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Relevant bibliographies by topics / Josef Anton

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Academic literature on the topic 'Josef Anton'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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Journal articles on the topic "Josef Anton"

1

Küper, Wilfried. "Nuzzo, Luigi, Bibliographie der Werke Karl Josef Anton Mittermaiers." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 122, no. 1 (August 1, 2005): 758–60. http://dx.doi.org/10.7767/zrgga.2005.122.1.758.

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Kůdela, V., and Z. Polák. "The sicty-fifth birthday of Prof. Dr. Anton J. Novacky, CSc.Ing. Josef Vacke, CSc., sedmdesátníkem." Plant Protection Science 35, No. 2 (January 1, 1999): 77–78. http://dx.doi.org/10.17221/9680-pps.

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Finger, Heinz. "Anton Josef Binterim, der „Geistige Vater” des Historischen Vereins für den Niederrhein." Annalen des Historischen Vereins für den Niederrhein 207, no. 1 (December 2004): 33–62. http://dx.doi.org/10.7788/annalen.2004.207.1.33.

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Koch, Arnd. "Briefwechsel Karl Josef Anton Mittermaier, Robert von Mohl, hg. v. Dorothee Mußgnug." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 123, no. 1 (August 1, 2006): 633–34. http://dx.doi.org/10.7767/zrgga.2006.123.1.633.

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Köbler, Gerhard. "Briefe Hermann Theodor Goltdammers an Karl Josef Anton Mittermaier, hg. v. Mußgnug, Dorothee." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 126, no. 1 (August 1, 2009): 692–93. http://dx.doi.org/10.7767/zrgga.2009.126.1.692.

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Küper, Wilfried. "Briefwechsel Karl Josef Anton Mittermaier -Rudolf von Gneist, hg. v. Erich J. Hahn." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 118, no. 1 (August 1, 2001): 750–56. http://dx.doi.org/10.7767/zrgga.2001.118.1.750.

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Gschwend, Lukas. "Briefe deutscher Strafrechtler an Karl Josef Anton Mittermaier 1832-1866, hg. v. Lieselotte Jelowik." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 123, no. 1 (August 1, 2006): 650–53. http://dx.doi.org/10.7767/zrgga.2006.123.1.650.

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Jayme, Erik. "Briefe deutscher und Schweizer Germanisten an Karl Josef Anton Mittermaier, hg. v. Lieselotte Jelowik." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 124, no. 1 (August 1, 2007): 675–77. http://dx.doi.org/10.7767/zrgga.2007.124.1.675.

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Steblin, Rita. "The Newly Discovered Hochenecker Portrait of Beethoven (1819): "Das ähnlichste Bildnis Beethovens"." Journal of the American Musicological Society 45, no. 3 (1992): 468–97. http://dx.doi.org/10.2307/831715.

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In 1987 the author discovered a pencil-drawing portrait of Beethoven signed "J. Hochenecker" and dated "1819" in an antique shop in Vienna. Scientific analysis of the paper by experts at the Albertina confirms the authenticity of the 1819 date, and the artist Josef Hochenecker (1794-1876) is identified as a sculptor in Anton Redl's address book of 1820. Circumstantial evidence suggests that this was the portrait drawing of Beethoven's face ordered by Nikolaus Zmeskal in the letter "Ich kann weder für das Gluck" which MacArdle and Misch date "fall of 1819." This 1819 portrait, and not Stephan Decker's 1824 chalk drawing, served as the model for Josef Kriehuber's black-tie lithograph of 1832. An anonymous article in the Leipzig Allgemeine musikalische Zeitung of 1835, probably written by Tobias Haslinger, argues that the Kriehuber lithograph, and hence the 1819 original, is the best likeness of the composer. This portrait, with its visionary, serene expression, is far removed from the canonic depiction of Beethoven as a glowering, lion-maned titan, and corresponds rather with the deaf, withdrawn genius of the esoteric late works.

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Köbler, Gerhard. "Briefe Leopold August Warnkönigs an Karl Josef Anton Mittermaier 1833-1858, hg. und bearb. v. Jelowik, Lieselotte." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 127, no. 1 (August 1, 2010): 737–38. http://dx.doi.org/10.7767/zrgga.2010.127.1.737.

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Dissertations / Theses on the topic "Josef Anton"

1

Doebel, Wolfgang. "Bruckners Symphonien in Bearbeitungen : die Konzepte der Bruckner-Schüler und ihre Rezeption bis zu Robert Haas /." Tutzing : H. Schneider, 2001. http://catalogue.bnf.fr/ark:/12148/cb372238679.

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Kemper, Franz-Josef. "Anton Escher (Hg.), Ausländer in Deutschland ; Probleme einer transkulturellen Gesellschaft aus geographischer Sicht / [rezensiert von] Franz-Josef Kemper." Universität Potsdam, 2002. http://opus.kobv.de/ubp/volltexte/2008/2485/.

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Rezensiertes Werk: Ausländer in Deutschland ; Probleme einer transkulturellen Gesellschaft aus geographischer Sicht : mit 11 Tabellen / Anton Escher (Hrsg.). - Mainz : Geograph. Inst., Johannes Gutenberg-Univ., 2000. - VIII, 128 S. : Ill., graph. Darst., Kt. - (Mainzer Kontaktstudium Geographie ; 6) ISBN 3-88250-205-3

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Ettner, Florian Anton [Verfasser], Thomas [Akademischer Betreuer] Sattelmayer, and HANS-JOSEF [Akademischer Betreuer] ALLELEIN. "Effiziente numerische Simulation des Deflagrations-Detonations-Übergangs / Florian Anton Ettner. Gutachter: Thomas Sattelmayer ; Hans-Josef Allelein. Betreuer: Thomas Sattelmayer." München : Universitätsbibliothek der TU München, 2013. http://d-nb.info/1035766582/34.

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Schmid, Markus Josef Anton [Verfasser], Peter [Akademischer Betreuer] Köhler, Peter [Gutachter] Köhler, and Stephan [Gutachter] Sieber. "Isolation and proteinchemical characterization of HMW-gliadins from wheat flour / Markus Josef Anton Schmid ; Gutachter: Peter Köhler, Stephan Sieber ; Betreuer: Peter Köhler." München : Universitätsbibliothek der TU München, 2018. http://d-nb.info/1164590987/34.

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Engbert, Alexander [Verfasser], Johann [Akademischer Betreuer] Plank, Thomas [Gutachter] Brück, Josef [Gutachter] Felixberger, Johann [Gutachter] Plank, and Anton [Gutachter] Lerf. "Ersatz von Lithiumcarbonat als Beschleuniger für Calciumaluminatzemente: Untersuchungen zur Wirkung und Aufklärung des Mechanismus von beschleunigenden Biopolymeren / Alexander Engbert ; Gutachter: Thomas Brück, Josef Felixberger, Johann Plank, Anton Lerf ; Betreuer: Johann Plank." München : Universitätsbibliothek der TU München, 2021. http://d-nb.info/1233784102/34.

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Pérez, Mañosas Antoni. ""Mitad fábrica mitad convento" : la casa Tàpies." Doctoral thesis, Universitat Politècnica de Catalunya, 2016. http://hdl.handle.net/10803/380899.

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El tema central del treball és la casa que l'arquitecte José Antonio Coderch va projectar per a l'artista Antoni Tàpies i la seva família, en un procés que va durar des de 1960 fins a 1963. Aquesta casa ha estat abastament estudiada com a objecte arquitectònic, i no és la meva intenció continuar exclusivament per aquest camí. S'aborda sovint l'estudi d'una obra arquitectònica (el procés de projectació i la seva materialització) com un objecte de coneixement aïllable en el temps, tot i que se'l situï dins d'un context històric. Aquí intentaré ampliar l'àmbit d'estudi, en el sentit de considerar la casa com un ser que té una vida pròpia, i no únicament com aquella obra fixada en les fotografies que Català-Roca o Casali van fer amb la casa tot just acabada; en el moment en que les obres d'arquitectura tenen una aparença d'objecte perfecte i nou. La vida a la casa i la vida de la casa
The central topic of this work is the house that architect José Antonio Coderch designed for the artist Antoni Tapies a nd his tamily, in a process that lasted from 1960 to 1963. The study of an architectural work (such as a design process and its execution) is often approached as an object of knowledge isolable in time,although placed within a historical context. Here we want to expand the scope ot the study, in the sense of considering this house with a life of its own, and not only as the published work in the photographs that Catala-Roca or Casali took when the house was brand new; at a time when a rchitectural works have this perfect look. Life of the house and lite inside the house. This thesis is organized into the following sections: 1. Prologue with genera l intentions. Design and contents of the thesis. 2. The Tapies house, as how it has been understood by the people who have known it. Ordered in increasing intensity. So: Occasional or regular visitors. Architectura l photographers. Customers. lnhabitants. Finally, we will consider issues of the project of the house. 3. All contextual facts relating to the house,in one way or another. Coderch's activities simultaneous with the design and construction of the house. Sorne examples of a rtists' houses and studios in the twentieth century. Other projects by the architect in urban consolidated areas (terraced houses). 4. lssues and project solutions present in the work of Coderch, in tapies that have sorne connect ion with the project for the Tapies house. Pick of a language based on a rchitecture of rural villages in a Mediterranean climate, and slow evolution. Functional issues regarding contemporary way of living, privacy and presence of servants. Architectural solutions. Working method in Coderch workshop. 5. Conclusions, constituted by sorne points: The continued relevance of the figure and work of Coderch, in a time that pays little attention to ethical, professional and personal values. The Tapies house and his qualities as a possible architectural model. The Tapies house towards the end ot its lite. 6. Bibliography.

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Alfós, Bernad Joan Ramon. "El hotel de mar de J. A. Coderch." Doctoral thesis, Universitat Politècnica de Catalunya, 2016. http://hdl.handle.net/10803/386316.

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This thesis approaches the study of seaside hotels as imagined by Jose Antonio Coderch at the beginning of mass tourism in Spain, when small, traditional, family-run hotels scattered along the coastline were transformed into large, tourist hotel chains. These chained-brand hotels popped up exponentially after the implementation of a financial stabilization plan in 1959, remodelling the Mediterranean landscape, and theywere socially rejected, including the only hotel Coderch ever built: Hotel de Mar. The architect said "I always thought this hotel was not worlhy [...], it's my worst work", showing his dissatisfaction. However, this hotel is one of his best-known works, an essential reference in hotel architecture literature. Hotel de Mar shows his evolution as an architect, from previous unknown projects in Sitges to his most successful work, Torre Valentina. When analyzing his projects, based on rethinking previous works by himself or by other architects, we realize that Coderch repeatedly shows some concerns, which are reflected in his architectural proposals and are sketched in his hotel conception. The existing literature about Torre Valentina and Hotel de Mar deal with these two works separately, as independent projects, whereas this thesis is based on the idea that both works are fruit of the same hotel conception, following Coderch's ideals but adapted to the owner's dream hotel (as it is the case of Hotel Buadas, later on renamed Hotel de Mar). Both projects were developed in the same period of time (from 1956 to 1962), on the same landscape (the Catalan coast and the Balearic coast), for the same target clients (first-class hotels) and under the same laws (an incipient, lax tourist and urban legislation). Therefore, Coderch's proposals respond to the same problems -the only differences between the two projects are the plot of land and the owner's requirements .Coderch's iconic step-like buildings featuring setbacks become a malleable calligraphy seen in his subsequent works .His hotel designs rewal a recurring concern to treat guests as individuals and hosts as a collectivity. These concerns are present in his seaside hotels ,which differ from the classic tourist hotels like Hilton lnternational hotels built during the 1950s -consumer goods made in America which colonised the Caribbean, the Mediterranean shores and even the published literature to the point that they became a reference for developers during Spanish developmentalism under Franco's dictatorship. With the aim of highlighting Coderch's unique models, his hotel buildings are chronologically analysed and compared with other hotels built by different architects, including Gio Ponti Bernard Rudofsky, Josep Lluis Sert, Alejandro de la Sota, Richard Neutra, Georges Candilis, Luis Gutiérrez Soto and Fernando Higueras. Coderch's works are compared to hotels with different locations and different construction years, which present a different approach to Coderch's concerns. Torre Valentina and Hotel de Mar became model buildings for would-be architects who later on built hotels during the "sun and sand" tourism boom. This thesis aims at sketching the concept of seaside hotels as designed by Coderch.
La tesis aborda el estudio del modelo de hotel de mar imaginado por Jose Antonio Coderch a inicios del turismo de masas en España, un período de transición entre los pequeños y tradicionales alojamientos familiares que salpican la costa y los grandes hoteles turísticos de sociedades mercantiles que la transformaron. Estos alojamientos de nueva planta,que crecieron exponencialmente con el Plan Nacional de Estabilización de 1959, construyeron el paisaje mediterráneo, lo cual generó un rechazo social similar al que produjo en Coderch su único hotel construido, "siempre he considerado que el Hotel de Mar no valía nada.[...] para mí es la peor obra". Buscando las razones de su insatisfacción frente a una de sus obras más divulgadas, un referente ineludible en publicaciones de arquitectura hotelera, vemos que el Hotel de Mar es el último eslabón de un proceso que se inicia con sus desconocidos proyectos hoteleros de Sitges y continúa con su obra más exitosa, Torre Valentina. El análisis de los proyectos del proceso basado en su praxis de reelaboración de obras anteriores -populares o propias-, muestra una serie de preocupaciones repetidas que subyacen tras sus propuestas, invariables que bosquejan su concepto de hotel. A diferencia de las publicaciones existentes sobre Torre Valentina y el Hotel de Mar, donde los proyectos se estudian aisladamente, la tesis entiende estas obras como la materialización de un concepto de hotel, variaciones que transitan desde la definición del ideal de Coderch hasta la construcción del hotel imaginado por la propiedad, el Hotel Buadas (posteriormente denominado Hotel de Mar). El proceso que se desarrolla en un mismo marco temporal (de 1956 a 1962), físico (la costa catalana y balear), social (hoteles de primera categoría dirigidos a una elite), y normativo (la incipiente y laxa legislación turística y urbanística prácticamente no varía), facilita la aproximación al modelo pues sus propuestas responden a un mismo problema, cuyo hecho diferencial será el solar y las particularidades de la propiedad. Tras las icónicas formas escalonadas que caracterizan sus hoteles, retranqueos aparecidos durante el proceso que se convierten en la caligrafía dúctil que marcará sus obras posteriores, existen preocupaciones recurrentes dirigidas al huésped como individuo y al anfitrión como colectivo. Estas inquietudes moldean el hotel de mar y lo distancian del paradigma de hotel turístico, los hoteles que Hilton Internacional construye en la década de los cincuenta, un producto de consumo de la industria americana que colonizó el Caribe, el Mediterráneo y las publicaciones especializadas, convirtiéndose en un modelo referencial de los promotores turísticos del desarrollismo franquista. A fin de establecer la especificidad del modelo se han analizado cronológicamente sus hoteles por capítulos y se han comparado con hoteles de arquitectos tan dispares como Gio Ponti y Bernard Rudofsky, Josep Lluis Sert, Alejandro de la Sota, Richard Neutra, Georges Candilis, Luis Gutiérrez Soto y Fernando Higueras, hoteles situados en entornos y tiempos diversos escogidos por su enfoque diferencial a los problemas planteados por Coderch. Torre Valentina y el Hotel de Mar han devenido proyectos referenciales para las generaciones posteriores de arquitectos que construyeron los hoteles del boom turístico español de sol y playa. Dibujar el concepto de hotel de mar que traslucen las formas de sus alojamientos turísticos será el objeto de la tesis.

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Friedmann, Anton Josef [Verfasser]. "Gastrointestinale Stromatumore : eine chirurgische Übersicht über ein Patientengut von 45 Patienten aus den Jahren 1991 bis 2003 / vorgelegt von Josef Anton Friedmann." 2007. http://d-nb.info/987019317/34.

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Books on the topic "Josef Anton"

1

Josef Anton Riedl. Tutzing: Hans Schneider, 2013.

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1893-1940, Trčka Anton Josef, and Salzburger Landessammlungen Rupertinum, eds. Anton Josef Trčka 1893-1940. Wien: C. Brandstätter, 1999.

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(Firm), ConBrio, ed. Klang in Aktion - Josef Anton Riedl. Regensburg: ConBrio, 2012.

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Nuzzo, Luigi. Bibliographie der Werke Karl Josef Anton Mittermaiers. Frankfurt am Main: Klostermann, 2004.

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Mittermaier, C. J. A. Briefwechsel Karl Josef Anton Mittermaier - Hermann Fitting. Frankfurt am Main: Klostermann, 2000.

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Mittermaier, C. J. A. Briefwechsel Karl Josef Anton Mittermaier - Robert von Mohl. Frankfurt am Main: Klostermann, 2005.

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Schönburg-Hartenstein, Johanna. Josef Anton Nagel, ein Direktor des Physikalischen Kabinettes. Wien: Verlag der Österreichischen Akademie der Wissenschaften, 1987.

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Mittermaier, C. J. A. Briefwechsel Karl Josef Anton Mittermaier - Rudolf von Gneist. Frankfurt am Main: Klostermann, 2000.

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Mittermaier, C. J. A. 1787-1867., Mussgnug Dorothee, and Max-Planck-Institut für Europäische Rechtsgeschichte, eds. Briefe: Herrmann Theodor Goltdammers an Karl Josef Anton Mittermaier. Frankfurt am Main: V. Klostermann, 2007.

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Lieselotte, Jelowik, and Max-Planck-Institut für Europäische Rechtsgeschichte, eds. Briefe Leopold August Warnkönigs an Karl Josef Anton Mittermaier, 1833-1858. Frankfurt am Main: Vittorio Klostermann, 2009.

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Book chapters on the topic "Josef Anton"

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Zeller, Hans Rudolf. "Riedl, Josef Anton." In Metzler Komponisten Lexikon, 636–38. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_246.

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Grandjean, Wotfgang. "Bruckner, (Josef) Anton." In Metzler Komponisten Lexikon, 103–7. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_37.

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Vormbaum, Thomas. "Carl Josef Anton Mittermaier (1787–1867)." In Moderne deutsche Strafrechtsdenker, 122–36. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-17200-7_9.

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Goller, Peter. "Einleitung und Kommentar zum „Prager Memorandum für die positivistische Philosophie“ (Entgegnung auf Christian von Ehrenfels’ Kritik an Josef Petzoldt und Hans Kleinpeter, verfaßt von Anton Lampa, unter Mitwirkung von Philipp Frank und unterstützt von Albert Einstein [1914])." In Querela Iuris, 73–111. Vienna: Springer Vienna, 1996. http://dx.doi.org/10.1007/978-3-7091-9456-0_7.

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Becker, Helga. "Titelei/Inhaltsverzeichnis." In Anton Josef Reiss (1835-1900), 1–6. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2017. http://dx.doi.org/10.5771/9783828866188-1.

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Becker, Helga. "6 Zusammenfassung und Vergleiche." In Anton Josef Reiss (1835-1900), 115–26. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2017. http://dx.doi.org/10.5771/9783828866188-115.

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Becker, Helga. "7 Abbildungen." In Anton Josef Reiss (1835-1900), 127–74. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2017. http://dx.doi.org/10.5771/9783828866188-127.

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Becker, Helga. "2 Forschungsstand." In Anton Josef Reiss (1835-1900), 15–20. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2017. http://dx.doi.org/10.5771/9783828866188-15.

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Becker, Helga. "8 Katalog (chronologisch)." In Anton Josef Reiss (1835-1900), 175–664. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2017. http://dx.doi.org/10.5771/9783828866188-175.

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Becker, Helga. "3 Biografie und künstlerischer Werdegang." In Anton Josef Reiss (1835-1900), 21–44. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2017. http://dx.doi.org/10.5771/9783828866188-21.

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Conference papers on the topic "Josef Anton"

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González, Déborah. "O debate de Estevan da Guarda e Josep. Análise estrutural e léxica." In Gallæcia. III Congresso Internacional de Linguística Histórica. Homenagem aos professores Ramón Lorenzo e Antón Santamarina. Universidade de Santiago de Compostela. Servizo de Publicacións e Intercambio Científico, 2017. http://dx.doi.org/10.15304/cc.2017.1080.14.

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