Relevant bibliographies by topics / Joseon

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Joseon'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 April 2022

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Journal articles on the topic "Joseon"

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HUANG, Xiu Zhi. "TOUCHSTONE, WIREPULLER AND TRANSITION: SINO-KOREAN BOOK-DIPLOMACY AND POLITICAL FIGHTS IN 1597-1599." International Journal of Korean Humanities and Social Sciences 3 (July 8, 2017): 169–85. http://dx.doi.org/10.14746/kr.2017.03.10.

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Embodying an optimistic diplomatic mind in early Joseon Dynasty, haidongzhuguoji written by Shin Suk-ju became a main evidence of Chinese official Ding Yingtai impeaching Joseon in the Jeongyu War occurring in 1597 because of Toyotomi Hideyoshi’s second invasion. Ding Yingtai’s impeachment involved Joseon’s king, Chinese generals in Joseon and officials in Beijing in a political maelstrom, which aroused strong reactions of Joseon king and ministers. In this situation, Joseon’s diplomatic corps were dispatched to Beijing in order to justify and defend. They made preparations and took action zealously, winning the final victory and achieving the goal consequently. However, this book-diplomacy surpassed the problem of justifying a book, thus there were some complicated and subtle meanings in the process. Firstly, This book-diplomacy provided a touchstone of Sino-Korean relationship in Ming Dynasty, explaining the political essence of the relationship. Secondly, This diplomacy resulted from Ming Dynasty’s political fights and calmed down also because of Ming Dynasty’s political fights, intensively showing both Sino-Korean interdependent political fights and each liege fights. Thirdly, The book-diplomacy became an important turning point of the transformation of Joseon’s foreign concept, and Joseon’s “Smaller China” mind began to emphasize excluding barbarians, which made an idealistic preparation for the rising “Smaller China” mind in Qing Dynasty.
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이행훈. "An Hwak’s Recognition of ‘Joseon’ and ‘Joseon Cheolhak’." JOURNAL OF KOREAN PHILOSOPHICAL HISTORY ll, no. 50 (August 2016): 171–200. http://dx.doi.org/10.35504/kph.2016..50.006.

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Sim, Kyung-ho. "Joseon Style Irregular Chinese Literature in late Joseon Period." Daedong Hanmun Association 53 (December 7, 2017): 5–36. http://dx.doi.org/10.21794/ddhm.2017.53.5.

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서기재. "Concepts of Joseon and Joseon People Represented in 『Tour Joseon』 during the Late Japanese Colonial Period." Journal of the society of Japanese Language and Literature, Japanology ll, no. 73 (May 2016): 343–60. http://dx.doi.org/10.21792/trijpn.2016..73.016.

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Mun, Gyeong-Deuk. "Conceptual history of “Joseon Confucianism” and “Joseon Confucianism as religion”." YEOKSA YEONGU, The Journal of History 43 (January 31, 2022): 13–53. http://dx.doi.org/10.31552/jh.2022.01.43.13.

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Lee, Seok-Won. "Bishop Berneux’s perception of Joseon —Joseon mission field and Koreans—." Research Foundation of Korean Church History 59 (December 31, 2021): 95–131. http://dx.doi.org/10.35162/rfkch.2021.12.59.95.

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Lim, Jae-Hae. "New Understanding on Historic Nature of Old Joseon Through ‘Old Joseon Article’ and ’Epic of Early Joseon’." Journal of Gojiseon & Dangun Studies 26 (May 31, 2012): 277. http://dx.doi.org/10.18706/jgds.2012.05.26.277.

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Oh, Chang Seok, In Uk Kang, Jong Ha Hong, Sergey Slepchenko, Jun Bum Park, and Dong Hoon Shin. "Tracing the historical origin of Joseon mummies considering the structural similarities between the burial systems of Korean and Chinese dynasties." Papers on Anthropology 26, no. 2 (September 18, 2017): 68. http://dx.doi.org/10.12697/poa.2017.26.2.07.

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Joseon mummies have proved to be excellent subjects for scientific research on the health and disease statuses of pre-modern Korean peoples. Despite its academic significance, the origins of the Hoegwakmyo tomb in which the Joseon mummy was discovered have not yet been entirely revealed. Meanwhile, over the past several decades, there have been some reports on mummies and cultural artifacts preserved very well in the tombs of several Chinese dynasties (especially Song, Yuan, Ming and Qing). Although the Chinese tombs were very diverse in structure, we note that some graves among them were structurally very similar to Joseon Hoegwakmyo tombs. Before the Hoegwakmyo tomb in Korea, there were already similar tombs in China, inside which dead persons were mummified like the Joseon mummies. Considering that the Hoegwakmyo tomb of the Joseon Dynasty was established by the influence of the Confucian ideology, the Korean and Chinese mummies might share common cultural origins in history.
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Kim, Je-Jeong. "The Discourse on Distinct Characteristics of Joseon by Joseon Government-General." CHIYEOK KWA YEOKSA The Journal of Korean History 43 (October 31, 2018): 319–45. http://dx.doi.org/10.19120/cy.2018.10.43.319.

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Kim, Soyeon. "Matsuda Reiko, a Japanese Painter in Joseon, and ‘Joseon Genre Painting’." Misulsa Yeongu : Journal of Art History 39 (December 31, 2020): 295–320. http://dx.doi.org/10.52799/jah.2020.12.39.295.

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Dissertations / Theses on the topic "Joseon"

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이윤영 and Yoon Yung Lee. "The Joseon Fine Art Exhibition under Japanese colonial rule." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196493.

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At the turn of the twentieth century, as Japan expanded its territory by colonizing other Asian nations, the Japan-Korea Annexation Treaty was signed in 1910 and Korea lost its sovereignty. In political turmoil, the formation of national and cultural identity was constantly challenged, and the struggle was not argued in words alone. It was also embedded in various types of visual cultures, with narratives changing under the shifting political climate. This thesis focuses on paintings exhibited in the Joseon Mijeon (조선미술전람회 The Joseon Fine Art Exhibition) (1922-1944), which was supervised by the Japanese colonial government and dominated, in the beginning, by Japanese artists and jurors. By closely examining paintings of ‘local color (향토색)’ and ‘provincial color (지방색),’ which emphasized the essence of a “Korean” culture that accentuated its Otherness based on cultural stereotypes, the thesis explores how representations of Korea both differentiated it from Japan and characterized its relationship with the West. In order to legitimize its colonial rule, politically driven ideologies of pan-Asianism (the pursuit of a unified Asia) and Japanese Orientalism (the imperialistic perception of the rest of Asia) were evident in the state-approved arts. The thesis explores how the tension of modern Japan as both promoting an egalitarian Asia and asserting its superiority within Asia was shown in the popular images that circulated in the form of postcards, manga, magazine illustrations, and more importantly in paintings. Moreover, this project examines both the artists who actively submitted works to the Joseon Mijeon and the group of artists who opposed the Joseon Mijeon and worked outside of the state-approved system to consider the complexity of responses by artists who sought to be both modern and Korean under Japanese colonial rule.
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Kim, Meejung. "Le montage des peintures coréennes sous la dynastie Joseon (1392-1910)." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL042.

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Les peintures coréennes datant de la dynastie Joseon (1392-1910) ont été très souvent remontées à la manière chinoise ou japonaise. Il est possible d’en reconstituer la configuration grâce à de rares exemples de rouleaux suspendus ayant conservé leurs montages d’origine. Il en est ainsi du Portrait de Kang Sehwang par Yi Myeonggi, qui date de 1783, et aujourd’hui conservé au Musée national de Corée, à Séoul, ou encore des Bambous sous la pluie de Yi Chong, datant de 1622 et appartenant au Musée Guimet, dont l’originalité tient à l’inclusion d’un colophon calligraphié. Dans ce genre de peintures réservées aux lettrés, le schéma d’encadrement au moyen d’une bordure blanche ainsi que d’un encadrement supérieur et inférieur de couleur bleue apparaît comme étant semblable. On peut étendre le travail de reconstitution grâce aux archives royales, où des commandes de paravents de diverses natures sont enregistrées. Le genre mal connu des « souvenirs de réunions », à mi-chemin entre peinture et écriture, révèle des montages originaux sous forme de rouleaux suspendus. L’examen d’autres genres de peintures, qu’elles soient commémoratives, édificatrices, ou même chamaniques montre l’étendue des solutions de montages, ce qui tient à l’extrême variété des papiers coréens utilisés. La conception de formats géants pour les peintures bouddhiques, surtout après la Guerre d’Imjin (1592-1598), ne peut s’expliquer sans les propriétés de résistance du papier coréen. L’examen technique et esthétique des montages de peintures coréennes apporte ainsi un nouvel éclairage à l’histoire de la peinture coréenne, depuis la fin de la dynastie Goryeo jusqu’aux bouleversements politiques apparus en 1910
During the 20th century, most Korean paintings dating from the Joseon dynasty (1392-1910) have been remounted by using the Chinese technique or the Japanese one. Yet, it is possible to reconstruct their original appearance by studying a couple of Korean scrolls that have kept their original mounts. The Portrait of Kang Sehwang by the painter Yi Myeonggi, dated 1783, that belongs to the National Museum of Korea in Seoul, is one of them. Bamboos under the Rain, painted by Yi Chong in 1622, kept by the Guimet Museum in Paris, is a further example, its original feature being the inclusion of a colophon with a calligraphy. In these paintings intended for scholars, the design of the frame, taking the form of a white border with a blue upper and lower part, seems to have been widespread. One may extend the reconstruction of the Korean mounts by analysing the content of the royal archives: the commissioning of screens were documented in detail, revealing all kind of information about their material. Studying the lesser known genre of the “memories of meetings”, at the border between painting and writing, is particularly instructive as some of these have kept their original mounts. Examination of further categories of paintings, whether commemorative, votive or even shamanist, reveal a large extent of solution of mountings, and this is due to the varieties of Korean paper. The making of giant format for Buddhist paintings after the Imjin War (1592-1598) was largely the result of the resistant properties of the Korean paper named hanji
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Song, Sun Kwan. "Intellectuals and the state : the resilience and decline of Neo-Confucianism as state ideology in Joseon Korea." Thesis, SOAS, University of London, 2014. http://eprints.soas.ac.uk/20305/.

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This dissertation attempts to revaluate the role of Neo-Confucianism in the historical development of the Joseon dynasty, in particular in relation to the eighteenth and the early nineteenth century. Japanese imperialist historians wanted to justify their colonization by emphasizing the backwardness of Joseon Neo-Confucianism, and Korean nationalist historians wanted to refute Japanese imperialist historiography by finding the seed of modernity in the late Joseon intellectual trends they labelled as Silhak, 'Practical Learning', a school of thought they argued developed in opposition to stagnant and conservative Neo-Confucianism. Despite their different agendas both groups based their research on the assumption that what Korea needed at the time was to 'modernize'. Recent research on Joseon intellectual history has attempted to move beyond the teleological question of Korean modernization, but it has largely been limited to late eighteenth century trends and certain schools of thought. This study, however, situates these intellectual developments in the longer term historical development of the dynasty, and by focusing on how Neo-Confucian intellectuals reacted to a series of dynastic challenges and formulated further Neo-Confucian ideology to overcome them. This provides a more comprehensive understanding of both the role played by Neo-Confucianism as state ideology throughout the dynasty and the reasons for why this intellectual discourse lost much of its momentum in the early nineteenth century.
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Wucherpfennig, Ansgar. "Josef der Gerechte eine exegetische Untersuchung zu Mt 1 - 2." Freiburg, Br. Basel Wien Barcelona Rom New York, NY Herder, 2008. http://d-nb.info/988459868/04.

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Webb, Joseph Dee. "Joseph Holbrooke a study of the published and unpublished solo and chamber works for clarinet with an annotated bibliography /." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9821.

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Bail, Hermann Josef [Verfasser], Christoph [Gutachter] Josten, and Dieter [Gutachter] Nast-Kolb. "Die Anwendung von rekombinantem homologen Wachstumshormon bei der Distraktionsosteogenese / Hermann Josef Bail ; Gutachter: Christoph Josten, Dieter Nast-Kolb." Berlin : Humboldt-Universität zu Berlin, 2004. http://d-nb.info/1207661627/34.

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Garant, Nicolas. "Melancolie et desenchantement : analyse conceptuelle et destins personnels : jose ortega y gasset, joseph shumpeter, max weber." Paris 1, 1997. http://www.theses.fr/1997PA010313.

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L'etude comparative des ecrits de max weber, joseph schumpeter et jose ortega y gasset revele que tous les trois sont preoccupes par l'evolution du monde moderne et l'avenir de la civilisation occidentale. Leur inquietude s'adresse precisement au developpement paroxystique des entreprises de la modernite : la rationalisation, la bureaucratisation, la massification et la specialisation progressives du monde qui accompagnent le developpement des societes capitalistes modernes menacent les pratiques sociales et la civilisation individualiste liberale bourgeoise. Que ce soit a travers l'image nostalgique weberienne du protestant inspire soucieux de confirmer son election, des minorites d'elite generationnelles orteguiennes appelees a rompre avec les produits scleroses d'une culture ritualisee ou de l'entrepreneur bourgeois schumpeterien contribuant au processus de destruction creatrice du capitalisme, il y a chez ces trois auteurs une interrogation sur les possibilites de realisations individuelles dans un monde ou des regles et des modalites de fonctionnement rationalisees et impersonnelles limitent de plus en plus la marge de manoeuvre et par consequent la responsabilite et la dignite de l'individu vis-a-vis le deroulement de sa vie. Une interrogation qui debouche sur une vision pessimiste : la routinisation weberienne etendue a l7ensemble des spheres sociales d'activite, la renaturalisation du monde orteguien et la socialisation schumpeterienne de la civilisation capitaliste se rencontraient ainsi dans leur facon d'associer le developpement des societes modernes a une normalisation et une institutionnalisation mortiferes des capacites novatrices et creatrices de l'individu comme sujet
A comparative study of max weber, joseph schumpeter and jose ortega y gasset reveals that all three were preoccupied by the evolution of the modern world and the future of western civilization. Their uneasiness specifically addresses the paroxystic development of modern enterprises. Bourgeois capitalism, individual progress or entrepreneurship and liberal democracy seem unlikely to survive the new conditions that their own progress contribute to diffuse and, progressively, to impose. Nothing guarantees that societies will be able to continue to benefit from competition, brought about by technical and organizational progress, which mankind seems increasing unable to understand and control. For weber, schumpeter and ortega, modernity does not emerge as an inoffensive "inheritance" : the progressive rationalization, bureaucratization, massification and specialization of the world that our thesis underscores represent, in the discourse of these three authors, the new conditions that accompany the development of modern capitalist societies. These conditions, as on-going processes, menace social practices with an excessive "petrification" and mecanization. This explains the pessimism of the three authors in relation to western capitalist civilization, which they associate, often in ideal-type fashion, with exemplary individual behavior which is henceforth threatened by the rationalization and the objectivation of social spheres of activity : creative minorities for ortega, the heroic entrepreneur for schumpeter and the individual prompted by a "calling" for weber
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Wong, Man Olive. "Men at work : masculinity, solidarity and solitude in Conrad's Fiction /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161768.

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Gonçalves, Reynaldo. "Joseph Conrad." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106190.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1982.
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Nosková, Simona. "Herectví Josefa Abrháma." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2008. http://www.nusl.cz/ntk/nusl-78188.

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My thesis is devoted to actor Josef Abrhám and together with detailed research his destiny of an actor, I´m trying to analyze on pivotal exemplars of theatre and film roles the most important marks of actor´s type of artist, who became one of the most idividual and important representative of the generation which started the professional life in the early ´60s of the last century. His actor´s career is close-knit with markedly rise of theatre and film in one of the top period the big aggrandizement of the Czech culture as well as with attempt to liquidate him in following years and looking for new social being after November 1989. Though most of his professional life lived Josef Abrhám in the hard period of normalization, he proved - evidence is his actor´s work, which made him very popular - despite the lot of restrictions that humanly and professionally strong personality can trough its art markedly affect level of modern Czech culture.
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Books on the topic "Joseon"

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Kungnip Chungang Pangmulgwan (Korea). Misulbu., ed. Chosŏn sidae chʻosanghwa =: Joseon portraits. [Seoul]: Kungnip Chungang Pangmulgwan, 2007.

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(Korea), Kungnip Chungang Pangmulgwan. Chosŏn sidae chʻosanghwa =: Joseon portraits. [Seoul]: Kungnip Chungang Pangmulgwan, 2007.

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Exposition, World Ceramic. Hidden treasures of Joseon dynasty. Korea: World Ceramic Exposition, 2002.

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Chosŏn hoehwa: Joseon dynasty painting. Sŏul T'ŭkpyŏlsi: Han'guk Misul Yŏn'guso, 2014.

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The messages from ancestors, Joseon dynasty. Seoul, Korea: FandomBooks, 2012.

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Im, Taek-kwon. Chosŏn Yesu Kyohoe ichŏk myŏngjŭng: Joseon Yesugyohoe ijeok myeongjeung : a testament of miracles in the Joseon Jesus church. [Seoul, Korea]: Han'guk Kodŭng Sinhak Yŏn'guwŏn, 2008.

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Joseon royal court culture: Ceremonial and daily life. Gyeonggi-do, Korea: Dolbegae, 2004.

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Chosŏn sidae sansuhwa: Landscape paintings of Joseon Dynasty. Kwangju Kwangyŏk-si: Kungnip Kwangju Pangmulgwan, 2004.

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Korea) Kyŏnggi Myŏngga Kijŭng Yumul T'ŭkpyŏljŏn (2010 Kyŏnggi-do. Chosŏn sidae sadaebu: Gentry of the Joseon dynasty. Kyŏnggi-do Yongin-si: Kyŏnggi-do Pangmulgwan, 2010.

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Sin, Myo ng-ho. Joseon royal court culture: Ceremonial and daily life. Paju-si, Gyeonggi-do, Korea: Dolbegae Publishers, 2004.

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Book chapters on the topic "Joseon"

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Hwang, Kyung Moon. "Goryeo-Joseon Transition." In A History of Korea, 51–59. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-57359-9_7.

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Shin, Dong Hoon, Chang Seok Oh, Jong Ha Hong, Myung Ho Shin, Myeung Ju Kim, and Hye Jin Lee. "Joseon Dynasty Mummies of Korea." In The Handbook of Mummy Studies, 1–24. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-1614-6_29-1.

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Shin, Dong Hoon, Chang Seok Oh, Jong Ha Hong, Myung Ho Shin, Myeung Ju Kim, and Hye Jin Lee. "Joseon Dynasty Mummies of Korea." In The Handbook of Mummy Studies, 1–24. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-1614-6_29-2.

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Shin, Dong Hoon, Chang Seok Oh, Jong Ha Hong, Myung Ho Shin, Myeung Ju Kim, and Hye Jin Lee. "Joseon Dynasty Mummies of Korea." In The Handbook of Mummy Studies, 1–24. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-1614-6_29-3.

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Shin, Dong Hoon, Chang Seok Oh, Jong Ha Hong, Myung Ho Shin, Myeung Ju Kim, and Hye Jin Lee. "Joseon Dynasty Mummies of Korea." In The Handbook of Mummy Studies, 1049–72. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-3354-9_29.

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Baek, Okkyoung. "Official interpreters of the Joseon period." In Translating and Interpreting in Korean Contexts, 17–30. New York, NY : Routledge, [2019] | Series: Routledge advances in translation and interpreting studies: Routledge, 2019. http://dx.doi.org/10.4324/9780429491580-2.

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Hwang, Kyung Moon. "Popular Culture in the Late Joseon Era." In A History of Korea, 94–101. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-57359-9_12.

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Jang, Jung Eun. "The Korean Group Self and the Joseon Dynasty." In Religious Experience and Self-Psychology, 55–76. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-349-95041-6_3.

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Hwang, Kyung Moon. "Ideology, Family, and Nationhood in the Mid-Joseon Era." In A History of Korea, 76–84. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-57359-9_10.

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Hwang, Kyung Moon. "Confucianism and the Family in the Early Joseon Era." In A History of Korea, 60–67. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-57359-9_8.

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Conference papers on the topic "Joseon"

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Chesnokova, Nataliya. "THE JEONG GAM NOK PROPHECY BOOK AND ITS INFLUENCE ON THE KOREAN HISTORY IN THE LATE JOSEON PERIOD." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.47.

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The Jeong Gam’s Writings (鄭鑑錄, Jeong Gam nok) is a famous Korean prophecy book that appeared in the late Joseon period (1392–1897) yet gained its popularity by the end of the 19th century and is still well-known by most of Korean people. The main idea of the book is expressed through a dialogue mundap 問答 between two scholars: Jeong Gam (鄭鑑) and Yi Shim (李沁). It is not known whether they were real or imagined characters, or prototypes of any real historical figures. The Writings also include prophecies made by other scholars who lived earlier. There have been several texts written either in hanmun or in ǒnmun. In the Veritable Records of the Joseon dynasty (朝鮮王朝 實錄, Joseon wangjo sillok) it is first mentioned in 1782. The article is aimed to introduce the book to Russian audience focusing on its importance and its influence on the Korean history in the late 18th–19th century, namely mass uprisings.
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ALIMOVA, Laziza. "THE ROLE OF WOMEN IN SOCIAL CHANGE IN THE REPUBLIC OF KOREA IN THE XX CENTURE." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-22.

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The article is devoted to the study of social changes in South Korea in the twentieth century. It is noted that Confucian traditions have been preserved in modern Korean society since the Joseon Dynasty and continue to influence the political and social institutions of modern Korea. The article analyzes how various models of social change have influenced the position of Korean women. A number of issues are considered, including the position of women in traditional society, the role of women and their contribution to revolutionary changes in society.
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Xu, Baoliang. "Study on the Virtual and Real Processing of Spatial Performance in Joseon Dynastyrs Figure Paintings." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.90.

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Bae, Jinsol, Chongwook Park, and Sungju Woo. "Analysis on Flow and Communication Structure of the Traditional Houses in the Late Joseon Dynasty Period." In HCI Korea 2016. The HCI Society of Korea, 2016. http://dx.doi.org/10.17210/hcik.2016.01.233.

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Bak, JinYeong, and Alice Oh. "Conversational Decision-Making Model for Predicting the King’s Decision in the Annals of the Joseon Dynasty." In Proceedings of the 2018 Conference on Empirical Methods in Natural Language Processing. Stroudsburg, PA, USA: Association for Computational Linguistics, 2018. http://dx.doi.org/10.18653/v1/d18-1115.

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Bak, JinYeong, and Alice Oh. "Five Centuries of Monarchy in Korea: Mining the Text of the Annals of the Joseon Dynasty." In Proceedings of the 9th SIGHUM Workshop on Language Technology for Cultural Heritage, Social Sciences, and Humanities (LaTeCH). Stroudsburg, PA, USA: Association for Computational Linguistics, 2015. http://dx.doi.org/10.18653/v1/w15-3702.

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Kang, Kyeongpil, Kyohoon Jin, Soyoung Yang, Soojin Jang, Jaegul Choo, and Youngbin Kim. "Restoring and Mining the Records of the Joseon Dynasty via Neural Language Modeling and Machine Translation." In Proceedings of the 2021 Conference of the North American Chapter of the Association for Computational Linguistics: Human Language Technologies. Stroudsburg, PA, USA: Association for Computational Linguistics, 2021. http://dx.doi.org/10.18653/v1/2021.naacl-main.317.

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soo, Handong, and Liu Daping. "18'C Authorized Representatives of Joseon and the Forbidden City in Peiking - Focus on the Analysis of Ceremonial Spaces." In Annual International Conference on Architecture and Civil Engineering. Global Science & Technology Forum (GSTF), 2013. http://dx.doi.org/10.5176/2301-394x_ace13.36.

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Sasian, Jose M. "Joseph Petzval Lens Design Approach." In International Optical Design Conference. Washington, D.C.: OSA, 2017. http://dx.doi.org/10.1364/iodc.2017.iw1a.6.

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Sasián, José. "Joseph Petzval lens design approach." In International Optical Design Conference 2017, edited by Richard N. Pfisterer, John R. Rogers, Julius A. Muschaweck, and Peter P. Clark. SPIE, 2017. http://dx.doi.org/10.1117/12.2285108.

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Reports on the topic "Joseon"

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Choi, Jeong. A Study on the Characteristics of Joseon Doll Costume in MOA as Cultural Product in Late 19th Century. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1719.

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Percival, J. A. Lake St Joseph, Ontario. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1987. http://dx.doi.org/10.4095/130245.

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Hebner, Robert E., Gerald N. Stenbakken, and David L. Hillhouse. Report of tests on Joseph Newman's device. Gaithersburg, MD: National Bureau of Standards, 1986. http://dx.doi.org/10.6028/nbs.ir.86-3405.

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Gerhardter, Gabriele, and Markus Gruber. Evaluation des Pilotprogramms „Josef Ressel Zentren“. Convelop cooperative knowledge design gmbh, September 2010. http://dx.doi.org/10.22163/fteval.2010.124.

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Bursell, Sven E., and Lloyd M. Aiello. Diabetes Care and Treatment Project: A Joslin Telemedicine Initiative. Fort Belvoir, VA: Defense Technical Information Center, October 2005. http://dx.doi.org/10.21236/ada442772.

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Bursell, Sven-Erik. Diabetes Care and Treatment Project: A Joslin Telemedicine Initiative. Fort Belvoir, VA: Defense Technical Information Center, October 2007. http://dx.doi.org/10.21236/ada613095.

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Birkmire-Peters, Deborah, Dale S. Vincent, Joseph Humphry, and Kari-Jo Parisi. Diabetes Care and Treatment Program: A Joslin Telemedicine Initiative. Fort Belvoir, VA: Defense Technical Information Center, January 2006. http://dx.doi.org/10.21236/ada544554.

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Burnham, Benjamin, Marshall Thomas, and Jane Vaughn. Physical model analysis of the Foster Joseph Sayers Dam. Engineer Research and Development Center (U.S.), January 2019. http://dx.doi.org/10.21079/11681/31365.

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Bursell, Sven-Erik. Diabetes Care and Treatment Project: A Joslin Telemedicine Initiative. Fort Belvoir, VA: Defense Technical Information Center, October 2006. http://dx.doi.org/10.21236/ada468625.

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Petrilli, Jr., Salvatore J. Francois-Joseph Servois: Priest, Artillery Officer, and Professor of Mathematics. Washington, DC: The MAA Mathematical Sciences Digital Library, June 2010. http://dx.doi.org/10.4169/loci003498.

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