Relevant bibliographies by topics / Josemi Carmona

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Josemi Carmona'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Josemi Carmona"

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Pamies, Rodríguez Sergio. "La contribución indirecta de Chick Corea al nuevo flamenco a través de Paco de Lucía." Música Oral del Sur, no. 21 (December 30, 2024): 319–60. https://doi.org/10.5281/zenodo.14959078.

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Se puede apreciar una evolución en cuanto al empleo de recursos rítmicos en las bulerías compuestas por el guitarrista flamenco Paco de Lucía tras el encuentro con el pianista de jazz norteamericano Chick Corea. Además de esta evolución rítmica, De Lucía consigue introducir la práctica de la improvisación entre las generaciones posteriores de flamencos. Algunas de estas contribuciones indirectas de Corea al movimiento que se ha descrito como nuevo flamenco pueden explicarse como malinterpretaciones creativas. Las transcripci
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Carmona-Suárez, Carlos, and Joseph Poupin. "Majoidea crabs from Guadeloupe Island, with a documented list of species for the Lesser Antilles (Crustacea, Decapoda, Brachyura, Majoidea)." Zoosystema 38, no. 3 (2016): 353–87. https://doi.org/10.5252/z2016n3a5.

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Carmona-Suárez, Carlos, Poupin, Joseph (2016): Majoidea crabs from Guadeloupe Island, with a documented list of species for the Lesser Antilles (Crustacea, Decapoda, Brachyura, Majoidea). Zoosystema 38 (3): 353-387, DOI: 10.5252/z2016n3a5, URL: http://dx.doi.org/10.5252/z2016n3a5
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Jiménez Jiménez, Marina. "Reseña del libro «Ciudades y paisajes urbanos en el siglo XXI»." Ciudades, no. 16 (November 29, 2017): 225. http://dx.doi.org/10.24197/ciudades.16.2013.225-228.

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Braga, Isabel Drumond. "A infanta Maria Josefa Carmela de Bourbon (1744-1801) e Portugal." Revista de História da Sociedade e da Cultura 23, no. 2 (2023): 63–87. http://dx.doi.org/10.14195/1645-2259_23-2_3.

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Maria Josefa Carmela de Bourbon foi uma discreta infanta de Espanha. Viveu nas cortes de seu pai, Carlos III, e de seu irmão, Carlos IV, e manteve intensa correspondência com a rainha D. Maria I de Portugal. A análise dessa documentação permite vislumbrar traços da sua personalidade e do seu relacionamento familiar.
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Castillo, Carrillo Carmen I., Joseph Funderburk, and William E. Snyder. "Thrips (Thysanoptera) collected from Solanum dulcamara (Solanales: Solanaceae) in Washington and Idaho." Florida Entomologist 99, no. 2 (2016): 306–7. https://doi.org/10.1653/024.099.0225.

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Castillo Carrillo, Carmen I., Funderburk, Joseph, Snyder, William E. (2016): Thrips (Thysanoptera) collected from Solanum dulcamara (Solanales: Solanaceae) in Washington and Idaho. Florida Entomologist 99 (2): 306-307, DOI: 10.1653/024.099.0225, URL: http://dx.doi.org/10.1653/024.099.0225
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Martínez Lara, Pedro Manuel, and Iván De la Torre Amerighi. "Una escultura desconocida de Cristóbal Ramos (1725-1799). Iconografía, uso artístico y mentalidad ilustrada a propósito de una imagen de San José con Niño." Liño 23, no. 23 (2017): 57. http://dx.doi.org/10.17811/li.23.2017.57-68.

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RESUMEN:El presente trabajo da a conocer una obra inédita, perteneciente a la sevillana colección particular de Carmen Marroco, inequívocamente atribuible al quehacer del maestro escultor Cristóbal Ramos. Ésta representa a San José sedente con Cristo niño en el regazo. El análisis del medio generador que rodea a esta escultura ha revelado cómo en ella están presentes rasgos que remiten claramente a sintagmas tradicionales barrocos, mientras que al mismo tiempo se adscribe a toda una serie de nuevos presupuestos artísticos, sobre todo desde el punto de vista del uso. Una pieza que queda además
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KUMASHIRO, KEVIN, WILLIAM PINAR, ELIZABETH GRAUE, et al. "Thinking Collaboratively about the Peer-Review Process for Journal-Article Publication." Harvard Educational Review 75, no. 3 (2005): 257–85. http://dx.doi.org/10.17763/haer.75.3.h317564n18346928.

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In this conversation, Kevin K. Kumashiro shares his reflections on challenges to publishing anti-oppressive research in educational journals. He then invites eight current and former editors of leading educational research journals—William F. Pinar, Elizabeth Graue, Carl A. Grant, Maenette K. P. Benham, Ronald H. Heck, James Joseph Scheurich, Allan Luke, and Carmen Luke — to critique and expand on his analysis. Kumashiro begins the conversation by describing his own experiences submitting manuscripts to educational research journals and receiving comments by anonymous reviewers and journal edi
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Labrador Ben, Julia María. "El primer volumen de Notas de un reporter de Alejandro Pérez Lugín." Verba Hispanica 14, no. 1 (2006): 103–17. http://dx.doi.org/10.4312/vh.14.1.103-117.

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Alejandro María de las Mercedes Pedro Pérez García Lugín nació el 22 de febrero de 1870 en Madrid. Era hijo de Antonio Pérez Serrano, natural de Cabra (Córdoba), y de María Josefa del Carmen García Lugín y Castro, natural de Santa María del Camino (Santiago de Compostela)2. En 1883 se trasladó con su familia a Santiago de Compostela, donde sus padres instalarían una céntrica y lujosa camisería llamada «El Buen Gusto», nombre que se convertiría en el apodo por el que Alejandro era conocido entre sus compañeros de estudios y amigos3. Ingresó en la Universidad de Santiago de Compostela para estud
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Holdbrook-Smith, Kobna. "What is Black Theatre? The African-American Season at the Tricycle Theatre." New Theatre Quarterly 23, no. 3 (2007): 241–52. http://dx.doi.org/10.1017/s0266464x07000140.

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Kobna Holdbrook-Smith was a member of the repertory company formed by artistic director Nicolas Kent for the 2005–2006 African-American season at the Tricycle Theatre in north London. That company also included Jenny Jules, Joseph Marcell, Lucian Msamati, Carmen Munroe, and Nathan Osgood. In Walk Hard – Talk Loud by Abram Hill, a play originally produced in 1944 and set in New York in the late 1930s, Holdbrook-Smith played a young boxer who faces racism. In Lynn Nottage's contemporary satire Fabulation, he took on dual roles – the heroine's husband who absconds with her wealth, and the gentle
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Sabău, Nicolae. "La beatissima Vergine del Carmine – icoana miraculoasă a bisericii catolice de pelerinaj de la Maria-Radna." Studia Universitatis Babeș-Bolyai Historia Artium 67, no. 1 (2022): 5–46. http://dx.doi.org/10.24193/subbhistart.2022.01.

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"La Beatissima Vergine del Carmine ‒ l’icona miracolosa della Chiesa cattolica di pelegrinaggio di Maria-Radna. Il presente articolo rappresenta un intervento scientifico di un’incontro tra la ricerca storico-documentaria, iconologica e iconografica del tema. Lo studio delle “Sacre icone miracolose” della Transilvania, delle regioni di Maramureș, Bihor e Banat hanno fatto, e fanno parte del programma di ricerca dell’autore da più di cinque decenni, aggiungendosi alla richissima bibliografia riguardante le icone miracolose che si trovano nelle chiese della Moldavia e Muntenia, menzionati dal ri
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Dissertations / Theses on the topic "Josemi Carmona"

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Issa, Alexandra. "Hennes namn var Carmila : En queerteoretisk analys av Joseph Sheridan Le Fanus novell Carmilla." Thesis, Södertörns högskola, Lärarutbildningen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-31431.

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This dissertation is a text analysis of the short novel Carmilla (1872) by the Irish ghost story-author Joseph Sheridan Le Fanu. It is a close reading analysis where I apply a queer theoretical perspective using Mia Franck’s model to analyze different silence practices in Carmilla. I focus on the female vampire Carmilla and her companion Laura and how they are portrayed in this short novel. I will ask the questions: do the characters Carmilla and Laura show a non-heterosexual relationship, passion and desire? How do they depart from the gender norm and can they be seen as characters who deviat
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Armas, Asín Fernando. "Saranyana, Josep-Ignasi (dir.) y Carmen-José Alejos Grau (coord.). Teología en América Latina. Volumen III: El siglo de las teologías latinoamericanistas (1899-2001). Madrid y Frankfurt: lberoamericana-Vervuert 2002, 773 pp." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/121919.

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Ermer, Isabelle [Verfasser], Carmen [Gutachter] Tanner, Josef [Gutachter] Wieland, and Fabiola H. [Gutachter] Gerpott. "Frauen in Führung – eine Frage der Moral? Geschlechtsabhängige Unterschiede in der Wahrnehmung und Bewertung moralischer Kompromisse im Wirtschaftskontext als Einflussfaktoren der Unterrepräsentiertheit von Frauen in deutschen Führungsebenen / Isabelle Ermer ; Gutachter: Carmen Tanner, Josef Wieland, Fabiola H. Gerpott." Friedrichshafen : Zeppelin Universität, 2021. http://d-nb.info/1238896995/34.

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Mercadé, i. Brullés Juan. "The elements of drawing & the lamp of life : J. Mª. Jujol desde una mirada contemporánea." Doctoral thesis, Universitat Politècnica de Catalunya, 2019. http://hdl.handle.net/10803/667485.

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The main objectives of the thesis are: to verify and confirm the fundamental role of drawing in the training of the architect, portraying Jujol as a reference as a master of this discipline. Analyze his evolution, subsequent to his nonarchitechtonical drawing, inseparable from his underlying ideology in his conception of architecture and finally, comparing him with other archirectural masters, such as Ruskin, Le Corbusier and Asplund among the modern architects and art classic artists and others such as Enric Miralles among the contemporary masters. The research would show that the Jujol met
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Sacco, Laure-Hélène. "L'opéra à l'épreuve du cinéma." Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030106.

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Le film d’opéra correspond à la rencontre de deux formes d’art ayant chacune ses propres règles de mise en scène. Il nécessite de concilier les exigences de l’opéra et celles du cinéma, mais prétend aussi favoriser leur enrichissement mutuel. Notre réflexion porte sur la pertinence, du point de vue créatif, de cette rencontre. Elle vise à mettre en évidence les risques, les enjeux et les intérêts artistiques du film d’opéra. Le corpus revêt une dimension franco-italienne : il se compose de cinq films produits par Daniel Toscan du Plantier (Don Giovanni de Joseph Losey, Carmen de Francesco Rosi
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Books on the topic "Josemi Carmona"

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Jover, Carlos. En Privat 2: L'opció desamable : Joseph Beuys, Christian Boltanski, Carmen Calvo ... : del 21 de maig al 5 de setembre de 2010. Es Baluard, Museu d'Art Modern i Contemporani de Palma, 2010.

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Tapia, María del Carmen. Tras el umbral: Una vida en el Opus Dei. Ediciones B, 1992.

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Tapia, María del Carmen. Beyond the threshold: A life in Opus Dei. Continuum, 1999.

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Sinisterra, José Sanchis. Naque, ay, Carmela. Catedra, 2004.

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Trültzsch-Wijnen, Christine, and Gerhard Brandhofer, eds. Bildung und Digitalisierung. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748906247.

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This volume discusses the challenges posed by digitalisation in the field of education from different professional perspectives. Authors from various disciplines analyse general theoretical questions, present current empirical findings, discuss didactic models and projects, and consider the use of digital media in tertiary education. In addition, they present specific projects from educational practice. With contributions by Alessandro Barberi, Gerhard Brandhofer, Josef Buchner, Markus Ebner, Martin Ebner, Nicole Duller, Walter Fikisz, Sonja Gabriel, Barbara Getto, Nina Grünberger, Elke Höfler
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Tapia, Maria Del Carmen. Inside Opus Dei: The True, Unfinished Story. Continuum International Publishing Group, 2006.

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Book chapters on the topic "Josemi Carmona"

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Furman, Nelly. "Screen Woman." In Georges Bizet's Carmen. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190059149.003.0004.

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The international appeal of the story of Carmen on the silver screen has been phenomenal. The story has spawned nearly eighty films by some of the world’s most celebrated directors. In the early days of cinema, we find a first cluster of Carmens among them films directed by Cecil B. Demille, Charlie Chaplin, and Ernest Lubitsch. In 1954, Otto Preminger’s Carmen Jones calls attention to African American issues in the United States, as will in 2001, Carmen: A Hip Opera directed by Robert Towsend for MTV. In 1983, we find a second cluster of international film directed by Jean-Luc Godard (France)
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Wilks, Jennifer M. "“No more than the others”." In Carmen in Diaspora. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197566145.003.0005.

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Abstract Chapter 4 shifts the focus of the book from North America to Africa and explores how the iconic character becomes a relatable yet nonetheless revolutionary everywoman. In situating Joseph Gaï Ramaka’s 2001 feature Karmen Geï and Mark Dornford-May’s 2005 film U-Carmen “in diaspora,” the chapter follows the example of scholars who prioritize the conception of diasporic cultural flows as multidirectional phenomena that travel across the Atlantic between Africa and North America. The work of Ramaka, Dornford-May, and their casts proves that Africa is more than a cultural or metaphorical r
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Brown, Kimberly Nichele. "Filmic Migrations of the Carmen Figure." In Intersecting Aesthetics. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496848840.003.0004.

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In the chapter, Kimberly Nichele Brown reconsiders the story of transgressive female sexuality that Carmen, Prosper Mérimée’s 1845 novella, made famous. Given the novella’s many reinterpretations, Brown sees Carmen as a migratory figure, whose mythology traverses cultural and national boundaries, including Karmen Geï, the 2001 film by Senegalese director Joseph Gaï Ramaka. Karmen Geï offers an especially progressive rendering of Black female erotic agency that challenges the white western gaze and calls for a reevaluation of critical approaches that position African gender politics as atavisti
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Carmena, Jose M., and Adolfo Plasencia. "Mind over Matter: Brain-Machine Interfaces." In Is the Universe a Hologram? The MIT Press, 2017. http://dx.doi.org/10.7551/mitpress/9780262036016.003.0026.

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The neuroscientist and engineer, Jose M. Carmona begins this dialogue describing research in the field of brain-machine interface (BMI) and neurotechnology led by his own laboratory in UC Berkley. He outlines how his neural engineering research group works, defining it as a fusion of neuroscience with the main engineering disciplines, and how disciplines are balanced in your laboratory. He moves on to discuss the “hard problems” in AI (Artificial intelligence), which is one of the fields that drew him toward his current scientific activity. Later, he talks about how two-way interaction in the
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HOFFMAN, D. D., and W. A. RICHARDS. "Parts of recognition**We are grateful to Thomas Banchoff, Aaron Bobick, Mike Brady, Carmen Egido, Jerry Fodor, Jim Hodgson, Jan Koenderink, Jay Lebed, Alex Pentland, John Rubin, Joseph Scheuhammer, and Andrew Witkin for their helpful discussions and. in some cases, for reading earlier drafts. We are also grateful to Alan Yuille for comments and corrections on the mathematics in the appendices. Preparation of this paper was supported in part by NSF and AFOSR under a combined grant for studies in Natural Computation, grant 79–23110-MCS, and by the AFOSR under an Image Understanding contract F49620–83-C-0135. Technical support was kindly provided by William Gilson; artwork was the creation of Julie Sandell and K. van Buskirk. Reprints may be obtained from D. Hoffman, School of Social Sciences, University of California, Irvine, CA 92717. U.S.A." In Readings in Computer Vision. Elsevier, 1987. http://dx.doi.org/10.1016/b978-0-08-051581-6.50028-3.

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Conference papers on the topic "Josemi Carmona"

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Saflor, Charmine Sheena, Yung Tsan Jou, Kathrine D. Gavino, and Jazmin Tangsoc. "Auto-Mechanics' Mental Workload and Posture Risk Assessment in Automobile Repair Shop: A Case Study." In 14th International Seminar on Industrial Engineering and Management. Trans Tech Publications Ltd, 2025. https://doi.org/10.4028/p-r7sr2t.

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This study assessed the auto-mechanics' four dimensions of mental workload and posture in an automobile repair shop in San Jose Occidental Mindoro, Philippines, with issues in increasing body pains and headaches affecting efficiency and performance. Five participants were observed from January-March 2022. Due to the limitations of the NASA-TLX in evaluating the mental workload, the authors used the new Carmen-Q questionnaire. Results revealed that the auto-mechanics had been exposed to an average of twenty-nine (29) in the cognitive dimension, eighteen point five (18.5) in the temporal dimensi
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Camino Solórzano, Alejandro Miguel, and Tatiana Cedeño Delgado. "Ciudad mancomunada Manta-Jaramijó-Montecristi Puerto HUB Mundial. Sostenibilidad y resiliencia de mayor densidad y compacidad urbana." In ISUF-h 2019 - CIUDAD COMPACTA VERSUS CIUDAD DIFUSA. Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/isufh2019.2019.9997.

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El puerto de Manta está situado en la punta más saliente de Ecuador y de América del Sur, cerca de la latitud 0, importante laboratorio urbano de las CIMEs Ciudades medias e intermedias[1]. A este enclave geoestratégico oceánico se debe un desarrollo endógeno de ciudad puerto; de esplendor precolombino, secundario en la Colonia y en la República, explosivo en la modernidad a partir de su muelle de aguas profundas (1965) y sostenido desbordado en la contemporaneidad, pese a los esfuerzos de ordenamiento urbano a partir de los 90 (desde 1996 con apoyo de la Facultad de Arquitectura de la ULEAM)
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Camino Solórzano, Alejandro Miguel, and Tatiana Cedeño Delgado. "Ciudad mancomunada Manta-Jaramijó-Montecristi Puerto HUB Mundial. Sostenibilidad y resiliencia de mayor densidad y compacidad urbana." In ISUF-h 2019 - CIUDAD COMPACTA VERSUS CIUDAD DIFUSA. Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/isufh2019.2020.9997.

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El puerto de Manta está situado en la punta más saliente de Ecuador y de América del Sur, cerca de la latitud 0, importante laboratorio urbano de las CIMEs Ciudades medias e intermedias[1]. A este enclave geoestratégico oceánico se debe un desarrollo endógeno de ciudad puerto; de esplendor precolombino, secundario en la Colonia y en la República, explosivo en la modernidad a partir de su muelle de aguas profundas (1965) y sostenido desbordado en la contemporaneidad, pese a los esfuerzos de ordenamiento urbano a partir de los 90 (desde 1996 con apoyo de la Facultad de Arquitectura de la ULEAM)
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