Academic literature on the topic 'John Horne'

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Journal articles on the topic "John Horne"

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Horne, John D. "John D. Horne." Sociological Research Online 14, no. 3 (2009): 1. http://dx.doi.org/10.1177/136078040901400301.

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Zúniga, Leonel. "El único fósil de dinosaurio de Centroamérica fue descubierto en Honduras en 1971." Innovare: Revista de ciencia y tecnología 8, no. 2 (2019): 100. http://dx.doi.org/10.5377/innovare.v8i2.9080.

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En 1971, Gregory Horne, un geólogo norteamericano de Wesleyan University, descubrió en Honduras el único fósil de dinosaurio encontrado en Centroamérica durante una gira de investigación geológica cerca de San Luis, Comayagua (Zúniga, 2017). El fósil, un fémur de un dinosaurio ornitópodo, hadrosauroideo, se encuentra actualmente en el Museo de Historia Natural en Washington D.C. (Instituto Smithsonian) bajo el código USNM PAL 181339 (Reproducido con permiso). Su identificación fue confirmada por paleontólogos reconocidos como Jack McIntosh y John R. Horner (Horne, 1994). El fósil sugiere un po
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Gurses Tarbuck, Derya. "George Horne, the Hutchinsonian." Bulletin of the John Rylands Library 97, no. 1 (2021): 71–82. http://dx.doi.org/10.7227/bjrl.97.1.5.

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Hutchinsonianism, a set of ideas developed by John Hutchinson, did not necessarily command considerable respect among intellectuals in the eighteenth century. Hutchinson held that science was divine in origin and was rooted in the Old Testament. He denied the Newtonian principle of gravity and argued that God was necessary for the application of physical laws. He also developed a highly symbolic interpretation of religious ideas. George Horne (1730–92) was an exception in taking Hutchinsonianism seriously. Horne’s ideas aimed at uniting Christian orthodoxy against a common enemy, particularly
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Dudeney, John, Richard Horne, and Mike Lockwood. "Alan S Rodger (1951–2020)." Astronomy & Geophysics 61, no. 2 (2020): 2.15. http://dx.doi.org/10.1093/astrogeo/ataa020.

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Leahey, Joseph R. "John Horne Burns and Tennessee Williams's “Hard Candy”." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 23, no. 2 (2010): 71–75. http://dx.doi.org/10.1080/08957691003712074.

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WILLIAMS, MEGAN E. "“Meet the Real Lena Horne”: Representations of Lena Horne in Ebony Magazine, 1945–1949." Journal of American Studies 43, no. 1 (2009): 117–30. http://dx.doi.org/10.1017/s0021875809006094.

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Following World War II, Ebony's creator and editor, John H. Johnson, sought to create a popular black magazine in the vein of Life and Look that would reflect the accomplishments and joys, “the happier side,” of African American life.1 Throughout the first four years of its publication, Lena Horne appeared on the magazine's cover three times – the only woman to do so during this period. In this paper, I argue that the fledgling Ebony magazine drew on Lena Horne's wartime status as a beautiful black icon and represented her as a symbol of its ideological project, broadly, and as the Ebony image
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Thomas, W. "Gentleman Radical: A Life of John Horne Tooke, 1736-1812." English Historical Review 118, no. 477 (2003): 807–8. http://dx.doi.org/10.1093/ehr/118.477.807.

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Bernstein, George L., Christina Bewley, and David Bewley. "Gentleman Radical: A Life of John Horne Tooke, 1736-1812." Albion: A Quarterly Journal Concerned with British Studies 31, no. 3 (1999): 500. http://dx.doi.org/10.2307/4053002.

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Mark T. Bassett. "John Horne Burns (Milan, 1950): A Portrait by Indro Montanelli." Biography 11, no. 2 (1988): 151–58. http://dx.doi.org/10.1353/bio.2010.0615.

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Wuillème, Tanguy. "John Horne, dir., Vers la guerre totale. Le tournant de 1914-1915." Questions de communication, no. 19 (June 30, 2011): 326–29. http://dx.doi.org/10.4000/questionsdecommunication.2796.

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Dissertations / Theses on the topic "John Horne"

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Brotherson, Gregory W. "John Horne Tooke (1736-1812): Revolutionary & libeller." Thesis, Brotherson, Gregory W. (1999) John Horne Tooke (1736-1812): Revolutionary & libeller. PhD thesis, Murdoch University, 1999. https://researchrepository.murdoch.edu.au/id/eprint/52990/.

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The purpose of this thesis is to examine the social and political thought of John Horne Tooke (1736 — 1812). It is a study of the effect of personalities on politics during a period of violent social and political upheaval. This thesis is important for several reasons. First it will show Horne Tooke at the centre of the ‘Wilkes and Liberty’ campaign of the 1760s, the gadfly Wilkes only a figurehead. From this slanderous, libellous world of political intrigue came Junius who, it will be argued, was the brainchild of Horne Tooke, contrived in conjunction with his patron the Earl of Shelburne
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Brotherson, Gregory W. "The social and political thought of John Horne Tooke, 1736-1812." Thesis, Brotherson, Gregory W. (1992) The social and political thought of John Horne Tooke, 1736-1812. Masters by Research thesis, Murdoch University, 1992. https://researchrepository.murdoch.edu.au/id/eprint/52989/.

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The purpose of this thesis is to examine the role of John Horne Tooke in the radical political movement in Britain, from the early 1760s to 1812. A product of eighteenth-century British Enlightenment, Horne Tooke was an ingenious thinker whose career spanned some fifty years. Therefore a balanced study of the ideas which supported his political position, and how it changed over time, to some extent reflects the development of radicalism in the late eighteenth century. The emphasis is upon Horne Tooke's political experiences as a civic humanist and his conversion to utilitarianism via a mom
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Ormsby, Verle A. "John Jacob Graas, Jr. : jazz horn performer, jazz composer, and arranger." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/560288.

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This paper is divided into two broad sections. The first section traces the life and career of John Graas through an examination of the contents of the John Graas Memorabilia and Memorial Library, which contains photo albums, newspaper clippings, records and tapes, approximately one hundred original compositions, and personal correspondence between the author and people who knew and worked with Graas.The second section is an examination and discussion of Graas's original compositions. This discussion traces Graas's compositional development and growth as an acknowledged jazz composer through t
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Oliver, Stephen Blake. "Backwards saints, the jazz musician as hero-figure in James Baldwin's "Sonny's Blues" and John Clellon Holmes' "The Horn"." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ54536.pdf.

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Sesselmann, Andreas John [Verfasser], and Siegfried R. [Akademischer Betreuer] Horn. "Investigation on the Thermoelectric and Structural Properties of Cobalt-Antimony based Skutterudites and Modifications with Indium and Rare-Earth Elements / Andreas John Sesselmann. Betreuer: Siegfried R. Horn." Augsburg : Universität Augsburg, 2014. http://d-nb.info/1077703198/34.

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ONTIÑANO, ABADÍAS MARÍA CARMEN. "Cuerpo en acción, imagen en movimiento y naturaleza en el arte de EE UU y Europa durante los años 60-70, con caracter site-specific. Estudio referencial, análisis y proyecto personal." Doctoral thesis, Universitat Politècnica de València, 2014. http://hdl.handle.net/10251/36868.

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La presente tesis está dividida en un bloque teórico y un bloque práctico. En la parte teórica se realiza un estudio referencial, análisis y discusión de una serie de creaciones artísticas pertenecientes a la época de los años 60 y 70 mayoritariamente en EE UU y minoritariamente en Europa, que hacen uso de la imagen en movimiento monocanal y el cuerpo en acción en la naturaleza con carácter site-specific. En la parte práctica se realiza una obra videográfica que trabaja a partir de los mismos elementos de las obras de estudio desde un punto de vista actual y dentro de la línea de crea
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Ulman, Stanislav. "Ke slávě Boha i krále. Církevní politika Jana Lucemburského se zaměřením na Horní Lužici a Slezsko." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-415362.

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The presented diploma thesis deals with the church policy of the Bohemian King John of Bohemia in relation to Upper Lusatia and the Duchy of Wrocław. The areas which thanks to John's successful territorial policy have become an integral part of the Bohemian Kingdom for several centuries. As the named countries belonged to the indivisible dominions of the Bohemian ruler, he was able to fully develop there his donor activities. The research is based on an analysis of available sources especially of a diplomatic nature and is also focused on narrative sources. The aim of this work is to analyse a
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Books on the topic "John Horne"

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Cameron, George. John Horne: His life and works. North of Scotland Newspapers, 1993.

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David, Bewley, ed. Gentleman radical: A life of John Horne Tooke, 1736-1812. Tauris Academic Studies, 1998.

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Nardinocchi, E. Il paesaggio disegnato: John Constable e i maestri inglesi nella raccolta Horne. Mandragora, 2009.

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Tooke, John Horne. The prison diary (16 May-22 November 1794) of John Horne Tooke. Leeds Philosophical and Literary Society, 1995.

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Horne, Raymond L. A genealogical portrait of Ephraim Horne, North and South Carolina planter and patriot: With special emphasis on the life and times of John Hendrick Horne, planter and politician, Wayne and Clarke counties, Mississippi. R.L. Horne, 1998.

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John Stokes' horse. Gaspereau Press, 2012.

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John Henry. Eclipse Press, 2001.

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Horne, James Carroll. Hornes-a-plenty, the saga of the John Micager Ananias Horn clan in the southern United States: The Horne family of the Southeastern United States in the 18th to 21st centuries : being childhood memories, family biographies, and ancestral research. Tennessee Valley Pub., 2001.

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Join-up: Horse sense for people. HarperCollins, 2000.

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ill, Dodson Bert, ed. John and Tom. [Vermont Folklife Center], 2001.

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Book chapters on the topic "John Horne"

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Kelleter, Frank. "Burns, John Horne." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4992-1.

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Baruch, Gertrud, and Frank Kelleter. "Burns, John Horne: The Gallery." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4993-1.

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Graff, Peter A. "Deconstructing the ‘Brutal Savage’ in John Ford’s The Iron Horse." In The Sounds of Silent Films. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137410726_9.

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Mason, Nicholas. "John Hughes ‘The Magic Lay of the One-Horse Chay’." In Blackwood's Magazine, 1817-25, Volume 1. Routledge, 2022. http://dx.doi.org/10.4324/9781003312611-32.

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Sutcliffe, P. C. "Tooke, John Horne (1736–1812)." In Encyclopedia of Language & Linguistics. Elsevier, 2006. http://dx.doi.org/10.1016/b0-08-044854-2/02932-1.

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"John Horne Burns, the Gallery." In Lost Gay Novels. Routledge, 2013. http://dx.doi.org/10.4324/9780203057230-18.

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Manly, Susan. "John Horne Tooke and Linguistic Equality." In Language, Custom and Nation in the 1790s. Routledge, 2017. http://dx.doi.org/10.4324/9781351154284-2.

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Godwin, William. "365. To John Horne Tooke, [5 December 1803]." In The Letters of William Godwin, Vol. 2: 1798–1805. Oxford University Press, 2014. http://dx.doi.org/10.1093/oseo/instance.00089147.

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Godwin, William. "366. To John Horne Tooke, [6–7 December 1803]." In The Letters of William Godwin, Vol. 2: 1798–1805. Oxford University Press, 2014. http://dx.doi.org/10.1093/oseo/instance.00089148.

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"4. A Queer Redemption: John Horne Burns’s The Gallery." In Allied Encounters. Fordham University Press, 2020. http://dx.doi.org/10.1515/9780823284528-006.

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Reports on the topic "John Horne"

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Skulski, T., S. Castonguay, Y. Moussallam, V. J. McNicoll, C. R. van Staal, and J. H. Bédard. Geology, Nippers Harbour and parts of Horse Islands, Cape St. John, and Little Bay Island, Newfoundland and Labrador, NTS 2-E/13 and parts of NTS 2-E/12, NTS 2-E/14, and NTS 2-L/4. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2015. http://dx.doi.org/10.4095/295866.

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