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Relevant bibliographies by topics / Jonathan Coe

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Journal articles

Academic literature on the topic 'Jonathan Coe'

Author: Grafiati

Published: 20 February 2023

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Journal articles on the topic "Jonathan Coe"

1

Khramova, Yu A. "Jonathan Coe: aspects of biography." Siberian philological forum 7, no. 3 (2019): 87–97. http://dx.doi.org/10.25146/2587-7844-2019-7-3-21.

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2

Chadderton, Helena. "Translating class in Jonathan Coe." Translator 23, no. 3 (2017): 269–78. http://dx.doi.org/10.1080/13556509.2017.1297673.

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3

Greaney, Michael. "Jonathan Coe: Contemporary British Satire by Philip Tew." Modern Language Review 115, no. 2 (2020): 464–66. http://dx.doi.org/10.1353/mlr.2020.0212.

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4

Khramova, Yulia A. "State-of-the-Nation Dilogy by Jonathan Coe." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 18, no. 4 (2018): 469–74. http://dx.doi.org/10.18500/1817-7115-2018-18-4-469-474.

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5

Walker-Cook, Anthony. "Philip Tew (ed.), Jonathan Coe: Contemporary British Satire." Notes and Queries 66, no. 1 (2019): 158–60. http://dx.doi.org/10.1093/notesj/gjy233.

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6

Pauly, Véronique. "L’Héritage postmoderne dans What a Carve Up! de Jonathan Coe." Polysèmes, no. 8 (January 1, 2007): 115–29. http://dx.doi.org/10.4000/polysemes.1707.

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7

Khramova, Yu A. "What a Carve Up! by Jonathan Coe as a Postmodern Detective Story." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 16, no. 3 (2016): 316–21. http://dx.doi.org/10.18500/1817-7115-2016-16-3-316-321.

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8

Zrari, Imad. "Middle England by Jonathan Coe : a Brexit novel or the politics of emotions." Observatoire de la société britannique, no. 25 (December 1, 2020): 213–35. http://dx.doi.org/10.4000/osb.4911.

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9

Marcus, Laura. "Time Lost, Time Regained: Billy Wilder's The Private Life of Sherlock Holmes." Crime Fiction Studies 1, no. 2 (2020): 189–202. http://dx.doi.org/10.3366/cfs.2020.0020.

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This article discusses Billy Wilder's 1970 film The Private Life of Sherlock Holmes, which, though not enthusiastically received by audiences at the time, has subsequently become a work highly valued by critics and cineastes. Radically cut from its original four-part structure by the studio, it has come to be perceived as a film about loss. This relates both to its themes – suppressed love, the vanished world of Holmes and Watson – and to the history of the film itself, whose missing episodes exist only in fragmentary form. The first part of the essay looks at the ways in which the film constructs an image of Sherlock Holmes (played by Robert Stephen), with a focus on the question of his sexuality, while the second part turns to the ways in which the film became an ‘obsession’ for one writer in particular, the novelist Jonathan Coe.

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10

Drozdovskyi, Dmytro. "Representation of the Problem-Thematic Unit “Finance” in the Contemporary British Novel." Pitannâ lìteraturoznavstva, no. 102 (December 28, 2020): 148–63. http://dx.doi.org/10.31861/pytlit2020.102.148.

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The problem-thematic unit “Finance” is outlined in the theoretical work “The Routledge Companion to Twenty-First Century Literary Fiction” (2018). The importance of this unit is due to the presence of texts in which to understand the worldview of the characters it is important to take into account the socio-economic environment in which the characters live and which affects their behavior. In the novels “NW” (2012) by Zadie Smith, “Other People’s Money” (2011) by Justin Cartwright and “The Terrible Privacy of Maxwell Sim” (2010) by Jonathan Coe, the writers offer a new representation of the image of money, which distances money from the material world and becomes a transcendental value. Monetary processes are perceived as imaginary phenomena that the characters perceive speculatively. This leads to cataclysms and painful experiences arising from the loss of the characters of their work and the total banking crisis. The representation of money in the novels exploits the tendency that contemporary British authors discover trends related to German philosophy and the ideas of Kantianism. Money is not a form of achieving material goods, but a tool that shows that the characters are able to create another virtual world, which can exist as a speculative phenomenon. The presented range of novels confirms the ideas of B. Shalahinov that the sources of philosophical thought of German Romanticism were nourishing both for the Modern period and the Post-postmodern one, in particular exploited in the British post-postmodern novels.

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