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Journal articles on the topic 'John Singleton Copley'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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1

Berger, Martin A., and James T. Flexner. "John Singleton Copley." Journal of the Early Republic 14, no. 2 (1994): 258. http://dx.doi.org/10.2307/3124229.

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2

Reinhardt, Leslie. "John Singleton Copley in England. Exhibition. John Singleton CopleyJohn Singleton Copley in England. [Catalogue]. Emily Ballew Neff , William L. Pressly , John Singleton Copley." Archives of American Art Journal 34, no. 4 (1994): 28–32. http://dx.doi.org/10.1086/aaa.34.4.1557544.

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3

Miles, Ellen G. "John Singleton Copley in America. Exhibition [and Catalogue]. Carrie Rebora , Paul Staiti , John Singleton Copley." Archives of American Art Journal 34, no. 4 (1994): 24–27. http://dx.doi.org/10.1086/aaa.34.4.1557543.

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4

Saunders, Richard H. "Book Review: John Singleton Copley in America." Eighteenth-Century Studies 29, no. 3 (1996): 334–35. http://dx.doi.org/10.1353/ecs.1996.0024.

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5

Armstrong, Catherine. "Jane Kamensky. A Revolution in Color: The World of John Singleton Copley." American Historical Review 123, no. 2 (2018): 575–76. http://dx.doi.org/10.1093/ahr/123.2.575.

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6

Walsh, Megan. "A Revolution in Color: The World of John Singleton Copley by Jane Kamensky." Early American Literature 53, no. 3 (2018): 1013–17. http://dx.doi.org/10.1353/eal.2018.0096.

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7

Rebora, Carrie. "Transforming Colonists into Goddesses and Sultans: John Singleton Copley, His Clients, and Their Studio Collaboration." American Art Journal 27, no. 1/2 (1995): 4. http://dx.doi.org/10.2307/1594604.

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8

Agranovksii, Nikita S. "“Exhibition of the Rejected”: John Singleton Copley and the American View on 18th Century Artistic Institutions." Vestnik of Saint Petersburg University. Arts 10, no. 1 (2020): 106–31. http://dx.doi.org/10.21638/spbu15.2020.106.

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9

Wolf, Bryan J. "Of Air Pumps and Teapots: Joseph Wright of Derby, John Singleton Copley and the Technology of Seeing." Art History 39, no. 2 (2016): 356–75. http://dx.doi.org/10.1111/1467-8365.12242.

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10

Collins, Emily B. "John Singleton Copley's Mrs Richard Skinner (Dorothy Wendell)." Archives of Facial Plastic Surgery 14, no. 3 (2012): 228. http://dx.doi.org/10.1001/archfaci.2012.247.

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11

Saunders, Richard H. "Genius and Glory: John Singleton Copley's "The Death of Major Peirson"." American Art Journal 22, no. 3 (1990): 4. http://dx.doi.org/10.2307/1594564.

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12

Breskin, Isabel. ""On the Periphery of a Greater World": John Singleton Copley's "Turquerie" Portraits." Winterthur Portfolio 36, no. 2/3 (2001): 97–123. http://dx.doi.org/10.1086/496848.

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13

McInnis, Maurie D. "Cultural Politics, Colonial Crisis, and Ancient Metaphor in John Singleton Copley's "Mr. and Mrs. Ralph Izard"." Winterthur Portfolio 34, no. 2/3 (1999): 85–108. http://dx.doi.org/10.1086/496773.

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14

"John Singleton Copley in America." Choice Reviews Online 33, no. 04 (1995): 33–1938. http://dx.doi.org/10.5860/choice.33-1938.

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15

Prown, Jules, and Mark Hallett. "John Singleton Copley and the World of Prints." British Art Studies, no. 2 (April 4, 2016). http://dx.doi.org/10.17658/issn.2058-5462/issue-02/jprown.

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16

"A Revolution in Color: The World of John Singleton Copley." Panorama, 2019. http://dx.doi.org/10.24926/2471190x.2254.

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17

"A Revolution in Color: The World of John Singleton Copley." Panorama, 2019. http://dx.doi.org/10.24926/24716839.2254.

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18

Lagorio, Maria. "Women of Copley's Boston: Changing Gender Roles on the Eve of the American Revolution." Elements 5, no. 1 (2009). http://dx.doi.org/10.6017/eurj.v5i1.8906.

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Abstract:
In the time period surrounding the American Revolution, social roles for women evolved alongside the political gains made by the colonies. No longer restricted to the domestic realm, American women became integral to the success of the new democratic republic, winning respect in terms of marriage, motherhood, education, and even business. As all citizens recognized their obligations to the republic, republican motherhood emerged, challenging women to educate themselves in order to raise competent children. With a fine eye to the past, one can see thier social progress documented in the portrai
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19

Collins, Emily B. "John Singleton Copley's Mrs Richard Skinner (Dorothy Wendell)." Archives of Facial Plastic Surgery 14, no. 3 (2012). http://dx.doi.org/10.1001/archfacial.2012.247.

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