Academic literature on the topic 'John Crowe Ransom'

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Journal articles on the topic "John Crowe Ransom"

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Winchell, Mark Royden. "SELECTED ESSAYS OF JOHN CROWE RANSOM." Resources for American Literary Study 15, no. 2 (1985): 252–55. http://dx.doi.org/10.2307/26366683.

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Winchell, Mark Royden. "SELECTED ESSAYS OF JOHN CROWE RANSOM." Resources for American Literary Study 15, no. 2 (1985): 252–55. http://dx.doi.org/10.2307/resoamerlitestud.15.2.0252.

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Hendrick, George, John Crowe Ransom, Thomas Daniel Young, and George Core. "Selected Letters of John Crowe Ransom." World Literature Today 59, no. 4 (1985): 601. http://dx.doi.org/10.2307/40142033.

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Thompson, Paul B. "John Crowe Ransom: Land! The case for an agrarian economy." Agriculture and Human Values 34, no. 4 (2017): 1039–41. http://dx.doi.org/10.1007/s10460-017-9790-z.

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Core, George. "Selected Essays of John Crowe Ransom ed. by Thomas Daniel Young, John Hindle." South Atlantic Quarterly 85, no. 2 (1986): 205–6. http://dx.doi.org/10.1215/00382876-85-2-205.

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Yadagiri, Kappey. "Book Review: John Crowe Ransom, Land! The Case for an Agrarian Economy." Journal of Land and Rural Studies 8, no. 1 (2019): 96–99. http://dx.doi.org/10.1177/2321024919883166.

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Stallings, A. E. "RANSOM, THE EQUILIBRISTThe Collected Poems of John Crowe Ransom.Edited by Ben Mazer." Essays in Criticism 66, no. 1 (2016): 140–48. http://dx.doi.org/10.1093/escrit/cgv025.

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Ann Mikkelsen. "Roger Prim, Gentleman: Gender, Pragmatism, and the Strange Career of John Crowe Ransom." College Literature 36, no. 4 (2009): 46–74. http://dx.doi.org/10.1353/lit.0.0076.

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Kunde, Sharon. "The “Nature” of American Literature: Race, Place, and Textuality in John Crowe Ransom and Elizabeth Madox Roberts." Twentieth-Century Literature 67, no. 3 (2021): 235–68. http://dx.doi.org/10.1215/0041462x-9373707.

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“The ‘Nature’ of American Literature” explores how John Crowe Ransom and his less-studied contemporary Elizabeth Madox Roberts advanced a theory of literary objects that emerged from nature itself. This theory formed the basis of Ransom’s bid, in “Criticism, Inc.,” for disciplinary stratification and productivity. Through a set of representational practices this article gathers under the terms “natural reading” and “natural writing,” Roberts and Ransom framed valuable aesthetic objects as the product of a carefully cultivated relationship between human observers and landscape. For both, howeve
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Potts, George. "‘Influence poetry once more’: Allen Tate and Milton's ‘Lycidas’." Modernist Cultures 14, no. 2 (2019): 193–212. http://dx.doi.org/10.3366/mod.2019.0250.

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The standard narrative of the Milton Controversy in the early twentieth century has frequently regarded the New Criticism as part of the modernist antipathy towards Milton, which was fostered by articles such as F. R. Leavis's ‘Milton's Verse’ (1933) and T. S. Eliot's ‘A Note on the Verse of John Milton’ (1935). This essay challenges such depictions of two prominent New Critics – Allen Tate and John Crowe Ransom – as inveterately hostile to Milton, arguing instead that he occupies a significant place in their poetry and criticism. By also considering these American writers’ debts to Milton as
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Dissertations / Theses on the topic "John Crowe Ransom"

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Hanke, Michael. "John Crowe Ransoms Lyrik und europäische Dichtungstradionen /." Würzburg : Königshausen & Neumann, 1994. http://catalogue.bnf.fr/ark:/12148/cb391476139.

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Stenhouse, David. "Reason's burden : the aesthetic project of John Crowe Ransom." Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/21549.

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The career of the American Critic and poet John Crowe Ransom seems marked by discontinuity. An acclaimed poet, he disowned his first collection of verse and virtually abandoned poetry at the end of the 1920s. A political activist during the 1930s who was devoted to a vision of complete and complex human life he went on to dedicate himself to the apparently formalist and exclusive New Criticism. Though critical attempts have been made to explore the connections between the various phases of his career, the overall shape and importance of Ransom's critical project has to date been unclear. This
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El-Komy, Amir. "Irony and distance in John Crowe Ransom's poetry : a computer-assisted study." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/7221/.

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By the time the Fugitive movement was launched between 1922 and 1925, Ransom's poetic technique had changed in a remarkable fashion which is the main topic of the thesis. Gone was a direct, almost brutally sarcastic manner to be replaced with a polished irony that places a considerable distance between him, his subject and his reader. He is no longer involved in the narrative action of the poems as in Poems about God, and there is more concentration on the action of the poems than description. In The Fugitive (1922-1925) Ransom published his most successful poems such as: "Ego", "Bells for Joh
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Jordan, Matthew Eric. "Tradition, myth and the agrarian community : the critical reception of I'll take my stand and John Crowe Ransom's agrarian philosophy." 2002. http://purl.galileo.usg.edu/uga%5Fetd/jordan%5Fmatthew%5Fe%5F200205%5Fma.

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Mehra, S. N. "Elusiveness of method in formalistic criticism: a consideration of the critical methods of T.S. Eliot, I.A. Rishards, John Crowe Ranson and Cleanth Brooks." Thesis, 1987. http://localhost:8080/xmlui/handle/12345678/5710.

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Books on the topic "John Crowe Ransom"

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Ransom, John Crowe. Selected letters of John Crowe Ransom. Louisiana State University Press, 1985.

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Abbott, Craig S. John Crowe Ransom: A descriptive bibliography. Whitston Pub. Co., 1999.

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editor, Mazer Ben, ed. The collected poems of John Crowe Ransom. Un-Gyve Press, 2015.

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Ransom, John Crowe. The complete poems of John Crowe Ransom. Handsel Books, 2005.

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Hanke, Michael. John Crowe Ransoms Lyrik und europäische Dichtungstraditionen. Königshausen & Neumann, 1994.

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Jancovich, Mark. The cultural politics of the New Criticism. Cambridge University Press, 1993.

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Ellen, Snodgrass Mary. CliffsNotes American Poets of the 20th Century. John Wiley & Sons, Ltd., 2000.

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Inc, Game Counselor. Game Counselor's Answer Book for Nintendo Players. Microsoft Pr, 1991.

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Inc, Game Counsellor, ed. The Game Counsellor's answer book for Nintendo Game players: Hundredsof questions -and answers - about more than 250 popular Nintendo Games. Microsoft Press, 1991.

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Ransom, John Crowe. John Crowe Ransom - Selected Poems. Carcanet Press, Limited, 1995.

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Book chapters on the topic "John Crowe Ransom"

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Franke, Astrid. "Ransom, John Crowe." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12371-1.

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Knape, Franz-Josef, and Astrid Franke. "Ransom, John Crowe: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12372-1.

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Gardner, Philip. "John Crowe Ransom places Housman 1951." In A. E. Housman. Routledge, 2024. http://dx.doi.org/10.4324/9781003539803-104.

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"Introduction to John Crowe Ransom." In The Critical Twilight (Routledge Revivals). Routledge, 2014. http://dx.doi.org/10.4324/9781315759203-17.

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"42. Tribute to John Crowe Ransom." In Northrop Frye on Twentieth-Century Literature, edited by Glen Robert Gill. University of Toronto Press, 2009. http://dx.doi.org/10.3138/9781442685741-046.

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"John Crowe Ransom: the isolation of aesthetic activity." In The Cultural Politics of the New Criticism. Cambridge University Press, 1993. http://dx.doi.org/10.1017/cbo9780511519321.016.

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Dominy, Jordan J. "Reviewing the South: Competing Canons in South Today and the Kenyon Review." In Southern Literature, Cold War Culture, and the Making of Modern America. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496826404.003.0001.

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This chapter considers the editorial careers of Lillian Smith and John Crowe Ransom. Lillian Smith co-edited the little magazine South Today from 1936 to 1945 out of Clayton, Georgia, while John Crowe Ransom was the long-time editor of the Kenyon Review, a journal important in the proliferation of the New Criticism. This chapter uses these two figures, their periodicals, and their editorial decisions to show two competing criteria for a literary canon at the moment of World War II. Smith, whose magazine published many of her own essays on southern culture, was an anti-segregationist, and value
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Rovee, Christopher. "Ransom’s Melancholy (Reading Wordsworth in Gambier, Ohio)." In New Critical Nostalgia. Fordham University Press, 2024. http://dx.doi.org/10.5422/fordham/9781531505110.003.0002.

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This chapter, on the Southern New Critic John Crowe Ransom, treats the complicated relation between Ransom’s sense of place and his advocacy of an academic discipline. It reconsiders Ransom’s symbolically fraught move from Vanderbilt University to Kenyon College in 1937, which is often seen as a pivot between his cultural and literary phases, and as symbolic for the commencement of the discipline’s professional era. This chapter explores Ransom’s challenging nostalgia in relation to his professional mobility, as it manifests in his later writing about poetics and William Wordsworth. Ransom-rea
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"John Crowe Ransom: the social relations of aesthetic activity." In The Cultural Politics of the New Criticism. Cambridge University Press, 1993. http://dx.doi.org/10.1017/cbo9780511519321.007.

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"Chapter VI. John Crowe Ransom: Principles for a New Historicism." In Toward a New Historicism. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400870417-007.

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