Relevant bibliographies by topics / Jose Luis [1974-]

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Jose Luis [1974-]'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Jose Luis [1974-]"

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Ramos-Rugel, Raquel. "La difícil autonomía de José Luis Cebrián como director del Diario ABC, 1975-1977." RIHC. Revista Internacional de Historia de la Comunicación 8, no. 1 (2017): 43–62. http://dx.doi.org/10.12795/rihc.2017.i08.03.

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Godoy, Analía, Paolo Tedeschi, John Markoff, et al. "Book reviews - Crítica de libros - Crítica de livros (Historia Agraria, 74)." Historia Agraria. Revista de agricultura e historia rural, no. 74 (February 22, 2018): 233–66. http://dx.doi.org/10.26882/histagrar.074r08g.

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Book reviews - Crítica de libros - Crítica de livros Phillipp R. Schofield: Peasants and Historians. Debating the Medieval English Peasantry Analía Godoy Nadine Vivier (Ed.):The Golden Age of State Enquiries. Rural Enquiries in the Nineteenth Century: From Fact Gathering to Political Instrument Paolo Tedeschi Juan Sisinio Pérez Garzón: Contra el poder. Conflictos y movimientos sociales en la historia de España de la prehistoria al tiempo presente John Markoff Luis Aboites: El norte entre algodones. Población, trabajo agrícola y optimismo en México, 1930-1970 Mario Cerutti y Araceli Almaraz (Co
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McLaughlin, John M., Farid L. Khan, Heinz-Josef Schmitt, et al. "1719. Respiratory Syncytial Virus-Associated Hospitalization Rates among US Infants: A Systematic Review and Meta-Analysis." Open Forum Infectious Diseases 7, Supplement_1 (2020): S843. http://dx.doi.org/10.1093/ofid/ofaa439.1897.

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Abstract Background Understanding the true magnitude of infant respiratory syncytial virus (RSV) burden is critical for determining the potential public-health benefit of RSV prevention strategies. Although global reviews of infant RSV burden exist, none have summarized data from the United States or evaluated how RSV burden estimates are influenced by variations in study design. Methods We performed a systematic literature review and meta-analysis of studies describing RSV-associated hospitalization rates among US infants. We also examined the impact of key study characteristics on these esti
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Teoría y Realidad Constitucional. "Libros recibidos." Teoría y Realidad Constitucional, no. 34 (July 1, 2014): 691. http://dx.doi.org/10.5944/trc.34.2014.14075.

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RESEÑAS de : Alguacil González-Aurioles, Jorge, Gutiérrez Gutiérrez, Ignacio (eds.), Constitución: norma y realidad. Teoría constitucional para Antonio López Pina, Madrid: Marcial Pons, 2014, 493 págs. Carmonas Contreras, Ana (Dir.), El lugar de las macro-regiones en el marco de la cooperación territorial europea: presente y futuro, Consejería de la Presidencia.Junta de Andalucía, Sevilla, 2014. Castellá Andreu, Josep M.a (ed.), Derecho constitucional básico, Barcelona: Huygens, 2014. Cea Navas, Ana Isabel / Enríquez Sánchez, José María (eds.), El ciudadano espectador: derechos humanos y cine,
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Lerner, Miriam Nathan. "Narrative Function of Deafness and Deaf Characters in Film." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.260.

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Introduction Films with deaf characters often do not focus on the condition of deafness at all. Rather, the characters seem to satisfy a role in the story that either furthers the plot or the audience’s understanding of other hearing characters. The deaf characters can be symbolic, for example as a metaphor for isolation representative of ‘those without a voice’ in a society. The deaf characters’ misunderstanding of auditory cues can lead to comic circumstances, and their knowledge can save them in the case of perilous ones. Sign language, because of its unique linguistic properties and its la
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Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th
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Mesquita, Afrânio Rubens de. "Prefácio." Revista Brasileira de Geofísica 31, no. 5 (2013). http://dx.doi.org/10.22564/rbgf.v31i5.392.

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PREFACEThe articles of this supplement resulted from the 5 th International Congress of the Brazilian Geophysical Society held in São Paulo city, Brazil, at the Convention Center of the Transamérica Hotel, from 28 th September to 2 nd of October 1997. The participants of the Round Table Discussions on “Mean Sea Level Changes Along the Brazilian Coast” were Dr. Denizar Blitzkow, Polytechnic School of the University of São Paulo, (POLI-USP), Prof. Dr. Waldenir Veronese Furtado, Institute of Oceanography (IO-USP), Dr. Joseph Harari (IO-USP), Dr. Roberto Teixeira from the Brazilian Institute of Ge
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Horrigan, Matthew. "A Flattering Robopocalypse." M/C Journal 23, no. 6 (2020). http://dx.doi.org/10.5204/mcj.2726.

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RACHAEL. It seems you feel our work is not a benefit to the public.DECKARD. Replicants are like any other machine. They're either a benefit or a hazard. If they're a benefit it's not my problem.RACHAEL. May I ask you a personal question?DECKARD. Yes.RACHAEL. Have you every retired a human by mistake? (Scott 17:30) CAPTCHAs (henceforth "captchas") are commonplace on today's Internet. Their purpose seems clear: block malicious software, allow human users to pass. But as much as they exclude spambots, captchas often exclude humans with visual and other disabilities (Dzieza; W3C Working Group). Wo
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Ellison, Elizabeth. "The #AustralianBeachspace Project: Examining Opportunities for Research Dissemination Using Instagram." M/C Journal 20, no. 4 (2017). http://dx.doi.org/10.5204/mcj.1251.

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IntroductionIn late 2016, I undertook a short-term, three-month project to share some of my research through my Instagram account using the categorising hashtag #AustralianBeachspace. Much of this work emerged from my PhD thesis, which is being published in journal articles, but has yet to be published in any accessible or overarching way. I wanted to experiment with the process of using a visual social media tool for research dissemination. I felt that Instagram’s ability to combine text and image allowed for an aesthetically interesting way to curate this particular research project. My rese
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Dissertations / Theses on the topic "Jose Luis [1974-]"

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Maia, Milena Figueirêdo. "Entre a tradição e a pós-modernidade: o percurso metaficcional em Livro, de José Luís Peixoto." Pontifícia Universidade Católica de São Paulo, 2016. https://tede2.pucsp.br/handle/handle/19504.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2016-12-06T18:26:00Z No. of bitstreams: 1 Milena Figueirêdo Maia.pdf: 593100 bytes, checksum: 1afc46b869b9674fb909919a52453570 (MD5)<br>Made available in DSpace on 2016-12-06T18:26:00Z (GMT). No. of bitstreams: 1 Milena Figueirêdo Maia.pdf: 593100 bytes, checksum: 1afc46b869b9674fb909919a52453570 (MD5) Previous issue date: 2016-10-28<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This thesis has as its first proposal evaluating the path of Peixoto’s narrator in search of self-knowledge and showing how this path culm
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Campos, Juliana Sant'Ana. "Levantado do chão de José Saramago e Nenhum olhar de José Luís Peixoto: uma leitura do espaço narrativo." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/14918.

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Made available in DSpace on 2016-04-28T19:59:19Z (GMT). No. of bitstreams: 1 Juliana Santana Campos.pdf: 802506 bytes, checksum: 5027af9f7fa4e984a8ce9986a052ef28 (MD5) Previous issue date: 2009-10-28<br>Secretaria da Educação do Estado de São Paulo<br>The main objective of this study is to present a reading of the narrative space in two contemporary Portuguese novels, one of them is Levantado do Chão by José Saramago (2005) and the other, Nenhum Olhar by José Luís Peixoto (2005). In both novels, the analyzed space is Alentejo, presented as a place that the limit between life and death
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Ruiz, Janette Cynthia, and Janette Cynthia Ruiz. "Los Murales de Osaka: Mexican Modernism at the 1970 World's Fair." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/622864.

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In 1969 curator Fernando Gamboa commissioned eleven abstract artists to paint a collective mural to be displayed in the Mexico Pavilion at the 1970 World’s Fair held at Osaka, Japan. He instructed the artists to paint large sized individual paintings on stretched canvases that when joined collectively would form a mural measuring 400 sq ft. The artists selected by Gamboa were working in a style that broke the conventions of traditional Mexican muralism. They were a generation of painters who abandoned the ideologies of José Vasconcelos and the conception that artists should be responsible for
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Silva, Natália Ubirajara. "Nenhum olhar e Cemitério de pianos, de José Luís Peixoto : a sagrada escritura transfigurada." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/155996.

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O presente trabalho tem como objetivo verificar o papel das Sagradas Escrituras na conformação dos romances Nenhum olhar (2005) e Cemitério de pianos (2008), do escritor português José Luís Peixoto. A premissa é de que, em ambas as obras, o diálogo com o texto bíblico é determinante para o processo interpretativo. Após um levantamento da fortuna crítica do romancista e da proposição de um diálogo entre Bíblia e Literatura no âmbito acadêmico, introduzem-se elementos básicos da organização das narrativas, de acordo com os conceitos de fábula e trama, de Boris Tomachevski. A partir da teoria de
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Alves, Laura Penna. "Considerações sobre estudos literários em meados de 1970." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-18112013-125443/.

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Este trabalho examina os estudos literários que se seguem, publicados em meados de 1970: A perversão do trapezista: o romance em Cornélio Penna (1976), de Luiz Costa Lima; Verso Universo em Drummond (1975) de José Guilherme Merquior; Ao vencedor as batatas (1977), de Roberto Schwarz; Fundamentos da investigação literária (1974), de Eduardo Portella e Carlos Drummond de Andrade (1976) de Silviano Santiago. Nosso objetivo é investigar de que modo a produção do conhecimento sobre literatura e a produção do valor literário se deram nesses trabalhos, bem como indicar algumas transformações no campo
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Rego, Vânia Cecília Almeida. "La mise en scène du je dans l'oeuvre de José Luís Peixoto : problématiques de l'écriture de soi." Thesis, Poitiers, 2015. http://www.theses.fr/2015POIT5007.

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Le travail d'écriture de José Luís Peixoto met en valeur le Je par le biais de l'utilisation de formules inédites et d'une innovation constante au sein de l'écriture de soi, en mobilisant notamment des formes traditionnelles (contes, contes philosophiques, romans d'initiation) que l'auteur conjugue de façon à obtenir une manière nouvelle et ingénieuse d'aborder les territoires autobiographiques. Le jeu entre la fiction et le langage du Je, centré sur des récits de filiation, crée une écriture qui oscille toujours entre le domaine de l'imagination créatrice de fiction et les domaines de l'intim
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Nitschack, Horst. "El indigenismo como condición para una literatura nacional: El ejemplo del Perú en la década de los años 20." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/100292.

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Berthier, Nancy. "Cinéma et propagande en Espagne sous Franco : étude de trois cas : "Raza", "Franco ese hombre" et "El último caido", de José Luis Sáenz de Heredia." Paris 4, 1994. http://www.theses.fr/1994PA040280.

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Le présent doctorat s'attache à considérer la question du cinéma de propagande en Espagne sous Franco à partir de l'analyse de trois cas précis: Raza (1941), Franco ese hombre (1964) et El último caido (1975 inachevé-), longs métrages du cinéaste José Luis Sáenz de Heredia, habituellement considéré comme le "réalisateur du régime". Ces trois films sont envisagés à la fois dans leur histoire propre, qui en fait des produits uniques, et en même temps dans une perspective plus générale qui dépasse l'histoire particulière pour retrouver le cours d'une autre histoire, celle du cinéma sous le franqu
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Heuring, Denis [Verfasser], and Bernhard [Akademischer Betreuer] Teuber. "Verdrängen und Erinnern auf dem Theater : Bürgerkrieg und Diktatur im erinnerungskulturellen Theater Spaniens nach 1975 am Beispiel von José Sanchis Sinisterra, José Luis Alonso de Santos und Ignacio Amestoy Egiguren / Denis Heuring ; Betreuer: Bernhard Teuber." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2018. http://d-nb.info/1185979107/34.

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Sousa, Roberta Messiane Gonçalves. "Formulação da agenda de políticas públicas de combate à pobreza no governo brasileiro." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/156321.

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As políticas de combate à pobreza no Brasil entraram na agenda de governo na década de 30 com o presidente Getulio Vargas e desde este período parece não ter ocorrido inflexões na matriz das políticas formuladas. Neste sentido, a hipótese central é que existe continuidade na agenda das políticas de combate à pobreza no período de 1985 a 2010 nos governos de José Sarney (PMDB) ao governo Luiz Inácio Lula da Silva (PT). Esta hipótese é testada a partir do uso do modelo de Equilíbrio Pontuado de Baumgartner e Jones e de Tsebelis sobre os atores com poder de veto que criam uma certa estabilidade d
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Books on the topic "Jose Luis [1974-]"

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Cuevas, José Luis. José Luis Cuevas: Retrospectiva, 1947-2002. Museo José Luis Cuevas, Arte Contemporáneo, 2002.

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Alexanco, José Luis. José Luis Alexanco, 1964-1994: 25 noviembre-25 diciembre 1994 : Sala Amós Salvador, Logroño. TF Editores, 1994.

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Carlos, Guerrero Bravo Juan, ed. Ilegítimos: Los retoños ocultos de la oligarquía. O. Gonzales Alvarado, 2011.

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Rodón, Francisco. Rodón: Las visiones secretas : exposición retrospectiva, oleos : Museo José Luis Cuevas, 27 de septiembre al 14 de noviembre de 1994. Museo José Luis Cuevas, 1994.

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Alexanco, José Luis. José Luis Alexanco: Dezasete anos de pintura, unha selección : Salas Municipais do Museo do Pobo Galego, xaneiro/febreiro, 1994, Santiago de Compostela. Auditorio de Galicia, 1994.

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Cuevas, José Luis. Exposición "José Luis Cuevas obra reciente": 7 de septiembre al 2 de octubre de 1994, Santiago, Chile, Museo Nacional de Bellas Artes. Lo Museo, 1994.

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Silvia, Anderlini, and Luque de Penazzi Cecilia, eds. Premio municipal de literatura "Luis José de Tejeda" 1994: Ensayo. Editorial de la Municipalidad de Córdoba, 1995.

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1934-, Rodón Francisco, Barrenechea Francisco J, and Museo José Luis Cuevas, eds. Rodón las visiones secretas: Exposición retrospectiva, óleos, Museo Jose Luis Cuevas, 27 de Septiembra al 14 de Noviembre de 1994. Ramallo Bros. Inc., 1994.

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Ismael, Puerta Flores, ed. Discurso de incorporación como individuo de número de don Ismael Puerta Flores: Contestación del académico don José Luis Salcedo-Bastardo : acto celebrado el día 27 de junio de 1994 en el paraninfo del Palacio de las Academias Nacionales. Academia Venezolana de la Lengua, Correspondiente de la Real Española, 1994.

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Book chapters on the topic "Jose Luis [1974-]"

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Guiance, Ariel. "José Luis Romero (1909–1977)." In Rewriting the Middle Ages in the Twentieth Century. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.stmh-eb.3.2407.

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Harris, Sue. "Ninette (José Luis Garci, 2005)." In Spanish cinema 1973–2010. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141781.00016.

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Vernon, Kathleen M. "Un instante en la vida ajena/A Glimpse of Other Lives (José Luis López-Linares, 2003)." In Spanish cinema 1973–2010. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141781.00015.

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Flaherty, George F. "City of Palaces." In Hotel Mexico. University of California Press, 2016. http://dx.doi.org/10.1525/california/9780520291065.003.0002.

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The central nexus of Chapter 1 the Lecumberri Palace, commonly known as the Black Palace—the state prison inaugurated in 1901, turned into the General National Archive in 1976, and the site of the public announcement of President Vicente Fox’s transparency reforms in 2002. Lecumberri is also the locus of the two early testimonial narratives on the 68 student movement and Tlatelolco massacre, by Luis González de Alba and José Revueltas. Their analysis shows how this theoretically closed, impermeable institution constitutes a node within the network of the modern spaces of discipline and, at the same time, the microcosm of Mexico City. On the other hand, the transmutations of Lecumberri serve to reflect on different modes of knowledge production, history writing and commemoration. Both the prison and the archive are shown to be more than just physical spaces—they are results of the ongoing embodied interpretative processes.
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Yarza, Alejandro. "Franco, ese hombre: From Kitsch-Artist to Kitsch-Man." In The Making and Unmaking of Francoist Kitsch Cinema. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9780748699247.003.0006.

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Franco ese hombre (Franco, that Man, José Luis Sáenz de Heredia, 1964) is a documentary about Franco by the director of Raza made to commemorate Franco´s “Twenty Five Years of Peace” political campaign. Made twenty-two years later than Raza, Franco ese hombre aims through its kitsch aesthetics to portray the elderly, historical Franco as the messianic hero needed to save Spain. In doing so, it completely rewrites Spanish history according to Francoist historical, ideological and political clichés. By means of a curious narrative splitting, Franco becomes both the protagonist of Spanish history and the ideal spectator of it, as the documentary comes to an end by showing us Franco inside a film theater at his official residence watching the documentary of his own exploits. From being a purveyor of kitsch, Franco reveals himself to be a kitsch-man who, believing his own lies was the ideal consumer of kitsch aesthetics.
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Stone, Rob. "En la ciudad de Sylvia/In the City of Sylvia (José Luis Guerín, 2007) and the durée of a dérive." In Spanish cinema 1973–2010. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141781.00019.

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Conference papers on the topic "Jose Luis [1974-]"

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Castelo Sardina, Luis. "Panorama de las enseñanzas de la fotografía en la facultad de Bellas Artes de Madrid. UCM. 1979-2017." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6693.

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En 1978 se produce la transformación de la Escuela de Bellas Artes de San Fernando en Facultad de Bellas Artes, quedando integrada dentro de los estudios universitarios de la Universidad Complutense de Madrid. Casi al mismo tiempo, 1979, las asignaturas de Fotografía se incorporan a las enseñanzas de oficiales en Bellas Artes. Aunque en un principio la fotografía se pensó como una materia de “servicios” a otras materias tradicionales como la pintura o la escultura, rápidamente adquirió peso propio y pudo distanciarse de ese carácter secundario que se le pretendía dar. La asignatura de fotograf
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