Academic literature on the topic 'Johnston, Frances Benjamin'

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Journal articles on the topic "Johnston, Frances Benjamin"

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Panzer, Mary. "Frances Benjamin Johnston." History of Photography 24, no. 1 (2000): 54–57. http://dx.doi.org/10.1080/03087298.2000.10443364.

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Watts, Jennifer A. "Frances Benjamin Johnston: The Huntington Library portrait collection." History of Photography 19, no. 3 (1995): 252–62. http://dx.doi.org/10.1080/03087298.1995.10443565.

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Esau, Erika. "Gardens for a Beautiful America 1895–1935: Photographs by Frances Benjamin Johnston." History of Photography 37, no. 2 (2013): 247–49. http://dx.doi.org/10.1080/03087298.2013.769739.

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Gushee, Elizabeth M. "Travels Through the Old South: Frances Benjamin Johnston and the Vernacular Architecture of Virginia." Art Documentation: Journal of the Art Libraries Society of North America 27, no. 1 (2008): 18–23. http://dx.doi.org/10.1086/adx.27.1.27949479.

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McGuirk, Hayley. "The Rebel: A Visual Representation of First-Wave Feminism in the Work of Frances Benjamin Johnston." Women's Studies 48, no. 5 (2019): 475–97. http://dx.doi.org/10.1080/00497878.2019.1628760.

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Cooper, T. "The Scenes of Seeing: Frances Benjamin Johnston and Visualizations of the "Indian" in Black, White, and Native Educational Contexts." American Literature 83, no. 3 (2011): 509–45. http://dx.doi.org/10.1215/00029831-1339854.

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Wexler, Laura. "Black and White and Color: American Photographs at the Turn of the Century." Prospects 13 (October 1988): 341–90. http://dx.doi.org/10.1017/s0361233300005330.

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Early in December, 1899, an energetic, thirty-five-year-old, white woman photographer named Frances Benjamin Johnston started to work on a commission for the Hampton Normal and Agricultural Institute in Hampton, Virginia. Hampton Institute was originally an industrial arts and teachers training school for former slaves. Somewhat later it began an experiment to matriculate American Indians dispossessed of tribal land. It was founded shortly after the Civil War by the charismatic white reformer, Colonel Samuel Chapman Armstrong, former commander of the 8th and 9th U. S. Colored Troops. Armstrong
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Wexler, Laura. "Black and White and Color: American Photographs at the Turn of the Century." Prospects 13 (October 1988): 341–90. http://dx.doi.org/10.1017/s0361233300006785.

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Early in December, 1899, an energetic, thirty-five-year-old, white woman photographer named Frances Benjamin Johnston started to work on a commission for the Hampton Normal and Agricultural Institute in Hampton, Virginia. Hampton Institute was originally an industrial arts and teachers training school for former slaves. Somewhat later it began an experiment to matriculate American Indians dispossessed of tribal land. It was founded shortly after the Civil War by the charismatic white reformer, Colonel Samuel Chapman Armstrong, former commander of the 8th and 9th U. S. Colored Troops. Armstrong
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Bearor, Karen A. (Karen Anne). "The Woman Behind the Lens: The Life and Work of Frances Benjamin Johnston, 1864-1952, and: Seeing America: Women Photographers Between the Wars (review)." NWSA Journal 13, no. 2 (2001): 157–60. http://dx.doi.org/10.1353/nwsa.2001.0027.

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Bearor, Karen. "BOOK REVIEW: Bettina Berch.THE WOMAN BEHIND THE LENS: THE LIFE AND WORK OF FRANCES BENJAMIN JOHNSTON, 1864-1953. and Melissa A. McEuen.SEEING AMERICA: WOMEN PHOTOGRAPHERS BETWEEN THE WARS." NWSA Journal 13, no. 2 (2001): 157–60. http://dx.doi.org/10.2979/nws.2001.13.2.157.

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Dissertations / Theses on the topic "Johnston, Frances Benjamin"

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Robinson, Edward L. "Photographer Frances Benjamin Johnston (U.S. 1864-1952) : the early years, 1889-1904." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439311.

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Bergman, Rebecca Ruth Connelly Frances S. "Visions of American progress : the photographs of Frances Benjamin Johnston at the Paris Exposition of 1900." Diss., UMK access, 2006.

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Thesis (M.A.)--Dept. of Art and Art History. University of Missouri--Kansas City, 2006.<br>"A thesis in art history." Typescript. Advisor: Frances Connelly. Vita. Title from "catalog record" of the print edition Description based on contents viewed Oct. 30, 2007. Includes bibliographical references (leaves 260-278). Online version of the print edition.
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McGuirk, Hayley. "Picturing American New Women: First-Wave Feminisms in the Art of Mary Cassatt, Cecilia Beaux, and Frances Benjamin Johnston." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1619434433547669.

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McGuirk, Hayley. "Picturing American New Women: First-Wave Feminisms in the Art of Mary Cassatt, Cecilia Beaux, and Frances Benjamin Johnston." Ohio University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1619434433547669.

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Reeder, Sarah Eugenie. "Reevaluating the Carnegie Survey: New Uses for Frances Benjamin Johnston's Pictorial Archive." W&M ScholarWorks, 2007. https://scholarworks.wm.edu/etd/1539626528.

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Chiou, Tim Yi-Chang. "Romantic posthumous life writing : inter-stitching genres and forms of mourning and commemoration." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:1a316a0f-7365-4555-8bc8-9e09b47ec674.

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Contemporary scholarship has seen increasing interest in the study of elegy. The present work attempts to elevate and expand discussions of death and survival beyond the ambit of elegy to a more genre-inclusive and ethically sensitive survey of Romantic posthumous life writings. Combining an ethic of remembrance founded on mutual fulfilment and reciprocal care with the Romantic tendency to hybridise different genres of mourning and commemoration, the study re- conceives 'posthumous life' as the 'inexhaustible' product of endless collaboration between the dead, the dying and the living. This th
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Roscio, Jessica Loren. "Photographic domesticity: the home/studios of Alice Austen, Catharine Weed Barnes Ward, and Frances Benjamin Johnston, 1885-1915." Thesis, 2013. https://hdl.handle.net/2144/15166.

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This dissertation explores transitions in women's photographic practice in the United States from roughly 1885 to 1915. I examine the work of three photographers who negotiated the path from the more traditional and private Victorian ideal of womanhood to turn-of-the-century advanced ideas of a more public New Woman: Alice Austen (1866-1952), Catharine Weed Barnes Ward (1851-1913), and Frances Benjamin Johnston (1864-1952). Concurrently, a shift occurred within photography as women encountered changing definitions regarding what it meant to be an amateur, and it became increasingly acceptab
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Books on the topic "Johnston, Frances Benjamin"

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Doumato, Lamia. Frances Benjamin Johnston, architectural photographer: A bibliography. Vance Bibliographies, 1990.

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Doumato, Lamia. Frances Benjamin Johnston, architectural photographer: A bibliography. Vance Bibliographies, 1990.

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Johnston, Frances Benjamin. Modernism in gestation: Frances Benjamin Johnston re-appraised by Maud Sulter. Rochdale Art Gallery, 1988.

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Gwaltney, Janet M. The Carnegie survey of the architecture of the South, 1927-1943: Photographs by Frances Benjamin Johnston (1864-1952). Chadwyck-Healey, 1985.

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Bronwyn, Griffith, Curtis Verna Posever, Meister Laura Ilise, Musee americain Giverny, Terra Museum of American Art., and Hood Museum of Art, eds. Ambassadors of progress: American women photographers in Paris, 1900-1901. Museé d'Art Américain Giverney in association with the Library of Congress, Washington, D.C., 2001.

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Ausherman, Maria Elizabeth. Photographic Legacy of Frances Benjamin Johnston. University of Alabama Press, 2022.

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Ausherman, Maria Elizabeth. Photographic Legacy of Frances Benjamin Johnston. University of Alabama Press, 2022.

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The architectural photography of Frances Benjamin Johnston. University Press of Florida, 2009.

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Meister, Sarah Hermanson, Frances Benjamin Johnston, Sarah Meister, and LaToya Ruby Frazier. Frances Benjamin Johnston : the Hampton Album: The Hampton Album. Museum of Modern Art, 2019.

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Frances Benjamin Johnston : the Hampton Album: The Hampton Album. Museum of Modern Art, 2019.

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Book chapters on the topic "Johnston, Frances Benjamin"

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"Historic Architecture." In The Photographic Legacy of Frances Benjamin Johnston. University of Alabama Press, 2022. https://doi.org/10.2307/jj.30347155.9.

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"Front Matter." In The Photographic Legacy of Frances Benjamin Johnston. University of Alabama Press, 2022. https://doi.org/10.2307/jj.30347155.1.

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"How Frances Benjamin Johnston’s Contribution Shaped Architectural and Photographic Preservation in the United States." In The Photographic Legacy of Frances Benjamin Johnston. University of Alabama Press, 2022. https://doi.org/10.2307/jj.30347155.10.

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"Conclusion." In The Photographic Legacy of Frances Benjamin Johnston. University of Alabama Press, 2022. https://doi.org/10.2307/jj.30347155.11.

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"Bibliography." In The Photographic Legacy of Frances Benjamin Johnston. University of Alabama Press, 2022. https://doi.org/10.2307/jj.30347155.14.

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"Landscape and Gardens." In The Photographic Legacy of Frances Benjamin Johnston. University of Alabama Press, 2022. https://doi.org/10.2307/jj.30347155.8.

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"Appendix." In The Photographic Legacy of Frances Benjamin Johnston. University of Alabama Press, 2022. https://doi.org/10.2307/jj.30347155.12.

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"List of Illustrations." In The Photographic Legacy of Frances Benjamin Johnston. University of Alabama Press, 2022. https://doi.org/10.2307/jj.30347155.3.

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"Introduction." In The Photographic Legacy of Frances Benjamin Johnston. University of Alabama Press, 2022. https://doi.org/10.2307/jj.30347155.6.

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"Acknowledgments." In The Photographic Legacy of Frances Benjamin Johnston. University of Alabama Press, 2022. https://doi.org/10.2307/jj.30347155.5.

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