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Journal articles on the topic 'Jonathan Demme'

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Published: 24 April 2022
Last updated: 30 July 2025

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1

Viano, Maurizio. ": Something Wild . Jonathan Demme , Demme Utt , Kenneth Utt ." Film Quarterly 40, no. 4 (1987): 11–16. http://dx.doi.org/10.1525/fq.1987.40.4.04a00040.

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2

Viano, Maurizio. "Review: Something Wild by Jonathan Demme, Demme Utt, Kenneth Utt." Film Quarterly 40, no. 4 (1987): 11–16. http://dx.doi.org/10.2307/1212233.

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3

Paquet-Deyris, Anne-Marie. "Scènes d'esprit : Beloved [Jonathan Demme, 1998 ; Toni Morrison, 1987]." Revue Française d Etudes Américaines 101, no. 3 (2004): 96. http://dx.doi.org/10.3917/rfea.101.0096.

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4

Perron, Bernard. "« La mémoire, c’est ce qu’il me reste à défaut d’une vue »." Cinémas 5, no. 1-2 (2011): 91–103. http://dx.doi.org/10.7202/1001007ar.

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La temporalité filmique est analysée ici par rapport aux contraintes fixées par le temps de la projection. Parce que la projection d’un film s’effectue en temps réel, la compréhension du récit exige un effort perceptif et cognitif de la part du spectateur. La narration filmique tire profit de cet apport spectatoriel. Analysant Le Silence des agneaux de Jonathan Demme (1990), l’auteur étudie donc les mécanismes de la mémoire, les processus inférentiels ainsi que les deux modes de perception (bottom-up et top-down) qui sont activés lors du visionnement d’un film.
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5

Doherty, Thomas. "Stop Making Sense: Featuring the Talking Heads . Jonathan Demme, Gary Goetzman, Jordan Cronenweth." Film Quarterly 38, no. 4 (1985): 12–16. http://dx.doi.org/10.1525/fq.1985.38.4.04a00050.

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6

Johnson, William. "What Goes around Comes around: The Films of Jonathan Demme Michael Bliss Christina Banks." Film Quarterly 50, no. 2 (1996): 62. http://dx.doi.org/10.2307/1213434.

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7

Johnson, William. ": What Goes around Comes around: The Films of Jonathan Demme . Michael Bliss, Christina Banks." Film Quarterly 50, no. 2 (1996): 62. http://dx.doi.org/10.1525/fq.1996.50.2.04a00180.

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8

Beebe, John. "At the MoviesBeloved. Directed by Jonathan Demme . Screenplay by Akosua Busia and Richard LaGravenese and Adam Brooks ." San Francisco Jung Institute Library Journal 17, no. 3 (1998): 71–74. http://dx.doi.org/10.1525/jung.1.1998.17.3.71.

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9

Gaudiosi, Massimiliano. "Imagining Naples: Reconfiguration of a city in the movies by Terry Gilliam, John Turturro and Jonathan Demme." Journal of Italian Cinema & Media Studies 2, no. 2 (2014): 279–92. http://dx.doi.org/10.1386/jicms.2.2.279_1.

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10

Bona, Rafael José. "Produções cinematográficas como recurso educativo no ensino de roteiro audiovisual." Revista Tecnologia e Sociedade 20, no. 61 (2024): 60. https://doi.org/10.3895/rts.v20n61.16133.

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O objetivo é analisar produções cinematográficas que subsidiam a educação nas áreas de Cinema e Audiovisual, com ênfase em roteiros. Os objetivos específicos são: buscar por representações de práticas de roteiros adaptados no filme Adaptação (2002, Spike Jonze); analisar fatores de composição de personagem em roteiro a partir do protagonista do filme Filadélfia (1993, Jonathan Demme); e refletir sobre propostas educativas de como cada filme pode subsidiar o ensino de roteiro. A pesquisa se classifica como documental e descritiva, de abordagem qualitativa e utiliza a técnica de análise fílmica.
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11

Syam, Adeliah Nurmuthmainnah, Sahril Nur, and Iskandar Iskandar. "PSYCHOPATHIC BEHAVIOUR OF THE MAIN CHARACTERS IN TED TALLY’S MOVIE “THE SILENCE OF THE LAMBS”." Journal of English Literature and Linguistic Studies 1, no. 1 (2022): 63. https://doi.org/10.26858/jells.v1i1.40860.

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In this study, researcher analyzed the symptoms that arise from psychopathic disorder. The researcher analyzed 2 problems, they are: (1) What are the symptoms of the main characters potrayed in the movie "The Silence of the Lambs"? (2) What are the factors that cause the main characters of “The Silence of the Lambs” become a psychopath? The movie "The Silence of the Lambs" is a 1991 film directed by Jonathan Demme and adaptation of the novel by Thomas Harris. The method used in this study is qualitative descriptive method and a psychological approach. Based on the findings, there are 8 psychop
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12

Ferreira, Miller Goulart. "História da homossexualidade ligada à transmissão de HIV/AIDS e abordagem na escola pelo filme Filadélfia de Jonathan Demme (1993)." Revista Discente Ofícios de Clio 4, no. 7 (2020): 126. http://dx.doi.org/10.15210/clio.v4i7.17076.

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Este artigo enfoca dois temas não necessariamente conexos, mas que permitem um diálogo. Tratam-se da homossexualidade, mormente à comunidade gay, e pessoas com HIV/AIDS, no tocante ao movimento de defesa, direitos legais e apanágios, abandono de errôneos paradigmas e, principalmente, o tratamento dispensado às pessoas homossexuais e soropositivas no convívio social. Como maior intuito, este texto buscará se valer dos argumentos apresentados para discutir a homofobia nas escolas, contra alunos ou professores, a fim de desconstruir um tabu e agregar à orientação dos jovens – se não como parte da
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13

Abad-Vila, Miguel. "El banquete humano. A propósito de Hannibal Lecter y el canibalismo. El silencio de los corderos (1991) de Jonathan Demme." Revista de Medicina y Cine 20, no. 1 (2024): 5–16. http://dx.doi.org/10.14201/rmc.16428.

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El dragón rojo (1981) de Thomas Harris es la carta de presentación del perverso psiquiatra Hannibal Lecter, un psicópata asesino que brilla singularmente en el firmamento de los homicidas más abyectos de la historia del cine. Esta colección se completó con la publicación de El silencio de los corderos (1988), Hannibal (1999) y Hannibal: El origen del mal (2006), hasta ahora su última secuela. Fuente de inspiración cinematográfica, la saga se inició con la galardonada El silencio de los corderos (1991) de Jonathan Demme, continuada por Hannibal (2001) de Ridley Scott, El dragón rojo (2002) de B
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14

Garrett, Daniel. "Suffer the Children : African American family, culture and history, interpreted by Toni Morrison, Jonathan Demme, Zora Neale Hurston, Kathleen Collins and Ralph Ellison." Film International 18, no. 2 (2020): 26–71. http://dx.doi.org/10.1386/fint_00022_1.

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15

Girard, Alexandre, Louvinguila Hélène Dembe, Nathalie Breheret, et al. "Les engins et techniques de pêche utilisés dans la baie de Loango, République du Congo, et leurs incidences sur les prises accessoires." Cybium 38, no. 2 (2014): 117–31. https://doi.org/10.26028/cybium/2014-382-003.

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Girard, Alexandre, Dembe Louvinguila, Hélène, Breheret, Nathalie, Monsinjon, Jonathan, Charra, Margaux, Protat, Elodie, Roche, Hélène, Ngokaka, Christophe, Girondot, Marc (2014): Les engins et techniques de pêche utilisés dans la baie de Loango, République du Congo, et leurs incidences sur les prises accessoires. Cybium 38 (2): 117-131, DOI: 10.26028/cybium/2014-382-003, URL: http://dx.doi.org/10.26028/cybium/2014-382-003
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16

Villanueva Baselga, Sergio. "The Philadelphia Syndrome, or an insurmountable cultural trauma: Outdated mainstream visual representations of HIV in times of undetectability." MedieKultur: Journal of media and communication research 39, no. 74 (2023): 146–63. http://dx.doi.org/10.7146/mk.v39i74.132466.

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In 1981, the first case of AIDS was diagnosed in the US. Almost forty years later, the biomedical situation of people living with HIV (PLWH) in Western countries has significantly improved, and today, PLWH have a normal lifespan with few physical comorbidities. Nevertheless, current media representations of HIV do not seem to have moved past the AIDS epidemic of the 1990s. The film Philadelphia, directed by Jonathan Deeme in 1993, has had a huge cultural impact in how society perceives HIV, and many contemporary films and fiction series portraying HIV still represent the condition in the same
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17

Cronin, Stephen B. "(Invited) Tunable Infrared Optoelectronics Achieved by the Reversible Intercalation of Ionic Liquid Anions in Multilayer Graphene in the Mid-Infrared Wavelength Range." ECS Meeting Abstracts MA2024-01, no. 9 (2024): 899. http://dx.doi.org/10.1149/ma2024-019899mtgabs.

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We report the use of multilayer graphene (MLG) grown by chemical vapor deposition (CVD) approximately 75 layers (26 nm) thick configured in a simple electrochemical device. Applying a voltage of 3–4 V drives the intercalation of anion [TFSI-] (ion liquid diethylmethyl(2-methoxyethyl)ammonium bis(trifluoromethylsulfonyl)imide [DEME][TFSI]]) resulting in the reversible modulation of the properties of this optically dense material. Upon intercalation, we observe an abrupt shift of 35 cm−1 in the G band Raman mode, an abrupt increase in FTIR reflectance over the wavelength range from 1.67 to 5 μm
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18

Cronin, Stephen B. "(Invited) Scalable Spray-on Fabrication Approach for Voltage-Tunable Thermal Emissivity Surfaces and Temperature Dependence of the Intercalation/Deintercalation Dynamics in Ionic Liquid-Based Multilayer Graphene Devices." ECS Meeting Abstracts MA2025-01, no. 12 (2025): 1032. https://doi.org/10.1149/ma2025-01121032mtgabs.

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We will report on a new approach for fabricating gate-tunable thermal emissivity surfaces by spraying on graphene ink. The devices consist of a multi-layer graphene (MLG)/porous alumina membrane/gold stack, in which the MLG is deposited by spraying the graphene ink onto the porous membrane using an air brush. The graphene ink consists of μm-sized flakes of MLG suspended in a solution of polyvinylpyrrolidone (PVP) and ethylene glycol. The alumina porous membrane is filled with ionic liquid [DEME][TFSI], forming an electrochemical cell. When a positive voltage is applied to the device, the inter
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19

Rivera, Fredo. "Fredo Rivera. Review of "Odilon Pierre: Atis d’Ayiti" by Jonathan Demme." caa.reviews, December 7, 2005. http://dx.doi.org/10.3202/caa.reviews.2005.77.

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20

EVLİOĞLU GEZER, Eda. "Queer Theory, Queer Subjectivities: Turkish Bath and Ignorant Fairies." Sosyal Mucit Academic Review, December 30, 2022. http://dx.doi.org/10.54733/smar.1106702.

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1960’lı yılların özgür ruhu ve bu yıllarda yaşanan muhalif ortam beraberinde heteroseksüellikten farklı düşüncelerin, yönelimlerin (eşcinsellik gibi) ortaya çıkmasına ve zaman içinde de queer kavramının gündeme gelmesine zemin hazırlamıştır. Tüm dünyada tartışılmaya ve etkili olmaya başlayan bu farklı politikalar hiç şüphesiz düşler diyarı sinemanın da zaman içinde ilgisini çekmiş, cinsel yönelimin normatif algılarının dışına taşan oluş halleri ve queer gibi kavramlar beyaz perdeye yansıtılmaya başlanmıştır. Gus Van Sant, Ang Lee, Jonathan Demme, Xavier Dolan, Mehmet Binay, Kutluğ Ataman vb. y
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21

Mikos, Camila Macedo Ferreira, and Jamil Cabral Sierra. "REPRESENTAÇÕES LGBT NO CINEMA CONTEMPORÂNEO: RESISTÊNCIAS E CAPTURAS." Revista Cientí­fica/FAP 18, no. 1 (2018). http://dx.doi.org/10.33871/19805071.2018.18.1.2259.

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Este texto faz o movimento de tomar como problemática de análise as seguintes perguntas, disparadas a partir de um debate realizado no festival Colors: Cinema + Diversidade (Curitiba, 2017): Quais as instâncias de resistência e de captura presentes em diferentes modos de representar personagens LGBT no cinema? Qual o alcance de filmes voltados às discussões das temáticas das diversidades sexuais e de gêneros, a depender da abordagem - mais ou menos desafiadora à norma heterossexual - por eles adotada? A fim de relançar estas perguntas no contexto do cinema contemporâneo, apresentamos um breve
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22

Afshan S. and Geeta R. Pai. "SILENCE, SUFFERING, SAVAGERY: PSYCHOANALYSIS ON THE SERIAL KILLERS OF HANNIBAL LECTER SELECTED MOVIES." International Journal of Research -GRANTHAALAYAH 13, no. 13(4ISMER) (2025). https://doi.org/10.29121/granthaalayah.v13.i13(4ismer).2025.6078.

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Serial killers pose a mystery about their observable motive for the murder. This study aims at the psychoanalysis of three serial killers of the psychological horror thriller movies Red Dragon (2002) directed by Brett Ratner, The Silence of the Lambs (1991) directed by Jonathan Demme, and Hannibal Rising (2007) directed by Peter Webber. These movies are adaptations of Thomas Harris’s psychological horror thriller novels Red Dragon (1981), The Silence of the Lambs (1988), and Hannibal Rising (2006). The character Hannibal Lecter—performed by Anthony Hopkins, the protagonist of the movie series,
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23

"Vấn đề xây dựng nhân vật tội phạm tâm lý trên màn ảnh: Trường hợp Bảy thi thể (Kim Tae-Gyun, Hàn Quốc) và Sự im lặng của bầy cừu (Jonathan Demme, Hoa Kỳ)". Tạp chí Khoa học Xã hội và Nhân văn (VNU Journal of Social Sciences and Humanities) 10, № 3 (2024): 323–33. http://dx.doi.org/10.33100/tckhxhnv10.3.nguyenminhthu-nguyenthanhbinh.

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Trong bối cảnh xã hội hiện đại ngày nay, điện ảnh đóng vai trò quan trọng trong sự phát triển của mỗi quốc gia. Các thể loại phim không còn được giữ nguyên bản mà đã được các nhà làm phim pha trộn để phục vụ thị hiếu giải trí của khán giả. Trong số đó, các bộ phim trinh thám xen lẫn kinh dị với nhân vật tội phạm tâm lý đã thu hút được nhiều sự quan tâm. Bài viết này lựa chọn nghiên cứu hai bộ phim điện ảnh trinh thám của Hàn Quốc và Hoa Kỳ, đó là Bảy thi thể của đạo diễn Kim Tae-gyun và Sự im lặng của bầy cừu của đạo diễn Jonathan Demme. Dưới góc nhìn lý thuyết xây dựng nhân vật trong kịch bản
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24

Ribeiro, Emilio Soares, and Ana Beatriz Tavernard Fernandes. "A TRADUÇÃO DAS MONSTRUOSIDADES DO GÓTICO FEMININO E PÓS-COLONIAL: UMA ANÁLISE DA ADAPTAÇÃO FÍLMICA DE BELOVED, DE TONI MORRISON." Abusões, no. 20 (April 11, 2023). http://dx.doi.org/10.12957/abusoes.2023.70657.

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O presente trabalho se debruça sobre a análise do gótico feminino, em especial, as memórias, a maternidade e a monstruosidade, no romance Beloved (1987), da escritora Toni Morrison, e na adaptação fílmica homônima, dirigida por Jonathan Demme em 1998. Em seu romance, Morrison aborda padrões hegemônicos e opressores cujas vítimas são mulheres negras e destaca o fantasma do passado, ligado aos terrores da escravidão e discriminação racial, com destaque para a opressão, a violação ou o encarceramento de mulheres por vilões em espaços domésticos aristocratas, a ansiedade que envolve suas gestações
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25

"Philadelphia. Produced by Ed Saxon and Jonathan Demme; directed by Jonathan Demme; screenplay by Ron Nyswaner. 1993; color; 119 minutes. Distributor: TriStar Pictures, 10202 W. Washington Blvd., Culver City, Calif. 90232 (310) 280-7700, An Early Frost. Produced by Perry Laffert; directed by John Erman. 1985; color; 97 minutes. Distributor: Fries Entertainment (213) 468-8352, Our Sons. Produced by Phil Kleinbart; directed by John Erman. 1991; color; 91 minutes. Distributor: Allied Communications, 6100 Wilshire Blvd., 6th Floor, Los Angeles, Calif. 90048 (213) 932-6100, Silverlake Life: The View from Here. Produced by Tom Joslin; directed by Tom Joslin and Peter Friedman. 1993; color; 99 minutes. Distributor: Zeitgeist Films, 247 Central St., New York, N.Y. 10013 (212) 274-1989 and Savage Nights [Les nuits fauves]. Produced by Jean-Frédéric Samie and Nella Banfi; directed and written by Cyril Collard. 1993; color; 127 minutes. French with English subtitles. Distributor: Gramercy Pictures, 9247 Alden Drive, Beverly Hills, Calif. 90210 (310) 777-1960." American Historical Review, October 1994. http://dx.doi.org/10.1086/ahr/99.4.1266.

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26

Hunter, John C. "Organic Interfaces; or, How Human Beings Augment Their Digital Devices." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.743.

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In many ways, computers are becoming invisible and will continue to do so. When we reach into our pockets and pull out our cell phones to find a place to eat or message a friend on Facebook, we are no longer consciously aware that we are interacting with a user experience that has been consciously designed for our computer or device screen—but we are.— Andy Pratt and Jason Nunes, Interactive Design In theory, cell phones and other information and communication technologies (ICTs) are just a means for us to interact with people, businesses, and data sources. They have interfaces and, in a large
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27

Rutherford, Amanda, and Sarah Baker. "Upgrading The L Word: Generation Q." M/C Journal 23, no. 6 (2020). http://dx.doi.org/10.5204/mcj.2727.

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The L Word: Generation Q is the reboot of The L Word, a long running series about a group of lesbians and bisexuals in Los Angeles in the early 2000s. Both programmes are unique in their positioning of lesbian characters and have been well received by audiences and critics alike. These programmes present a range of characters and narratives, previously excluded from mainstream film and television, bringing a refreshing change from the destructive images typically presented before. We argue that the reboot Generation Q now offers more meaningful representation of the broader lesbian and transge
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28

Rizzo, Sergio. "Adaptation and the Art of Survival." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2623.

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 To use the overworked metaphor of the movie reviewers, Adaptation (2002)—directed by Spike Jonze and written by Charlie Kaufman—is that rare Hollywood flower, a “literary” film that succeeds both with the critics and at the box office. But Kaufman’s literary colleagues, his fellow screenwriters whose opinions are rarely noticed by movie reviewers or the public, express their support in more interesting terms. Robert McKee, the real-life screenwriter and teacher played by Brian Cox in the movie, writes about Kaufman as one of the few to “step out of screenwriting anonymity
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