Log in

Relevant bibliographies by topics / John McGrath / Journal articles

To see the other types of publications on this topic, follow the link: John McGrath.

Journal articles on the topic 'John McGrath'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'John McGrath.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Milne, Drew. "Cheerful History: the Political Theatre of John McGrath." New Theatre Quarterly 18, no. 4 (November 2002): 313–24. http://dx.doi.org/10.1017/s0266464x02000428.

Full text

Abstract:

In this essay, Drew Milne suggests affinities between the dramatization of history in the work of John McGrath and Karl Marx. He shows how both Marx and McGrath refused to mourn the histories of Germany and Scotland as tragedies, but that differences emerge in the politics of McGrath's radical populism – differences apparent in McGrath's use of music, historical quotation, and direct address. McGrath's layered theatricality engages audience sympathies in ways that emphasize awkward parallels between modern and pre-modern Scotland, and this can lead to unreconciled tensions between nationalism and socialism which are constitutive of McGrath's plays. Drew Milne is the Judith E. Wilson Lecturer in Drama and Poetry, Faculty of English, University of Cambridge, and a Fellow of Trinity Hall. He has published various articles on drama and performance, including essays on the work of August Boal, Samuel Beckett, and Harold Pinter, and is currently completing a book entitled Performance Criticism.

APA, Harvard, Vancouver, ISO, and other styles

2

McGrath, John. "Dr. John McGrath." Nishi Nihon Hifuka 81, no. 5 (October 1, 2019): 427–28. http://dx.doi.org/10.2336/nishinihonhifu.81.427.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Holdsworth, Nadine. "Remembering John McGrath." Contemporary Theatre Review 13, no. 1 (February 2003): 111–14. http://dx.doi.org/10.1080/1048680031000077843.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Lacey, Stephen. "‘Blood Red Roses’: John McGrath and Lukácsian Realism." New Theatre Quarterly 18, no. 4 (November 2002): 325–33. http://dx.doi.org/10.1017/s0266464x0200043x.

Full text

Abstract:

John McGrath spurned the easy road to television fame that seemed open to him early in his career, but remained concerned throughout his life to develop the creative potential of the medium, and to exploit what made it distinctive from the forms of film and theatre in which he was also engaged. Unlike many of his contemporaries, McGrath's work was thus underpinned by a strong sense of the differing qualities of the performing media, and nowhere is this more evident than in Blood Red Roses, which began its life as a stage play for 7:84 Scotland in 1980, was adapted into a three-part television serial for Channel 4 in 1985, and re-edited for the version directed by McGrath for Freeway Films. In exploring the differing sensibilities and structures of the different versions, Stephen Lacey draws on ideas – notably the concept of realism – as formulated by George Lukács largely in relation to yet another genre, that of the novel, in which he often found himself in conflict with the ideas of Bertolt Brecht. Stephen Lacey is Principal Lecturer in the Department of Contemporary Arts at Manchester Metropolitan University, and co-director of a major AHRB-funded research project, ‘Cultures of British TV Drama: 1960–82’.

APA, Harvard, Vancouver, ISO, and other styles

5

Mackenney, Linda. "The Oppositional Theatre of McGrath and MacLennan in Scotland, 1989–96." New Theatre Quarterly 30, no. 4 (October 21, 2014): 352–64. http://dx.doi.org/10.1017/s0266464x14000694.

Full text

Abstract:

In this article, Linda Mackenney explores the four epic plays John McGrath wrote between 1989 and 1996 in the aftermath of his forced resignation from 7:84 Scotland in 1988. These were produced in association with David MacLennan of Wildcat Stage Productions and televised by McGrath's Freeway Films for Channel Four in the 1990s. McGrath died of leukaemia in 2002, and MacLennan died earlier this year after a battle with motor neurone disease; but the work they did together in the 1990s forms a significant part of their legacy. Linda Mackenney was introduced to McGrath's work as a student, when she attended the lectures at the University of Cambridge which were later published as his seminal critical work, A Good Night Out: Popular Theatre: Audience, Class, and Form. She carried out the research for 7:84 Scotland's Clydebuilt Season in 1982, was the creator of the Scottish Theatre Archive at Glasgow University Library, and is the author of The Activities of Popular Dramatists and Drama Groups in Scotland, 1900–1952 (Edwin Mellen Press, 2000). She was a member of the 7:84 Scotland Board of Directors between 1983 and 1988 and is currently completing a study of John McGrath's theatre writings.

APA, Harvard, Vancouver, ISO, and other styles

6

McGrath, John. "Popular Theatre and the Changing Perspective of the Eighties." New Theatre Quarterly 1, no. 4 (November 1985): 390–99. http://dx.doi.org/10.1017/s0266464x00001810.

Full text

Abstract:

John McGrath is one of those few writers who, having begun his career in a success-fully orthodox manner, came to prefer working through ‘alternative’ channels – notably, in his formation and continuing work with the two 7:84 Companies, England and Scotland, their names reflecting the persistent fact that 84 per cent of the nation's wealth is owned by seven per cent of the population. Thus, McGrath's early work as one of the creators of the vintage TV series Z Cars, and his major ‘commercial’ success with the film version of his play Events while Guarding the Bofors Gun, has been succeeded by numerous plays and productions less familiar to conventional audiences, but which have made an enormous and often stirring impact in touring venues (frequently of a less expected kind) both north and south of the border. The full range of his work is charted in the ‘NTQ Checklist’ which follows this interview, and its development through to the mid– 'seventies was discussed in the earlier interview with McGrath in TQ19. reprinted in New Theatre Voices of the Seventies, edited by Simon Trussler (Methuen, 1981). Here, Tony Mitchell talks with John McGrath about some of his more recent work, and discusses his views on the nature of popular theatre, as set out in his important study of the subject, A Good Night Out (Methuen, 1981).

APA, Harvard, Vancouver, ISO, and other styles

7

Page, Malcolm. "NTQ Checklist No. 1: John McGrath." New Theatre Quarterly 1, no. 4 (November 1985): 400–416. http://dx.doi.org/10.1017/s0266464x00001822.

Full text

Abstract:

A series of nearly two dozen ‘Theatre Checklists’ appeared as supplements to the old series of Theatre Quarterly, recording biographical, performance, and bibliographical information in accessible form about a wide range of mainly living playwrights. The format was subsequently extended by Simon Trussler for the ‘Writers on File’ series he now edits for Methuen London, of which the first six titles have recently appeared. However, it was felt that the former style of checklist would still provide a valuable source of information for writers not scheduled for early inclusion in the new series, expecially when this complemented other forms of documentation in the journal: and this first ‘NTQ Checklist’ on the work of John McGrath thus appears alongside Tony Mitchell's interview with the playwright. Its compiler, Malcolm Page, teaches in the English Department of Simon Fraser University, British Columbia. Besides contributing several of the earlier series of ‘Theatre Checklists’. Malcolm Page has published widely in the field of modern British drama: his study of John Arden appeared last year from Twayne, and his volume on Arden was among the first of the ‘Writers on File’ from Methuen.

APA, Harvard, Vancouver, ISO, and other styles

8

Amos, Andrew. "Interview with Prof John McGrath regarding research." Australasian Psychiatry 23, no. 1 (January 22, 2015): 6–7. http://dx.doi.org/10.1177/1039856214562123a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Office, Editorial. "Book Reviews." Verbum et Ecclesia 22, no. 2 (August 11, 2001): 478–82. http://dx.doi.org/10.4102/ve.v22i2.667.

Full text

Abstract:

Braaten, C E & Jenson, R W, 2000. Sin, death and the devil. Grand Rapids: Eerdmans. Prys: Onbekend. Michael Green, The Message of Matthew. Intervarsity Press, Leicester, 343 pp. Price £9.99. Francisco Lozada (Jr.), A literary reading of John 5. Text as construction. Peter Lang: New York, 138 pp. Price unknown. McGrath A & Packer JI (series eds), Thomas Manton, Jude 1999 [1675] 223 pp. John Calvin, 1 & 2 Timothy & Titus 1998 [1556] 208pp. John Owen, Hebrews 1998 [1680?] 269pp. The Crossway Classic Commentaries.

APA, Harvard, Vancouver, ISO, and other styles

10

Mitchell, Adrian. "Preaching the Enjoyable Revolution." New Theatre Quarterly 18, no. 4 (November 2002): 299–300. http://dx.doi.org/10.1017/s0266464x02000386.

Full text

Abstract:

Socialism is alive. Theatre is alive. Socialist theatre is alive. And, in every sense except the literal one, John McGrath, whose body gave up a long, brave fight against illness in January this year, is alive and kicking – Liberal and Tory arses for choice.

APA, Harvard, Vancouver, ISO, and other styles

11

McGrath, John. "Theatre and Democracy." New Theatre Quarterly 18, no. 2 (May 2002): 133–39. http://dx.doi.org/10.1017/s0266464x02000222.

Full text

Abstract:

John McGrath died from leukaemia in January 2002, having put the final touches to his last book, Naked Thoughts That Roam About: Reflections on Theatre, 1958–2001, edited by Nadine Holdsworth (Nick Hern Books, 2002). The following article forms the conclusion to this collection of essays, lectures, interviews, theatre reviews, 7:84 company documents, programme notes, letters, and poems, for which McGrath provides a contextualizing commentary. Like the other pieces in the book, it testifies to McGrath's faith in theatre's ability to contribute to humanity through its engagement with people, communities, and political processes – a commitment he maintained and developed to the end of his life. In ‘Theatre and Democracy’ he drew on the work of the Greek philosopher Cornelius Castoriadis to frame his hopes for theatre in the twenty-first century – a theatre which would operate in public dialectical debate with the society from which it evolves, and, by asking hard questions about the social processes that construct that society, provide a voice for oppositional opinion and the marginalized. The essay was reworked from a keynote address to the ‘European Theatre, Justice, and Morality’ conference held at the University of London in June 1999, and in its earlier form appeared in the conference proceedings, published as Morality and Justice: the Challenge of European Theatre, edited by Edward Batley and David Bradby (Rodopi, 2001).

APA, Harvard, Vancouver, ISO, and other styles

12

Cooke, Lez. "‘It was political’: John McGrath and Radical Television Drama." Journal of British Cinema and Television 10, no. 1 (January 2013): 241–55. http://dx.doi.org/10.3366/jbctv.2013.0132.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Cooper, Austin. "A Lonely Road. Fr Ted McGrath MSC John Hosie." Pacifica: Australasian Theological Studies 26, no. 3 (October 2013): 342–43. http://dx.doi.org/10.1177/1030570x13505437h.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Campbell, Edward. "Samuel Beckett, Repetition and Modern Music. By John McGrath." Music and Letters 100, no. 3 (August 1, 2019): 567–70. http://dx.doi.org/10.1093/ml/gcz072.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Paul, Ronald. "Representing the Working Class: Two Plays by John McGrath." Socialism and Democracy 30, no. 1 (January 2, 2016): 149–72. http://dx.doi.org/10.1080/08854300.2015.1090835.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Healy, David. "In conversation with Desmond McGrath." Psychiatric Bulletin 16, no. 3 (March 1992): 129–37. http://dx.doi.org/10.1192/pb.16.3.129.

Full text

Abstract:

Dr McGrath was born in Liverpool in 1922. He was Medical Director of St John of God Hospital from January 1955 until December 1991 and Consultant Psychiatrist, St Laurence's (Richmond) Hospital (Beaumont Hospital from 1987), Dublin from 1956 until 1988. He was a Foundation Fellow of the Royal College of Psychiatrists and was a member of Council from 1974 to 1979, a member of the Court of Electors from 1979 to 1982 and Chairman of the Irish Division from 1974 to 1977. He was a member of Council and Censor of the Royal College of Physicians of Ireland from 1980 to 1982 and Chairman of the Section of Psychiatry of the Royal Academy of Medicine in Ireland from 1973 to 1975. He was President of the Medico-Legal Society of Ireland from 1966 to 1968 and has served on the Fitness to Practice Committee of the Medical Council of Ireland since 1989 and the Mental Health & Neurology Committee of the Medical Research Council of Ireland from 1969 to 1991.

APA, Harvard, Vancouver, ISO, and other styles

17

Holdsworth, Nadine. "Good Nights Out: Activating the Audience with 7:84 (England)." New Theatre Quarterly 13, no. 49 (February 1997): 29–40. http://dx.doi.org/10.1017/s0266464x00010770.

Full text

Abstract:

John McGrath is recognized as a leading practitioner and theorist of popular and political theatre, in large part due to his work with 7:84 (England) and 7:84 (Scotland), but also through the contributions he has made to the debate surrounding this form of theatre, as summed up in his publication of A Good Night Out in 1981 and of The Bone Won't Break in 1990. McGrath has also written numerous articles, including those to be found in TQ19, TQ35, and NTQ4, in which he documents the work of the 7:84 companies and discusses the defining characteristics, ideological perspective, and potential for socio-political intervention of political theatre. Here, Nadine Holdsworth looks specifically at the importance of the audience as it related to 7:84 (England) in the 1970s and 1980s, and identifies some of the strategies employed by the company to attract and maintain a radical working-class audience. Nadine Holdsworth lectures in Theatre Studies at De Montfort University and has recently completed her doctoral thesis on McGrath and the 7:84 (England) Company, from which this research is derived. She has also catalogued an extensive archive on the company which is held at Cambridge University.

APA, Harvard, Vancouver, ISO, and other styles

18

Howard, Pamela. "He Wrote What He Saw: the Visual Language of John McGrath." New Theatre Quarterly 18, no. 4 (November 2002): 307–12. http://dx.doi.org/10.1017/s0266464x02000416.

Full text

Abstract:

Pamela Howard designed Border Warfare and John Brown's Body at the Tramway, Glasgow, for John McGrath, and Wicked Old Man, which he wrote and directed for West Yorkshire Playhouse in 1992. Here, she recalls the highly distinctive visual language of the playwright, and the differences this made in seeing through a design from initial discussion to practical use in performance. Pamela Howard is a scenographer, director, writer, educator, exhibition curator, and international producer who has created theatre events in many countries and languages. She was awarded a Leverhulme Emeritus Fellowship in 1999 to write What is Scenography? (published by Routledge in 2001), and as adaptor, director, and scenographer created La Celestina at the Hopkins Center, USA, in February 2002, of which the text is forthcoming from Oberon Books.

APA, Harvard, Vancouver, ISO, and other styles

19

Trussler, Simon. "In Memoriam: Jan Kott, 1914–2001; John McGrath, 1935–2002." New Theatre Quarterly 18, no. 2 (May 2002): 99–100. http://dx.doi.org/10.1017/s0266464x02210180.

Full text

Abstract:

Grieving:UNDER THE TITLE of ‘Old Friends’, Clive Barker mourned in the first issue of NTQ the passing of two men who, in very different ways, had devoted their lives to the service of the theatre – the American director Alan Schneider and the Scottish scholar who gave academic drama an international dimension, James Arnott. Both had been good friends and contributors to the old Theatre Quarterly.And now, two more old friends to mourn, yet whose lives and achievements must also be celebrated. Jan Kott died, after a long illness, on 22 December, at the age of eighty-seven. He was the only one of our original advisory editors still on the masthead after one hundred and ten issues of the two journals. John McGrath died of leukaemia one month later, on 23 January, at the age of sixty-six.

APA, Harvard, Vancouver, ISO, and other styles

20

Thompson, James, and Katharine Low. "John McGrath interview: Contact Theatre, buildings and young people's participation." Research in Drama Education: The Journal of Applied Theatre and Performance 15, no. 3 (August 2010): 403–11. http://dx.doi.org/10.1080/13569783.2010.495274.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Esslin-Peard, Monica. "Book Review: John McGrath. Samuel Beckett, repetition and modern music." Psychology of Music 47, no. 4 (June 17, 2019): 615–17. http://dx.doi.org/10.1177/0305735618765525.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Cooke, Lez. "Six and ‘Five More’: Experiments in Filmed Drama for BBC2." Journal of British Cinema and Television 14, no. 3 (July 2017): 298–323. http://dx.doi.org/10.3366/jbctv.2017.0375.

Full text

Abstract:

In 1964–6 John McGrath produced two series of filmed dramas for BBC2, the first under the series title Six, while the second series, provisionally titled ‘Five More’, was transmitted without a series title. At a time when most drama was being produced from the television studio, some of it still being transmitted live, this was a new departure, with the first six films pre-dating Up the Junction (1965) and the second series predating Cathy Come Home (1966), the two Wednesday Plays which have been celebrated for making the breakthrough to filmed drama at the BBC. Unlike the Loach/Garnett films, which were made by the Drama Department, McGrath's series were commissioned by Huw Wheldon's Documentary and Music Programmes department, which also produced Peter Watkins’ Culloden (1964), and were described as a hybrid of ‘documentary fiction’. In fact, they were an eclectic mix of different forms and styles, from Ken Russell's silent cinema pastiche, The Diary of a Nobody (1964) to Philip Saville's experimental The Logic Game (1965) and John Irvin's lyrical Strangers (1966). This article seeks to reconsider these films as examples of forgotten television drama from the mid-1960s and to examine the claim that they represent a new form of ‘documentary fiction’.

APA, Harvard, Vancouver, ISO, and other styles

23

Barker, Clive. "A Brief History of Clive Barker." New Theatre Quarterly 23, no. 4 (November 2007): 295–303. http://dx.doi.org/10.1017/s0266464x07000218.

Full text

Abstract:

I was born in Middlesbrough in 1931, and it's been uphill all the way since then. To a certain extent my life has been a process of being sold a dream which has never been realized, along with many other people in my generation, from Henry Livings and Harold Pinter through Wesker and Arden to John McGrath. We were the wartime generation, the last generation to remember what life was like before the war and during it.

APA, Harvard, Vancouver, ISO, and other styles

24

Sharpe, Meg. "Discussion on Paper by Vivienne Cohen, Patrick McGrath and John Sharpe." Group Analysis 24, no. 1 (March 1991): 63. http://dx.doi.org/10.1177/0533316491241010.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Anderson, Marvin. "John Calvin: Biblical Preacher (1539–1564)." Scottish Journal of Theology 42, no. 2 (May 1989): 167–81. http://dx.doi.org/10.1017/s0036930600056428.

Full text

Abstract:

Calvin is often seen as ‘larger than life’ by his disciples and his enemies. This contention animates a recent article by William Bouwsma, whose forthcoming Oxford monograph is titled,John Calvin: A Sixteenth Century Portrait. One must be cautious in obtruding the historical Calvin over against the theologian, thereby contending that for the Genevan Reformer theological questions were primarily a way of life. For Calvin hisInstitutewas also a response to contemporary theological questions. One such question elicited Calvin's response in 1555 to Laelius Socinus on the merits of Christ. Calvin warns against ‘certain perversely subtle men’ who obscure God's mercy in Christ. Socinus asked whether the death of Christ which won merit for all persons was also meritorious for Christ himself. To set Christ's merit against God's mercy ‘is no less stupid curiosity than their temerity in making such a definition’. Calvin inserted that letter into the 1559Institute. Concurrent with Bouwsma's article, Alister McGrath points to Calvin's response to precise questions raised by thevia modernaschool of theology at Paris under the Scot John Major in which human merit and that of Christ rest on divine good pleasure alone. Calvin's solution is continuous with the voluntarism which he encountered while in Paris.

APA, Harvard, Vancouver, ISO, and other styles

26

Symposium, NTQ. "Theatre in Thatcher's Britain: Organizing the Opposition." New Theatre Quarterly 5, no. 18 (May 1989): 113–23. http://dx.doi.org/10.1017/s0266464x00003006.

Full text

Abstract:

On 7 May 1988 a meeting was held at Goldsmiths' College, London, involving a number of theatre practitioners and academics on the left, to discuss the current state of British theatre under Thatcherism and suggest some possible responses. The meeting was organized by Vera Gottlieb, and NTQ Editor Simon Trussler, who both teach in the Drama Department at Goldsmiths' College. Also present were Clive Barker, Pam Brighton, Colin Chambers, Trevor Griffiths, Peter Holland, Kate Harwood, Albert Hunt, Nesta Jones, John McGrath, Paul Moriarty, Rob Ritchie, and Juliet Stevenson. Apologies for absence were received from Caryl Churchill, Tilda Swinton, and Clare Venables. This abbreviated transcript was edited by Andy Lavender.

APA, Harvard, Vancouver, ISO, and other styles

27

Pearson, Jr., Fred Lamar. "Reviews of Books:The French in Early Florida: In the Eye of the Hurricane John T. McGrath." American Historical Review 107, no. 1 (February 2002): 184. http://dx.doi.org/10.1086/532134.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Rowell, G. "The Letters and Diaries of John Henry Newman. Volume 32: Supplement. Edited by FRANCIS J. MCGRATH, FMS." Journal of Theological Studies 60, no. 2 (May 11, 2009): 755–56. http://dx.doi.org/10.1093/jts/flp062.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Smart, Billy. "The Life of Galileo and Brechtian Television Drama." Journal of British Cinema and Television 10, no. 1 (January 2013): 112–29. http://dx.doi.org/10.3366/jbctv.2013.0125.

Full text

Abstract:

Bertolt Brecht's dramaturgy was as influential upon the development of British drama on television between the 1950s and the 1970s as it was in the theatre. His influence was made manifest through the work of writers, directors and producers such as Tony Garnett, Ken Loach, John McGrath and Dennis Potter, whose attempts to create original Brechtian forms of television drama were reflected in the frequent reference to Brecht in contemporary debate concerning the political and aesthetic direction and value of television drama. While this discussion has been framed thus far around how Brechtian techniques and theory were applied to the newer media of television, this article examines these arguments from another perspective. Through detailed analysis of a 1964 BBC production of The Life of Galileo, I assess how the primary, canonical sources of Brecht's stage plays were realised on television during this period, locating Brecht's drama in the wider context of British television drama in general during the 1960s and 1970s. I pay particular attention to the use of the television studio as a site that could replicate or reinvent the theatrical space of the stage, and the responsiveness of the television audience towards Brechtian dramaturgy.

APA, Harvard, Vancouver, ISO, and other styles

30

Maguire, Tom. "Under New Management: The Changing Direction of 7:84 (Scotland)." Theatre Research International 17, no. 2 (1992): 132–37. http://dx.doi.org/10.1017/s0307883300016230.

Full text

Abstract:

7:84 (Scotland) Theatre Company was launched in 1973 through an epoch-making tour of The Cheviot, The Stag and The Black, Black Oil, pioneering small-scale touring theatre in Scotland. The arrival of the company coincided with a more general resurgence in indigenous theatre and its success heralded the rise of touring companies as an integral part of the theatrical scene. During the 1970s, its reputation was established as a campaigning left-wing company which combined music and documentary in shows touring to popular audiences throughout Scotland. Although 7:84 had been a revenue-funded client of the Scottish Arts Council (SAC) since 1976, in January 1988 SAC announced that it was to withdraw the company from the list of revenue-funded clients from April 1989. On 22 July 1988 John McGrath, writer, director and co-founder of the company resigned as Artistic Director, levelling allegations of political interference at SAC because of this proposal. The company was taken over by David Hayman, Gerard Kelly, and Jo Beddoe. By the beginning of 1992, Jo Beddoe had left the company and the intention of Kelly and Hayman to resign had been made public.

APA, Harvard, Vancouver, ISO, and other styles

31

Bull, John. "John McGrath The Bone Won't Break: on Theatre and Hope in Hard TimesLondon: Methuen, 1990. 166 p. ISBN 0-413-63260-1." New Theatre Quarterly 7, no. 25 (February 1991): 102. http://dx.doi.org/10.1017/s0266464x00005297.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Norton, Louis Arthur. "John Barry: An American Hero in the Age of Sail. By Tim McGrath. (Yardley, Pa.: Westholme Publishing, 2010. Pp. xvi, 622. $35.00.)." New England Quarterly 83, no. 4 (December 2010): 736–38. http://dx.doi.org/10.1162/tneq_r_00055.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Gustafson, David A. "John Henry Newman: Universal Revelation. By Francis McGrath with a foreword by Gerard Tracey. Macon, Ga.: Mercer University Press, 1997. 169 pp. n.p." Church History 67, no. 4 (December 1998): 797. http://dx.doi.org/10.2307/3169891.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Morgan, Cecilia. "Creating Interracial Intimacies: British North America, Canada, and the Transatlantic World, 1830–1914." Journal of the Canadian Historical Association 19, no. 2 (July 23, 2009): 76–105. http://dx.doi.org/10.7202/037749ar.

Full text

Abstract:

Abstract This article explores the domestic relationships of a number of interracial couples: Kahkewaquonaby/Peter Jones and Eliza Field; Nahnebahwequa/ Catherine Sutton and William Sutton; Kahgegagahbowh/George Copway and Elizabeth Howell; and John Ojijatekah Brant-Sero, Mary McGrath, and Frances Kirby. These unions took place within the context of and, in a number of instances, because of Native peoples’ movements across a multiple boundaries and borders within British North America, Canada, and Britain. Based in both Canadian Native historiography and work in colonial and imperial history, particularly that which focuses on gender, this article argues that international networks, such as nineteenth-century evangelicalism, the missionary movement, and circuits of performance, shaped such unions and played a central, constitutive role in bringing these individuals together. However, the article also points to the importance of exploring such large-scale processes at the biographic and individual level. It points to the different outcomes and dynamics of these relationships and argues that no one category or mode of scholarly explanation can account for these couples’ fates. The article also points to multiple and varied combinations of gender, class, and race in these relationships. It thus offers another dimension to the historiography on Native-white intimate relationships in North America which, to date, has focused mostly on relationships between white men and Native or mixed-race/Métis women. The article concludes by considering how these relationships complicate our understanding of commonly used concepts in imperial history, specifically those of domesticity and home.

APA, Harvard, Vancouver, ISO, and other styles

35

Smith, Tom, and Joseph Anthony L. Reyes. "Understanding Election Violence in the Philippines: Beware the Unknown Assassins of May." Pacific Affairs 94, no. 3 (September 1, 2021): 491–519. http://dx.doi.org/10.5509/2021943491.

Full text

Abstract:

Despite election violence being a commonly agreed upon phenomena in the Philippines, there has been a dearth in academic research on the topic in recent years, largely due to a lack of reliable information. To address this, our article adapts recognized methods from studies such as Lindsay Shorr Newman's 2013 paper, together with Stephen McGrath and Paul Gill's 2014 research on terrorism and elections. To expose the timing of election violence, we tracked incidents relative to election dates for the period from 2004 to 2017, with the results indicating that violence increased closer to an election date, and frequency substantially increased during the 14-year period. This is the first academic journal article since John Linantud in 1998 to focus on the issue of election violence in the Philippines but through adaptive methodologies goes further, enabling national analysis. Furthermore, our findings reveal statistically significant differences regarding the types of terrorist attacks and targets when comparing election and non-election periods. We highlight complicating factors such as the majority of attacks being attributed to "unknown" actors and the complex situation during elections. The results also demonstrate that election violence in the Philippines is dominated by the New People's Army and the use of assassination. The paper makes the case for further research and the creation of a dedicated database of election violence in the Philippines and elsewhere, and evaluates the measures implemented by the government that have failed to stem election violence.

APA, Harvard, Vancouver, ISO, and other styles

36

Leavy, Brian. "Strategy, organization and leadership in a new “transient-advantage” world." Strategy & Leadership 42, no. 4 (July 15, 2014): 3–13. http://dx.doi.org/10.1108/sl-05-2014-0038.

Full text

Abstract:

Purpose – In this Masterclass Prof Leavy considers some game changing advice about how to manage the fundamental challenges of the spread of hyper-competition and speed at which knowledge advantages now typically erode. His intent is to advance the dialogue among the corporate strategy, innovation, leadership and entrepreneurship functions. Design/methodology/approach – The concepts and tools of three new books are studied closely: in The End of Competitive Advantage, strategy and innovation guru Rita Gunther McGrath offers a strategy playbook for what she calls the new “transient advantage economy; in Accelerate, change leadership researcher, John Kotter, makes the case for developing a new “strategy operating system” to run in tandem with the traditional “performance operating system,” so that renewal can become continuous rather than episodic; and in The Good Struggle, leadership and ethics expert, Joseph Badarraco turns to five enduring questions of responsible leadership and looks for the emerging answers that might offer the most valuable guidance to leaders now having to operate in today’s recombinant environment. Findings – The perspectives provided can help leaders raise the odds of working successfully and responsibly in the exciting, uncertain, recombinant, market-driven world that now surrounds us all. Practical implications – Clearly, not only do companies have to be become ever more adaptable, but ever more innovative. Lessons in how to do so are offered and exemplars are examined. Originality/value – The article looks at three management compentencies-strategy making, organization building and enlightened leadership – in the context of the disruptive, hypercompetitive environment of transient advantage.

APA, Harvard, Vancouver, ISO, and other styles

37

Barnard, T. "People, Politics and Power: Essays on Irish History 1660-1850 in Honour of James I. McGuire, ed. James Kelly, John McCafferty and Charles Ivar McGrath." English Historical Review CXXVI, no. 520 (March 7, 2011): 702–3. http://dx.doi.org/10.1093/ehr/cer042.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Stephens, W. P. "A Life of John Calvin. A Study in the Shaping of Western Culture. By Alister E. McGrath. Oxford, Basil Blackwell, 1990. Pp. xv + 332. £19.95." Scottish Journal of Theology 45, no. 4 (November 1992): 563–66. http://dx.doi.org/10.1017/s0036930600049474.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Osterhaven, M. Eugene. "A Life of John Calvin: A Study in the Shaping of Western Culture By Alister E. McGrath Cambridge, Mass., Basil Blackwell, 1990. 332 pp. $29.95." Theology Today 49, no. 1 (April 1992): 116–20. http://dx.doi.org/10.1177/004057369204900117.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Rowell, G. "The Letters and Diaries of John Henry Newman. Volume 9: Littlemore and the Parting of Friends, May 1842 October 1843. Edited by FRANCIS J. MCGRATH." Journal of Theological Studies 58, no. 2 (October 1, 2007): 769–72. http://dx.doi.org/10.1093/jts/flm083.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Howard, Louise. "Women and Schizophrenia Edited by David Castle John McGrath & Jayashri Kulkarni. Cambridge: Cambridge University Press 2000. 151 pp. £18.95 (pb). ISBN 0 521 78617 7." British Journal of Psychiatry 179, no. 1 (July 2001): 85–86. http://dx.doi.org/10.1192/bjp.179.1.85.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Rowell, G. "John Henry Newman: Sermons 1824-1843. Volume IV: The Church and Miscellaneous Sermons at St Mary's and Littlemore, 1828-1842. Edited by FRANCIS J. MCGRATH, FMS." Journal of Theological Studies 63, no. 2 (June 17, 2012): 783–85. http://dx.doi.org/10.1093/jts/fls088.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Miller, Edward Jeremy. "The Letters and Diaries of John Henry Newman, vol. 9, Littlemore and the Parting of Friends, May 1842–October 1843 ed. by Francis J. McGrath, F.S.M." Thomist: A Speculative Quarterly Review 71, no. 1 (2007): 147–53. http://dx.doi.org/10.1353/tho.2007.0040.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Pattie, David. "David Bradby and Susanna Capon, ed. Freedom’s Pioneer: John McGrath’s Work in Theatre, Film, and Television Exeter: University of Exeter Press. 256 p. £14.99. ISBN: 0-85989-749-4. John McGrath Plays for England Exeter: University of Exeter Press. 322 p. £14.99. ISBN: 0-85989-718-4." New Theatre Quarterly 22, no. 3 (July 11, 2006): 300–301. http://dx.doi.org/10.1017/s0266464x06240491.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Hughes, Brian W. "The Letters and Diaries of John Henry Newman. Edited and introduced by Francis J. McGrath, FMS. Vol 32 supplement Pp. xvi, 731, Oxford University Press, 2008, $199.00." Heythrop Journal 56, no. 6 (October 2, 2015): 1033–34. http://dx.doi.org/10.1111/heyj.5_12271.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Rowell, G. "John Henry Newman: Sermons 1824-1843. Vol. 5: Sermons Preached at St. Clement's, Oxford: 1824-1826 and Two Charity Sermons: 1827. Edited by FRANCIS J. MCGRATH, FMS." Journal of Theological Studies 64, no. 2 (August 1, 2013): 807–9. http://dx.doi.org/10.1093/jts/flt084.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Duffy, Eamon. "The letters and diaries of John Henry Newman, XXXII: Supplement. Edited by Francis McGrath. Pp. xvi + 732. Oxford: Oxford University Press, 2008. £120. 978 0 19 953270 4." Journal of Ecclesiastical History 64, no. 1 (January 2013): 201. http://dx.doi.org/10.1017/s0022046912002254.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

PATTIE, DAVID. "John McGrath (Nadine Holdsworth, ed.) Naked Thoughts that Rove About: Wrestling with Theatre, 1959–2001 London: Nick Hern Books, 2002. 270 p. £14.99. ISBN: 1-85459-239-4." New Theatre Quarterly 19, no. 4 (October 8, 2003): 397–98. http://dx.doi.org/10.1017/s0266464x03280271.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Bona, Joseph R. "Common Psychiatric Emergencies—by Graeme McGrath, D.Phil., M.R.C.Psych., and Malcolm Bowker, Ph.D., M.R.C.Psych.; John Wright, Bristol, England, distributed by PSG Publishing, Littleton, Massachusetts, 1987, 288 pages, $22, paperbound." Psychiatric Services 39, no. 6 (June 1988): 675. http://dx.doi.org/10.1176/ps.39.6.675.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Casewell, Deborah. "Book Review: Surprisingly Influential: Francis J. McGrath (ed.), John Henry Newman: Sermons 1824-1843, Volume V, Sermons Preached at St. Clement’s, Oxford: 1824-1826 and Two Charity Sermons: 1827." Expository Times 125, no. 7 (March 24, 2014): 358–59. http://dx.doi.org/10.1177/0014524613510831l.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!