (2011): 855–69. http://dx.doi.org/10.1353/mod.2011.0093.

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11

Powell, Kersti Tarien. "‘The Answer … is Yes and No’: John Banville, Henry James, and The Ambassadors." Irish University Review 45, no. 2 (2015): 302–19. http://dx.doi.org/10.3366/iur.2015.0178.

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Late twentieth- and early twenty-first century fiction has witnessed a surge of interest in Henry James, his life and works. Most of these recent Jamesian (re-)engagements are concerned with the body, with James's (still) questionable homosexuality, or with his direct involvement in the literary marketplace. John Banville's 1984 novella, The Newton Letter, is a literary forerunner of this renewed preoccupation with James and Jamesian concerns in contemporary fiction. Differing from more recent novels such as Colm Tóibín's The Master (2004) and David Lodge's Author, Author (2004), Banville's en

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12

Ingman, Heather. "‘Strangers to themselves’: Ageing, the Individual, and the Community in the Fiction of Iris Murdoch, John Banville, and John McGahern." Irish University Review 48, no. 2 (2018): 202–18. http://dx.doi.org/10.3366/iur.2018.0350.

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Irish literary gerontology has been slow to develop and this article aims to stimulate discussion by engaging with gerontologists' assertions that ageing in a community of peers is enriching. Juxtaposing the experience of ageing individuals in the novels of Iris Murdoch and John Banville with the more social experiences of John McGahern's protagonists, the article finds parallels between Murdoch's The Sea, The Sea (1978) and Banville's fiction with its emphasis on the ageing individual, invariably male, who attempts to fashion a coherent identity through narration. By contrast, McGahern's The

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13

Louvel, Liliane. "John Banville, Ghosts : « l'étoffe des rêves »." Études irlandaises 22, no. 1 (1997): 35–52. http://dx.doi.org/10.3406/irlan.1997.1380.

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14

Jing, Wang. "John Banville and His Romantic Quest." Linguistics and Literature Studies 6, no. 5 (2018): 236–41. http://dx.doi.org/10.13189/lls.2018.060506.

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15

Gilsenan, Alan. "John Banville: “The Weightless Density of a Dream.” / John Banville: “A Densidade Leve de Um Sonho”." ABEI Journal 22, no. 1 (2020): 27. http://dx.doi.org/10.37389/abei.v22i1.3838.

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16

Jenkinson, Rosemary. "Alive and Tricking – John Banville and Paul Auster / Vivo e Enganando – John Banville e Paul Auster." ABEI Journal 22, no. 1 (2020): 35. http://dx.doi.org/10.37389/abei.v22i1.3841.

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17

Taylor-Collins, Nicholas. "Ageing John Banville: from Einstein to Bergson / O Tempo em John Banville: de Einstein a Bergson." ABEI Journal 22, no. 1 (2020): 159. http://dx.doi.org/10.37389/abei.v22i1.3855.

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18

Toal, Catherine. "Misanthropy of Form: John Banville’s Henry James / Misantropia da Forma: Henry James de John Banville." ABEI Journal 22, no. 1 (2020): 173. http://dx.doi.org/10.37389/abei.v22i1.3856.

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19

Murphy, Neil. "The Poetics of “Pure Invention”: John Banville’s Ghosts / A Poética da “Invencão Pura”: Ghosts, de John Banville." ABEI Journal 22, no. 1 (2020): 109. http://dx.doi.org/10.37389/abei.v22i1.3851.

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20

Delaney, Juan José. "The Short Story Narrative Form According to John Banville / A Forma Narrativa do Conto de Acordo com John Banville." ABEI Journal 22, no. 1 (2020): 23. http://dx.doi.org/10.37389/abei.v22i1.3837.

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21

O’Callaghan, Billy. "Reflecting on discovering John Banville as a young reader / Refletindo a Minha Descoberta de John Banville como Jovem Leitor." ABEI Journal 22, no. 1 (2020): 45. http://dx.doi.org/10.37389/abei.v22i1.3845.

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22

Canon-Roger, Françoise. "L'œuvre de John Banville : une révolution de l'intérieur." Études irlandaises 21, no. 1 (1996): 27–37. http://dx.doi.org/10.3406/irlan.1996.1270.

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23

Wondrich, Roberta Gefter, and John Banville. "A Great, Sinister Performer: John Banville, "The Untouchable"." Canadian Journal of Irish Studies 23, no. 2 (1997): 123. http://dx.doi.org/10.2307/25515226.

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24

Quinlan, Kieran. "Time Pieces: A Dublin Memoir by John Banville." New Hibernia Review 22, no. 2 (2018): 159–60. http://dx.doi.org/10.1353/nhr.2018.0026.

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25

Smith, Eoghan. "Hedda Friberg-Harnesk, Reading John Banville Through Jean BaudrillardNeil Murphy, John BanvillePietra Palazzolo, Michael Springer, and Stephen Butler (editors), John Banville and His Precursors." Irish University Review 50, no. 2 (2020): 391–96. http://dx.doi.org/10.3366/iur.2020.0479.

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26

Piñeiro, Aurora. "Postmodern Pastiche: The Case of Mrs Osmond by John Banville / Pastiche Pós-moderno: O Caso de Mrs. Osmond, de John Banville." ABEI Journal 22, no. 1 (2020): 121. http://dx.doi.org/10.37389/abei.v22i1.3852.

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27

Fierobe, Claude. "Cygnes et Signes : Swan dans Mephisto de John Banville." Études irlandaises 16, no. 1 (1991): 97–106. http://dx.doi.org/10.3406/irlan.1991.994.

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28

Canon-Roger, Françoise. "Ruptures en représentation : The Broken Jug de John Banville,." Études irlandaises 21, no. 2 (1996): 125–34. http://dx.doi.org/10.3406/irlan.1996.1320.

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29

McMinn, Joseph. "An Exalted Naming: The Poetical Fictions of John Banville." Canadian Journal of Irish Studies 14, no. 1 (1988): 17. http://dx.doi.org/10.2307/25512722.

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30

Ghassemi, Mehdi. "Hedda Friberg-Harnesk. Reading John Banville through Jean Baudrillard." ABEI Journal 22, no. 1 (2020): 237. http://dx.doi.org/10.37389/abei.v22i1.3861.

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31

Dell’Amico, Carol. "John Banville and Benjamin Black: The Mundo, Crime, Women." Éire-Ireland 49, no. 1-2 (2014): 106–20. http://dx.doi.org/10.1353/eir.2014.0008.

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32

Lecas, Julie. "Hedda Friberg-Harnesk, Reading John Banville through Jean Baudrillard." Études irlandaises, no. 44-1 (November 14, 2019): 157–59. http://dx.doi.org/10.4000/etudesirlandaises.7394.

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33

Mikowski, Sylvie. "The Untouchable de John Banville : portrait de l'artiste en menteur." Études irlandaises 25, no. 2 (2000): 141–55. http://dx.doi.org/10.3406/irlan.2000.2957.

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34

Wrethed, Joakim. "“Cloud’s red, earth feeling, sky that thinks”: John Banville’s Aesth/ethics / “Nuvem vermelha, terra sentindo, céu que pensa”: Est/ética de John Banville." ABEI Journal 22, no. 1 (2020): 183. http://dx.doi.org/10.37389/abei.v22i1.3857.

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35

Kennedy-Andrews, Elmer. "Representations of the Jew in the Modern Irish Novel since Joyce." Irish University Review 43, no. 2 (2013): 307–26. http://dx.doi.org/10.3366/iur.2013.0082.

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This study reads the Semitic discourse in five modern Irish novels – Francis Stuart's Black List Section H (1971), Robert MacLiam Wilson's Manfred's Pain (1992), Robert Welch's Groundwork (1997), Jennifer Johnston's This is Not a Novel (2002), and John Banville's Shroud (2002) – for what it tells us about the cultural identity of modern Ireland, and for what it reveals of the psychohistory, and even the psychopathology, of Irishness hidden in these representations. The span of five novels allows some demonstration, first, of the ambivalence, rather than overt hostility or unqualified identific

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36

Jackson, Tony E. "Science, Art, and the Shipwreck of Knowledge: The Novels of John Banville." Contemporary Literature 38, no. 3 (1997): 510. http://dx.doi.org/10.2307/1208977.

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37

Brewster, Scott. "A few words for Axel Vander: John Banville and the pursuit of deconstruction." Irish Studies Review 24, no. 3 (2016): 311–26. http://dx.doi.org/10.1080/09670882.2016.1189159.

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38

Gorodetskiy, Vladislav P. "A Novel “Kepler” by John Banville in the Context of Protestant Work Ethiс". New Past, № 2 (30 червня 2020): 200–214. http://dx.doi.org/10.18522/2500-3224-2020-2-200-214.

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39

D'Hoker, Elke. "Confession and Atonement in Contemporary Fiction: J. M. Coetzee, John Banville, and Ian McEwan." Critique: Studies in Contemporary Fiction 48, no. 1 (2006): 31–43. http://dx.doi.org/10.3200/crit.48.1.31-43.

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40

Jenkins, Lee M. "John Banville and His Precursors ed. by Pietra Palazzolo, Michael Springer, and Stephen Butler." Wallace Stevens Journal 45, no. 1 (2021): 121–23. http://dx.doi.org/10.1353/wsj.2021.0016.

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41

Vandelanotte, Lieven. "‘Where am I, lurking in what place of vantage?’." English Text Construction 3, no. 2 (2010): 203–25. http://dx.doi.org/10.1075/etc.3.2.05van.

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On the basis of a case study of The Book of Evidence and The Sea, this paper looks at the linguistic means through which at different levels distance is created in the fiction of John Banville. In addition to more or less ‘local’ but frequent instances where the first-person narrator’s own discourse is metatextually commented on, or another’s discourse is evoked from his perspective, distancing effects are to be found at the broader levels of the situation of discourse, as in the case of the fictive address of judge and jury in The Book of Evidence, and of the narrator’s identity and perspecti

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42

D’hoker, Elke. "“Everything has to be qualified”: Reading as Misreading in John Banville and Paul de Man." Critique: Studies in Contemporary Fiction 59, no. 5 (2018): 536–46. http://dx.doi.org/10.1080/00111619.2018.1427546.

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43

Powell, Kersti Tarien. "“Cancel, yes, cancel, and begin again”: John Banville’s Path from ‘Einstein” to Mefisto / “Cancele, sim, cancele e comece de novo”: O Caminho de John Banville de Einstein a Mefisto." ABEI Journal 22, no. 1 (2020): 135. http://dx.doi.org/10.37389/abei.v22i1.3853.

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44

Fierobe, Claude. "Spectres et fin de siècle : The Woman's Daughter de Dermot Bolger et Ghosts de John Banville." Études irlandaises 24, no. 2 (1999): 99–112. http://dx.doi.org/10.3406/irlan.1999.1513.

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45

Jarman, Cody D. "Famine Roads and Big House Ghosts: History and Form in John Banville’s The Infinities / Estradas da Fome e Fantasmas da Casa Grande: História e Forma em The Infinities, de John Banville." ABEI Journal 22, no. 1 (2020): 85. http://dx.doi.org/10.37389/abei.v22i1.3850.

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46

Năstase, Florina. "The Blitz Gothic: War and Language in Elizabeth Bowen's "The Demon Lover"." Linguaculture 11, no. 2 (2020): 87–94. http://dx.doi.org/10.47743/lincu-2020-2-0174.

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The paper intends to explore Elizabeth Bowen’s stylistic choices in her wartime short story, The Demon Lover (1945), wherein the experience of war is rendered in gothic form as a supernatural occurrence. Bowen’s predilection for framing aspects of war in an inverted manner is well-documented in such novels as The Heat of the Day (1949), and her appeal to the fantastic is part of an Irish tradition, ranging from Bram Stoker to John Banville. The paper attempts to analyze the way in which the gothic mode, particularly at the level of language, contributes to a deconstruction of the war experienc

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47

Friberg-Harnesk, Hedda. "“High Stakes” in the Symbolic Order: John Banville’s Love in the Wars Read through Jean Baudrillard / “Alto Risco” na Ordem Simbólica: Love in the Wars, de John Banville Lido Através de Jean Baudrillard." ABEI Journal 22, no. 1 (2020): 75. http://dx.doi.org/10.37389/abei.v22i1.3849.

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48

Radley, Bryan. "The Comic Uncanny in John Banville's Eclipse." Irish University Review 49, no. 2 (2019): 322–39. http://dx.doi.org/10.3366/iur.2019.0409.

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Humour is a key facet of John Banville's aesthetic but is currently an under-researched aspect of his oeuvre. Few critics devote sustained attention to the role of comedy in Banville's prose; most pay lip service to humour before moving on to more serious business. By contrast, the Banvillean uncanny is often examined as a defining feature of the writer's later work. This article proposes that Banville's novels demonstrate the conjunction of the comic and the uncanny, exposing how they work as interrelated, mutually productive modes. This is especially true when theatricality is also in play,

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49

Cheong, Adel. "Familiar/Familial Strangeness: The Place of Narration in John Banville’s Eclipse and The Sea and Mike McCormack’s Solar Bones / O Estranhamento Familiar: O Lugar da Narração em Eclipse e The Sea, de John Banville, e em Solar Bones, de Mike McCormack." ABEI Journal 22, no. 1 (2020): 61. http://dx.doi.org/10.37389/abei.v22i1.3848.

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50

Powell, Kersti Tarien. "John Banville's narcissistic fictions." Irish Studies Review 22, no. 4 (2014): 538–40. http://dx.doi.org/10.1080/09670882.2014.951508.

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