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Relevant bibliographies by topics / John, the Baptist, Saint

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Academic literature on the topic 'John, the Baptist, Saint'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "John, the Baptist, Saint"

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Todd, Margo. "What's in a Name? Language, Image, and Urban Identity in Early Modern Perth." Nederlands Archief voor Kerkgeschiedenis / Dutch Review of Church History 85, no. 1 (2005): 379–95. http://dx.doi.org/10.1163/187607505x00236.

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AbstractThe corporate identity of the Scottish royal burgh of Perth was in the Middle Ages tied closely to its patron saint, John the Baptist. After the reformation of 1559-60 had abolished all veneration of saints, this identification did not disappear. The town was still called Sanctjhonstoun, the festivals of the Baptist continued to serve as calendar dates, and the St. John's bell continued to call parishioners to the kirk. Even more striking, images of the Baptist survived — on the bells, in the hammermen's silver marks, and in the town seal. Protestant usage would eventually shift the meanings associated with the Baptist, but the saint would never disappear entirely from the town's constructed identity.

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Smith, Kathryn. "“A Lanterne of Lyght to the People”: English Narrative Alabaster Images of John the Baptist in Their Visual, Religious, and Social Contexts." Studies in Iconography 42, no. 1 (2021): 53–94. http://dx.doi.org/10.32773/mlbe2471.

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English narrative alabaster reliefs depicting the public life and martyrdom of John the Baptist are a fascinating yet understudied corpus. The starting point of this essay and its place of return is a series of three fifteenth-century panels depicting Saint John the Baptist Before Herod Antipas, The Burial of Saint John the Baptist, and The Burning of Saint John the Baptist’s Bones and the Scattering of his Ashes. Once possibly part of an altarpiece made for export, the reliefs are now in The Victoria and Albert Museum. Drawing on a broad range of literary, liturgical, homiletic, folkloric, and artistic sources, the essay examines the multifaceted nature of late medieval devotion to John the Baptist, focusing in particular on the saint’s connection to women, fertility, and healing, and on the festal, celebratory dimensions of his cult. The essay concludes by offering a reading of the V&A reliefs in light of the popular beliefs and customs that would have informed the English alabaster carvers’ lived experience and speculates on the roles of lived experience and memory in the creation and reception of images.

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Fortin, John R. "Saint Anselm’s Prayer to Saint John the Baptist." American Benedictine Review 72, no. 1 (March 2021): 71–83. http://dx.doi.org/10.1353/ben.2021.a923925.

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Haldenwang, Sigrid. "Zu den Heiligennamen „Bartholomäus“ und „Johannes“ im Siebenbürgisch-Sächsischen, die auf biblische Heilige und deren Geburtstage zurückgehen." Germanistische Beiträge 47, no. 1 (December 1, 2021): 193–208. http://dx.doi.org/10.2478/gb-2021-0011.

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Abstract The article initially covers the historical information regarding two biblical saints „Saint Bartholomew“ and „John the Baptist“ and their birthdays. In vernacular documents from 1900 to 1980 inclusively, the Transylvanian-Saxon names „Bartholomew“ and „John“ were related to the respective saint. The vernacular documents show that their birthdays were playing a role in seasonal determination for peasant work as well as being used in descriptive country sayings, in idioms and in traditional customs. The case examples are taken from the Transylvanian-Saxon Dictionary, the North Transylvanian Dictionary, as well as relevant specialist and vernacular literature.

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Richter, Elinor M. "DONATELLO'S "SAINT JOHN THE BAPTIST" IN SIENA." Source: Notes in the History of Art 5, no. 3 (April 1986): 21–26. http://dx.doi.org/10.1086/sou.5.3.23202397.

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Anderson, Michael Alan. "The One Who Comes After Me." Journal of the American Musicological Society 66, no. 3 (2013): 639–708. http://dx.doi.org/10.1525/jams.2013.66.3.639.

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Abstract Studies of the past two decades have shown that late medieval and Renaissance composers participated in a culture of symbolic representation by inscribing Christian figures and concepts into musical design. One figure who has been overlooked in this line of scholarship is John the Baptist, the precursor of Christ. This essay outlines the Baptist's historical impact on the conception of Christian temporality and proceeds to demonstrate some distinct experiments in fourteenth- and fifteenth-century music for John that express his predecessory character through emblematic manipulations of temporal parameters. By the sixteenth century, several inscriptions found in Vatican manuscripts reveal that the Baptist was associated with a particular musical craft that controls masterfully the unfolding of time: the art of canon. Drawing heavily on Scripture (especially John 1:15, 27, 30) to articulate the compositional conceits, the rubrics likened the leader (dux) and follower (comes) of a canon to the relationship between John (the forerunner saint) and Jesus. The analogy intensified around the papal chapel choirbook Vatican City, Biblioteca Apostolica Vaticana, MS Cappella Sistina 38.

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Andrews, Frances. "Doubting John?" Studies in Church History 52 (June 2016): 17–48. http://dx.doi.org/10.1017/stc.2015.2.

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This essay focuses on the figure of John the Baptist in prison and the question he sent his disciples to ask Christ: was he ‘the one who is to come’ (Matthew 11: 2–3)? Having observed how the Fathers strove to distance John from the perils of doubt in their readings of this passage, it traces the way their arguments were picked up by twelfth- and thirteenth-century biblical exegetes and then by authors of anti-heretical dispute texts in urban Italy, where the Baptist was a popular patron saint. So as to give force to their own counter-arguments, learned polemicists, clerical and lay, made much of heretics’ hostility to John, powerfully ventriloquizing a doubting, sceptical standpoint. One counter-argument was to assign any doubts to John's disciples, for whose benefit he therefore sent to ask for confirmation of the means of Christ's return, neatly moving doubt from questions of faith to epistemology. Such ideas may have seeped beyond the bounds of a university-trained elite, as is perhaps visible in a fourteenth-century fresco representing John in prison engaging with anxious disciples. But place, audience and genre determined where doubt was energetically debated and where it was more usually avoided, as in sermons for the laity on the feast of a popular saint.

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Dragić, Marko, and Helena Dragić. "Saint John the Baptist in Croatian Traditional Heritage." Croatica et Slavica Iadertina 15, no. 1 (March 10, 2020): 275–330. http://dx.doi.org/10.15291/csi.2977.

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Sv. Ivan Krstitelj, prethodnik i krstitelj Isusov, iznimno se štuje u kršćanstvu. Ivan Krstitelj rodio se pola godine prije Isusa. U smislu folklornih običaja u Hrvata najbogatiji su Badnjak, blagdan sv. Jurja (23. travnja) i blagdan sv. Ivana Krstitelja (24. lipnja). U hrvatskoj tradicijskoj baštini, kao i u tradicijskoj baštini drugih naroda u Europi i svijetu, uz blagdan sv. Ivana Krstitelja vezuju se razni običaji, ophodi, divinacije, vjerovanja, hodočašća, procesije, svete mise, pučka veselja, sajmovi, ivanjske pjesme, molitve. U Hrvata i uopće u Europi običaj je paljenja ivanjskih vatri u sumrak uoči blagdana sv. Ivana Krstitelja. Stari je običaj da se mladić i djevojka uzmu za ruke i preskaču vatru ivanjskoga krijesa, a vatru mladež preskače i pojedinačno. Taj običaj ima lustrativnu i apotropejsku funkciju. Pored krjesova, u hrvatskoj tradicijskoj baštini u ivanjske vatre spadaju i bakljari, mašalanje, lilanje. Prastaro je vjerovanje da vještice, more i druga demonska bića neće moći djelovati dokle god se vidi ivanjskih vatra i dokle god im se dim proširi. Blagdan sv. Ivana Krstitelja prije izlaska sunca prate i ophodi krijesovalja (krisnica, ladarica), hodanje po pepelu od ivanjskoga krijesa, umivanje i kupanje na vrelima, u rijekama i moru. Nekoć su se kuće, dvorišta, ulazna vrata (kapije) kitili za blagdan sv. Ivana Krstitelja, a žene i djevojke u zoru iznosile su odjeću i tkanine da ih ivanjske zrake obasjaju i zaštite od moljaca. Uz blagdan sv. Ivana Krstitelja vezuju se ljubavne divinacije kao i divinacije o tome tko će od ukućana prvi umrijeti. U čast sv. Ivanu vjernici poste, zavjetuju se i na blagdan mnogi bosonogi hodočaste svetištima posvećenima sv. Ivanu te na koljenima obilaze oko svetišta ili oko kipa sv. Ivana Krstitelja moleći za izlječenje svojih tjelesnih i duševnih boli. Nakon procesije i svete mise tradicionalno se organiziraju pučka veselja. Narod sv. Ivanu Krstitelju pjeva usmene lirske pjesme i upućuje molitve.

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Gausová Zörnerová, Markéta. "Vznik a zánik narativu na příkladu putování jedné svatojánské sochy." Lidé města 25, no. 3 (December 1, 2023): 305–23. http://dx.doi.org/10.14712/12128112.3961.

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Using the example of the statue of St John of Nepomuk outside Saint John the Baptist Church (Na Prádle) in Prague’s Lesser Town, the author presents a reflection on the wide range of ideas upon which the narrative of a historical monument located in the city’s landscape depends on. This sculpture is especially admired as an example of Baroque art. The location of this statue in front of Saint John the Baptist Church is one of the factors that creates the impression of a picturesque and visually attractive spot. At the same time, however, this statue is known to have been originally located on the opposite shore of the Vltava River. Until the beginning of the 20th century, it was part of a religious cult, and its presence in the Cattle Market (now Charles Square) was seen as part of a greater pilgrimage site in which St John of Nepomuk was revered. By studying sources and literature, the author gradually uncovers layers of meanings intertwined with this particular work. At the same time, the author reflects on the possible consequences of transferring (not only) religious monuments from their original locations, especially with regard to the city’s memory.

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WALTER, Ch. "Salome and the Head of Saint John the Baptist." Revue des Études Arméniennes 23 (January 1, 1992): 509–23. http://dx.doi.org/10.2143/rea.23.0.2017149.

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Dissertations / Theses on the topic "John, the Baptist, Saint"

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Jentzen, MariAnna. "Symbolic expressions in Renaissance Florence : the observances of Saint John the Baptist /." Göteborg : University, 1998. http://catalogue.bnf.fr/ark:/12148/cb37045649c.

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Irvin, Nat 1951. "A Voice Crying in the Wilderness: An Opera Based on the Life of John the Baptist." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc1038784/.

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Aleman-Fernandez, Carmen Elena. "Corpus Christi and Saint John the Baptist : a history of art in an African-Venezuelan community." Thesis, SOAS, University of London, 1990. http://eprints.soas.ac.uk/29664/.

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For the past ten years I have conducted research in the town of Chuao (Aragua State), an area settled in the 16th Century, site of the oldest and most renowned cocoa plantation of Venezuela. By the mid-17th century, the owner turned control of the enterprise over to the Roman Catholic Church, which administered it through the Inter-diocesan Seminary until 1827, at which time, by direct order of Simon Bolivar, the plantation became the property of the University of Caracas (today the Universidad Central de Venezuela) until 1883. From then it came under the direct control of the State.;The inhabitants are descended from African slave populations brought in by Spanish colonists; and the area can only be reached by sea. The relative isolation of Chuao makes it a special place in which one can study the evolution of artistic and rituals forms. Chuao appears to be one of the few African communities in modem Venezuela which has actively maintained links with its past. The Chuao tradition has evolved in the local integration of official (Spanish Catholicism) and popular (slave African elements). This may well exemplify the evolution of artistical ritual forms in other coastal communities of north-central Venezuela from the time of Spanish Colonialism.;The thesis is centred around the principal festivities of the community of Chuao: Corpus Christi (featuring "devil" masquerade) and the festive cycle of Saint John the Baptist (featuring images of the Saint and his mistress). Both festivities are organized by societies, the Corpus Christi society led by men and the Saint John society, by women. These societies are thus responsible for all the different aspects of the celebrations, such as the preparation for the festival, rehearsals, stages of the festivities, masks, costumes, images, dances, music, songs, speeches and poems.;These festivities are placed within the historical background of the community, and plantation of Chuao including the possible origin of the Africans arrived in Spanish America during the period of the slave trade. Moreover, the importance of the religious tradition of Chuao for an understanding of these festivities is provided by the Doctrine of Maria Tecla.

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Freeman, Ricky. "Rethinking gender and authority in Christ increasing knowledge and changing attitudes about women in ministry at Saint John Church-Baptist, Chicago, Illinois /." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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Linn, Rachel E. "Pieces of the Body, Shards of the Soul: The Martyrs of Erik Ehn." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1427822605.

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Cornelison, Sally. "Art and devotion in late medieval and Renaissance Florence : the relics and reliquaries of saints Zenobius and John the Baptist." Thesis, Courtauld Institute of Art (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265113.

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Verger, Émilie. "La culture afro-vénézuelienne comme mécanisme de résistance et d'intégration dans les quartiers populaires de caracas : Etude de la fête de la Saint Jean-Baptiste." Thesis, Tours, 2012. http://www.theses.fr/2012TOUR2015/document.

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Le Venezuela est un pays d'une grande diversité culturelle. La population a des origines indigènes, africaines et européennes. Cette diversité a longtemps été ignorée. Depuis le début des années 2000, et dans le contexte du processus politique de la Révolution Bolivarienne d'Hugo Chávez, la diversité culturelle du peuple vénézuélien est mise en valeur. En effet, l'objectif est de définir et consolider l'identité nationale à partir de cette diversité.Les Afro-vénézuéliens ont longtemps souffert d'une certaine discrimination. Au début du XXe siècle, de nombreux descendants d'esclaves africains, originaires des campagnes migrent vers Caracas. La majorité s'installe dans les quartiers populaires (barrios) et se retrouve dans une situation d'exclusion et de marginalisation. A cela il faut ajouter une certaine perte des repères. Au début des années 80, la culture populaire et les traditions afro-vénézuéliennes apparaissent comme une manière de construire une nouvelle identité. Des groupes culturels afro-vénézuéliens décident de réinterpréter une fête populaire traditionnelle dans ces barrios, la fête de la Saint Jean. A partir de l'étude de cette fête de 2006 à 2012, nous avons essayé de déterminer dans quelles mesures les actions de ces groupes culturels afro-vénézuéliens peuvent contribuer à l'affirmation et la reconnaissance de l'identité afro-vénézuélienne et permettre une meilleure cohésion sociale et intégration de la population de ces quartiers
Venezuela is a country with an important cultural diversity. The population has Indigenous, African and European origins, though this diversity has long been ignored. Since the beginning of the 2000's, within the political process of the Bolivarian Revolution led by President Hugo Chavez, the cultural diversity of Venezuelans has begun to be recognized. The objective has been to define and reinforce national identity based on cultural diversity. Afro-Venezuelans have been victims of discrimination. At the beginning of the twentieth century, many descendants of African slaves migrated from the countryside to urban Caracas. The great majority settled in barrios and lived in a situation of exclusion and marginalization and, in addition, lost a great deal of their references. At the beginning of the eighties, popular culture and Afro-Venezuelan traditions appeared as a way to construct a new identity. Afro-Venezuelan cultural groups decided to reinterpret a traditional popular festival in these barrios, the Festival of San Juan. By the study of this festival, from 2006 to 2012, we studied how the actions of Afro-Venezuelan cultural groups can contribute to affirm and recognize Afro-Venezuelan identity and lead to an increase in social cohesion and integration of the population in these barrios

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Childs, David E. "The identity of John the Baptist." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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Dessons, Gérard. "Rythmique de Saint-John Perse." Paris 8, 1988. http://www.theses.fr/1989PA080352.

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La notion de rythme se distingue ici de la conception classique qui en faisait une composante accessoire du vers. Désignant l'organisation du discours dans et par lequel se constitue le sujet Saint-John Perse, elle ne se reduit pas a un aspect du discours, mais prend en compte toutes ses unités. C'est d'abord le rapport au mot qui est interroge. Unité sémantique décontextualisée et déshistoricisée, le mot de Saint-John Perse se donne pour un fragment de discours antérieur au poème, originel. Mais plus que le mot, c'est l'organisation métrique de la syntaxe qui est le signifiant majeur du texte. Fondée sur la récurrence de segments numériques minimaux, cette métrique s'élabore contre les théories rythmiques des verslibristes et des linguistes-phonéticiens, lesquelles promouvaient le rythme accentuel comme marque de la subjectivité dans le langage. Cette accession de la poésie a l'impersonnalité de la métrique est indissociable du statut pseudonymique du texte. Mais une autre logique que celle du "nom de plume" est ici a l'oeuvre: elle touche la question de l'identité de l'écriture et organise le passage du biographique de la biographie au biographique de l' oeuvre. Le rythme de Saint-John Perse fonde une éthique de la maîtrise sur une métrique du langage, constituant l'identité même du sujet Saint-John Perse lisible dans les. .
Our notion of rhythm must be distinguished from the classical conception, where it was an accessory componant in verse structure. Refering essentially to the organization of the discourse through and by which Saint-John Perse as a subject of utterance is being buit up, it is not restricted to one aspect of discourse, but encompasses all its elements. First of all, the relationship to the word must be probed into. Conceived as a semantic unity deprived of context and of any historical data, the word, here, is a fragment borrowed from a primeval discourse. But, more than the word, it is the organization of the syntax that is the main signifier of the text. .

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Berberian, Vasken Kevork. "John the Baptist in the gospel tradition." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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Books on the topic "John, the Baptist, Saint"

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Memling, Hans. Hans Memling's Saint John the Baptist & Saint Veronica. Washington D.C: National Gallery of Art, 1994.

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Saveski, Stojan. Monastery Bigorski Saint John the Baptist. Skopje: Abakus Komerc Skopje, 2008.

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Lalo, Laurent. Jesus & John the Baptist. London: Hodder and Stoughton, 1985.

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Churton, Tobias. The mysteries of John the Baptist: His legacy in gnosticism, paganism, and freemasonry. Rochester, Vt: Inner Traditions, 2012.

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St, John the Baptist Roman Catholic Church (Kenmore N. Y. ). 75th anniversary, Saint John the Baptist Parish parish reopening. Kenmore, N.Y: Saint John the Baptist Parish, 2003.

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Chavannes, Pierre Puvis de. Puvis de Chavannes: The beheading of Saint John the Baptist. Birmingham: Barber Institute of Fine Art, 2002.

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Maillefer, François-Elie. John Baptist de La Salle: Two early biographies. Landover, Md: Lasallian Publications, 1996.

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1941?, Hunt Donaldson d., and Belyea, T. H. d. 1924., eds. The history of Germain Street Baptist Church, St. John, N.B.: For its first one hundred years 1810-1910. Saint John, N.B: Saint John Globe Pub, 1997.

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Gibson, Shimon. The Cave of John the Baptist. New York: The Doubleday Religious Publishing Group, 2004.

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S, Sermon John, ed. Eldersfield, Worcestershire: Parish church of Saint John the Baptist : monumental inscriptions... Evesham: Sermon, 2003.

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Book chapters on the topic "John, the Baptist, Saint"

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De Bonis, Giuseppe D. "The Birth of Saint John the Baptist: A Source Comparison between Blickling Homily xiv and Ælfric's Catholic Homily I.xxv." In Hagiography in Anglo-Saxon England: Adopting and Adapting Saints' Lives into Old English Prose (c. 950-1150), 255–91. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.tema-eb.4.01019.

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Bruyn, J., B. Haak, S. H. Levie, P. J. J. Van Thiel, and E. Van De Wetering. "John the Baptist preaching." In A Corpus of Rembrandt Paintings, 70–88. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-0811-6_7.

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Wild, Gerhard. "Saint-John Perse." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17752-1.

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Kemp, Friedhelm. "Saint-John Perse." In Kindler Kompakt Französische Literatur 20. Jahrhundert, 105–6. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05533-0_21.

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Bassett, Sarah. "An icon of John the Baptist." In The Eloquence of Art, 18–28. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Birmingham Byzantine and Ottoman studies: Routledge, 2020. http://dx.doi.org/10.4324/9781351185592-2.

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Henschen, Hans-Horst. "Saint-John Perse: Éloges." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17753-1.

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Henschen, Hans-Horst. "Saint-John Perse: Anabase." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17754-1.

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Kemp, Friedhelm. "Saint-John Perse: Exil." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17755-1.

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Kemp, Friedhelm, and Ernst Herhaus. "Saint-John Perse: Amers." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17756-1.

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"Saint John the Baptist." In Virgins and Scholars, 68–123. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.mwtc-eb.4.00038.

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Conference papers on the topic "John, the Baptist, Saint"

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Balík, Lukáš, Lucie Kudrnáčová, Zbyšek Pavlík, and Robert Černý. "Microclimate of a former treasury in Cathedral of Assumption of Our Lady and Saint John the Baptist in Sedlec — Long-time analysis." In THERMOPHYSICS 2018: 23rd International Meeting of Thermophysics 2018. Author(s), 2018. http://dx.doi.org/10.1063/1.5047605.

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Celik, Ertug. "AYA Ionnes Prodomos (John the Baptist) church GPR studies Imrahor/Istanbul." In 2015 8th International Workshop on Advanced Ground Penetrating Radar (IWAGPR). IEEE, 2015. http://dx.doi.org/10.1109/iwagpr.2015.7292638.

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Rogóz, J., A. Cupa, and B. Wiecek. "The analysis of mural painting "The Crucifiction" in St. John the Baptist and St. John the Evangelist basilica in Torun." In 2008 Quantitative InfraRed Thermography. QIRT Council, 2008. http://dx.doi.org/10.21611/qirt.2008.16_07_07.

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Зубов, Н. И. "Две рукописи Слепченского кодика XVI в. из Македонии." In Межкультурное и межъязыковое взаимодействие в пространстве Славии (к 110-летию со дня рождения С. Б. Бернштейна). Институт славяноведения РАН, 2021. http://dx.doi.org/10.31168/0459-6.11.

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The report is devoted to a comparative analysis of two manuscripts of commemorative books of the 16th century from the monastery of St. John the Baptist in Macedonia: manuscript CMNL 1015 in Sofia and manuscript ONSL 1/116 in Odessa. Both manuscripts are supposed to presumably represent one monument of ancient writing made in two copies. Over time, the original variant and the copy were chaotically mixed up and ended up in different museum collections of the two countries — Bulgaria and Ukraine.

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Cioban, Andreea G., and Mihaela I. M. Agachi. "Study case: Monastery “Saint John the New from Suceava”." In PROCEEDINGS OF THE 15TH INTERNATIONAL CONFERENCE ON X-RAY MICROSCOPY – XRM2022. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0171067.

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Lynch, Jaret, and Joseph Bukovec. "Case Study: Failure and Repair of Historic Wood Trusses at St. John the Baptist Church, Hoboken, NJ." In Sixth Congress on Forensic Engineering. Reston, VA: American Society of Civil Engineers, 2012. http://dx.doi.org/10.1061/9780784412640.131.

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Černá, Miloslava. "Pilgrimage Church Of Saint John Of Nepomuk Within Religious Tourism." In 7th icCSBs 2018 - The Annual International Conference on Cognitive - Social, and Behavioural Sciences. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.02.02.58.

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Morariu, Iuliu-Marius. "Multidimensional Value Of Education At Saint Basil And John Chrysostom." In 2nd Central and Eastern European LUMEN International Conference - Multidimensional Education and Professional Development. Ethical Values. Cognitive-crcs, 2017. http://dx.doi.org/10.15405/epsbs.2017.07.03.53.

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Mikulka, Thomáš. "Към славянската рецепция на византийските катени извън състава на Учително евангелие / On the Reception of the Byzantine Catenae among Slavs Outside the Didactic Gospel." In Учителното евангелие на Константин Преславски и южнославянските преводи на хомилетични текстове (IX-XIII в.): филологически и интердисциплинарни ракурси / Constantine of Preslav’s Uchitel’noe Evangelie and the South Slavonic Homiletic Texts (9th-13th century): Philological and Interdisciplinary Aspects. Institute of Balkan Studies and Centre of Thracology – Bulgarian Academy of Sciences, 2024. http://dx.doi.org/10.62761/491.sb37.14.

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Abstract:

In this paper the research showed that apart from Didactic Gospel more writings depend on Byzantine catenae. Of the few Slavic texts found, the sermon on the Nativity of John the Baptist was thoroughly analysed. The translation is rich and varied, respecting the target Slavic language. The lexicon of the Homily is very ancient, which is supported by rare words (иночѧдъ) and loanings from Greek (продромъ). Some ancient forms could be reconstructed: сѧтъ and роꙁьство, phonetically related to the Slavic West. Three homilies from Clozianus codex (on Palm Sunday, on Maundy Thursday and on Good Friday) show similar linguistic characteristics. The translation could be dated in the late 9th century, perhaps even earlier than the Didactic Gospel.

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""Investigations of Distress in Precast Concrete Piles at Rodney Terminal, Saint John, New Brunswick"." In SP-109: Concrete in Marine Environment. American Concrete Institute, 1988. http://dx.doi.org/10.14359/2773.

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Reports on the topic "John, the Baptist, Saint"

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Currie, K. L. Geology, Saint John-Saint George region, New Brunswick. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1997. http://dx.doi.org/10.4095/208682.

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von Balthasar, Hans Urs. The Community of Saint John. Saint John Publications, 2022. http://dx.doi.org/10.56154/r2.

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von Balthasar, Hans Urs. The Community of Saint John: An Outline. Saint John Publications, 2022. http://dx.doi.org/10.56154/tz.

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Shannon, George W., Goodwin Jr., Hewitt R. C., and Lawrence L. Cultural Resources Survey of St. John the Baptist, St. Charles, and Jefferson Parishes Construction Items. Fort Belvoir, VA: Defense Technical Information Center, August 1996. http://dx.doi.org/10.21236/ada319890.

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Currie, K. L. Revised Late Precambrian Stratigraphy near Saint John, New Brunswick. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1989. http://dx.doi.org/10.4095/126556.

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Currie, K. L., and P. A. Hunt. Latest Precambrian Igneous Activity near Saint John, New Brunswick. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1991. http://dx.doi.org/10.4095/131932.

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Pickerill, R. K., and L. R. Fyffe. Revised Late Precambrian Stratigraphy near Saint John, New Brunswick: Discussion. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1991. http://dx.doi.org/10.4095/132600.

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Currie, K. L. Revised Late Precambrian Stratigraphy near Saint John, New Brunswick: Reply. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1991. http://dx.doi.org/10.4095/132601.

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Nance, D. Alleghenian deformation in the Mispec group, Saint John Harbour, New Brunswick. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1985. http://dx.doi.org/10.4095/120020.

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Thibault, J., and D. Frobel. The coastline of New Brunswick from Saint John Harbour to Cape Enrage. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1989. http://dx.doi.org/10.4095/130603.

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