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Books on the topic 'José Clemente'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 January 2023

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1

1883-1949, Orozco José Clemente, ed. José Clemente Orozco: Graphic work. University of Texas Press, 2004.

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2

Clemente, Orozco José. José Clemente Orozco. Hacker Art Books, 1985.

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3

L, Harth Marjorie, Orozco José Clemente 1883-1949, and Pomona College (Claremont, Calif.). Museum of Art., eds. José Clemente Orozco: Prometheus. Pomona College Museum of Art, 2001.

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4

Dawn, Ades, ed. Jose Clemente Orozco in the United States, 1927-1934. Hood Museum of Art, 2002.

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5

Museo de Arte Carrillo Gil. and Instituto Cultural Cabañas (Guadalajara, Mexico), eds. José Clemente Orozco: Serie "La verdad". Instituto Nacional de Bellas Artes, 2004.

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6

Clemente, Orozco José. José Clemente Orozco: Obra gráfica : catálogo razonado. Clemente Orozco, 1997.

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7

Orozco's American epic: Myth, history, and the melancholy of race. Duke University Press, 2020.

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8

Cruz, Bárbara. José Clemente Orozco: Mexican artist. Enslow Publishers, 1998.

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9

Folgarait, Leonard. Mural painting and social revolution in Mexico, 1920-1940: Art of the new order. Cambridge University Press, 1998.

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10

Clemente, José Edmundo. Borges, director de la Biblioteca Nacional: Diálogos entre José Edmundo Clemente y Oscar Sbarra Mitre. Ediciones Biblioteca Nacional, 1998.

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11

Lóizaga, Patricio J. La contradicción argentina: Conversaciones con Marcos Aguinis, Hebe Clementi, Marco Denevi, José Luis de Imaz, Fermín Fèvre, Víctor Massuh y Juan José Sebreli. Emecé, 1995.

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12

Rochfort, Desmond. Mexican muralists: Orozco, Rivera, Siqueiros. Laurence King, 1993.

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Rochfort, Desmond. Pintura mural mexicana: Orozco, Rivera, Siqueiros. Limusa, Grupo Noriega Editores, 1993.

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14

Mexican muralists: Orozco, Rivera, Siqueiros. Chronicle Books, 1998.

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15

Orozco, José Clemente. Orozco: Schwank, Drama und Barbarei : Karikaturen und Grotesken von José Clemente Orozco (Mexiko) : eine Ausstellung im Satiricum Greiz, November-Dezember 1986. Ministerium für Kultur der DDR, Zentrum für Kunstausstellungen der DDR, 1986.

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16

Urbach, Josef. Josef Urbach, 1889-1973: Gedächtnisausstellung zum 100. Geburtstag : Clemens-Sels-Museum Neuss, 30. Apr. bis 25. Juni 1989. Edited by Götte Gisela and Clemens-Sels-Museum. Das Museum, 1989.

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17

Tom, Badgett, ed. Ultimate Unauthorized Nintendo Classic Game Strategies. Bantam Books, 1991.

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18

Tom, Badgett, ed. Ultimate Unauthorized Nintendo Classic Game Strategies. 2nd ed. Bantam Books, 1992.

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19

Reed, Alma. Jose Clemente Orozco. Hacker Art Books, 1985.

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20

Lopez, Raul Perez. Jose Clemente Orozco. Dastin Export S.L., 2003.

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21

Jose Clemente Orozco. Dover Publications, 2001.

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22

Orozco, Jose Clemente. Jose Clemente Orozco: Prometheus. Pomona College Museum of Art, 2002.

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23

Rutiaga, I. Jose Clemente Orozco (Los Grandes Mexicanos). Grupo Editorial Tomo, 2004.

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24

Leeper, John Palmer, José Clemente Orozco, and Robert C. Stephenson. José Clemente Orozco: An Autobiography. de Gruyter GmbH, Walter, 2014.

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25

José Clemente Orozco: An Autobiography. University of Texas Press, 2014.

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26

Diego Rivera David Alfaro Siqueiros Jose Clemente Orozco. Museum of Modern Art, 2011.

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27

Orozco, José Clemente, and Ruth L. C. Simms. Artist in New York: Letters to Jean Charlot and Unpublished Writings, 1925-1929. de Gruyter GmbH, Walter, 2014.

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28

Anreus, Alejandro. Orozco in Gringoland: The Years in New York. Univ of New Mexico Pr, 2001.

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Orozco in Gringoland: The Years in New York. University of New Mexico Press, 2001.

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30

Prometheus 2017 - Four Artists from Mexico Revisit Orozco. Getty Publications, 2017.

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31

Rochfort, Desmond. Mexican Muralists (Fine Art). Laurence King Publishing, 1997.

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32

1883-1949, Orozco José Clemente, Consejo Estatal de la Cultura y las Artes Jalisco., Instituto Cultural Cabañas (Guadalajara, Mexico), Instituto Nacional de Bellas Artes (Mexico), and Bienal Nacional de Dibujo y Pintura José Clemente Orozco (2nd : 1993 : Guadalajara, Mexico), eds. Segunda Bienal Nacional de Dibujo y Pintura José Clemente Orozco. Gobierno del Estado de Jalisco, 1993.

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33

Rochfort, Desmond. Mexican Muralists: Orozco, Rivera, Siqueiros. Universe Books, 1994.

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34

Dalton, David S., ed. Mestizo Modernity. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9781683400394.001.0001.

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Mexico’s traumatic Revolution (1910–1917) attested to stark divisions that had existed in the country for many years. Following the conflict, postrevolutionary leaders attempted to unify the country’s diverse (particularly indigenous) population under the umbrella of official mestizaje. Indigenous Mexicans would have to assimilate to the state by undergoing projects of “modernization” that entailed industrial growth through the imposition of a market-based economy. One of the most remarkable aspects of this nation-building project was the postrevolutionary government’s decision to use art to communicate discourses of official mestizaje. Until at least the 1970s, state-funded cultural artists whose work buoyed official discourses by positing mixed-race identity as a key component of an authentic Mexican identity. State officials viewed the hybridity of indigenous and female bodies with technology as paramount in their attempts to articulate a new national identity. As they fused the body with technology through medicine, education, industrial agriculture, and factory work, state officials believed that they could eradicate indigenous “primitivity” and transform Amerindians into full-fledged members of the nascent, mestizo state. This book discusses the work of José Vasconcelos, Diego Rivera, José Clemente Orozco, Emilio “El Indio” Fernández, El Santo, and Carlos Olvera. These artists—and many others—held diametrically opposed worldviews and used very different media while producing works during different decades. Nevertheless, each of these artists posited the fusion of the body with technology as key to forming an “authentic” Mexican identity.
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35

Snow, K. Mitchell. A Revolution in Movement. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066554.001.0001.

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A Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance—the emulation of Diaghilev’s Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s. Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivate Mexico to express its own national identity through dance. He discusses the work of muralists and other visual artists in tandem with Mexico’s theatrical dance world, including Diego Rivera’s collaborations with ballet composer Carlos Chávez; Carlos Mérida’s leadership of the National School of Dance; José Clemente Orozco’s involvement in the creation of the Ballet de la Ciudad de México; and Miguel Covarrubias, who led the “golden age” of Mexican modern dance. Snow draws from a rich trove of historical newspaper accounts and other contemporary documents to show how these collaborations produced an image of modern Mexico that would prove popular both locally and internationally and continues to endure today.
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36

Kahl, M.A., Wolfgang, and Ute Mager, eds. Verwaltungsrechtswissenschaft und Verwaltungsrechtspraxis. Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://dx.doi.org/10.5771/9783845298627.

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The “Discussions on administrative law” serve as an institutionalised forum for a transdisciplinary dialogue between legal science and practice on fundamental questions of German and, particularly, of European administrative law. The present volume documents the lectures of the opening session. They deal with the relation between administrative legal science and practice, with questions regarding methods and coordination, as well as with the relationship between administrative law and politics. The volume is aimed, according to the focus of the discussions, at scholars and practitioners of administrative law. With contributions by Jan Bergmann, Silvan Eppinger, Klaus F. Gärditz, Wolfgang Kahl, Günter Krings, Clemens Ladenburger, Josef Franz Lindner, Ute Mager, Veith Mehde, Franz Reimer, Klaus Ritgen, Matthias Ruffert, Utz Schliesky, Klaus Schönenbroicher, Christian Waldhoff
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37

Soentgen, Jens, Ulrich M. Gassner, Julia von Hayek, and Alexandra Manzei, eds. Umwelt und Gesundheit. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783845296951.

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The series ‘Health Research. Interdisciplinary Perspectives’ is published annually and focuses on topics relating to all aspects of health. Our aim is to take interdisciplinarity as an aspiration seriously and provide the latest findings on current issues from different disciplinary perspectives. This volume addresses the highly topical subject of the environment and health, considering the general relationship between humans and the environment as well as their specific interdependence and the consequences they have on each other. From the history of environmental medicine to the statutory framework or practical (supra-) regional phenomena that could have an effect on human health, this book takes into account a broad variety of aspects and disciplinary viewpoints. With contributions by Daniela Bayr, Christoph Beck, Josef Cyrys, Athanasios Damialis, Michael Ertl, Verena Fricke, Thomas Fuchs, Ulrich M. Gassner, Michael Gerstlauer, Esther Giemsa, Gertrud Hammel, Jasmin Hartmann, Julia von Hayek, Elke Hertig, Clemens Heuson, Barbara Hoffmann, Claudia Hornberg, Jucundus Jacobeit, Jens Kersten, Franziska Kolek, Bernhard Kuch, Benjamin Kühlbach, Alexandra Manzei, Christa Meisinger, Markus Naumann, Andrea Pauli, Annette Peters, Andreas Philipp, Nora Pösl, Joachim Rathmann, Wolfgang von Scheidt, Alexandra Schneider, Stefanie Seubert, Jens Soentgen, Pia Sperlich, Annette Straub, Claudia Traidl-Hoffmann, Felix Tretter
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38

Hank, Karsten, Frank Schulz-Nieswandt, Michael Wagner, and Susanne Zank, eds. Alternsforschung. Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://dx.doi.org/10.5771/9783845276687.

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This handbook aims to provide an overview of knowledge about age and ageing in ‘Western’ societies at the beginning of the 21st century, which is intended to be equally suitable for research and practice. It focuses on relevant contributions from the social and behavioural sciences and their access to selected aspects of age and ageing. Its main topics can be described as quintessential core subjects, e.g. theories of ageing, socio-economic situation and inequalities, mental and physical health, social networks and social participation. These are supplemented by contributions on often marginalised topics and ‘emerging topics’ such as very old age, experiences of violence and delinquency, sexuality, and the spirituality and ethics of ageing. Finally, a series of topics relevant to everyday life and research practice (e.g. age and technology and data collection among the elderly) form a third central component of the book. With contributions by Heike Baranzke | Hermann Brandenburg | Susanne Brose | Josef Ehmer | Yvonne Eisenmann | Lea Ellwardt | Marcel Erlinghagen | Uwe Fachinger | Luise Geithner | Thomas Görgen | Bernadette Groebe | Helen Güther | Hans Gutzmann | Karsten Hank | Peter Häussermann | Rolf G. Heinze | Kira Hower | Anna Janhsen | Roman Kaspar | Daniela Klaus | Lars-Oliver Klotz | Franziska Kunz | Lisa Luft | Katharina Mahne | Michael Neise | Frank Oswald | Johannes Pantel | Susanne Penger | Holger Pfaff | M. Christina Polidori | Christian Rietz | Charlotte Şahin | Anna Schlomann | Holger Schmidt | Laura Schmidt | Wiebke Schmitz | Katrin Schneiders | Frank Schulz-Nieswandt | Andreas Simm | Julia Simonson | Anja Steinbach | Stephanie Stock | Julia Strupp | Clemens Tesch-Römer | Claudia Vogel | Raymond Voltz | Michael Wagner | Hans-Werner Wahl | Inka Wilhelm | Christiane Woopen | Susanne Zank
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39

Super NES Games Secrets, Greatest Tips. Prima Publishing, 1993.

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