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Dissertations / Theses on the topic 'Joseon'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 April 2022

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1

이윤영 and Yoon Yung Lee. "The Joseon Fine Art Exhibition under Japanese colonial rule." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196493.

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At the turn of the twentieth century, as Japan expanded its territory by colonizing other Asian nations, the Japan-Korea Annexation Treaty was signed in 1910 and Korea lost its sovereignty. In political turmoil, the formation of national and cultural identity was constantly challenged, and the struggle was not argued in words alone. It was also embedded in various types of visual cultures, with narratives changing under the shifting political climate. This thesis focuses on paintings exhibited in the Joseon Mijeon (조선미술전람회 The Joseon Fine Art Exhibition) (1922-1944), which was supervised by the Japanese colonial government and dominated, in the beginning, by Japanese artists and jurors. By closely examining paintings of ‘local color (향토색)’ and ‘provincial color (지방색),’ which emphasized the essence of a “Korean” culture that accentuated its Otherness based on cultural stereotypes, the thesis explores how representations of Korea both differentiated it from Japan and characterized its relationship with the West. In order to legitimize its colonial rule, politically driven ideologies of pan-Asianism (the pursuit of a unified Asia) and Japanese Orientalism (the imperialistic perception of the rest of Asia) were evident in the state-approved arts. The thesis explores how the tension of modern Japan as both promoting an egalitarian Asia and asserting its superiority within Asia was shown in the popular images that circulated in the form of postcards, manga, magazine illustrations, and more importantly in paintings. Moreover, this project examines both the artists who actively submitted works to the Joseon Mijeon and the group of artists who opposed the Joseon Mijeon and worked outside of the state-approved system to consider the complexity of responses by artists who sought to be both modern and Korean under Japanese colonial rule.
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Fine Arts
Master
Master of Philosophy

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2

Kim, Meejung. "Le montage des peintures coréennes sous la dynastie Joseon (1392-1910)." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL042.

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Les peintures coréennes datant de la dynastie Joseon (1392-1910) ont été très souvent remontées à la manière chinoise ou japonaise. Il est possible d’en reconstituer la configuration grâce à de rares exemples de rouleaux suspendus ayant conservé leurs montages d’origine. Il en est ainsi du Portrait de Kang Sehwang par Yi Myeonggi, qui date de 1783, et aujourd’hui conservé au Musée national de Corée, à Séoul, ou encore des Bambous sous la pluie de Yi Chong, datant de 1622 et appartenant au Musée Guimet, dont l’originalité tient à l’inclusion d’un colophon calligraphié. Dans ce genre de peintures réservées aux lettrés, le schéma d’encadrement au moyen d’une bordure blanche ainsi que d’un encadrement supérieur et inférieur de couleur bleue apparaît comme étant semblable. On peut étendre le travail de reconstitution grâce aux archives royales, où des commandes de paravents de diverses natures sont enregistrées. Le genre mal connu des « souvenirs de réunions », à mi-chemin entre peinture et écriture, révèle des montages originaux sous forme de rouleaux suspendus. L’examen d’autres genres de peintures, qu’elles soient commémoratives, édificatrices, ou même chamaniques montre l’étendue des solutions de montages, ce qui tient à l’extrême variété des papiers coréens utilisés. La conception de formats géants pour les peintures bouddhiques, surtout après la Guerre d’Imjin (1592-1598), ne peut s’expliquer sans les propriétés de résistance du papier coréen. L’examen technique et esthétique des montages de peintures coréennes apporte ainsi un nouvel éclairage à l’histoire de la peinture coréenne, depuis la fin de la dynastie Goryeo jusqu’aux bouleversements politiques apparus en 1910
During the 20th century, most Korean paintings dating from the Joseon dynasty (1392-1910) have been remounted by using the Chinese technique or the Japanese one. Yet, it is possible to reconstruct their original appearance by studying a couple of Korean scrolls that have kept their original mounts. The Portrait of Kang Sehwang by the painter Yi Myeonggi, dated 1783, that belongs to the National Museum of Korea in Seoul, is one of them. Bamboos under the Rain, painted by Yi Chong in 1622, kept by the Guimet Museum in Paris, is a further example, its original feature being the inclusion of a colophon with a calligraphy. In these paintings intended for scholars, the design of the frame, taking the form of a white border with a blue upper and lower part, seems to have been widespread. One may extend the reconstruction of the Korean mounts by analysing the content of the royal archives: the commissioning of screens were documented in detail, revealing all kind of information about their material. Studying the lesser known genre of the “memories of meetings”, at the border between painting and writing, is particularly instructive as some of these have kept their original mounts. Examination of further categories of paintings, whether commemorative, votive or even shamanist, reveal a large extent of solution of mountings, and this is due to the varieties of Korean paper. The making of giant format for Buddhist paintings after the Imjin War (1592-1598) was largely the result of the resistant properties of the Korean paper named hanji

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3

Song, Sun Kwan. "Intellectuals and the state : the resilience and decline of Neo-Confucianism as state ideology in Joseon Korea." Thesis, SOAS, University of London, 2014. http://eprints.soas.ac.uk/20305/.

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This dissertation attempts to revaluate the role of Neo-Confucianism in the historical development of the Joseon dynasty, in particular in relation to the eighteenth and the early nineteenth century. Japanese imperialist historians wanted to justify their colonization by emphasizing the backwardness of Joseon Neo-Confucianism, and Korean nationalist historians wanted to refute Japanese imperialist historiography by finding the seed of modernity in the late Joseon intellectual trends they labelled as Silhak, 'Practical Learning', a school of thought they argued developed in opposition to stagnant and conservative Neo-Confucianism. Despite their different agendas both groups based their research on the assumption that what Korea needed at the time was to 'modernize'. Recent research on Joseon intellectual history has attempted to move beyond the teleological question of Korean modernization, but it has largely been limited to late eighteenth century trends and certain schools of thought. This study, however, situates these intellectual developments in the longer term historical development of the dynasty, and by focusing on how Neo-Confucian intellectuals reacted to a series of dynastic challenges and formulated further Neo-Confucian ideology to overcome them. This provides a more comprehensive understanding of both the role played by Neo-Confucianism as state ideology throughout the dynasty and the reasons for why this intellectual discourse lost much of its momentum in the early nineteenth century.

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4

Wucherpfennig, Ansgar. "Josef der Gerechte eine exegetische Untersuchung zu Mt 1 - 2." Freiburg, Br. Basel Wien Barcelona Rom New York, NY Herder, 2008. http://d-nb.info/988459868/04.

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5

Webb, Joseph Dee. "Joseph Holbrooke a study of the published and unpublished solo and chamber works for clarinet with an annotated bibliography /." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9821.

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6

Bail, Hermann Josef [Verfasser], Christoph [Gutachter] Josten, and Dieter [Gutachter] Nast-Kolb. "Die Anwendung von rekombinantem homologen Wachstumshormon bei der Distraktionsosteogenese / Hermann Josef Bail ; Gutachter: Christoph Josten, Dieter Nast-Kolb." Berlin : Humboldt-Universität zu Berlin, 2004. http://d-nb.info/1207661627/34.

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7

Garant, Nicolas. "Melancolie et desenchantement : analyse conceptuelle et destins personnels : jose ortega y gasset, joseph shumpeter, max weber." Paris 1, 1997. http://www.theses.fr/1997PA010313.

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L'etude comparative des ecrits de max weber, joseph schumpeter et jose ortega y gasset revele que tous les trois sont preoccupes par l'evolution du monde moderne et l'avenir de la civilisation occidentale. Leur inquietude s'adresse precisement au developpement paroxystique des entreprises de la modernite : la rationalisation, la bureaucratisation, la massification et la specialisation progressives du monde qui accompagnent le developpement des societes capitalistes modernes menacent les pratiques sociales et la civilisation individualiste liberale bourgeoise. Que ce soit a travers l'image nostalgique weberienne du protestant inspire soucieux de confirmer son election, des minorites d'elite generationnelles orteguiennes appelees a rompre avec les produits scleroses d'une culture ritualisee ou de l'entrepreneur bourgeois schumpeterien contribuant au processus de destruction creatrice du capitalisme, il y a chez ces trois auteurs une interrogation sur les possibilites de realisations individuelles dans un monde ou des regles et des modalites de fonctionnement rationalisees et impersonnelles limitent de plus en plus la marge de manoeuvre et par consequent la responsabilite et la dignite de l'individu vis-a-vis le deroulement de sa vie. Une interrogation qui debouche sur une vision pessimiste : la routinisation weberienne etendue a l7ensemble des spheres sociales d'activite, la renaturalisation du monde orteguien et la socialisation schumpeterienne de la civilisation capitaliste se rencontraient ainsi dans leur facon d'associer le developpement des societes modernes a une normalisation et une institutionnalisation mortiferes des capacites novatrices et creatrices de l'individu comme sujet
A comparative study of max weber, joseph schumpeter and jose ortega y gasset reveals that all three were preoccupied by the evolution of the modern world and the future of western civilization. Their uneasiness specifically addresses the paroxystic development of modern enterprises. Bourgeois capitalism, individual progress or entrepreneurship and liberal democracy seem unlikely to survive the new conditions that their own progress contribute to diffuse and, progressively, to impose. Nothing guarantees that societies will be able to continue to benefit from competition, brought about by technical and organizational progress, which mankind seems increasing unable to understand and control. For weber, schumpeter and ortega, modernity does not emerge as an inoffensive "inheritance" : the progressive rationalization, bureaucratization, massification and specialization of the world that our thesis underscores represent, in the discourse of these three authors, the new conditions that accompany the development of modern capitalist societies. These conditions, as on-going processes, menace social practices with an excessive "petrification" and mecanization. This explains the pessimism of the three authors in relation to western capitalist civilization, which they associate, often in ideal-type fashion, with exemplary individual behavior which is henceforth threatened by the rationalization and the objectivation of social spheres of activity : creative minorities for ortega, the heroic entrepreneur for schumpeter and the individual prompted by a "calling" for weber

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8

Wong, Man Olive. "Men at work : masculinity, solidarity and solitude in Conrad's Fiction /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161768.

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9

Gonçalves, Reynaldo. "Joseph Conrad." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106190.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1982.
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10

Nosková, Simona. "Herectví Josefa Abrháma." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2008. http://www.nusl.cz/ntk/nusl-78188.

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My thesis is devoted to actor Josef Abrhám and together with detailed research his destiny of an actor, I´m trying to analyze on pivotal exemplars of theatre and film roles the most important marks of actor´s type of artist, who became one of the most idividual and important representative of the generation which started the professional life in the early ´60s of the last century. His actor´s career is close-knit with markedly rise of theatre and film in one of the top period the big aggrandizement of the Czech culture as well as with attempt to liquidate him in following years and looking for new social being after November 1989. Though most of his professional life lived Josef Abrhám in the hard period of normalization, he proved - evidence is his actor´s work, which made him very popular - despite the lot of restrictions that humanly and professionally strong personality can trough its art markedly affect level of modern Czech culture.

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11

Roy, Alain-Louis. "Joseph Colomb, pédagogue." Université Marc Bloch (Strasbourg) (1971-2008), 2000. http://www.theses.fr/2000STR20062.

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Pretre sulpicien lyonnais, joseph colomb (1902-1979) a consacre une grande partie de sa vie a promouvoir un catechisme efficace dans le contexte social, de reconstruction et de dechristiani- sation, d'apres la guerre de 1939-45. Nous presentons le pedagogue, celui qui a tente d'organiser le contenu du catechisme et ses pratiques en tenant compte des recherches en psychologie des enfants et en liant les principes pedagogiques de l'education nouvelle a une approche de la liturgie et de l'histoire du peuple de dieu, notamment a travers l'ancien et le nouveau testament. La premiere partie retrace les origines et le fonctionnement du catechisme a l'usage des dioce- ses de france en vigueur durant les annees 1940-1950 et presente le diagnostic que joseph colomb formule sur l'inefficacite du catechisme de cette epoque. La deuxieme partie, consacree aux attendus de sa devise << fidelite a dieu, fidelite a l'homme >>, presente d'abord son approche de l'enfant et la mission du catechiste, puis montre que le pe- dagogue ne fuit pas les enjeux de la societe qui lui est contemporaine lorsque a. Latreille et j. Vialatoux signent a sa place, en 1949, dans la revue esprit un article sur << la laicite ouverte >>. Cette partie se termine par la crise du catechisme de 1957 a la suite de laquelle, brise, il demis- sionne de ses fonctions de directeur du centre national de l'enseignement religieux de l'episcopat de france. La troisieme partie porte sur sa conception de l'acte catechetique, lequel doit provoquer un acte d'intelligence de la foi. En proximite avec la pensee de j. Dewey, l'approche didactique de jo- seph colomb fait droit a l'experience humaine et en connivence avec e. Claparede, son ensei- gnement se veut fonctionnel. Il propose un catechisme progressif qui tient compte de la pro- gression des enfants et dont l'entree par la liturgie et l'histoire est de l'ordre de la methode ac- tive. Le pedagogue joseph colomb est l'un des acteurs ecclesiaux du passage du catechisme a la catechese.

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12

Prioul, Didier. "Joseph Légaré, paysagiste." Doctoral thesis, Université Laval, 1993. http://hdl.handle.net/20.500.11794/19329.

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13

Ritske, Rensma. "Understanding Joseph Campbell." Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/3386.

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In this thesis I will be offering an analysis of C.G. Jung’s influence on the theoretical framework of the American comparative mythologist Joseph Campbell. My first main argument will be that Campbell underwent what I am calling a ‘Jungian turn’ around 1968: before this date he was vague and sometimes even dismissive about Jung, while after that date he became suddenly highly positive about Jung’s ideas (particularly about his concept of the archetype). My second main argument will be that this shift in attitude towards Jung occurred because Campbell’s interpretation of Jung changed. Before 1968 Campbell thought of Jung’s concept of the archetype as a ‘closed system’: a completely innate psychological structure that isn’t open to ‘imprinting’ by the environment in any way whatsoever. From 1968 onwards, however, he came to think of the archetype as the equivalent of a so-called ‘open innate-releasing mechanism’, which is the ethologist Konrad Lorenz’s term for a psychological structure that, although it has an innate component as well, is nevertheless open to ‘imprinting’ by the environment. As Campbell’s ideas prior to 1968 had been based on this concept, he realised that his own theoretical framework was compatible with Jung’s to a large extent. My final argument will be that the theoretical position which Campbell arrived at in the final phase of his career (which revolves around the concept of the open innate-releasing mechanism, but which has several other specific characteristics) is the same as the interpretation of Jung put forward by the scholar Anthony Stevens. As Stevens’ work is indisputably Jungian in nature, we might therefore draw the conclusion that it is possible to think of Campbell’s work as ‘Jungian’ in nature as well. However, as there are also some important differences between Campbell and Jung, I am arguing instead that we think of Campbell’s work in the final phase of his career as ‘post-Jungian’: this is the scholar Andrew Samuel’s term for a thinker who may not agree with Jung about every single issue, but whose work is still firmly rooted in his core ideas.

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Gardner, Alec Teresa. "Joseph as Father in Guido Reni's St. Joseph Images." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3169.

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This study presents a psychoanalytic examination of Guido Reni's motivations for creating an innovative painting series of St. Joseph and the Christ Child. The seventeenth-century artist developed a new depiction of Joseph as the tender and loving surrogate father of Christ. This new artistic emphasis on the intimate relationship between father and son reveals Reni's own psychological need to create a replacement father. Indeed, contemporary biographers report that Reni suffered from anxiety and an aversion to women throughout his life. These odd behavioral traits appear to have stemmed from Reni's lack of a supportive father figure. Thus, the artist created a symbolic artistic substitute of Joseph, who was himself a replacement figure for God, in order to fill this void in his own life.

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15

Kim, Jong-Seok. "Seeing the self in the other : narcissism and the double in Joseph Conrad's fiction /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901249.

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16

Enselein, Thomas. "Der Kontrapunkt im Instrumentalwerk von Joseph Haydn." Köln Dohr, 2008. http://d-nb.info/992910285/04.

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17

Müller-Hogrebe, Cordula. "Der rheinische Jurist Joseph Bauerband : die Lehre des rheinischen Rechts im Spannungsfeld deutscher und französischer Rechtstraditionen /." Frankfurt am Main [u.a.] : Peter Lang, 2005. http://www.gbv.de/dms/spk/sbb/recht/toc/482752866.pdf.

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18

Lepp, Alexander. "Joseph Brodskys litterära exil." Thesis, Södertörns högskola, Institutionen för genus, kultur och historia, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-4804.

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Nobel Prize Laureate Joseph Brodsky is a key figure in Soviet Russian literature. Expelled from the USSR in 1972, he became a US citizen in 1977 and Poet Laureate of the United States in 1991. In this essay, I have sought to examine the state of exile perceived in Brodsky’s poems. Using Russian literary critic Viktor Shklovsky’s concept of defamiliarization, I have strived to illuminate the formal composition of this state – its technique. This formalist approach, however, has one flaw: it fails to acknowledge the fact that the literature of exile, as pointed out by Edward Said, must never be reduced to mere ‘text’ in the narrow, technical sense. In consequence, the study of such literatures must seek to reconcile text and experience, literature and life. I thus hope that, while focusing mainly on the artistic creation of a state of exile within the text, this study may also shed some light on the extra-textual qualities of the literature of exile.

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19

Teng, Hong-Shu. "Joseph Conrad and conspiracy." Thesis, Royal Holloway, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313431.

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20

Rulyova, Natalia Evgenievna. "Joseph Brodsky : translating oneself." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619567.

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21

Gojowy, Detlev. "Joseph Schillingers Deutschlandaufenthalt 1928." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2005. https://ul.qucosa.de/id/qucosa%3A15973.

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Der Weg aus dem futuristischen, langsam in den Stalinismus gleitenden Russland ins weltoffene Amerika führte Schillinger 1928 durch das noch weltoffene Deutschland der Weimarer Republik, wo ihm durchaus Beachtung geschenkt wurde. Amerikanische Kollegen wie Louis Pine, der sich anhand weiterer Nachlassmaterialien einer ausfführlichen Erforschung seiner Biographie gewidmet hatte, haben herausgefunden, dass Schillinger irgendwann nach dem 25. Juli in Deutschland eintraf und dort bis November blieb, um für die Leningrader Assotiation für Neue Musik Kontakte zu knüpfen.

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22

Schacht, Christoph. "Ijob im Alten Testament und bei Joseph Roth : ein Vergleich /." kostenfrei, 2008. http://othes.univie.ac.at/1154/.

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23

Ochse, Katharina. "Joseph Roths Auseinandersetzung mit dem Antisemitismus /." Würzburg : Königshausen & Neumann, 1999. http://catalogue.bnf.fr/ark:/12148/cb37630026p.

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24

Păcurar, Gelu. "The setting of the Joseph narrative a study in historical background /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p001-1178.

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25

Lisewski, Krzysztof Dariusz. "Studien zu Motiven und Themen zur Josefsgeschichte der Genesis /." Frankfurt am Main ; New York : Peter Lang, 2008. http://d-nb.info/990411737/04.

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26

Kebekus, Norbert. "Die Joseferzählung : literarkritische und redaktionsgeschichtliche Untersuchungen zu Genesis 37-50 /." Münster : Waxmann Verl, 1990. http://catalogue.bnf.fr/ark:/12148/cb35551023v.

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27

Taylor, Robert Louis. "The Role of Analysis and Comparison in the Performance of Selected Single-Movement Compositions for Trumpet and Piano by Joseph Turrin with an Interview of the Composer, a Lecture Recital, Together with Three Recitals of Selected Works by Handel, Honegger, Tomasi, and Others." Thesis, connect to online resource, 2005. http://www.unt.edu/etd/all/Dec2005/taylor%5Frobert%5Flouis/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2005.
System requirements: Adobe Acrobat Reader. Accompanied by 5 recitals, recorded July 1, 1996, June 22, 1998, June 24, 2002, Sept. 8, 2003, and Oct. 27, 2005. Includes bibliographical references (p. 56).

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Menath-Brosch, Marika. "Johann Joseph Huber (1737-1815)." Diss., lmu, 2009. http://nbn-resolving.de/urn:nbn:de:bvb:19-145083.

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29

Kang, Sukjin. "Joseph Conrad : his dialogic poetics." Thesis, University of Newcastle Upon Tyne, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244330.

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30

Otte, Sonja. "Joseph Roth und das Judentum." [Heidelberg?] : S. Otte, 2001. http://catalog.hathitrust.org/api/volumes/oclc/59080151.html.

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Silva, Carlos Aldemir Farias da. "Joseph Campbell: trajetórias, mitologias, ressonâncias." Pontifícia Universidade Católica de São Paulo, 2012. http://tede2.pucsp.br/handle/handle/2375.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
As immemorial reserves of the human condition, the myths are present in all societies. They organize cosmovisions, propose solutions to dilemmas, enigmas and contradictions that the real world cannot solve. As machines of time suppression, as defined by Claude Lévi-Strauss, the mythic narratives do not submit themselves to the linearity of history. Joseph Campbell (1904-1987), centerpiece of this thesis, a north-american born in New York, occupies a place of great remark in the pantheon of mythological interpretations. The greatness of his work is more than recognized, although the comprehension of his ideas still remains shy in Human Sciences. It is a body of work that is open to the various cultural devices which, beyond science, include literature and cinema, the latter being responsible for the popularization of Campbell‟s ideas with the Star Wars series. The thesis invests in the life and work dialogism from a bibliographic incursion; it traces the most representative itineraries of Campbell‟s life (Stephen and Robin Larsen) which led him to discuss the functions and potentialities of myth in contemporary society; it sketches the scenery of science in the interior from which emerges the north-american mythologist; it exposes a synthetic archaeology of the figures which constitute The Hero of a Thousand Faces; it exposes the author‟s arguments concerning his treatment of the recurring themes in mythical narratives (cultural diversity) towards the universality of culture (archetypical unity of the myths); it presents the chronological mapping of the author‟s work in the original editions in English and its translations in Brazil; it exposes and problematizes stemming from the research on the Thesis‟ Database of Capes the resonance of Campbell‟s ideas in the Brazilian scientific production (1990-2010); and it presents, in full, interviews with two experts and translators of the author‟s works to Portuguese. The central argument of this thesis is the indissoluble relationship between the author‟s lived experience and interest for the study of myths, that is, the contingencies of life which illuminate the choice of a study theme, above all those which are rooted in infancy and adolescence. Because he is a transdisciplinary thinker who moved in the dominions of art, literature, science and religion, the polyphony contained in his compared study of world mythologies demanded, from this research, a dialogue with authors from different and complementary areas like Carl Gustav Jung, Jean-Pierre Vernant, Edgar Morin among others. The basic interpretative soil centered on nineteen fundamental works translated in Brazil. The thesis has as a horizon to establish connections between science and arts, towards the constitution of a fundamental anthropology of universalist, complex and transdisciplinary base
Reservas imemoriais da condição humana, os mitos estão presentes em todas as sociedades. Organizam cosmovisões, propõem soluções para dilemas, enigmas e contradições que o mundo real não consegue resolver. Máquinas de supressão do tempo, como definiu Claude Lévi-Strauss, as narrativas míticas não se submetem à linearidade da história. Tema central desta tese, Joseph Campbell (1904-1987), norte-americano nascido em Nova York, ocupa lugar de destaque no panteão das interpretações mitológicas. A grandeza de sua obra é mais do que reconhecida, embora a compreensão de suas ideias ainda permaneça tímida nas Ciências Humanas. Trata-se de uma obra aberta aos diversos dispositivos da cultura que, além da ciência, inclui a literatura e o cinema, esse último responsável pela popularização das ideias de Campbell com a série Guerra nas Estrelas. A tese investe na dialogia vida e obra a partir de uma incursão bibliográfica; traça os itinerários mais representativos da vida de Campbell (Stephen e Robin Larsen) que o levaram a discutir as funções e potencialidades do mito na sociedade contemporânea; esboça o cenário da ciência no interior do qual desponta o mitólogo norte-americano; expõe uma sintética arqueologia das figuras que constituem O herói de mil faces; expõe os argumentos do autor no que diz respeito ao seu tratamento dos temas recorrentes nas narrativas míticas (diversidade cultural) em direção à universalidade da cultura (unidade arquetípica dos mitos); apresenta o mapeamento cronológico da obra do autor nas edições originais em inglês e suas traduções no Brasil; expõe e problematiza, a partir da pesquisa no Banco de Teses da Capes, as ressonâncias das ideias de Campbell na produção científica brasileira (1990-2010); e apresenta, na íntegra, entrevistas com duas conhecedoras e tradutoras para o português da obra do autor. O argumento central da tese é a relação indissociável entre a experiência vivida do autor e o interesse pelo estudo dos mitos, isto é, as contingências da vida que iluminam a escolha de um tema de estudo, sobretudo aquelas que estão enraizadas na infância e adolescência. Por ser um pensador transdisciplinar que transitou nos domínios da arte, da literatura, da ciência, da religião, a polifonia contida em seu estudo comparado das mitologias do mundo exigiu, desta pesquisa, um diálogo com autores de áreas distintas e complementares, como Carl Gustav Jung, Jean-Pierre Vernant, Edgar Morin, entre outros. O solo interpretativo básico centrou-se em dezenove obras fundamentais traduzidas no Brasil. A tese tem como horizonte estabelecer conexões entre ciências e arte, em direção à constituição de uma Antropologia fundamental de base universalista, complexa e transdisciplinar

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Estelrich, Arce Pilar. "Joseph Roths Romane in Spanien." Universität Leipzig, 1999. https://ul.qucosa.de/id/qucosa%3A33292.

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Hombert, Isabelle. "L'écriture romanesque de Joseph Delteil." Paris 10, 1985. http://www.theses.fr/1985PA100282.

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Rakotondradany, Josette. "L'univers de Jean-Joseph Rabearivelo." Aix-Marseille 1, 1987. http://www.theses.fr/1988AIX10028.

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L'oeuvre de Rabearivelo reflète son univers social et son univers littéraire. Son univers social se manifeste à travers des ouvrages où prédominent la chronique historique, le récit romance, l'expérience vécue et le symbolisme poétique. Lécrivain y peint la société sous la monarchie avec ses castes, et la société pendant la période pré-coloniale et coloniale avec les rivalités européennes et la prise de conscience des colonies. Le pacte colonial incite l'indigène à adopter la civilisation du vainqueur mais les traditions malgaches résistent et survivent. Une certaine philosophie de la société se dessine alors. Fondée d'une part sur le pouvoir et l'avoir et sur l'intedépendance des classes d'autre part. Le cycle de l'histoire semble aussi enfermer l'homme dans la loi de la retribution. Ainsi, face à l'humiliation coloniale, Rabearivelo prône-t-il le retour à la monarchie pour retrouver la souveraineté et l'identité perdues. Mais par l'écriture, il essaie aussi d'accéder à une nouvelle dignité. Sa création littéraire dévoile, certes, ses projets, réalisées ou non, et ses théories littéraires mais elle met surtout à nu la problématique de la traduction révélatrice de sa double appartenance culturelle.

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Junqua, Amélie. "Joseph Addison et le langage." Paris 7, 2007. http://www.theses.fr/2007PA070049.

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On s'intéresse au travail précurseur de Joseph Addison sur le langage dans la presse périodique anglaise du début du XVIIIeme siècle, et à son impact sur le vaste lectorat de ces périodiques qui dépasse les frontières nationales (Addison est très tôt traduit et publié en Europe) et temporelles (il représente jusqu'au XIXeme siècle une référence incontestée). Notre première partie s'efforce de clarifier l'usage des ternies d'analyse, de reconstituer l'environnement culturel qui a nourri la réflexion addisonienne, ainsi qu'une évaluation de la plus ou moins grande influence de John Locke et de Thomas Hobbes. La deuxième partie considère Addison en tant que vecteur des théories lockiennes, et nous amène à préciser le contexte social, historique et politique déterminant le lectorat de la presse périodique. Le résultat de cette recherche fait considérablement douter qu'Addison se soit contenté d'une vulgarisation exhaustive des textes théoriques. On reconsidère donc en dernière partie la position d'Addison dans l'histoire des idées. La récurrence des signes et de leur lecture dans sa prose peut en effet s'interpréter comme une pratique, dénuée de rigueur scientifique, de cette discipline alors encore naissante, baptisée par Locke du nom de « sémiotique ». Des signes mêlés de la société, de l'espace et du corps, il se dégage une conception neuve et insolite des rapports entre signe, pensée et monde. Parce qu'elle naît d'une lecture personnelle des théories du langage, la réflexion addisonienne est paradoxale et créatrice : ses propres contradictions la divisent mais l'enrichissent, et alimentent une œuvre périodique en constante réinvention
Our analysis focuses on Joseph Addison's conception and practice of language, as exposed in his periodical essays and more generally his prose. If Addisonian periodicals have been variously interpreted, it has seldom been considered how they could be also read as a possible popularization of Locke's theories on words, or more generally as a transmission of linguistic theories and cultural attitudes towards language to a vast readership (both in Europe and in America, and well until the XIXth century). We therefore endeavour in a first part to recreate Addison's social and cultural 'milieu,' to consider thé various conceptions of language it exposed him to, and to appreciate the respective influences of Thomas Hobbes and John Locke. Our second part deals with the peculiar status Addison bestows upon John Locke, the latter becoming a philosophical landmark as well as an intellectual façade or mask for Joseph Addison; and questions the assumption that Addison wrote primarily as a popularizer. Our third part is devoted to Addison's practice and observation of language - his obsessive concern for signs, his amateur attempt at establishing a semiotics of urban space and sartorial codes - which yet rarely complies with Lockean theories. Addison's paradoxical interpretation and practice of linguistic theories lead him to the unsolved - and unsolvable - dead-end of ambiguity. This position however provides him with unbounded powers of literary creation, endlessly dividing yet enriching his periodical essays

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Horlacher, Stefan. "“Joseph the dreamer of dreams”." Brill | Rodopi, 2015. https://tud.qucosa.de/id/qucosa%3A36554.

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Jude the Obscure is not only Thomas Hardy´s last but probably also his bleakest novel. Even the epigram on the frontispiece - 'The letter killeth [but the spirit giveth life]' - can be read as having negative forebodings; it can, however, also be interpreted as a commentary on the 'nature' of language and on the absolute necessity of understanding its founding mechanisms such as absence, difference and deferral if one is to lead a happy and meaningful life and if one endeavors to claim the freedom and the responsibility to construct one´s gender identity. This essay thus centers on the extent to which Hardy´s protagonist Jude Fawley, a man who desperately clings to the illusion of a transcendental signified, is able to understand and put into practice Hardy´s epigram when constructing his masculinity. Therefore, the focus of inquiry will be the hitherto largely neglected discursive construction of an ill-fated male gender identity in a discursive universe where 'nobody did come, because nobody does' and where taking words literally has lethal consequences.

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Sasián, José. "Joseph Petzval lens design approach." SPIE-INT SOC OPTICAL ENGINEERING, 2017. http://hdl.handle.net/10150/627184.

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Reislhuber, Josef [Verfasser], and Professor Franz Josef [Akademischer Betreuer] Brandenburg. "Optical Graph Recognition / Josef Reislhuber ; Betreuer: Professor Franz Josef Brandenburg." Passau : Universität Passau, 2018. http://d-nb.info/1150508736/34.

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Jose, Davis. "Dynamics of the B-A transition of DNA double helices." Doctoral thesis, [S.l.] : [s.n.], 2005. http://webdoc.sub.gwdg.de/diss/2005/jose/jose.pdf.

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Weller, Stephanie [Verfasser], Yvonne [Akademischer Betreuer] Joseph, Yvonne [Gutachter] Joseph, and Edda [Gutachter] Rädlein. "Blitzlampentemperung von transparenten leitfähigen Oxidschichten / Stephanie Weller ; Gutachter: Yvonne Joseph, Edda Rädlein ; Betreuer: Yvonne Joseph." Freiberg : Technische Universitaet Bergakademie Freiberg Universitaetsbibliothek "Georgius Agricola", 2018. http://d-nb.info/1221070487/34.

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Anderson, Annette. "Eichendorffs Aus dem Leben eines Taugenichts ist der Taugenichts der perfekte romantische Held in der perfekten romantischen Novelle, ja oder nein? /." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-04212008-155730/.

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Thesis (M.A.)--Georgia State University, 2008.
Title from file title page. Stephen Mark Carey, committee chair; Robin Huff, Elena del Rio Parra, committee members. Electronic text (81 p.) : digital, PDF file. Description based on contents viewed July 24, 2008. Includes bibliographical references (p. 79-81).

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Siegert, Reinhard. "Die Staatsidee Joseph von Eichendorffs und ihre geistigen Grundlagen." Paderborn München Wien Zürich Schöningh, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2887869&prov=M&dok_var=1&dok_ext=htm.

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Šigut, Vladimír. "Josef Moucha - Fotografie." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-96892.

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This master´s theoretical thesis deals with the personality of a photographer and publicist in the area of theory and history of photography by Josef Moucha. The first part is dedicated to the consequences in the Czech and world documentary photography and so-called visualism. The main part of this thesis deals with Moucha´s subjective (documentary and artistic) photographical work. Comparison with other authors showing similar photographical features is also included in this part. The conclusion focuses on the author´s data, private and collective exhibitions, catalogues, literatures and collection representations.

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Pavlíčková, Jana. "Flétnista Josef Bok." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2012. http://www.nusl.cz/ntk/nusl-156058.

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The objective of this thesis is to present the life and work of Josef Bok, a Czech flutist from the first half of the 20th century. It brings information on his artistic development and on people who influenced his professional growth, it speaks about his time in Russia in the historical context, and last but not least it deals with his pedagogical activities at music schools in Brno and Prague. It also presents ?Škola hry na flétnu? (Flute Practice Book), a musical-didactic work written by J. Bok in cooperation with Rudolf Černý. The thesis tries to analyze this publication and compare it with the contemporary way of playing the flute. It marginally touches Bok?s role as a composer and a piano player. The significance of Josef Bok is evaluated through subjective observations and memories of other flute players and family members in the conclusion.

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Hintnaus, Ladislav. "Josef Suk - houslista." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177915.

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Poppe, Gerhard. "Überraschende Wiederentdeckung." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-89714.

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Aus der älteren Musikgeschichte Dresdens gibt es eine Menge neu zu entdecken. Das hat sich in Fachkreisen und in der musikinteressierten Öffentlichkeit weit über Deutschland hinaus herumgesprochen. Der sächsische Hof verfügte über eine exzellente Kapelle und über Kapellmeister und Komponisten von Rang, die zu zahlreichen Gelegenheiten neue Werke schrieben. Das Herrscherhaus kaufte nach dem Tod der leitenden Musiker in der Regel die Nachlässe an, um weiterhin möglichst exklusiv über deren Werke verfügen zu können.

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Hausner, Josef [Verfasser], and Josef [Akademischer Betreuer] Breu. "Neue Konzepte zur Herstellung von Polymernanokompositen / Josef Hausner. Betreuer: Josef Breu." Bayreuth : Universität Bayreuth, 2016. http://d-nb.info/1102246980/34.

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Mellas, Michael John. "Constructing multiple realities on stage conceiving a magical realist production of José Rivera's Cloud tectonics /." Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1218129542.

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Scalliet, Marie-Odette. "Antoine Payen, peintre des Indes orientales : vie et écrits d'un artiste du XIXe siècle, 1792-1853 /." Leyde : Research School CNWS, 1995. http://catalogue.bnf.fr/ark:/12148/cb37097363m.

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Kleymann, Siegfried. ""...Und lerne, von dir selbst im Glauben zu reden" : die autobiographische Theologie Joseph Wittigs." Würzburg : Echter, 2004. http://catalogue.bnf.fr/ark:/12148/cb39135941p.

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