Academic literature on the topic 'Joseigo'

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Journal articles on the topic "Joseigo"

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Martawijaya, Asteria Permata, and Tharra Dwi Ananda. "Penerjemahan Danseigo dan Joseigo Pada Komik“Meitantei Conan Volume 94” (Aoyama, 2017)." Jurnal Soshum Insentif 6, no. 2 (October 31, 2023): 75–88. http://dx.doi.org/10.36787/jsi.v6i2.1132.

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Penelitian ini menganalisis penggunaan dan penerjemahan danseigo dan joseigo bentuk ninshou daimeishi pada komik “Meitantei Conan Volume 94” (Aoyama, 2017). Rumusan masalah penelitian ini adalah danseigo dan joseigo bentuk ninshou daimeishi apa saja yang digunakan dalam komik tersebut serta teknik penerjemahan apa yang digunakan dalam penerjemahannya. Dari hasil analisis dapat disimpulkan bahwa pada komik “Meitantei Conan Volume 94” (Aoyama, 2017) digunakan 162 data ninshou daimeishi dengan rincian 107 data danseigo dan 55 data joseigo. Ninshou daimeishi pada danseigo dan joseigo yang paling banyak digunakan adalah jishou ninshou daimeishi (pronomina persona pertama) yaitu boku, bokutachi, ore, oretachi/orera, jibun, dan watashi. Penerjemah mensiasati perbedaan variasi bahasa berdasarkan gender, perbedaan struktur frase, perbedaan sudut pandang, dan perbedaan stilistik yang terdapat pada penggunaan danseigo dan joseigo dalam komik “Meitantei Conan Volume 94” (Aoyama, 2017) dengan menggunakan 6 teknik penerjemahan, yaitu teknik transposisi (22,8%), teknik reduksi (5,6%), teknik modulasi (8,0%), teknik literal (56,8%), teknik kompensasi (5,6%), dan teknik amplifikasi (1,2%).
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Khasanah, Umul, Elisa Diah Permata, and Zida Wahyuddin. "Nase Mitsuki's Use of Shuujoshi Joseigo in Kyoukai No Kanata." Journal Transnational Universal Studies 1, no. 3 (April 15, 2023): 122–32. http://dx.doi.org/10.58631/jtus.v1i3.21.

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This thesis discusses about the purpose of shuujoshi joseigo that is used by Nase Mitsuki from “Kyoukai no Kanata”. This study aims to describe the type and purpose of using shuujoshi joseigo, especially the ones that are used by Nase Mitsuki based on the contexts. The data are dialogues by Nase Mitsuki that use joseigo wo sshiatsushuujoshi from episodes 1-6 of “Kyoukai no Kanata”. This study uses the descriptive method as the research design, and sociolinguistics as its approach. From the data, it was found that Nase Mitsuki uses 13 types of joseigo wo shimesu shuujoshi from 1st to 6th episode of “Kyoukai no Kanata”. They are no, wa, yo, ne, kashira, noyo, wayo, none, wane, kotone, wayone, noyone, dan nanoyo, in which purposes are to soften an expression (5), to show a question (3), doubt (1), insult (2), complain (4), confirmation (3), admiration (1), suggestion (1), feeling (1) and agreement (2).
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Suarjani, Ni Ketut Nova, K. E. K. Adnyani, and P. D. M. Y. Pramesti. "Analisis Penggunaan Shuujoshi Joseigo oleh Kuroko Shirai pada Anime "Toaru Kagaku No Railgun" Episode 1-3." Pustaka : Jurnal Ilmu-Ilmu Budaya 24, no. 1 (February 28, 2024): 14. http://dx.doi.org/10.24843/pjiib.2024.v24.i01.p03.

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This research aims to describe the types of shuujoshi joseigo and their functions used by Kuroko Shirai in anime entitled Toaru Kagaku no Railgun in 1–3 episodes. The data were analyzed using Sudjianto (2007) & Pestemer's theory (2003). This qualitative descriptive research used listening and note-taking methods to collect the data. The results of this study are 114 data which are divided into nine types of shuujoshi joseigo used by Kuroko Shirai's character, namely 29 data of shuujoshi wa, 10 data of wane, 6 data of wayo, 53 data of no, 11 data noyo, 2 data of mono, as well as 1 data for each none, kashira, and teyo, whose functions are to soften sentences, provide information, show admiration and impression, express subtle question sentences, justify the situation, show assertiveness, express opinions, emphasize opinions, and express doubts
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Adnyani, Kadek Eva Krishna, I. Wayan Adnyana, and Ni Nyoman Murniasih. "A Study of Joseigo: Gendered Language of Japanese Women Workers in Ubud." Kafa`ah: Journal of Gender Studies 9, no. 1 (July 30, 2019): 26. http://dx.doi.org/10.15548/jk.v9i1.226.

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Kurniawan, Eko. "POLITENESS OF WOMEN’S LANGUAGE (JOSEIGO) BY SHIN TANOKURA IN DRAMA SERIES OF OSHIN." JAPANEDU: Jurnal Pendidikan dan Pengajaran Bahasa Jepang 3, no. 1 (June 1, 2018): 60. http://dx.doi.org/10.17509/japanedu.v3i1.11279.

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This study aims to assess information about variety of women’s language by Shin Tanokura, women’s language that represent the principles of politeness and politeness scale in drama series of Oshin. Research based on theory of Kindaichi (1988) for variety of women’s language and theory of Leech (2011) for the principles of politeness and politeness scale. This is kind of qualitative research. The method used in this research is the descriptive analysis. Source of data in this study is drama series of Oshin. While the data in this study are uttarances containing women’s language, women’s language that represent the principles of politeness and politeness scale. Data collection technique which used is observing method.The results showed, variety of women’s language by Shin Tanokura in drama series of Oshin is based on the theory of Kindaichi (1988): 1) Goi level, consists of using shuujoshi (wa, kashira, mono dan no), kantanshi (maa dan ara), ninshoudaimeishi (atakushi, atashi dan anata), koshou (~san, ~sama dan anata), keigo (teineigo, kenjougo dan sonkeigo) dan wago (tsuite iku); 2) Tougo level, consists of using iikirenai hyougen dan kurikaeshi hyougen; 3) Danwa level, consists of using youkyuu hyougen, aizuchi dan aisatsu, kimari monku. The classifications above represented in six maxims of the principles of politeness, tact maxim, generosity maxim, approbation maxim, modesty maxim, agreement maxim and sympathy maxim. According on theory of Leech (2011), there are three politeness scales, 1) Profit and loss scale, 2) Indirect scale and 3) Which like scale. Then, three scale are linked to one another and implemented in women’s language by Shin Tanokura in drama series of Oshin, the result are profit on addressees-direct-high, profit on addressees-direct-medium, profit on addressees-direct-low, profit on addressees-indirect-medium, profit on addressees-indirect-low, profit on speaker, addressees-direct-low and profit on speaker, addressees-indirect-high.
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Emanuella, Eliseba, Shabrina Rahmalia, and Rosi Novisa Syarani. "Analisis Penggunaan Yakuwarigo dalam Tokoh Game Twisted Wonderland." Jurnal Bahasa Asing 16, no. 1 (June 27, 2023): 56–68. http://dx.doi.org/10.58220/jba.v16i1.46.

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Penelitian ini mengungkapkan penggunaan yakuwarigo dengan sumber data Game Twisted Wonderland. Yakuwarigo atau bahasa peran merupakan variasi bahasa khusus yang sering digunakan dalam karya fiksi yang berasal dari stereotip yang mencakup kosa kata, tata bahasa, ungkapan, intonasi dan berfungsi untuk menonjolkan dan menguatkan suatu peran karakter. Teori yakuwarigo dikemukakan oleh Satoshi Kinsui. Penelitian ini bertujuan untuk mengetahui penggunaan yakuwarigo pada karakter Game Twisted Wonderland dan latar belakang karakter menggunakan yakuwarigo tersebut. Metodologi penelitian yang digunakan penelitian ini adalah kualitatif deskriptif. Teknik pengumpulan data yang digunakan yaitu teknik simak catat. Data yang digunakan adalah tuturan kalimat oleh enam tokoh dari sumber data Game Twisted Wonderland. Dari total 33 data, peneliti terdapat enam jenis penggunaan yakuwarigo dalam karakter Game Twisted Wonderland yaitu, roujingo, joseigo, danseigo, bushi kotoba, hougen, dan chara gobi. Peneliti juga menemukan beberapa hal yang melatarbelakangi penggunaan yakuwarigo pada enam tokoh yaitu faktor usia, perilaku, daerah atau suku, dan kepribadian.
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Yuana, Cuk, and Fidyatma Purisandi. "ANALISIS PENGUNAAN SHUUJOSHI DALAM MANGA YOTSUBA KARYA KIYOHIKO AZUMA." TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra (e-ISSN: 2797-0477) 4, no. 01 (May 1, 2024): 20–30. http://dx.doi.org/10.69957/tanda.v4i01.1525.

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Dalam bahasa Jepang ragam bahasa pria di sebut danseigo, dan ragam bahasa wanita di sebut joseigo. Kedua ragam bahasa ini memiliki perbedaan. Perbedaan tersebut terlihat dari strukutur ragam bahasa seperti shuujoshi. Sejalan dengan perkembangan bahasa yang dinamis, mempengaruhi terjadinya suatu penyimpangan dari penutur, yakni danseigo di gunakan oleh penutur Wanita. Dalam penelitian ini mengangkat tema “Analisis Pengunaan Shuujoshi Dalam Manga Yotsuba Karya Kiyohiko Azuma”. Metode yang di gunakan dalam penelitian ini Adalah deskriptif sedangkan pendekatannya adalah pragmatik. Hasil analisis pengunaan shuujoshi yang terdapat dalam manga Yotsuba adalah : Shuujoshi pria yang banyak muncul adalah shuujoshi na sedangkan yang paling sedikit adalah shuujoshi kana dan shuujoshi sa, Shuujoshi wanita yang banyak muncul adalah shuujoshi no sedangkan yang paling sedikit adalah shuujoshi kashira dan shuujoshi wa, Shuujoshi pria yang mengalami banyak penyimpangan oleh penutur wanita adalah shuujoshi na dan yang paling sedikit adalah shuujoshi sa, Adanya peminjaman shuujoshi pria oleh penutur wanita karena tidak adanya shuujoshi wanita yang dapat mewakili maksud dari kalimat yang di gunakan oleh penutur wanita.
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Maulina, Izzatul, and Lisda Nurjaleka. "Karakteristik Yakuwarigo dalam Tokoh Anime Gintama." KIRYOKU 4, no. 1 (June 17, 2020): 44–57. http://dx.doi.org/10.14710/kiryoku.v4i1.44-57.

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This study aims to analyze and categorize the type of yakuwarigo or role language on the Anime of Gintama. Role language, or known as Yakuwarigo in Japanese, is a set of language features associated with a particular type of character in the virtual world. The characteristic of these languages variation such as vocabulary, grammar, intonation, and accent patterns. (Kinsui, 2003). This study also investigates the function of these language variation types focusing on the yakuwarigo types in Anime Gintama. The data collection technique that was used is the note technique. The data analysis technique used in this study was the reading markah analysis technique followed by a descriptive qualitative data analysis technique to present the results of the data analysis. The results show that the type of Yakuwarigo found in Anime Gintama shows the variation of the character itself. Seven types of yakuwarigo seen from 10 Gintama anime characters, namely, aruyo kotoba, hakase go, onee kotoba, joseigo, danseigo, chara gobi, and Osaka ben. And the particular type of the yakuwarigo’s characteristics was shujoshi and specific types of expression used by these characters.
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Pramandhani, Vamelia Aurina. "MAKNA RAGAM BAHASA JEPANG DANSEIGO DALAM KOMIK DORAEMON VOLUME 3." Jurnal CULTURE (Culture, Language, and Literature Review) 8, no. 2 (November 1, 2021): 132–41. http://dx.doi.org/10.53873/culture.v8i2.269.

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Japanese has a different form of conversational skills from other languages ​​in the world, namely the Danseigo language variety and the Joseigo language variety. Danseigo is a language variety that is often used by men in Japan when communicating. Danseigo is a male language that tends to be rude and informal. Danseigo is rarely found during formal events. Usually men use standard Japanese or use keigo if the other person is a respectable person. The formulation of the problem in this study is what is the meaning and function of shuujoshi in danseigo found in the Doraemon comic volume 3? The purpose of this research is to find out the meaning and function of shuujoshi in danseigo found in Doraemon comic volume 3. The research method used is descriptive qualitative. The source of data used in the analysis of this research is a written source, namely the comic "Doraemon volume 3". In this comic, a form of conversation is found that uses a variety of languages ​​and seigo. In addition, the use of shuujoshi (sound at the end of sentences) (~sa, ~kana/na, ~yo, ~ze, ~zo) and the use of ninshou daimeishi (boku, kimi, omae, aitsu, soitsu) were also found. This is because the comic characters are dominated by boys. Therefore, the use of danseigo is found in the Doraemon comic Volume 3.
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Nishikawa, Atsuko. "Deciphering the Parrot’s Voice: Satō Haruo’s “Okāsan” (“Mother”) and Josei (Woman) Magazine." Humanities 12, no. 1 (January 20, 2023): 14. http://dx.doi.org/10.3390/h12010014.

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Satō Haruo’s “Okāsan” (“Mother”) is a story that was published in Josei (Woman) magazine in October 1926. The plot follows “I” as he listens to the words of the parrot he bought from the pet store and deduces and fantasizes freely about her previous home. In this paper, I spotlight the fact that the home that “I” envisions through the voice of the parrot, Laura, corresponds to the family image that was being presented concurrently in Josei magazine and showcased that the ideal family was simply nothing more than an ideal. In relativizing Josei’s familial discourse, and in this relationship between the published magazine and the story, I argue for the latter’s importance.
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Dissertations / Theses on the topic "Joseigo"

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Monego, Marina <1989&gt. "Gender e linguaggio delle donne: prospettive del joseigo tra passato, presente e futuro." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6026.

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L'esistenza di un linguaggio specifico per le donne è una delle peculiarità della lingua giapponese. Per meglio comprendere come la sua esistenza sia intimamente correlata alle problematiche di genere occorre, tuttavia, analizzarlo a partire dalle sue origini. Si potrebbe affermare che esso sia stato creato quasi a tavolino con delle precise finalità politiche, allo scopo di far aderire le donne a modelli prestabiliti. I cambiamenti linguistici sono stati spesso giudicati negativamente, in un primo momento, per poi essere accettati e introdotti nel linguaggio standard in un secondo periodo. Si tratta ad esempio del teyo-dawa kotoba delle studentesse di periodo Meiji e lo stesso potrebbe essere per i cambiamenti che avvengono oggigiorno. Il linguaggio delle kogyaru e di altre figure "ribelli" è indice di cambiamenti, sia nell'abbigliamento che nel linguaggio, che portano all'avvicinamento dei generi. A questo proposito si cercherà di capire quale sia l'opinione dei giovani giapponesi riguardo quali siano questi cambiamenti e come vengano percepiti, nella speranza, infine, di capire come potrebbero evolversi in futuro.
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Degan, Alex. "Judaísmo em suspensão: o judaísmo de Flávio Josefo." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-08112013-115040/.

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O objetivo deste trabalho é discutir a compreensão de Judaísmo que o historiador Flávio Josefo desenvolveu em seus livros Bellum Judaicum, Antiquitates Judaicae, Vita e Contra Apionem. Através de algumas ponderações sobre a sociedade judaico-palestina do século I d.C. e das relações complexas entre História e Memória, pretende-se analisar Josefo e sua obra dentro de quadros que ressaltem os complexos e dinâmicos intentos literários de reconstrução e consolação experimentados por reflexões judaicas após a destruição de Jerusalém em 70 d.C.
The aim of this research is to discuss the comprehension of Judaism that the historian Flavius Josephus developed in his books Bellum Judaicum, Antiquitates Judaicae, Vita e Contra Apionem. By means of a few evaluations about the Jewish- Palestinian society of the 1st century AD and through the complex relations between History and Memory, the intention is to analyze Josephus and his work within the scenes that accentuate the complex and dynamic literary attempts of reconstruction and consolation experienced by Jewish reflections after the destruction of the temple of Jerusalem in 70 AD.
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Seguin, Jean-Claude. "Joselito : la voix inhumaine : du genre au corpus : du corpus à l'acteur." Bordeaux 3, 1990. http://www.theses.fr/1990BOR30044.

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Le cinema espagnol a toujours accorde une place significative a l'enfant : avant la guerre (alexia ventura, alfredo hurtado "pitusin", etc. ) et surtout pendant le franquisme ou en quelques annees il va devenir une figure preponderante (pablito calvo en particulier). Cette prise de pouvoir s'accompagne d'une progressive modification de son image : d'abord enfant franquiste, enfant objet ensuite, le personnage se retrouve au centre des recits grace au neo-realisme et au monde ecclesiastique. C'est dans ce contexte-la que surgit joselito, "l'enfant a la voix d'or", premier petit chanteur de l'apres-guerre. Il tourne quatorze films de 1956 a 1968 et va connaitre une gloire internationale avant de sombrer. Une usure progressive, une mue vocale et l'emergence de nouveaux petits chanteurs vont avoir raison de la vedette. Une approche a la fois narratologique et semiotique permet de mettre en evidence les grandes articulations d'un corpus homogene et evolutif. D'une premiere oeuvre charniere qui doit beaucoup au cinema de l'apres-guerre, nous glissons d'abord vers des films qui jouent sur les qualites vocales de joselito, puis d'autres qui cherchent a faire de l'enfant un acteur. Cette evolution va mettre en evidence les tensions extremes qui existent entre la vedette, le chanteur et l'acteur, et les films deviennent ainsi le lieu privilegie pour une tentative de resolution du conflit. .
The spanish cinema has always granted a significant place to the child: before the spanish civil war (alexia ventura, alfredo hurtado "pitusin" etc. ) and especially during francoism when he became a leading figure within a few years (particulary pablito calvo). This prominence goes along with a progressive change of this image: firstly a franco era child, then a child as an object, the character plays a central part in the narratives thanks to neo-realism and the church. Joselito "the child with a golden voice", the first singer-boy of the spanish after-civil war era appeared in this context. Starring in fourteen films between 1956 and 1968 he became an international glory before falling into oblivion. A gradual decline, his voice breaking and the emergence of new children singers were to get the better of the star. Both a narratological and semiotic approach enables to bring out the main structures of a homogeneous and evolutive corpus. From a first transition-work which owes a lot to post-civil war cinema, we move towards films which make ample use of joselito's vocal skills, then towards other films which try to turn the child into an actor. This evolution will give prominence to the extreme tensions between the star, the singer and the actor and thus the films were an opportunity for an attempt to
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Cabral, Gustavo César Machado. "Direito natural e iluminismo no direito português do final do antigo regime." reponame:Repositório Institucional da UFC, 2011. http://www.repositorio.ufc.br/handle/riufc/12612.

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CABRAL, Gustavo César Machado. Direito natural e iluminismo no direito português do final do antigo regime. 2011. 223 f.: Dissertação (mestrado) - Universidade Federal do Ceará, Programa de Pós-Graduação em Direito, Fortaleza-CE, 2011.
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This thesis aims at investigating how Portuguese Law in the end of Ancient Regime was related to the modern doctrines of Natural Law and to the Enlightened Absolutism of the second half of the eighteenth century. Besides specific literature on the subject, in which are included writings of that time, collections of Statutes and judicial decisions were largely used. At the beginning of this work, the main purpose was introducing the Portuguese political, economic, cultural and juridical context and then showing the philosophical changes of the concept of Natural Law on the works of Hugo Grotius and Samuel von Pufendorf and the emergence of the usus modernus pandectarum. This is important to clarify that, during the kingship of Joseph I and the government of Marquis of Pombal (1750-1777), Law was a fundamental instrument to grant the desire for changing and modernization of Portuguese Crown: it made the King the only source of law-making, which consolidated his power. In order to regulate the use of Roman Law, some powers were granted to the Casa da Suplicação, the most important Royal Court at the moment. The reception of Natural Law by legislation, doctrine and by institutions such as the University and the Casa da Suplicação helped the diffusion of liberal ideas in the end of 18th century, which had the same origins of the Enlightened Absolutism: the modern theories of Natural Law. Thus, the reforms in the Ancient Regime in its last decades contributed to its end, and the Law, mainly Natural Law, had a fundamental importance at this context.
Este trabalho pretende investigar de que modo o direito português do final do Antigo Regime se relacionou com as modernas doutrinas do direito natural e com o iluminismo característico do absolutismo esclarecido da segunda metade do século XVIII. Para o desenvolvimento deste trabalho, além da bibliografia especializada, a qual inclui a consulta a escritos da época, foram abundantemente utilizadas coleções de leis e de decisões judiciais do período. Partindo de uma contextualização política, econômica, cultural e jurídica de Portugal, das mudanças filosóficas que sofreu a idéia de direito natural a partir das obras de Hugo Grotius e de Samuel von Pufendof e da emergência do usus modernus pandectarum, percebeu-se que, no reinado de D. José I e no consulado do Marquês de Pombal (1750-1777), o direito foi elemento fundamental para garantir as reformas e a modernização do Reino pretendidas pela Coroa Portuguesa, pois serviu para centralizar na figura do rei-legislador a única fonte da qual emanariam as leis, garantindo a predominância do seu poder. Regulamentando a aplicação do Direito Romano, concederam-se importantes poderes à Casa da Suplicação, principal tribunal régio do período. Essa recepção do direito natural pela legislação, pela doutrina, pela Universidade e pela Casa da Suplicação facilitou a penetração das idéias liberais do final do século XVIII, as quais, da mesma forma que o absolutismo esclarecido, tiveram origem nas modernas teorias do direito natural. A reforma do Antigo Regime, nas suas últimas décadas, portanto, contribuiu para o seu fim, e o Direito, especialmente o direito natural, teve papel fundamental nesse contexto.
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Silva, Júnior Valter Bueno da. "Vita de Flávio Josefo: uma narrativa de autorrepresentação (94-101 d.c.)." Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/5303.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
We will discuss about the representations of Flavius Josephus from his autobiographical work Vita, and how it has defined and consolidated the perception of self representation of the author. The historical context in which it belonged should be considered. It is about to observe the Judean environment that preceded the Jewish Revolt marked by social, economic and political conflicts, as these were crucial for that the clash between Romans and Jews occurred. Therefore, we noted the surge of the Jewish Revolt, and also the participation of Josephus at that war. In this sense, Josephus experiences in the Revolt are recurrent due to own unfolding of the conflict as he experienced the different sides of the war and witnessed the Roman victory beside them. This way, we will consider the relevance of Josephus' Vita as it was a work that approached the Revolt in a personal perspective, and from it, his memories were highlighted in a constructive process of narrative argumentations, making them the key elements in the very representation of Josephus' impressions. We understand how Josephus' autobiographical speech expresses his own demands of his contemporary, from the relation between narrative, memory, representation and identity.
Discutiremos acerca das representações de Flávio Josefo a partir de sua obra autobiográfica Vita, além do modo como a mesma definiu e consolidou a percepção de representação própria de seu autor. O contexto histórico ao qual pertenceu deve ser considerado. Trata-se de observar o ambiente da Judéia que antecedeu a Revolta Judaica, marcada por conflitos sociais, econômicos e políticos, pois estes foram fundamentais para que o embate entre romanos e judeus ocorresse. Sendo assim, evidenciamos a eclosão da Revolta Judaica e também a participação de Josefo nessa Guerra. Neste sentido, as experiências de Josefo na Revolta são recorrentes devido ao próprio desdobramento do conflito, pois vivenciou os lados distintos da guerra e presenciou a vitória romana ao lado dos envolvidos. Dessa maneira, consideraremos a relevância da Vita de Josefo, pois foi uma obra que abordou a Revolta em uma perspectiva pessoal; a partir desta criação, suas recordações e lembranças foram ressaltadas em um processo construtivo de argumentações narrativas, tornando-as elementos primordiais na impressão da representação própria de Flávio Josefo. Compreendemos como o discurso autobiográfico de Josefo expressa as demandas pessoais de sua contemporaneidade, a partir da relação entre narrativa, memória, representação e identidade.
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Souza, Márcia Erondina Dias de. "UMA PROPOSTA DE ABORDAGEM AO PROBLEMA DE FLÁVIO JOSEFO APLICADA AO ENSINO MÉDIO." Universidade Federal de Santa Maria, 2013. http://repositorio.ufsm.br/handle/1/10935.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
In this paper, we presents a didactic sequence of activities designed for a group of students of high school, their age were about 15 and 18 years old, with the main objective to study the problem proposed by the mathematician Flávio Josefo, in mid-year 64. The legend tells that a group of rebels, including Flávio Josefo, was trapped in a cave by the enemy army. Preferring the suicide to capture, the rebels decided to form a circle and, counting over this, to kill each third person of the rest of the group. Josefo was contrary of this suicide pact therefore, together with a friend, calculated very quickly the appropriated positions that both should take in this circle in order to get out of this terrible situation. To understand this solution, we propose, at the first moment, a review about the numerical sequences, including the special cases of arithmetic and geometric. Then, we introduce some notions about the de recurrence relations and the Principle of Mathematical Induction, allowing a generalization of concepts and results already known intuitively by the student group.
Neste trabalho, apresentamos uma sequência didática de atividades elaboradas para um grupo de alunos do ensino médio, na faixa etária de 15 a 18 anos, tendo como principal objetivo estudar o problema proposto pelo matemático Flávio Josefo, nos meados do ano 64. Conta a lenda que um grupo de rebeldes, dentre eles Flávio Josefo, foi encurralado numa caverna pelo exército inimigo. Preferindo o suicídio à captura, os rebeldes decidiram formar um círculo e, contando ao longo deste, matar cada terceira pessoa restante do grupo. Josefo era contrário a este pacto suicida e, por isso, juntamente com um amigo, calculou muito rapidamente as posições adequadas que ambos deveriam tomar nesse círculo de modo a saírem ilesos desta terrível situação. Para o entendimento desta solução propomos, inicialmente, uma revisão sobre sequências numéricas, incluindo os casos especiais de progressão aritmética e geométrica. Em seguida, introduzimos algumas noções a respeito de relações de recorrência e do Princípio da Indução Matemática, permitindo uma generalização dos conceitos e resultados já conhecidos intuitivamente pelo grupo de alunos.
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Oliveira, Bruno Pegorari. "O general judeu e o cidadão romano: o discurso de construção de Flávio Josefo em Vita (Século I d.C.)." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/6199.

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Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
This master’s degree dissertation intends to analyze and discuss the Flavius Josephus’s construction speech (37-100 a.C.) by his work Vita. Throughout this study, we will present the historical context of Palestine, focusing in the Roman domination, development of Herods’s government, and the successive foreign achievements in the first century a.C., we will observe some questions related to Josephus’s origin and rise, as well his participation during the war between jews and romans (66-70 a.C.). Lastly, we will analyze the Jewish historian’s speech in Vita, observing his positioning throughout the work. This study is based on bibliographic research (historiography) concerning on the subject, as well the document analysis (sources) produced by this historian at the end of the first century of Christian era.
A presente dissertação de Mestrado pretende analisar e discutir o discurso de construção de Flávio Josefo (37-100 d.C.) por meio de sua obra Vita. Ao longo do trabalho, apresentaremos o contexto histórico da Palestina, enfocando a dominação romana, o desenvolvimento do governo de Herodes, o Grande e as sucessivas conquistas estrangeiras no século I d.C., observaremos questões relacionadas a origem e ascensão de Josefo, como também sua participação durante a guerra entre judeus e romanos (66-70 d.C.). Por fim, analisaremos o discurso do historiador judeu em Vita, observando seu posicionamento ao longo da obra. O estudo fundamenta-se na pesquisa bibliográfica (historiografia) referente ao tema, como também na análise de documentos (fontes) produzidos pelo historiador em destaque no final do século I da era cristã.
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Nomura, Ikuyo. "Kazokushi to shite no nyōinron." Tōkyō : Azekura Shobō, 2006. http://books.google.com/books?id=AKdHAAAAMAAJ.

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Naser, Ayub. "Entre os filhos de Abraão : as interações historiográficas entre árabes e judeus no Medievo a partir da releitura da história de Josefo/Josippon pelos historiadores árabes com ênfase no Kitab Alibar de Ibn Khaldun." reponame:Repositório Institucional da UnB, 2015. http://dx.doi.org/10.26512/2015.06.D.18817.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Humanas, Departamento de História, Programa de Pós-Graduação em História, 2015.
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A partir do Islã, séc.VI, a historiografia árabe acompanhou o desenrolar dos povos árabes à medida que seus domínios aumentavam. As primeiras histórias universais árabes nasceram em função da necessidade de legitimar o Islã como crença universal e verdadeira, neste momento a historiografia era tributária metodologicamente da exegese religiosa. No entanto, os árabes se interessavam cada vez pelos povos subjugados no Oriente Próximo, Norte da África e Espanha; o caldeirão cultural surgido pela confluência entre muçulmanos, judeus e cristãos contribuíram para aumentar o interesse dos historiadores árabes quanto à história de outros povos. Josippon apareceu pela primeira vez traduzido para o árabe no final do séc.X no Iêmen e em seguida iniciou seu trajeto pelos vários cantões do Oriente Próximo, Norte da África até chegar na Península Ibérica (não necessariamente nesta ordem). Historiadores árabes cristãos e muçulmanos fizeram do Josippon sua principal referência histórica após o Antigo Testamento, mas Ibn Khaldun foi mais além ao usá-lo para tentar levar sua lógica histórica até mesmo à história dos Filhos de Israel.
From 6th Century on, Arabic historiography was witnessing the emerging of Arabs inasmuch their dominion was increasing. The first Arabic universal histories were born due to the need of legitimating Islam as universal true faith; in this meantime, historiography was a tributary of religious exegesis. Notwithstanding, the Arabs was becoming interested in knowing about the subjugated people around Near East, North Africa and Spain; this cultural cauldron emerged by confluence between Islamic, Jewish and Christian contributed to the Arabs to more keen on the histories about other people. Josippon appeared translated into Arabic for the first time at the end of 10th Century in Yemen, and then it started to travel beyond Near East, North Africa and finally came to Iberian Peninsula. Christian and Muslim historians looked to Josippon as their chief historical reference after the Old Testament, but Ibn Khaldun used him in his historical logic about the history of Children of Israel.
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SILVA, Priscilla de Souza Mariano. "A justiça no período josefino: atividade jdiciária e irregularidades dos ouvidores na comarca de Pernambuco entre 1750 e 1777." Universidade Federal de Pernambuco, 2014. https://repositorio.ufpe.br/handle/123456789/11669.

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Essa dissertação de mestrado propõe um estudo sobre a atividade judiciária e as irregularidades no exercício dos atos dos ouvidores da Capitania de Pernambuco, durante os anos de 1750 a 1777. Considerando que esses homens tinham a função de representar a justiça no ultramar, analisaremos essas práticas dentro da lógica do poder no Antigo Regime e das transformações impostas por Sebastião José de Carvalho e Melo durante o período de tempo em questão. Para além de seu regimento, que era um conjunto de normas que delineava a sua jurisdição, investigaremos como o seu poder se moldava com o decorrer do tempo através das cartas, leis, alvarás e provisões que entraram em vigor depois do seu regimento em 1668, e com isso entender como se processavam os meandros das relações políticas, da justiça e de sua aplicabilidade na figura dos ouvidores.
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Books on the topic "Joseigo"

1

Akira, Kimura, ed. Edoki joseigo jiten: "Jochūshi" "Yamato kotoba" "Zōho yamato kotoba" eiin to sakuin. Kamakura-shi: Minato no hito, 2006.

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Chen, Yiyin. Nihongo ni okeru jendā hyōgen: Daigakusei no shiyō jittai oyobi ishiki o chūshin ni. Fukuoka-shi: Hana Shoin, 2013.

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Dazai, Osamu. Joseito. Tōkyō: Kadokawa Shoten, 1994.

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Dazai, Osamu. Joseito. Tōkyō: Rittōsha, 2016.

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Dazai, Osamu. Joseito: Tanpenshū. Tōkyō: Nihon Kindai Bungakukan, 1992.

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Auque, Hubert. JOSÉ (JOSELITO). Paris: Editions L'Harmattan, 2005.

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Arroyo, José Miguel. Joselito, el verdadero. 2nd ed. Barcelona: Espasa, 2012.

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Béguin, Pierre. Joselito Carnaval: Roman. Vevey: Aire, 2000.

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Kanno, Kumiko. Rupo, joseiyō fūzoku. Tōkyō: Kabushiki Kaisha Chikuma Shobō, 2022.

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Gordillo, Joaquín J. Joselito: Punto y seguido. Madrid: Espasa Calpe, 1999.

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Book chapters on the topic "Joseigo"

1

Zhang, Ya. "Statements of “Nanshin Josei” in the 1940s." In Women in Asia under the Japanese Empire, 149–70. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003279990-13.

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Munnich, Olivier. "La fugacité de la vie humaine (De Josepho § 127-147) : la place des motifs traditionnels dans l’élaboration de la pensée philonienne." In Monothéismes et Philosophie, 163–83. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mon-eb.4.00066.

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"joseite, n." In Oxford English Dictionary. 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/8895229126.

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"Boscovich, Rogerio Josepho." In Encyclopedia of Early Modern Philosophy and the Sciences, 222. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-31069-5_300044.

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"Joselito, Torero leichter als Luft." In Die Welt der Stiere, 150–53. Wien: Böhlau Verlag, 2010. http://dx.doi.org/10.7767/boehlau.9783205790884.150.

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"De Josepho vendito. Sermonis X continuatio." In Sancti Ephraem Syri, edited by Thomas Joseph Lamy, 396–405. Piscataway, NJ, USA: Gorgias Press, 2011. http://dx.doi.org/10.31826/9781463232658-022.

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Vallejo, Jesús. "Contextos para una traducción del Código criminal josefino (1787) ." In Historia en fragmentos. Estudios en homenaje a Pablo Fernández Albadalejo. UAM Ediciones, 2017. http://dx.doi.org/10.15366/hist.fragmentos2017.057.

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Cathelin, Annie. "La Joselito à l’Âge d’or du flamenco. Ethnologie d’une passion." In Rythmes et lumières de la Méditerranée, 145–60. Presses universitaires de Perpignan, 2003. http://dx.doi.org/10.4000/books.pupvd.22947.

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"Girl Bands and Josei Rock, 1950s–1980s." In Shonen Knife’s Happy Hour. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781501347986.0008.

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Monteiro, João Gouveia. "Flávio Josefo e o cerco romano a Jotapata (67 d.C.)." In Saberes e poderes no mundo antigo: estudos ibero-latino-americanos. volume II - dos poderes, 161–79. Imprensa da Universidade de Coimbra, 2013. http://dx.doi.org/10.14195/978-989-26-0626-2_9.

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Conference papers on the topic "Joseigo"

1

Olson, Sara, Richard S. White, Donald Prothero, Daniella Balassa, Katherine Marriott, and V. J. P. Syverson. "ONTOGENETIC GROWTH IN THE PLEISTOCENE PRONGHORN STOCKOCEROS FROM SAN JOSECITO CAVE, MEXICO." In GSA Connects 2021 in Portland, Oregon. Geological Society of America, 2021. http://dx.doi.org/10.1130/abs/2021am-365195.

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Ferreira, Jilton Joselito De Lucena. "Entre a crônica esportiva e as sensibilidades arquivísticas: Joselito Pereira de Lucena e os seus escritos sensíveis." In Encontro Nacional de Ensino e Pesquisa do Campo de Públicas. Recife, Brasil: Even3, 2021. http://dx.doi.org/10.29327/138628.4-12.

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Ferreira, Jilton Joselito De Lucena. "A TRAJETÓRIA DO “MESTRE” JOSELITO LUCENA E SUA RELAÇÃO COM O RÁDIO JORNALISMO ESPORTIVO DE CAMPINA GRANDE (1950-2011)." In Anais da I semana nacional de história da UEPB: história, interdisciplinaridade e culturas. Recife, Brasil: Even3, 2020. http://dx.doi.org/10.29327/114676.1-3.

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Arents, Jerica. "Toward a Nuclear-Free Future: Josei Toda and the (White) Lineage of Anti-Nuclear Activism." In 2024 AERA Annual Meeting. Washington DC: AERA, 2024. http://dx.doi.org/10.3102/2103354.

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Alcalá Adrianzén, Miguel Enrique, Anghela Brisset Viar Narro, and María Sofía Carolina Muñiz Luna Victoria. "Proposal for improvement in maintenance and logistics according to Linear Scheduling, KPI and EOQ to reduce cost overruns at Transportes Joselito S.A.C., Moche 2021." In 20th LACCEI International Multi-Conference for Engineering, Education and Technology: “Education, Research and Leadership in Post-pandemic Engineering: Resilient, Inclusive and Sustainable Actions”. Latin American and Caribbean Consortium of Engineering Institutions, 2022. http://dx.doi.org/10.18687/laccei2022.1.1.147.

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