Relevant bibliographies by topics / Jonathan Coe

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Jonathan Coe'

Author: Grafiati
Published: 20 February 2023

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Journal articles on the topic "Jonathan Coe"

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Khramova, Yu A. "Jonathan Coe: aspects of biography." Siberian philological forum 7, no. 3 (August 30, 2019): 87–97. http://dx.doi.org/10.25146/2587-7844-2019-7-3-21.

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Chadderton, Helena. "Translating class in Jonathan Coe." Translator 23, no. 3 (April 17, 2017): 269–78. http://dx.doi.org/10.1080/13556509.2017.1297673.

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Greaney, Michael. "Jonathan Coe: Contemporary British Satire by Philip Tew." Modern Language Review 115, no. 2 (2020): 464–66. http://dx.doi.org/10.1353/mlr.2020.0212.

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Khramova, Yulia A. "State-of-the-Nation Dilogy by Jonathan Coe." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 18, no. 4 (2018): 469–74. http://dx.doi.org/10.18500/1817-7115-2018-18-4-469-474.

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Walker-Cook, Anthony. "Philip Tew (ed.), Jonathan Coe: Contemporary British Satire." Notes and Queries 66, no. 1 (January 23, 2019): 158–60. http://dx.doi.org/10.1093/notesj/gjy233.

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Pauly, Véronique. "L’Héritage postmoderne dans What a Carve Up! de Jonathan Coe." Polysèmes, no. 8 (January 1, 2007): 115–29. http://dx.doi.org/10.4000/polysemes.1707.

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Khramova, Yu A. "What a Carve Up! by Jonathan Coe as a Postmodern Detective Story." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 16, no. 3 (September 20, 2016): 316–21. http://dx.doi.org/10.18500/1817-7115-2016-16-3-316-321.

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Zrari, Imad. "Middle England by Jonathan Coe : a Brexit novel or the politics of emotions." Observatoire de la société britannique, no. 25 (December 1, 2020): 213–35. http://dx.doi.org/10.4000/osb.4911.

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Marcus, Laura. "Time Lost, Time Regained: Billy Wilder's The Private Life of Sherlock Holmes." Crime Fiction Studies 1, no. 2 (September 2020): 189–202. http://dx.doi.org/10.3366/cfs.2020.0020.

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This article discusses Billy Wilder's 1970 film The Private Life of Sherlock Holmes, which, though not enthusiastically received by audiences at the time, has subsequently become a work highly valued by critics and cineastes. Radically cut from its original four-part structure by the studio, it has come to be perceived as a film about loss. This relates both to its themes – suppressed love, the vanished world of Holmes and Watson – and to the history of the film itself, whose missing episodes exist only in fragmentary form. The first part of the essay looks at the ways in which the film constructs an image of Sherlock Holmes (played by Robert Stephen), with a focus on the question of his sexuality, while the second part turns to the ways in which the film became an ‘obsession’ for one writer in particular, the novelist Jonathan Coe.
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Drozdovskyi, Dmytro. "Representation of the Problem-Thematic Unit “Finance” in the Contemporary British Novel." Pitannâ lìteraturoznavstva, no. 102 (December 28, 2020): 148–63. http://dx.doi.org/10.31861/pytlit2020.102.148.

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The problem-thematic unit “Finance” is outlined in the theoretical work “The Routledge Companion to Twenty-First Century Literary Fiction” (2018). The importance of this unit is due to the presence of texts in which to understand the worldview of the characters it is important to take into account the socio-economic environment in which the characters live and which affects their behavior. In the novels “NW” (2012) by Zadie Smith, “Other People’s Money” (2011) by Justin Cartwright and “The Terrible Privacy of Maxwell Sim” (2010) by Jonathan Coe, the writers offer a new representation of the image of money, which distances money from the material world and becomes a transcendental value. Monetary processes are perceived as imaginary phenomena that the characters perceive speculatively. This leads to cataclysms and painful experiences arising from the loss of the characters of their work and the total banking crisis. The representation of money in the novels exploits the tendency that contemporary British authors discover trends related to German philosophy and the ideas of Kantianism. Money is not a form of achieving material goods, but a tool that shows that the characters are able to create another virtual world, which can exist as a speculative phenomenon. The presented range of novels confirms the ideas of B. Shalahinov that the sources of philosophical thought of German Romanticism were nourishing both for the Modern period and the Post-postmodern one, in particular exploited in the British post-postmodern novels.
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Dissertations / Theses on the topic "Jonathan Coe"

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Di, Bernardo Francesco. "Politics, history and personal tragedies : the novels of Jonathan Coe in the British historical, political and literary context, from the seventies to recent years." Thesis, University of Sussex, 2014. http://sro.sussex.ac.uk/id/eprint/50746/.

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The thesis focuses on the representations of British political history in the last five decades in the works of Jonathan Coe in comparison with other contemporary British authors who deal with the same historical issues. Specifically I discuss how the transition from the post-war consensus politics and the welfare state to neoliberalism is represented, and how these transformations British society has undergone are the subject of political commentary and criticism in the works of Coe. I discuss the different stylistic approaches deployed by Coe to deal with history, framing my analysis in the context of a discussion around the genre of the historical novel. The comparative approach of my thesis serves the purpose of both providing a wider depiction of the historical period taken in consideration and provides a broader critical evaluation of recent trends in the genre of the historical novel. My thesis is divided in three chapters, each focusing on the representation of a specific historical period, namely: the 1970s and the erosion of the social structure of the welfare state, the 1980s and Thatcherism, and ultimately the 1990s, New Labour's reformulation of neoliberalism, Cool Britannia, and the 2007-2008 financial crisis and the society of the 'precariat'. My argument is theoretically is inscribed in the framework of the discourse around postmodernity. My interpretation of postmodernism relies heavily on Jameson's analysis of post-industrial, late-capitalist society from the 1970s onwards and is intended to contribute to recent arguments about neoliberalism and the novel. The definition of postmodernity is also drawn from Harvey, Lyotard, Eagleton, Baudrillard, Bauman, and Hutcheon. The theoretical discussion around neoliberal consumerist society is framed in the discourse of excess of desire production and constructed lack, and therefore I use the concept of schizophrenia as theorised by Deleuze and Guattari, drawn from the Lacanian tradition. Žižek's analysis of the last developments of the neoliberal society also contributes to the theoretical and interpretative framework of my thesis. My exploration of Coe's novels, The Rotters' Club, What a Carve Up!, The House of Sleep, The Closed Circle and The Terrible Privacy of Maxwell Sim, in relation to other contemporary works by Amis, Hollinghurst, McEwan, Barnes, etc. reveals the ways in which Coe's historical novels of the late 20th/early 21st century rework the realist novel tradition in light of a postmodern (or schizophrenic) late capitalist society.
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Heidkamp, Jonathan [Verfasser]. "Katalysatoren für die Wasserstoffentwicklung und CO2-Reduktion untersucht mit Röntgenabsorptionsspektroskopie und in funktionalen Studien / Jonathan Heidkamp." Berlin : Freie Universität Berlin, 2016. http://d-nb.info/1103486659/34.

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Lefebvre, Jonathan [Verfasser]. "Three-phase CO2 methanation Methanation reaction kinetics and transient behavior of a slurry bubble column reactor / Jonathan Lefebvre." München : Verlag Dr. Hut, 2019. http://d-nb.info/1181515408/34.

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Mathieu, Jonathan Che Christian [Verfasser], and Hermann [Akademischer Betreuer] Eichler. "Untersuchung zum Einfluss der AB0-inkompatiblen Thrombozytentransfusion auf die HLA-/HPA-Immunisierungsrate von Patienten / Jonathan Che Christian Mathieu. Betreuer: Hermann Eichler." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2014. http://d-nb.info/1054055130/34.

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Books on the topic "Jonathan Coe"

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Guignery, Vanessa. Jonathan Coe. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-40584-5.

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Guignery, Vanessa. Jonathan Coe. Red Globe Press, 2015.

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Jonathan Coe. Red Globe Press, 2015.

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Moseley, Merritt. Understanding Jonathan Coe. University of South Carolina Press, 2016.

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Understanding Jonathan Coe. University of South Carolina Press, 2016.

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Jonathan Coe: Contemporary British Satire. Bloomsbury Academic, 2018.

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Coffret Jonathan Coe: Testament à l'anglaise; La Maison du sommeil. Gallimard, 2000.

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Sweeney, Douglas A., and Jan Stievermann, eds. The Oxford Handbook of Jonathan Edwards. Oxford University Press, 2021. http://dx.doi.org/10.1093/oxfordhb/9780198754060.001.0001.

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The Oxford Handbook of Jonathan Edwards offers a state-of-the-art summary of scholarship on Edwards by a diverse, international, and interdisciplinary group of Edwards scholars, many of whom serve as global leaders in the burgeoning world of research and writing on 'America's theologian'. As an early modern clerical polymath, Edwards is of interest to historians, theologians, and literary scholars. He is also an interlocutor for contemporary clergy and philosophical theologians. All such readers—and many more—will find here an authoritative overview of Edwards' life, ministry, and writings, as well as a representative sampling of cutting-edge scholarship on Edwards from across several disciplines. The volume falls into four sections, which reflect the diversity of Edwards studies today. The first section turns to the historical Edwards and grounds him in his period and the relevant contexts that shaped his life and work. The second section balances the historical reconstruction of Edwards as a theological and philosophical thinker with explorations of his usefulness for constructive theology and the church today. In part three, the focus shifts to the different ways and contexts in which Edwards attempted to realize his ideas and ideals in his personal life, scholarship, and ministry, but also to the ways in which these historical realities stood in tension with, limited, or resisted his aspirations. The final section looks at Edwards' widening renown and influence as well as diverse appropriations. This Handbook serves as an authoritative guide for readers overwhelmed by the enormity of the multi-lingual world of Edwards studies. It will bring readers up to speed on the most important work being done and then serve them as a benchmark in the field of Edwards scholarship for decades to come.
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Kollins, Michael J. Pioneers of the U.S. Automobile Industry, Vol. IV. SAE International, 2002. http://dx.doi.org/10.4271/9780768009033.

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Pioneers of the U.S. Automobile Industry uses four separate volumes to explore the essential components that helped build the American automobile industry - the people, the companies and the designs. This volume uses nearly 270 photos to go behind the scenes to explore the people who created car designs that have become famous with the American car industry. Pioneers covered in this edition include: Elmer and Edgar Apperson Vincent Bendix James Scripps Booth Alanson Brush David Buick Joseph Cole Clyde Coleman Claude Cox Herbert Franklin and John Wilkinson Elwood Haynes Frederick Haynes Thomas Jeffery Edward Jordan Charles King Howard Marmon Jonathan Maxwell Percy Owen Raymond and Ralph Owen Andrew Riker Frank Stearns Thomas J. and Thomas L. Sturtevant C. Harold Wills Alexander Winton
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Gill, Sam. The Proper Study of Religion. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197527221.001.0001.

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The Proper Study of Religion charts an innovative course of development for the academic study of religion by engaging the legacy of Jonathan Z. Smith (1938–2017), perhaps the field’s most influential and important scholar in the last several decades. Smith was the author’s teacher and mentor for fifty years. Their careers coincided with the explosive expansion of the study of religion in secular universities in the United States beginning in the mid-1960s. Building on Smith’s foundational legacy through creative encounters, the book explores an extensive range of engaging topics, including comparison as essential to academic technique and to human knowledge itself; the important role of experience, richly understood, to both academic studies of religion and to religions as lived; play, philosophically understood, as a core dynamic of Smith’s entire program; the relationship of academic document-based studies to the sensory-rich real world of religions; and self-moving as providing a biological and philosophical foundation on which to develop a proper academic study of religion with expansive potential. The foregrounding of human self-movement, new to the study of religion, is informed by the author’s considerable experience as a dancer and student of dancing in cultures around the world. The Proper Study of Religion honors the remarkable and challenging work of an unforgettable giant of a man while also offering critical assessments and innovative ideas in the effort to advance the remarkable legacy of Jonathan Z. Smith.
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Book chapters on the topic "Jonathan Coe"

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Guignery, Vanessa. "Jonathan Coe." In Novelists in the New Millennium, 27–43. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-29270-4_3.

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Guignery, Vanessa. "Introduction." In Jonathan Coe, 13–30. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-40584-5_1.

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Guignery, Vanessa. "Critical Reception." In Jonathan Coe, 157–63. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-40584-5_10.

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Guignery, Vanessa. "A Biographical Reading." In Jonathan Coe, 31–45. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-40584-5_2.

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Guignery, Vanessa. "‘Funny, Brutalist and Short’: The Accidental Woman, a Touch of Love and The Dwarves of Death." In Jonathan Coe, 46–62. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-40584-5_3.

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Guignery, Vanessa. "What a Carve UP!: A State-of-the-Nation Novel." In Jonathan Coe, 63–73. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-40584-5_4.

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Guignery, Vanessa. "The Rotters’ Club and the Closed Circle: The Children of Longbridge." In Jonathan Coe, 74–89. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-40584-5_5.

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Guignery, Vanessa. "In Search of Lost Time: The House of Sleep and The Rain Before It Falls." In Jonathan Coe, 90–120. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-40584-5_6.

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Guignery, Vanessa. "Everyman on the Road and Abroad: The Terrible Privacy of Maxwell Sim and EXPO 58." In Jonathan Coe, 121–40. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-40584-5_7.

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Guignery, Vanessa. "Author Interview." In Jonathan Coe, 141–49. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-40584-5_8.

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Conference papers on the topic "Jonathan Coe"

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Erthal, Claudia. "Noções de choque e atenção em vídeos Tik Tok." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.102.g145.

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Este trabalho busca entender como e se a experiência de entretenimento obtida ao assistir vídeos na plataforma social Tik Tok, que utiliza ferramentas de edição e design, como filtros de distorção para aparência física e voz, também é uma experiência imersiva que causa choque ao usuário, conforme entendido por Walter Benjamin (2010), quando esse sujeito comunicacional é atravessado por uma sensação do moderno, e que tem, como consequência, a desintegração da aura na experiência do choque. Segundo Rouanet (1990) “a instância psíquica encarregada de captar e absorver o choque passa a dominar as instâncias encarregadas de armazenar as impressões da memória”. Nesse caso, a consciência tem a função de “servir de proteção contra estímulos, sublimando impactos, amadurecendo o susto em angústia ou diversão, para não sucumbir ao espanto ”(PEIXOTO, 1983), e pode estar ligada à produção de conteúdos de rápida circulação e absorção, feitos exclusivamente para redes sociais e plataformas como o Tik Tok. Plataformas com os trabalhos com este design também são guiados pelas mãos dos usuários, com a criação de conteúdos para chocar um público imerso no que se chama de Cultura do Snack (SCOLARI, 2020). Quanto a uma cultura que desenvolve um formato de conteúdo audiovisual sensorial, esses conteúdos provocam um efeito sensorial, uma experiência breve e efêmera dentro de um projeto que pode ser entendido como artístico e criado em uma dinâmica entre o lúdico e o entretenimento. O efeito sensorial desses conteúdos oferece uma experiência única e inédita, típica de uma obra de arte de vanguarda. Nos “fliperamas contemporâneos” da Internet, os vídeos, tanto do Tik Tok quanto de outras plataformas com características semelhantes, possuem ferramentas semelhantes criadas diariamente, aumentando o número de acessos, buscando reter o usuário da mídia e parecem tentar conduzi-lo a uma experiência imersiva em um sistema de Economia da Atenção, descrito por Jonathan Crary (2015) como algo que “dissolve a separação entre o pessoal e o profissional, entre entretenimento e informação, deslocada por uma funcionalidade obrigatória de comunicação inerente e inescapavelmente 24/7”. Junto com estas ideias está a visão de Simon Reynolds (2010), de que a cultura popular tornou-se um remix ou releitura de algo feito antes, a partir de qualquer tipo de informação disponível. Portanto, deste ponto de vista, a reapropriação torna-se infinita — algo que você vê nos vídeos do Tik Tok. Este texto é construído aplicado à prática comunicacional do uso de plataformas e uma tentativa de compreender os caminhos da mídia contemporânea que se delineiam com a plataforma da cultura. As plataformas, por si só eventos de comunicação, levantam questões sobre uma nova circulação de bens e gestos por parte dos sujeitos comunicacionais que atuam nesta frequência. É uma obra que se posiciona diante da urgência contemporânea da vida on-line, de suas rápidas transformações e das buscas da sociedade em um tempo que exige um pensamento crítico sobre o momento em que vivemos.
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Bunn, Tristan. "uMzantsi (Sul): Exploração e movimento ondulatório por meio da arte generativa." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.167.g325.

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“uMzantsi” (Sul) é uma série de obras de arte criadas usando uma combinação de código de programação, várias canetas de tinta, diferentes papéis e uma plotadora de dois eixos. O artista empregou uma combinação de código Python, seu próprio projeto de editor de código generativo (thonny-py5mode) e software de gráficos vetoriais (Inkscape). A execução de cada script Python produz resultados randômicos com base em variantes de fórmulas matemáticas para o movimento de cada tipo de onda / ondulação. Criativamente, o projeto examina a exploração e o movimento das ondas por meio da arte generativa; tecnicamente, mostra o que py5 - uma nova biblioteca de codificação criativa - pode produzir. A apresentação fornece uma introdução às obras de arte e ao novo ambiente de software para gerá-las. A tecnologia nos permite viajar pelo mundo remotamente, de nossos sofás imersos em realidades transmitidas por fones de ouvido de RV. Teletransporte-se digitalmente para um ponto turístico que você nunca visitou e provavelmente poderá identificar o local pelos marcos (arquitetura, natureza e vistas) que observar; o que você não pode explorar são as regiões além do que foi capturado e selecionado para o viajante de RV. As experiências de viagem mais gratificantes exigem a busca pelo incerto. Os mochileiros viajam sem um plano, carregando não mais do que cabe em uma mochila; surfistas aventureiros viajam dias para locais remotos para descobrir uma onda especial não surfada. No espírito do explorador-viajante, o artista – a Covid negou sua jornada para locais distantes e aconchegantes à beira-mar - passou um tempo programando obras de arte generativas inspiradas no oceano (fórmulas matemáticas para movimento tipo onda / ondulação). Seu código incorpora aleatoriedade para produzir resultados imprevisíveis, para capturar a antecipação e a emoção da exploração em viagens de aventura. Traçar as criações introduz imperfeições características da caneta e do papel. O Modo Python do Processing combina a linguagem de programação Python e o Processing, um ambiente de desenvolvimento para programação interativa e gráfica. Python é uma das linguagens de programação mais populares em uso hoje, e há bons motivos para isso: é uma linguagem amigável para iniciantes, mais acessível do que linguagens como Java ou C ++; além de ser uma linguagem de uso geral adequada para a programação de inteligência artificial (IA), jogos, simulações e aplicativos web, entre outros aplicativos. O Processing é composto por uma linguagem de programação e um editor para escrever e compilar o código, fornecendo uma coleção de comandos especiais que permitem aos usuários desenhar, animar e manipular a entrada do usuário com código. O Processing torna a programação mais acessível para designers e artistas, e sua próspera base de usuários cresceu ao incluir pesquisadores, amadores e educadores. Java é a base para a linguagem de programação de Processing original, mas outras variantes surgiram desde então, incluindo as versões JavaScript (p5.js) e Ruby (JRubyArt). Em 2010, Jonathan Feinberg criou o Processing Python Mode, uma extensão para Processing que permite aos usuários escrever Python em vez de código Java. Py5 é um “sucessor espiritual” do modo de processamento Python; ambos usam sintaxe Python, mas suas implementações são muito diferentes. O artista criou a série de obras de arte uMzantsi combinando o py5 e o editor de código Thonny por meio de um plug-in personalizado, desenvolvido por ele próprio. Seu objetivo foi produzir obras de arte com plotagem 2D marcantes, usando um novo ambiente de codificação criativo e, ao mesmo tempo, feedback para o desenvolvimento de código aberto de py5 (do qual o artista é um contribuidor influente).
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