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Journal articles on the topic 'Jonathan Safran Foer'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Zinaich, Samuel. "Jonathan Safran Foer, Eating Animals." Journal of Value Inquiry 45, no. 3 (2011): 359–63. http://dx.doi.org/10.1007/s10790-011-9282-0.

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Hungerford, A. "How Jonathan Safran Foer Made Love." American Literary History 25, no. 3 (2013): 607–24. http://dx.doi.org/10.1093/alh/ajt030.

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Ardoin, Paul. "Jonathan Safran Foer and the Impossible Book." PMLA/Publications of the Modern Language Association of America 128, no. 4 (2013): 1006–8. http://dx.doi.org/10.1632/s0030812900123466.

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Apap, Christopher C. "“Love, Alex”: Queering Jonathan Safran Foer’s Everything Is Illuminated." Studies in American Jewish Literature (1981-) 42, no. 2 (2023): 158–85. http://dx.doi.org/10.5325/studamerijewilite.42.2.0158.

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Abstract Jonathan Safran Foer’s Everything Is Illuminated (2002) follows the two protagonists and narrators of the novel, American descendent of Holocaust survivors Jonathan and Alexander Perchov, his Ukrainian translator and collaborator on the story that constitutes the book itself. This article analyzes a heretofore unconsidered element of the novel: the potential to read Alex as queer. The book’s possible queer narrative is tragic, bittersweet at best, and overlooked by critics. This article illustrates how the character of Alex articulates what might be understood as a queer desire for Jo

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Vaz, Larissa. "Fragmentos expandidos para a reconstrução da Shoah." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 9, no. 16 (2015): 129–39. http://dx.doi.org/10.17851/1982-3053.9.16.129-139.

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A Shoah em um romance de ficção põe em questão algumas fronteiras entre o literário e o fictício. Este artigo analisa o romance Tudo se ilumina, 2005, de Jonathan Safran Foer, verificando a utilização de recursos narrativos, como a lista e a enumeração como uma estratégia de expansão do fragmento da memória.

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Santos, Matheus Philippe de Faria. "Múltiplas vozes em "Tudo se ilumina", de Jonathan Safran Foer." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 10, no. 19 (2016): 107–18. http://dx.doi.org/10.17851/1982-3053.10.19.107-118.

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O romance Tudo se ilumina, de Jonathan Safran Foer, foi publicado originalmente em inglês em 2002 com o título Everything is Illuminated e no Brasil, em português, em 2005. A narrativa evidencia uma forma contemporânea de ficção sobre a Shoah em que ficção e realidade se misturam a partir da recriação de uma viagem em busca da história dos antepassados do escritor para um pequeno shtetl na Ucrânia. Marcada pela fragmentação, pela multiplicidade de estilos de expressão e de pensar, a narrativa apresenta-se de forma lacunar e polissêmica, o que no romance, atinge seu ápice quando da configuração

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Mandel, N. "Fact, Fiction, Fidelity in the Novels of Jonathan Safran Foer." NOVEL A Forum on Fiction 45, no. 2 (2012): 238–56. http://dx.doi.org/10.1215/00295132-1573958.

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ÖZCAN, Işıl. "Ethical Life Redefined in Jonathan Safran Foer s Eating Animals." Mediterranean Journal of Humanities 4, no. 1 (2014): 231. http://dx.doi.org/10.13114/mjh.201416436.

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Sánchez Canales, Gustavo. "Un enfoque a las representaciones literarias del siglo XXI sobre el Holocausto." VERBEIA. Revista de Estudios Filológicos. Journal of English and Spanish Studies, no. 3 (October 22, 2019): 66–82. http://dx.doi.org/10.57087/verbeia.2019.4132.

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En este artículo me centro en dos novelas de dos escritores judeoamericanos de tercerageneración que se aproximan al tema del Holocausto de manera distinta. En primer lugar,el análisis de imágenes que recuerdan al Holocausto y que aparecen en La solución final(The Final Solution, 2004) de Michael Chabon. Esta novella muestra las secuelas del horrorde los campos de concentración a través de la experiencia traumática de un niñosupervivientede nueve años. La otra novela, Todo está iluminado (Everything IsIlluminated, 2002) de Jonathan Safran Foer, una historia narrada desde dos puntos devista (un

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Davo, Yves. "Extremely Loud and Incredibly Close de Jonathan Safran Foer : (Im)Puissance de l’enfance à dire le trauma ?" Leaves, no. 2 (April 29, 2016): 149–55. https://doi.org/10.46608/leaves.vi2.221.

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À partir du roman écrit en 2005 par Jonathan Safran Foer, le présent article se propose d’explorer le récit de son jeune héros Oskar dans le but d’y déceler la visée esthétique d’un auteur dans sa façon de contourner les mécanismes généralement utilisés pour évoquer le trauma. En effet, en faisant d’un enfant le héros de son récit du 11-Septembre, Foer s’attache à démultiplier la puissance du traumatisme de la disparition en jouant sur la puissance empathique du lecteur. À travers le point de vue de l’enfant, à travers sa voix narrative, nous verrons ainsi que c’est plus largement la question

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M.O., Dogan. "VISUALIZATION OF THE TRAUMA NARRATIVE IN JONATHAN SAFRAN FOER'S NOVEL EXTREMELY LOUD AND INCREDIBLY CLOSE." Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 2, no. 88 (2018): 43–59. https://doi.org/10.5281/zenodo.1490165.

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The article studies Jonathan Safran Foer’s second novel Extremely Loud and Incredibly Closewithin the theory of trauma narrative. The novel describes the aftermath of the 9/11 terrorist attack on the World Trade Centre in New York, but the events of the day are never explicitly reported. Instead, numerous photographs and other visual elements are included in the text to represent the limits of language in portraying trauma r documenting its effects. It is argued that, because of the symbolical and literal inapproachability of the past and the unspeakability of the trauma, Foer’s ch

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Ramesh, Dabbeta. "Jewish Identity and Trauma in Jonathan Safran Foer's Work "Here I Am"." International Journal for Social Studies 10, no. 8 (2024): 30–40. https://doi.org/10.5281/zenodo.13326426.

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<em>This article examines Jonathan Safran Foer's exploration of Jewish identity and trauma through his novels Everything Is Illuminated (2002), Extremely Loud and Incredibly Close (2005), and Here I Am (2016). Foer, a prominent American Jewish writer often associated with the third generation of Holocaust literature, intricately weaves themes of Jewish identity and historical trauma into his works. This study investigates how Foer's narratives address the transmission of Holocaust experiences across generations, the impact of contemporary traumas like 9/11, and the complex dynamics of Jewish i

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Jasinski, Isabel Cristina, and Natasha Suelen Ramos de Saboredo. "Everything is Illuminated a partir da busca pela memória familiar." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 10, no. 18 (2016): 100–115. http://dx.doi.org/10.17851/1982-3053.10.18.100-115.

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Tendo em vista a importância da preservação da memória familiar e cultural para a comunidade judaica, este artigo pretende analisar a obra Everything is Illuminated, de Jonathan Safran Foer, a partir da busca pela memória familiar empreendida pelo protagonista. A obra, que traz o autor também como personagem, relata a viagem de Foer até a Ucrânia para resgatar a história de seu avô antes de ele fugir para os EUA durante a Segunda Guerra Mundial. Visto que a obra utiliza a biografia e diversos discursos (relatos) em sua construção, visa-se desconstruir o binarismo discurso ficcional x não ficci

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Villa-Forte, Leonardo. "Voz e expressão na escrita recriativa." Scriptorium 3, no. 1 (2017): 58. http://dx.doi.org/10.15448/2526-8848.2017.1.28019.

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O artigo aborda os poemas com auxílio do Google, de Angélica Freitas; as obras Traffic, Sports e Weather, de Kenneth Goldsmith; Sessão, de Roy David Frankel, e Tree of Codes, de Jonathan Safran Foer, a partir da ótica da chamada “escrita recriativa”. Discutiremos como, por meio dessas, manifesta-se ou não uma possível voz de autor e sua expressão individual, além de como tal voz e tal expressão atuam nas mesmas. Partindo do pensamento de autores como Antoine Compagnon e Roland Barthes, veremos algumas diferenças daquilo que eles postularam sobre a figura do autor e sua voz e a composição de um

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Ilaș, Constantin. "Elements of Trauma Fiction in Jonathan Safran Foer’s "Extremely Loud & Incredibly Close"." Linguaculture 12, no. 1 (2021): 63–76. http://dx.doi.org/10.47743/lincu-2021-1-0187.

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Trauma fiction was one of the most written types of literature in America in the wake of 9/11. Not a very popular genre due to the sensitive subject matter it can contain, the trauma of 9/11 contributed significantly to its resurgence, especially in New York. Jonathan Safran Foer is one of the youngest and also most talented writers in New York. Known for his daring and innovative style, his novel, Extremely Loud & Incredibly Close, is unique among other works of its genre. It deals with multiple plotlines and different historical traumas presented against the backdrop of 9/11, concerning

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Röseler, Doreen. "Filmrezension: »Alles ist erleuchtet« (2005) nach dem gleichnamigen Roman von Jonathan Safran Foer." Zeitschrift für Individualpsychologie 36, no. 2 (2011): 174–80. http://dx.doi.org/10.13109/zind.2011.36.2.174.

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Maia, Claudia. "Coleção e memória em "Uma vida iluminada", de Liev Schreiber." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 9, no. 17 (2015): 88–97. http://dx.doi.org/10.17851/1982-3053.9.17.88-97.

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O filme Uma vida iluminada (2005), com roteiro e direção de Liev Schreiber, baseado no romance Tudo se ilumina, de Jonathan Safran Foer, narra a história de um jovem judeu norte-americano que viaja para a Ucrânia em busca de seu passado. A coleção para o protagonista do filme e para a mulher que ele encontra em Trachimbrod, sobrevivente de um massacre que destruiu toda a sua família, é de fundamental importância. Ambos os personagens reúnem objetos como forma de lutar contra a dispersão e o esquecimento, assim como argumentou Walter Benjamin sobre o colecionador. Em Uma vida iluminada, essa lu

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Myronenko, Tetyana, and Lesia Dobrovolska. "THEORETICAL ASPECTS OF THE LITERARY TEXT ADAPTATION INTO FILM SCRIPT." Scientific Journal of Polonia University 55, no. 6 (2023): 64–69. http://dx.doi.org/10.23856/5508.

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The article offers a comparative analysis of both texts – the literary text of the novel “Everything Is Illuminated” by Jonathan Safran Foer an American novelist, and the film adaptation of the literary text. The article issues the question of the theoretical fundamentals of the literary text adaptation into film script. The problems that arise in the process of literary text transformation into the language of the film text are highlighted. Differential peculiarities of the literary text and its film version are determined. The research proves that the text of the novel “Everything Is Illumin

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Sokoloff, Naomi. "Introduction: American Jewish Writing Today." AJS Review 30, no. 2 (2006): 227–30. http://dx.doi.org/10.1017/s0364009406000109.

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This is an exciting time for North American Jewish literature. In the past ten years, there has been an explosion of writing by new and established authors. In the field of fiction alone, the shelves have filled with titles by such fine talent as Pearl Abraham, Melvin Jules Bukiet, Michael Chabon, Nathan Englander, Myla Goldberg, Ehud Havatzelet, Dara Horn, Jonathan Safran Foer, Joan Leegant, Tova Mirvis, Jon Papernick, Jonathan Rosen, Aryeh Lev Stollman, and many others, as well as new works by veteran writers such as Allegra Goodman, Thane Rosenbaum, and Steve Stern. Add to these names the p

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Mattar, Luciana Lischewski, and Renata Takatu. "Apropriação e apagamento como processos artísticos: uma análise comparativa de Tree of Codes, de Jonathan Safran Foer." ARS (São Paulo) 18, no. 40 (2020): 446–76. http://dx.doi.org/10.11606/issn.2178-0447.ars.2020.143716.

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O advento e a popularização dos livros eletrônicos não levou à extinção do livro impresso. Ao contrário, o fenômeno dos e-books impeliu este formato a melhor explorar suas particularidades. Hoje, graças ao avanço das tecnologias gráficas, abriram-se novas possibilidades para se tirar proveito do suporte impresso na criação de obras literárias. Uma delas é Tree of Codes, de Jonathan Safran Foer. O autor apropriou-se do livro The Street of Crocodiles, de Bruno Schulz, removendo alguns de seus trechos por meio de incisões no papel. O resultado é uma obra produzida pelo apagamento de partes do ori

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Freitas, Mail Wanderson de Sousa. "Tudo se ilumina à luz do passado: memória cultural judaica na obra de Jonathan Safran Foer." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 5, no. 8 (2011): 78–88. http://dx.doi.org/10.17851/1982-3053.5.8.78-88.

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 A década de 1990 proporcionou uma visão multiangular da Segunda Guerra Mundial. O cinema trouxe cenas fortes e denunciou para as platéias a maior amostra de barbárie já cometida pelo furor do homem. O massacre sofrido pelos judeus tornou-se fato conhecido quase universalmente,embora muitas pessoas não entendam direito as motivações de tal crime, nem saibam realmente quem são os judeus. O presente artigo tem por intuito esclarecer as peculiaridades do povo judeu, refletindo acerca da influência do período pós Segunda Guerra para a construção da identidade cultural judaica atual. Após an

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Shidlovskaya, Diana Yur'evna. "PECULIARITIES OF TRANSLATING OCCASIONALISMS IN THE NOVEL “EVERYTHING IS ILLUMINATED” BY JONATHAN SAFRAN FOER." Philological Sciences. Issues of Theory and Practice, no. 5 (May 2019): 367–72. http://dx.doi.org/10.30853/filnauki.2019.5.78.

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Jones, Darryl. "Scenes from the Decline and Fall of the American Empire." FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, no. 05 (December 12, 2007): 1–15. http://dx.doi.org/10.2218/forum.05.584.

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At their zenith, empires become haunted by images of their inevitable demise. This article examines historical theories of imperial decline, as exemplified by the works of Edward Gibbon, C-F Volney and Oswald Spengler, and suggests a recurring concern with 'revolutionary orientalism' in such writings. The USA is currently in its late-imperial decadent phase, and much given in consequence to apocalyptic or catastrophic narratives. These are hardly new - the late-Victorian British Empire produced a large number of disaster fictions hardly less spectacular, with H G Wells foremost amongst his con

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Pozorski, Aimee. "La cuestión de la figuración y del hijo en la edad del genocidio." VERBEIA. Revista de Estudios Filológicos. Journal of English and Spanish Studies, no. 3 (October 22, 2019): 45–65. http://dx.doi.org/10.57087/verbeia.2019.4131.

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En este artículo, que se centra en la novela de Imre Kertész Kaddish por el hijo no nacido(Kaddis a meg nem született gyermekért, 1990), se estudian las formas en las que laparadójica figura del hijo no nacido refleja los horrores sociales, políticos y personales delgenocidio. A través del análisis de dos textos sobre el 11-S que también abordan losefectos de la Segunda Guerra Mundial –Tan fuerte tan cerca (Extremely Loud and IncrediblyClose, 2005) de Jonathan Safran Foer y This Must Be the Place (2008; sin traducir alespañol) de Anna Winger – “Hijo no nacido” propone la idea de que estamos co

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Le Cor, Gwen. "Narrer le 11 septembre : Extremely Loud & Incredibly Close de Jonathan Safran Foer et In the Shadow of No Towers d'Art Spiegelman." Leaves, no. 1 (November 30, 2015): 27–39. https://doi.org/10.46608/leaves.vi1.42.

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Le choix de l’appellation 9.11 (ou 11 Septembre), le « télégramme d’une métonymie » (Derrida) pour nommer l’événement, pointe l’incompréhension et l’« outrepassement du rapport » (Nancy) induite par la terreur. Cet article se propose de montrer comment Art Spiegelman (In the Shadow of No Towers) et Jonathan Safran Foer (Extremely Loud & Incredibly Close) s’appuient sur une narration multimodale pour s’approprier le trauma et (ré)-introduire un rapport au sens. Le 11 Septembre change le statut même de témoignage : la narration ne se substitue plus au silence, mais vient défaire le « témoign

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Шидловская, Диана, and Diana Shidlovskaya. "Translation of Tropes and Stylistic Devices in Jonathan Safran Foer’s Novel “Everything Is Illuminated”." Scientific Research and Development. Modern Communication Studies 8, no. 5 (2019): 18–25. http://dx.doi.org/10.12737/article_5d775faa003d04.79926851.

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Stylistic devices and tropes are the elements of style that give an extra, figurative meaning to a written or oral text. They include metaphors, simile, allegory, paradox, word game and so on. Each author uses them in different ways to make their works more expressive and emotionally dense. Sometimes stylistic devices and tropes can manifest themselves as the characteristics of an author’s individual style. Metaphoric language and bizarre manner of representation are particularly common for the authors of the postmodern era. When it comes to translation of these works from one language to anot

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Le Cor, Gwen. "From erasure poetry to e-mash-ups, “reel on/ another! power!”." Convergence: The International Journal of Research into New Media Technologies 24, no. 3 (2016): 305–20. http://dx.doi.org/10.1177/1354856516675254.

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This article builds on an analysis of Sea and Spar Between by Nick Montfort and Stephanie Strickland and Tree of Codes by Jonathan Safran Foer to examine print and digital forms of writing through resonance, replication, and repetition. It explores the plastic and textual space of the page and screen and focuses more specifically on the composition of fragments and the way they can be apprehended by readers. Conversely, digital borrowing is not a mechanical process of self-identical recurrence, and like its print counterpart, it is a gesture of differenciation and a play of singularities (Dele

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Azevedo, M. M. "A Busca da Verdade e a Reconstituição da Memória em Romances de Jonathan Safran Foer." Revista Scripta Uniandrade, no. 6 (December 30, 2008): 123–38. http://dx.doi.org/10.18305/1679-5520/scripta.uniandrade.n6p123-138.

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Kokhan, Roksoliana. "SCHULD – SUCHE – VERZEIHUNG: SICH GEGENSEITIG AUSSCHLIESSENDE KONSTANTEN ODER SINNEINHEIT? (JONATHAN SAFRAN FOER “UNHEIMLICH LAUT UND UNGLAUBLICH NAH”)." Scientific Journal of Polonia University 55, no. 6 (2023): 32–39. http://dx.doi.org/10.23856/5504.

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Der moderne literarische Prozess bietet zahlreiche Möglichkeiten für die Rezeption und Interpretation existenzieller Marker. Die Suche nach gedanklichen und semantischen Dominanten, die das existentielle Paradigma umreißen, führt den Forscher in kategorisches Labyrinth, in dem jedes neue Phänomen neue Fragen über das bereits scheinbar Verstandene aufwirft. Der metamoderne Diskurs zeigt die Notwendigkeit, den Begriff der Schuld als modellierenden Faktor auf der Ebene eines Kunstwerks zu definieren. Der Artikel bietet eine poetische Projektion des Begriffs “Schuld” im Prisma seines philosophisch

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Willis, Abbey. "Bringing Non-Human Animals Into Food Justice: Review Essay of Eating Animals, by Jonathan Safran Foer." Theory in Action 7, no. 4 (2014): 133–37. http://dx.doi.org/10.3798/tia.1937-0237.14032.

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Paton, David. "The imagistic text in Jonathan Safran Foer: Tracing unconventional texts from Kerouac to the artist's book." de arte 45, no. 81 (2010): 4–22. http://dx.doi.org/10.1080/00043389.2010.11877118.

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Santos, Camila Backes dos, and Simone Zanon Moschen. "O IMPOSSÍVEL E A POÉTICA DA EXTRAÇÃO EM TREE OF CODES: UM EXERCÍCIO EM CAMPO EXPANDIDO." Organon 34, no. 67 (2019): 1–17. http://dx.doi.org/10.22456/2238-8915.97026.

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O objetivo deste trabalho é discutir a noção de poética da extração como um operar que decanta efeitos de criação do trabalho de subtração/perda. Para tanto, parte da articulação entre os estudos de Rosalind Krauss (1979), em que a autora deriva a proposição de campo expandido do delineamento de uma noção de escultura que se ergue a partir da composição de negativos, e o trabalho do escritor norte-americano Jonathan Safran Foer, que escreve o livro Tree of codes operando uma verdadeira exumação da obra de Bruno Schulz, A Rua dos Crocodilos. A articulação desses trabalhos permite delinear condi

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Orasanu, Brindusa. "Le cynisme, messager hâtif de Thanatos." Revue Belge de Psychanalyse N° 74, no. 1 (2019): 69–89. http://dx.doi.org/10.3917/rbp.074.0069.

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L’article se propose d’aborder le cynisme comme variante de la cruauté dans la pensée. Le cynisme se trouverait, d’une part, dans un rapport de parenté avec la perversité, la distorsion de la réalité et la pensée opératoire, d’autre part, dans un rapport d’opposition défensive avec le deuil, l’idéal, la beauté et la fonction poétique. On présuppose une relation particulière du cynisme avec le temps psychique, c’est-à-dire une action de « contraction » de celui-ci dans le but de le maîtriser. Le cynisme est également vu comme une « idéologie de la limite », à l’extrême, de la limite cruelle ent

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RUSTAMOV, Gismet Elchin oglu. "Searching for identity in the post-memory period in the novel of jonathan safran foer “And everything lighted up”." Humanities science current issues 3, no. 41 (2021): 111–18. http://dx.doi.org/10.24919/2308-4863/41-3-17.

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Coakley, Sarah. "‘Humorous Is the Only Truthful Way to Tell a Sad Story’: Jonathan Safran Foer and Third Generation Holocaust Representation." Genealogy 3, no. 4 (2019): 55. http://dx.doi.org/10.3390/genealogy3040055.

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Jonathan Safran Foer’s representation of the Holocaust in his first novel, Everything is Illuminated, has been the subject of much controversy and critical debate. Several critics and Holocaust survivors have objected to the work for the lack of historical accuracy in its mythological narrative and the irreverence of its humour. However, such responses fail to take into account its specific form of generational representation: The Holocaust of Everything is Illuminated is always perceived through a third-generation lens, and its provocative elements instead highlight aspects of the experiences

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Domsch, Sebastian. "Framing absence: A narratology of the empty page." Frontiers of Narrative Studies 3, no. 2 (2017): 273–88. http://dx.doi.org/10.1515/fns-2017-0018.

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AbstractNarrative experimentation has seen many forms, but among the most radical strategies might be the complete absence of text. Printed text is largely determined through its physical presence on the page, it defines itself by where it is, and the performance of the present text determines the flow of narrative time. Silences and absences are usually created semantically, with a present text telling about an absence. Only rarely do texts stage emptiness through the actual absence of text. But when they do, they considerably expand the narrative range of expression of the printed page. In t

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Kozachyshyna, O. L., and L. M. Pradivlianna. "NARRATIVE STRUCTURE OF THE TEXTUAL WORLD IN A CONTEMPORARY ENGLISH POLYPHONIC NOVEL (BASED ON THE NOVEL “EVERYTHING IS ILLUMINATED” BY JONATHAN SAFRAN FOER)." Research bulletin. Series: Philological sciences, no. 206 (2023): 58–65. http://dx.doi.org/10.32782/2522-4077-2023-206-8.

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Katz, Maya Balakirsky. "Tree of Codes, written by Jonathan Safran Foer The Picture Chamber of Bruno Schulz—The Final Work of a Genius, written by Benjamin Geissler." Images 7, no. 1 (2013): 136–40. http://dx.doi.org/10.1163/18718000-12340023.

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Chard-Hutchinson, Martine. "Les enjeux identitaires dans «There are Jews in my House» de Lara Vapnyar et Tout est illuminé de Jonathan Safran Foer : une affaire de patates ?" Revue Russe 38, no. 1 (2012): 133–40. http://dx.doi.org/10.3406/russe.2012.2494.

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Ferro, Jeferson. "A “verdade” no fim da estrada - uma análise do romance tudo se ilumina, de Jonathan Safran Foer, e de sua versão cinematográfica, do diretor Liev Schrieber." Uniletras 32, no. 1 (2010): 155–70. http://dx.doi.org/10.5212/uniletras.v.32i1.155170.

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Канунникова, А. С., and Е. С. Абаева. "A Child Character’s Speech: Adequacy and Equivalence in Translation." Иностранные языки в высшей школе, no. 2(61) (August 29, 2022): 65–70. http://dx.doi.org/10.37724/rsu.2022.61.2.008.

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Статья посвящена переводу художественной литературы, в частности, уже долгое время актуальной проблеме качественной оценки перевода, а именно понятиям «эквивалентности» и «адекватности». Исследуемая проблема рассматривается на материале передачи речи персонажа-ребенка, поскольку речевая характеристика персонажа является одним из ключевых компонентов формирования образа в художественном тексте.Источником материала для исследования выступил современный англоязычный роман Д. С. Фойера “Extremely Loud and Incredibly Close” (2005) и его перевод («Жутко громко и запредельно близко»), выполненный В.

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Kozachyshyna, O. L., N. V. Malashchuk-Vyshnevska, and A. V. Mosiichuk. "THE CATEGORY OF TIME AS A MEANS OF TEXTUAL WORLD CREATION IN A CONTEMPORARY ENGLISH POLYPHONIC NOVEL (based on the novel “Everything is Illuminated” by Jonathan Safran Foer)." "Scientific notes of V. I. Vernadsky Taurida National University", Series: "Philology. Journalism" 1, no. 1 (2022): 139–44. http://dx.doi.org/10.32838/2710-4656/2022.1-1/24.

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Козачишина, Оксана, та Людмила Прадівлянн. "ПРОБЛЕМА ПОСТПАМ’ЯТІ КРІЗЬ ПРИЗМУ ПОСТМОДЕРНІСТСЬКОЇ ПОЕТИКИ (на матеріалі роману Джонатана Сафрана Фоера «Everything is Illuminated»)". Journal of Cross-Cultural Education, № 4 (30 грудня 2024): 48–57. https://doi.org/10.31652/2786-9083-2024-4-48-57.

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The research focuses on the problem of postmemory and aims to analyze the mechanism of its actualization in a literary text. The work is based on the understanding of postmemory proposed by the American researcher Marianne Hirsch as a kind of collective ideas about the past that are formed by the descendants of people who have survived traumatic experiences. The peculiarity of this type of memory lies in its mediated nature, indirect connection with the object or source of memory, as well as the use of imagination and conjecture. Historiographical metaliterature with its rich arsenal of tools

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Tsiulia, Kseniya. "Defamiliaryzacja w „Sklepach cynamonowych” Brunona Schulza i „Tree of Codes” Jonathana Safrana Foera." Schulz/Forum, no. 15 (September 24, 2020): 94–108. http://dx.doi.org/10.26881/sf.2020.15.07.

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The main goal of the article is to provide an analysis of the idea of defamiliarization and its manifestation in Bruno Schulz’s The Street of Crocodiles and Jonathan Safran Foer’s Tree of Codes. The author makes an attempt to define defamiliarization, investigate Viktor Shklovsky’s interpretation of defamiliarization and Bertolt Brecht’s Verfremdung, study the creation history of Tree of Codes, and analyze the examples of defamiliarization in both texts.

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Roszak, Joanna. "Oświetlające się plany. Ciche i dalekie w „Extremely Loud and Incredibly Close” Jonathana Safrana Foera." Studia Litteraria et Historica, no. 2 (June 30, 2014): 412–22. http://dx.doi.org/10.11649/slh.2013.017.

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Mutually illuminating planes: the silent and the distant in J.S. Foer’s 'Extremely Loud and Incredibly Close'The paper offers an analysis of sub-renting relations in J. S. Foer’s Extremely Loud and Incredibly Close, which are put in the context of the author’s debut novel Everything Is Illuminated. I suggest that the two novels shed light on, or “illuminate”, each other. The writer, a descendant of Polish Jews, precisely stratifies the novels and intertwines two planes: the explicit and the implicit (encoding signs of the Jewish plight), which are also the two planes of the protagonists’ ident

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Whittaker, Gwendolyn. "»All or Nothing or Something Else«. Jonathan Safran Foers Eating Animals und die Rhetorik des Fleischverzichts." Zeitschrift für Kulturwissenschaft 6, no. 1 (2012): 109–20. http://dx.doi.org/10.14361/zfk.2012.0110.

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Weiland, Marc. "Stadt-Text-Selbst. Gary Shteyngarts The Russian Debutante’s Handbook, Bruno Schulz’ Die Zimtläden und Jonathan Safran Foers Tree of Codes." Yearbook for European Jewish Literature Studies 2, no. 1 (2015): 214–40. http://dx.doi.org/10.1515/yejls-2015-0013.

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Sobesto, Joanna. "Pocztówka z końca świata. O języku (i) pamięci w debiutanckiej prozie Jonathana Safrana Foera i Piotra Pazińskiego." Wielogłos 2, no. 36 (2018): 129–43. http://dx.doi.org/10.4467/2084395xwi.18.023.9968.

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Achatz, Markus. "Väterrollen und Kinderschicksale." merz | medien + erziehung 56, no. 2 (2012): 76–82. http://dx.doi.org/10.21240/merz/2012.2.21.

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Jedes Jahr wird nach zehn Tagen Berlinale und einem rappelvollen Filmprogramm Resümee gezogen, über die Qualität der Beiträge, die Stimmung, den Promifaktor und das Festival an sich. Die Bilanzen für die 62. Internationalen Filmfestspiele fielen positiv aus. Ein guter Wettbewerb und viele Highlights in allen Programmsparten. Zahlreiche Filme näherten sich gesellschaftlichen und politischen Themen, zeigten ergreifende Schicksale, machten auch Hoffnung und weiteten den Blick über den eigenen Ausschnitt der Welt hinaus. Sektionenübergreifend wurden immer wieder unterschiedliche Familienkonstellat

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Chawrilska, Irena. "Rzeźba czy ruina? O Schulzu Foera." Schulz/Forum, no. 17–18 (March 15, 2023). http://dx.doi.org/10.26881/sf.2021.17-18.05.

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The essay is an attempt to read The Tree of Codes by Jonathan Safran Foer in linear and nonlinear modes. The author analyzes Foer’s text made of „The Street of Crocodiles” by Bruno Schulz and compares the literary experiment of the American writer with the selected phenomena in contemporary culture, repeating the question about the status of Foer’s book’s, both a ruin and a monument.

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