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Dissertations / Theses on the topic 'Josep M'

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Published: 4 June 2021
Last updated: 9 March 2023

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1

Carreres, Pera Joan. "Ideari i poètica de Josep Maria Capdevila." Doctoral thesis, Universitat Autònoma de Barcelona, 2001. http://hdl.handle.net/10803/4827.

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La tesi consta de tres volums. La part central del primer volum és l'estudi de l'ideari crític i la poítica de Capdevila, i l'obra que publicà (Cap. 3-5). Aquesta part va precedida d'un estudi biogràfic i una aproximació a la seva filosofia (Cap.1- 2), i seguida de la recepció crítica de la seva obra (Cap. 6). El segon volum aplega una antologia de textos seus, avui poc assequibles. El tercer volum inclou l'epistolari a Garganta, Riba i Joan Alcover, i la bibliografia.
Josep Maria Capdevila i Balançó (Olot 1892 - Banyoles 1972) fou un humanista cristià que es mantingué de ple en l'esperit de la "philosophia perennis". Sant Tomàs donà al pensament de Capdevila ordre i coherència; Joubert, sentit recapitulador; De Sanctis, el sistema de treball, la seguretat en la percepció i aquella mirada crítica capaç d'efectuar -amb criteris estètics- la tria que fa el temps en la selecció d'obres i autors.
A diferència de Hegel i Benedetto Croce, que circumscriuen l'estètica a la teoria de les arts, Capdevila veu en l'estètica una filosofia de la bellesa, lligada als conceptes de veritat i bé. Segueix, en això, el pensament de Jaume Serra Húnter i de l'Escola de Barcelona, hereva de l'escola catalana del sentit comú, oberta al diàleg entre la ciència i la fe.
En les reflexions sobre la crítica, Capdevila efectuà una subtil distinció entre la veritat històrica i la veritat artística, a l'interior de la qual situà la veritat poètica. Considera que les obres d'art i de literatura porten cadascuna d'elles la seva veritat. Justament una de les tasques del crític és discernir aquesta veritat a través de l'exegesi del text, basada en un doble criteri: estètic, i ètic. També és funció del crític analitzar la pertinença d'un text a la tradició genuïna dels pobles, manifestada en els clàssics de tots els temps: Dante, Llull, Shakespeare, Cervantes, Goethe, Manzoni, Mistral...
Agafant els clàssics medievals com a referent, féu una sèrie d'aportacions a la literatura catalana: revaloritzà la prosa de Verdaguer, estudià Maragall (l'estètica, la crítica i la poesia), divulgà a Catalunya l'obra de Costa i Llobera i Joan Alcover, estudià la narrativa de Ruyra -i en reivindicà la poesia- i assenyalà la importància de Carner en la dignificació del llenguatge urbà. Finalment, amb la consciència de formar part d'una nova generació, exercí un cert mestratge en amics i condeixebles: Riba, Sagarra, Carles Soldevila.
Per avatars de la vida Capdevila optà per divulgar els seus ensenyaments a través de la premsa (La Paraula Cristiana, El Matí...). Interessat en l'expansió de la cultura, publicà manuals (el de correspondència i el de filosofia) i reculls antològics, entre els quals sobresurt l'antologia lírica, on proposa una sèrie de poetes que han passat a formar part del cànon universal. Entre els llibres de crítica i estètica que publicà, destaquen Poetes i crítics, Amics i terra amiga i Estudis i lectures.






La tesis consta de tres volúmenes. Forma la parte central del primer volumen, el estudio del ideario crítico y la poética de Capdevila, y la obra que publicó (Cap. 3-5). Esta parte va precedida de un estudio biográfico y una aproximación a su filosofía (Cap. 1-2), y seguida de la recepción crítica de su obra (Cap. 6). El segundo volumen recoge una antología de textos suyos, hoy poco asequibles. El tercer volumen incluye el episto-lario a Garganta, Riba y Joan Alcover, y la bibliografía.
Josep Maria Capdevila Balançó (Olot 1892 - Banyoles 1972) fue un humanista cristiano que se mantuvo de lleno en el espíritu de la "philosophia perennis". Santo Tomás dio al pensamiento de Capdevila orden y coherencia; Joubert, sentido recapi-tulador; De Sanctis el sistema de trabajo, la seguridad en la percepción y aquella mirada crítica capaz de emular, en la seleccion de obras y autores, el discernimiento efectuado por el tiempo.
A diferencia de Hegel y Benedetto Croce, que circunscriben la estética a la teoría de las artes, Capdevila ve en la estética una filosofía de la belleza, relacionada con los conceptos de verdad y bien. Sigue el pensamiento de Jaume Serra Húnter y de la Escuela de Barcelona, heredera de la escuela catalana del sentido común, abierta al diálogo entre la ciencia y la fe.
En las reflexiones sobre la crítica, Capdevila efectuó una sutil distinción entre la verdad histórica y la verdad artística, en cuyo interior situó la verdad poética. Considera que las obras de arte y de literatura llevan cada una de ellas su verdad, verdad que se puede discernir a través de la exégesis del texto, basada en un doble criterio: estético y ético. Ésta es una de las funciones del crítico. Otra función es analizar los textos en base a la tradición genuína de los pueblos, manifestada en los clásicos de todos los tiempos: Dante, Llull, Shakespeare, Cervantes, Goethe, Manzoni, Mistral...
Tomando como referencia los clásicos medievales, hizo una serie de aportaciones a la literatura catalana. Revalorizó la prosa de Verdaguer, estudió a Maragall (la estética, la crítica y la poesía), dio a conocer -en Catalunya- la obra de Costa Llobera y Joan Alcover, estudió la narrativa de Ruyra -y reivindicó su poesía-, y se_aló la importancia de Carner en la dignificación del lenguaje urbano. Finalmente, con conciencia de formar parte de una nueva generación, efectuó un cierto maestrazgo en amigos y condiscípulos: Riba, Sagarra, Carles Soldevila.
Por avatares de la vida Capdevila optó por divulgar sus ense_anzas a través de la prensa (La Paraula Cristiana y El Matí). Interesado en la expansión de la cultura, publicó manuales (el de correspondencia y el de filosofía) y colecciones antológicas; en su antología lírica propone una serie de poetas que han pasado a formar parte del canon universal. Entre los libros de crítica y estética, destacan Poetes i crítics, Amics i terra amiga y Estudis i lectures.
The thesis consists of three volumes. The central part of first volume is made up of the study of the critical ideology and the poetic of Capdevila and the work he published (Chapters 3-5). Preceding a biographical study and approach to Capdevila's philosophy (1- 2) and following the criticism of Capdevila's work (Chapter 6). The second volume gathers together an anthology of little-known texts by Capdevila. The third volume including the collected letters -to Garganta, Riba and Joan Alcover- and the bibliography.
Josep Maria Capdevila (Olot 1892 - Banyoles 1972) was a Christian humanist who maintained the spirit of the "philosophia perennis". Saint Thomas gave order and cohe-rence to Capdevila's thought; Joubert, recapitulatory discernment; De Sanctis the working system, certainty in perception, and that critical look capable of effecting -with aesthetical criteria- the choice which time realises in the selection of works and authors.
Unlike Hegel and Benedetto Croce, who circumscribe aesthetics to the teory of the arts, Capdevila sees in aesthetics a philosofhy of beauty, tied to the concepts of truth and good. He follows, in this aspect, the thougth of and of the Barcelona School, of common sense, open to dialogue between science and faith.
In his reflections on criticism, Capdevila made a subtle distinction between historic truth and artistic truth, in the interior of which he situated poetic truth. He considers that works of art and literature bear each one of them their own truth. And this truth can be discerned througt the exegesis of the text, based on a double criterion: aestethical and ethical. This is one of the critic's functions. It is also, to discern from the poetic falseness the genuine tradition manifested in the all-time classics: Dante, Llull, Shakespeare, Cevantes, Goethe, Manzoni, Mistral...
From the optics of this -and taking as a reference the mediaevel classics- he made a series of contributions to Catalan literature: he revalued the prose of Verdaguer, he studied Maragall (the aestethics, the criticism and the poetry), he made know in Catalonia, the work of Costa Llobera and Joan Alcover, he studied the narrative of Ruyra and he vindicated his poetry, and he indicated the importance of Carner in the dignifying of urban language. Finally, being conscious of forming part of a new generation, he effected a certain office of grand master with friends and pupils: Riba, Sagarra, Carles Soldevila. The life way made him to follow his masterful through the press (La Paraula Cristiana, El Matí).
Interested in the expansion of culture, he published manuals (of correspondence and philosophie) and some anthological collections amongst which stands out the lyrical anthology.
Among the critics and aestetics the most known books published are Poetes i crítics, Amics i terra amiga and Estudis i lectures.
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2

Carabí, Bescós Guillem. "La Reforma de Casa Bofarull (1913-1933), de Josep M. Jujol." Doctoral thesis, Universitat Internacional de Catalunya, 2012. http://hdl.handle.net/10803/83458.

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Las intervenciones arquitectónicas realizadas en Casa Bofarull —y así mismo lo escribe Jujol en el documento de 1914 que entrega a sus propietarias—, se definen como una reforma: «Casa pairal de Bofarull als Pallaresos. Obres de reforma de 1913 a 1914. V dibuixos». Jujol es, en su planteamiento, plenamente consciente del significado del término reforma —la modificación de algo, por lo general, con la intención de mejorarlo—, que aplicará a partir de una postura desacomplejada, acometiendo el proyecto con el claro objetivo de tender un puente desde lo existente a su presente. Ningún rastro de arqueología conservacionista en la opción que toma Jujol ante la presencia de la vieja masía; pero tampoco de arrogancia, sino de posición y valentía que enlaza los muros, las fachadas y los interiores, con nuevas formas y viejos materiales, con nuevas geometrías y viejos códigos, con nuevos elementos y viejas tradiciones. Un diálogo abierto entre lo viejo y lo nuevo como manera de legitimar, de forma simbiótica, la necesaria apropiación de un pasado para mejorar el presente. Se trata de una postura en cuya génesis se puede hallar buena parte del pensamiento modernista, aunque una divergencia fundamental lo alejará de la solución modernista: si la generación de arquitectos que precede a Jujol confía en el hecho diferenciador, autónomo y libre de los objetos que suman efectos contrapuestos a lo existente, Jujol hace del encuentro y la apariencia material los recursos básicos para que sus intervenciones puedan leerse desde, y no, contra el objeto existente. Encuentro entendido como el hallarse y el concurrir de dos realidades distintas —un porrón sobre la cubierta, un interior doméstico que se sacraliza; y apariencia material como la capacidad de establecer, a través del uso de elementos propios del lugar —aperos de labranza, hierros rechazados, clavos utilizados—, la asociación necesaria para que lo nuevo adquiera ese aire de elemento ya empleado que integra emocionalmente su presencia en el conjunto. En este sentido, el proyecto y las obras de reforma de Casa Bofarull se postulan como el ejemplo paradigmático entre una posición moral acerca de la idea de los signos que deben significar —sacralizar— la casa del hombre, y una exploración de los límites plásticoarquitectónicos que los transforma en arquitectura. Esta tesis tratará, en consecuencia, de acercarse a los procesos creativos de Jujol y de restituir la significación de su arquitectura a través del estudio exhaustivo de los planos, la cronología y la realidad construida de la reforma de Casa Bofarull.
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3

Pease, García Yrigoyen Franklin. "Historia Boliviana. Revista semestral. Responsable josep M. Barnadas. I/1,Cochabamba 1981." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/121602.

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Este primer número de Historia Boliviana incluye artículos de diversa temática. O.G. Hurtado informa "Sobre el estado actual de las investigaciones arqueológicas en el Beni", partiendo de la preocupación por fijar un esquema de las labores realizadas en el área por distintos arqueólogos.
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4

Pérez, Vallverdú Eulàlia. "Josep M. Folch i Torres (1880-1950). Des del modernisme a la literatura de consum." Doctoral thesis, Universitat Autònoma de Barcelona, 2006. http://hdl.handle.net/10803/4849.

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5

Rollet, Aymeric. "Place et fonction des référents spatiaux et temporels dans les théâtres de Josep M. Benet i Jornet et de Sergi Belbel (1989-2006)." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040157/document.

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Depuis une quarantaine d’années, la nature et le degré de présence des référents spatiaux et temporels diffèrent considérablement dans le théâtre catalan, au moins selon les périodes, mais sans doute aussi selon les auteurs. À partir du milieu des années 1980, l’écriture dramatique tend en grande partie à refuser tout ancrage de l’action dramatique dans une géographie et un moment historique précis et, en particulier, à éluder les représentations de Barcelone et/ou de la Catalogne. Cette thèse se propose d’examiner le traitement des référents en question dans les pièces écrites par Josep M. Benet i Jornet et Sergi Belbel au cours d’une période où la dramaturgie catalane semble souvent se détourner du monde « réel » comme univers immédiat de référence. Depuis le niveau macrocosmique de l’univers jusqu’aux microcosmes domestiques et intimes, Benet et Belbel creusent le réel selon des modes et avec des moyens dramaturgiques variés, donnant ainsi lieu à des constructions spatiotemporelles assez diverses, et l’on peut alors observer différents effets de la présence et/ou de l’absence du réel : effacement des marqueurs identitaires, ou au contraire, omniprésence des références géographiques et historiques ; sentiment de dilution du monde ; effet paradoxal de la lisibilité de la réalité historique malgré son invisibilité manifeste ; etc. À partir d’un corpus de huit œuvres – Desig, El gos del tinent, Olors et Salamandra de Benet, Elsa Schneider, Tàlem, El temps de Planck et Forasters de Belbel –, l’analyse des référents spatiaux et temporels vise à saisir les « territoires dramaturgiques » privilégiés de deux figures majeures de la dramaturgie catalane contemporaine
The nature and level of presence of the spatial and temporal referents have considerably differed in the Catalan theatre for the last forty years or so, at least from one period to another but certainly also from one author to another. Since the mid-1980s, playwriting has largely tended to refuse any dramatic action that would have been rooted in any geographic location or any exact point in history and, in particular, to avoid the representations of Barcelona and/or Catalonia. This thesis proposes a study of the treatment of the referents in question through some plays written by Josep M. Benet i Jornet and Sergi Belbel at a time when the Catalan dramaturgy often seems to turn away from the « real » world which has ceased to be a direct universe of reference. Benet and Belbel explore reality from the macrocosmic scale of the universe to the domestic and intimate microcosms, thanks to varied modes and dramatic principles, thereby giving rise to quite varied space-time structures. One may then observe different results of the presence and/or absence of reality: the erasing of identity markers or, on the contrary, the omnipresence of geographic and historical references, the feeling of the dilution of the world, the paradoxical effect of the legibility of historical reality despite its obvious invisibility, etc. Through a selection of eight plays – Desig, El gos del tinent, Olors and Salamandra by Benet, Elsa Schneider, Tàlem, El temps de Planck and Forasters by Belbel –, the analysis of spatial and temporal referents aims to grasp the « dramaturgic fields » emphasized by two major figures of contemporary Catalan drama
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Grebner, Josep [Verfasser], Eberhard [Akademischer Betreuer] Abele, and Peter [Akademischer Betreuer] Groche. "Entwicklung eines wissensbasierten Systems zur wirtschaftlichen und ökologischen Bewertung der Minimalmengenschmierung bei der Planung flexibler Fertigungssysteme / Josep M. Grebner ; Eberhard Abele, Peter Groche." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2017. http://d-nb.info/1132248841/34.

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7

Xiang, Yixian [Verfasser], Ulrich [Akademischer Betreuer] [Gutachter] Kortz, Gerd-Volker [Gutachter] Röschenthaler, Thomas [Gutachter] Heine, and Josep M. [Gutachter] Poblet. "Synthesis, Characterization and Properties of 3d Transition Metal-Substituted Polyoxotungstates and Polyoxo-noble-metalates / Yixian Xiang ; Gutachter: Ulrich Kortz, Gerd-Volker Röschenthaler, Thomas Heine, Josep M. Poblet ; Betreuer: Ulrich Kortz." Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2014. http://d-nb.info/111884730X/34.

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8

Mercadé, i. Brullés Juan. "The elements of drawing & the lamp of life : J. Mª. Jujol desde una mirada contemporánea." Doctoral thesis, Universitat Politècnica de Catalunya, 2019. http://hdl.handle.net/10803/667485.

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The main objectives of the thesis are: to verify and confirm the fundamental role of drawing in the training of the architect, portraying Jujol as a reference as a master of this discipline. Analyze his evolution, subsequent to his nonarchitechtonical drawing, inseparable from his underlying ideology in his conception of architecture and finally, comparing him with other archirectural masters, such as Ruskin, Le Corbusier and Asplund among the modern architects and art classic artists and others such as Enric Miralles among the contemporary masters. The research would show that the Jujol method and his seemingly remarkable intimate way of acting in which architecture is mixed with disciplines such as drawing, painting, sculpture, crafts and all forms of design. Concluding that it actually presents important coincidences comparable to that of some architects of his time such as Asplund and Le Corbusier, later to Miralles and currently to Llinás. Former students and famous architects such us,Coderch de Sentmenat,Federico Correa y Oriol Bohigas, recognize Jujol as a great architect and professor assessing his great creativity and greatly influential in their training. Recognized researchers such as Carlos Flores, and renown international contemporary artists as Antonio Tapies, consider Jujol as such a great artist that he should be given the recognition he deserves. Flores sets his standard of creativity and imagination up to Picasso’s level. His architecture is a mix of artistic disciplines, with drawing as reference but combining it and making drawing as the starting point element, but together with sculpture, crafts and all the modalities of design. He could be considered a renaissance architect or an “artist and craftsman”. The thesis, which is based on drawing as a discipline, includes plenty of original and unpublished material from to "Archivo Jujol" directed by his son José Mª, and the E.T.S.A.B. library's documentary collection, work´s of the students he had during the period he taught in the university. Jujol as well as those who met them know the extraordinary importance of drawing and handcrafts in general as the best and most indispensable training tool. It gathers important testimonies, highlighting among them those of : • Recognized architects who were his students as Oriol Bohigas and Federico Correa who later became professors at Architecture School of Barcelona. • Others who have collaborated during his time as a student in his office as Joan de Ribot. • Pere Virgili, Master Builder who have known him in his professional work, when he was his apprentice at 14 years old. • Specialist of Jujol’s works in every aspect, both as an architect and / or artist; as is the case of researcher Carlos Flores., and architect Josep Llinás, who often intervened in projects to restore his works. • Jordi Bonet and Jordi Faulí, outstanding "gaudinistas" (“Gaudi´s fans”) continuators of the Sagrada Familia, project in work in which Jujol worked hand in hand with Gaudi. Drawing as a discipline is always present as the guiding thread of the thesis, which serves as a comparison discipline based on the concept and idea of Ruskin, by architects apparently as different as Le Corbusier, Asplund, and Jujol; from this one of Miralles, who died at the early age of 45. It exposes the unknown similarity of Le Corbusier and Jujol in the first decade of the twentieth century and the parallelism that can be established with Miralles in reference to the "artistic manual" of both. To verify that fact, -the contemporaneity of Jujol, his method- and his possibilities applied to the learning and progress of architecture today, -apparently so disregarded- not only in the career but also throughout the exercise of the profession, the central role and actualism of the “traditional drawing” in that process; was one of the objectives of the present investigation.
Los objetivos principales de la tesis, son constatar el papel fundamental del dibujo en la formación del arquitecto, referenciado a Jujol como maestro de esta disciplina. Analizar su evolución posterior a través del dibujo no arquitectónico, indisociable de la ideología subyacente en su concepción de la arquitectura. Y finalmente, compararlo y relacionarlo con otros maestros de la arquitectura, como Ruskin, Le Corbusier y Asplund entre los clásicos de la modernidad y otros como Enric Miralles entre los maestros contemporáneos. La investigación mostraría que el método de Jujol, su aparentemente personalísima forma de actuar en la que la arquitectura se mezcla con disciplinas como el dibujo, la pintura, la escultura, la artesanía y todas las modalidades del diseño, presenta en realidad importantes coincidencias homologables a la de algunos arquitectos de su época como Asplud y Le Corbusier, posteriormente a Miralles y en la actualidad a Llinás Importantes investigadores como el arquitecto Carlos Flores o famosos artistas contemporáneos como Antonio Tapies, lo consideran un artista completo que la historia tiene que poner en su lugar. Carlos Flores llega a equiparar la creatividad e imaginación de Jujol al nivel de Picasso. Se le puede considerar un "Artista del Renacimiento", o un "artist and craftsman" del siglo XX Tanto Jujol como quienes le conocieron saben de la extraordinaria importancia concedida por él al dibujo, como el mejor y más imprescindible instrumento formativo, así como a las artes manuales en general. La tesis, teniendo como referencia base el dibujo, incluye numeroso material original e inédito, del Archivo Jujol, dirigido por su hijo José Mª y del fondo documental de la biblioteca Oriol Bohigas, de la Escuela Técnica Superior de Arquitectura de Barcelona, recogiendo los trabajos de los alumnos que tuvo durante el periodo que impartió docencia universitaria. Recoge a través de entrevistas a diferentes personas relacionadas con la arquitectura, importantes testimonios sobre la personalidad de Jujol, tanto humana como profesional, destacando entre ellos: Reconocidos arquitectos que han sido alumnos suyos como: Oriol Bohigas y Federico Correa, que posteriormente han sido catedráticos en la Escuela de Arquitectura de Barcelona. Otros que han colaborado en su periodo de estudiante en su despacho profesional, como Joan Mª de Ribot; Pere Virgili, maestro de obras (constructor) que lo conoció en su trabajo profesional, cuando era aprendiz de albañil a la edad de14 años. Estudiosos de la obra de Jujol en todas sus vertientes, tanto como arquitecto y/o artista; como es caso del investigador Carlos Flores y el del arquitecto Josep Llinás, que ha intervenido en proyectos de rehabilitación de sus obras. Jordi Bonet, también antiguo alumno y Jordi Fauli, destacados "gaudinistas" continuadores de la Sagrada Familia, obra en la que Jujol trabajó codo con codo con Gaudi. El dibujo siempre presente en la tesis como hilo conductor de la misma, sirve como disciplina de comparación a partir del concepto e idea que atesoraba Ruskin sobre el dibujo, para arquitectos que inicialmente tenían el mismo estilo de representación gráfica en sus dibujos no arquitectónicos, pero con una arquitectura tan distinta como Le Corbusier, Asplund, y Jujol; a partir de éste de Enric Miralles, muerto prematuramente a la edad de 45 años. Se expone la similitud desconocida del dibujo de Le Corbusier y Jujol en la primera década del siglo XX y el paralelismo que se puede establecer con Miralles, en referencia a la "manualidad artística" de ambos. Para finalizar constatando ese hecho -la contemporaneidad de Jujol y su método- y sus posibilidades aplicado al aprendizaje y al progreso de la arquitectura hoy - aparentemente tan desnortada- no solo en la carrera, sino a lo largo del ejercicio de la profesión, y el papel central y actualísimo del "dibujo tradicional" en ese proceso; fue uno de los objetivos de la presente investigación.
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9

Devaux, Vanessa. "Joseph Mayseder (1789-1863) : a Viennese violinist and composer." Thesis, Cardiff University, 2014. http://orca.cf.ac.uk/67546/.

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Joseph Mayseder (1789-1863) was one of the most significant musical figures in Vienna in the first half of the nineteenth century as a violinist and composer. His participation in musical life in Vienna was of central importance, as a ‘Soloist’ at the Hofkapelle, as the Director of the Orchestra at the Kärntnertortheater and as a friend of Beethoven. The dissertation offers an in-depth survey of Mayseder’s achievements in Vienna in his lifetime. A biographical overview of Mayseder’s life in Vienna is given, evaluating the role of his persona as a musician. Chapter 1 focuses on Mayseder as a violinist, drawing attention to his performances with new, detailed information taken from contemporary sources on his musical activities. The second chapter explores Mayseder’s compositions and highlights his key compositional elements in more detail, such as his relationship to the violin, his playing technique and his performance practice as a soloist and with an ensemble. Chapter 3 analyses Mayseder’s role in context, illustrating his importance for the development of solo violin music and its performance in this period in history. The appendices consist of the Thematic catalogue that presents a detailed listing of the complete works of this composer. The concluding catalogue provides an overview of public solo violin performances in Vienna between 1800 and 1828.
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10

Miranda-Perez, Ricardo. "Jose Rolon : a study of his life and music." Thesis, City University London, 1992. http://openaccess.city.ac.uk/7978/.

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This work is the first study on the life and works of Jost Roldn (1876-1945), a Mexican composer of paramount importance. It includes a general account of his life and music as well as a more detailed description of his most important works, such as the Piano Concerto (1935), the song cycle Dibuios sobre as Puerto (1936), and his two Estudios for piano (1935). It includes a catalogue of the composer's works and writings and in the last chapter, an account of his style, aesthetic position and place within Mexico's musical history.
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Barea, Francesca <1991&gt. "Dall’idea al contesto. Joseph Kosuth: un’indagine sui significati dell’arte attraverso il linguaggio." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13681.

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La ricerca di Joseph Kosuth, capostipite dell’Arte concettuale, ruota attorno al significato dell’arte e al ruolo dell’artista nella nostra epoca, quest’indagine avviene grazie al linguaggio che rappresenta per lui uno strumento indispensabile per svelare tali questioni. Il percorso kosuthiano si snoda attraverso alcune tappe fondamentali: dall’idea iniziale per cui l’arte è una mera tautologia, alla considerazione successiva per cui essa assume un significato soltanto se inserita in un contesto antropologico di riferimento. L’intento di questo elaborato è quello di mettere in luce il complesso sviluppo dell’artista concettuale, dagli inizi della sua carriera sino alle opere più recenti creando una riflessione tra i suoi scritti e le sue opere. La tesi, infatti, strutturata in due parti principali, intreccia fin da subito la ricerca teorico/filosofica di Joseph Kosuth con la sua produzione artistica. I due capitoli iniziali si articolano da un lato in un’analisi dei primi testi dell’artista (in particolare dal 1969 al 1972) affianco a un approfondimento delle sue prime opere e del contesto entro cui nacque e si sviluppò l’Arte concettuale. Successivamente, nella seconda parte del lavoro, si è cercato di osservare la svolta antropologica che scosse il pensiero kosuthiano e che portò a una revisione delle prime austere idee iniziali, a favore di un’arte dentro al contesto (non più quindi mera tautologia) in cui l’artista operi come un antropologo. Anche in quest’ultima sezione vengono affrontate insieme le riflessioni teoriche (soprattutto gli scritti composti dal 1975 in avanti) e le sue opere. In tutto il lavoro si è quindi cercato di abbracciare insieme teoria e pratica, con l’obiettivo di comprendere non solo l’articolato percorso tracciato da questo emblematico artista, ma anche la sua posizione complessa e contraddittoria all’interno del sistema dell’arte contemporanea.
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Cooper, Alan. "Making the weather in contemporary jazz : an appreciation of the musical art of Josef Zawinul." Thesis, University of Southampton, 2012. https://eprints.soton.ac.uk/366837/.

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Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s. In this vital period of his creative life he is associated with a variety of jazz contexts: performing with Julian ‘Cannonball’ Adderley’s band as a hard bop pianist in the early 1960s; developing new approaches as a composer and keyboard player for Adderley’s group during the ‘soul jazz’ period (1966 to 1969); recording independently under his own name (1966 to 1970); collaborating with Miles Davis in the late 1960s and early 1970s; and co-founding the influential contemporary jazz ensemble Weather Report (early 1970s onwards). Most significantly, he was a key figure (both as a performer and composer) in the new electro-acoustic jazz that emerged in the mid-1960s and his unwavering commitment to this hybrid idiom has left a substantial and wide-ranging body of work. Given the impact and scale of Zawinul’s contribution to contemporary jazz in the second half of the twentieth century, it surely prompts the question: why has there been a dearth of scholarly discussion concerning his artistic legacy? With the aim of rectifying this omission, it is hoped that this dissertation will therefore go some way towards bringing long overdue critical engagement with his music. To this end, this study will examine a selection of Zawinul’s mature works and attempt to explicate not only the diverse range of influences (musical and cultural) that were essential to his artistic development but also the nature of his aesthetic eclecticism from which he created an individual compositional language.
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Fichtner, Susanne [Verfasser], Josef [Akademischer Betreuer] Lutz, Josef [Gutachter] Lutz, and Mark-M. [Gutachter] Bakran. "Ruggedness of 1200V SiC Schottky and MPS Diodes / Susanne Fichtner ; Gutachter: Josef Lutz, Mark-M. Bakran ; Betreuer: Josef Lutz." Chemnitz : Technische Universität Chemnitz, 2018. http://d-nb.info/1215909063/34.

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Müller, Wolfgang W. "Die Gnade Christi : eine geschichtlich-systematische Darstellung der Gnadentheorie M. J. Scheebens und ihrer Wirkungsgeschichte /." St. Ottilien : EOS-Verl, 1994. http://catalogue.bnf.fr/ark:/12148/cb35717777p.

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Kessler, Judith Eva-Maria [Verfasser], Josef S. [Akademischer Betreuer] Kindersberger, and Christian M. [Akademischer Betreuer] Franck. "Isoliervermögen hybrider Isoliersysteme in gasisolierten metallgekapselten Schaltanlagen (GIS) / Judith Kessler. Gutachter: Josef S. Kindersberger ; Christian M. Franck. Betreuer: Josef S. Kindersberger." München : Universitätsbibliothek der TU München, 2011. http://d-nb.info/1021219207/34.

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Ingham, David Keith. "Mediation and the indirect metafiction of Randolph Stow, M. K. Joseph, and Timothy Findley." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25819.

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In order to explore the range of indirect metafiction as presented in three exemplary novels, this dissertation begins by examining how the assumptions of "realism" on the one hand and "postmodernism" on the other relate to the paradigmatic triad of story-teller, story, and audience. From this context emerges the view that the range of metafiction is determined by how it reveals the processes and nature of fiction according to a spectrum of mediation: that of the writer between his "raw materials" and the text, that of the text between writer and reader, and that of the reader between the text and his interpretation. Indirect metafiction (or "pretend realism") mediates between realism and postmodernism, revealing without breaking the illusions of realism. Each of the next three chapters, after initially placing the key novel within the context of the author's work as a whole, discusses in detail a novel whose metafictional focus is on one of the three mediations. Accordingly, Chapter II focusses on Randolph Stow's The Girl Green as Elderflower (1980) and on the way it reveals the mediation of the author by presenting a writer's fiction as a synthesis of his personal and literary experiences. Chapter III notes how M. K. Joseph's A Soldier's Tale (1976) reflects the mediation of the reader by depicting a writer's interpretation and literary redaction of an oral tale. And Chapter IV shows how Timothy Findley's Famous Last Words (1981) demonstrates the mediation of the text by presenting a writer whose text "crystallizes" the illusions of fiction, then undercuts and exposes them. The analyses of the key texts employ both postmodern and traditional critical approaches, demonstrating them to be complementary; by noting the interpenetration of metafictional and traditional import and significance, the analyses also highlight the mediary nature of indirect metafiction. The fifth chapter draws theoretical conclusions from ideas in the practical chapters: from metafictional revelations through the paradigm of mediation comes an "anatomy" of fiction, delineating its elements; from a sense of how the mind "structures" experience through "fictional" representations of both "reality" and fictional texts comes a "physiology," a sense of how fiction works through language. This discussion leads to definitions of realistic, unrealistic, and self-conscious fiction, and of metafiction, both direct and indirect; the dissertation concludes by remarking on the inter-relations of language, "fiction," and "reality."
Arts, Faculty of
English, Department of
Graduate
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Sarca, Maria Ioana. "Aussenseitertum und metaphysisches Exil eine vergleichende Auseinandersetzung mit den Werken Emil Ciorans und Josef Winklers." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2003. http://d-nb.info/986185582/04.

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Vocke, Benno M. [Verfasser], Josef [Akademischer Betreuer] [Gutachter] Zimmermann, and Arnold [Gutachter] Tautschnig. "Organisation von Planung und Bauausführung – Integrale Leistungsbilder für Organisationsplanung, Projektsteuerung und Projektleitung / Benno M. Vocke ; Gutachter: Arnold Tautschnig, Josef Zimmermann ; Betreuer: Josef Zimmermann." München : Universitätsbibliothek der TU München, 2016. http://d-nb.info/1123729336/34.

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Hofer-Maksymiw, Isabell Maria [Verfasser], Josef S. [Akademischer Betreuer] Kindersberger, Josef S. [Gutachter] Kindersberger, and Christian M. [Gutachter] Franck. "Isoliervermögen einer schwach inhomogenen Elektrodenanordnung in trockener Luft / Isabell Maria Hofer-Maksymiw ; Gutachter: Josef S. Kindersberger, Christian M. Franck ; Betreuer: Josef S. Kindersberger." München : Universitätsbibliothek der TU München, 2018. http://d-nb.info/1176107062/34.

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Landgraf, Diemo. "Kulturelle Hybridisierung bei José María Arguedas /." St. Ingbert : Röhrig Universitätsverlag, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3150564&prov=M&dok_var=1&dok_ext=htm.

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Siegert, Reinhard. "Die Staatsidee Joseph von Eichendorffs und ihre geistigen Grundlagen." Paderborn München Wien Zürich Schöningh, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2887869&prov=M&dok_var=1&dok_ext=htm.

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Adelsberger, Joseph G. [Verfasser], Christine M. [Akademischer Betreuer] Papadakis, and PETER [Akademischer Betreuer] BOENI. "Struktur und Kinetik thermoresponsiver Hydrogele / Joseph G. Adelsberger. Gutachter: Peter Böni. Betreuer: Christine M. Papadakis." München : Universitätsbibliothek der TU München, 2012. http://d-nb.info/1019589736/34.

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Haimerl, Josef Michael [Verfasser], and John M. [Akademischer Betreuer] Lupton. "Detektion photokatalytischer Aktivität aus der Einzelmolekülfluoreszenz organischer Farbstoffe / Josef Michael Haimerl ; Betreuer: John M. Lupton." Regensburg : Universitätsbibliothek Regensburg, 2018. http://d-nb.info/1172071799/34.

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Kääb, Max Josef [Verfasser], H. W. [Gutachter] Neumann, and M. [Gutachter] Nerlich. "Möglichkeiten und Grenzen minimal-invasiver Schulterchirurgie / Max Josef Kääb ; Gutachter: H. W. Neumann, M. Nerlich." Berlin : Humboldt-Universität zu Berlin, 2005. http://d-nb.info/1207680591/34.

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Chevassus-Marchionni, Valérie. ""Roman original" et stratégies de la création littéraire chez Joseph Roth." Metz, 1997. http://docnum.univ-lorraine.fr/public/UPV-M/Theses/1997/Chevassus.Valerie.LMZ9716.pdf.

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L'objet de cette thèse est de montrer que l'œuvre de Roth dans son ensemble est assimilable à son "roman original", notion forgée par la psychanalyste N. Berry pour désigner le récit du patient en analyse. En d'autres termes, il s'agit de démontrer que la création littéraire chez Roth est le lieu privilégié ou peuvent s'élaborer "l'écriture de soi" et la constitution de soi par l'écriture. Pour déterminer les stratégies auxquelles le créateur a recours pour se dire et se transformer en écrivant, on recherche dans les textes le moment ou l'action du processus créateur entraine l'auteur sur des terrains ou il ne contrôle plus la nature de sa production et révèle donc à son insu des aspects de sa psyché qu'il ne soupçonnait pas. Ce processus est déjà à l'œuvre dans ce que nous nommons "l'affabulation orale", terme que nous préférons a celui de "mythomanie" employé par le biographe D. Bronsen. Le travestissement de la réalité auquel Roth se livre dans la conversation poursuit un objectif bien précis que seul le travail d'écriture permet d'atteindre : l'œuvre de Roth peut être envisagée comme une "autofiction" au cours de laquelle se forme une "identité narrative" susceptible de permettre une restructuration du moi dans le monde réel. Afin de démontrer cette hypothèse, on envisage deux grands chapitres dans le roman original de Roth qui correspondent à des points névralgiques de son histoire : le roman du mal-être et le roman familial. Le mal-être s'exprime à travers la déclaration de pauvreté, dans les écrits autour de la guerre et dans la représentation du "Heimkehrer" ; le roman familial est celui que Roth construit autour du personnage de la mère, de l'idée du pays natal et de la figure du père. Au cours de l'étude de ces thèmes, on cherche à comprendre comment l'écriture littéraire procède pour localiser le dysfonctionnement psychique, le déplacer ou le renverser dans son contraire, le transformer ou le surmonter, en un mot pour réaliser un "dépassement créateur"
The purpose of this thesis is to demonstrate that roth's entire works may be considered as his "original novel", a notion coined by the psychoanalyst N. Berry to refer to the account of the patient under analysis. In other words we have to prove that for roth writing about oneself and creating one's own identity through writing may be both achieved in literary creation in order to determine the strategies the author uses to tell about, then recreate himself through writing, we search in the texts for the moment when the action of the creative process carries the author along so far that he can't control his production anymore and thus reveals, without his knowing it, some aspects of his psyche he was not aware of. The same process governs what we will call "verbal fabrication" - rather than "mythomania" as the biographer D. Bronsen put it - yet, the dissembling of reality roth uses in conversations has a specific goal that can only be reached through writing : roth's work may be understood as an "autofiction" which leads to the elaboration of a "narrative identity" that may allow a restructuring of the ego in reality. In order to demonstrate this hypothesis, we will examine two major chapters in roth's "original novel" which correspond to nerve centres in his life : the novel of the difficulty of being and the "family romance". The difficulty of being expresses itself in the declaration of poverty, in the texts about the war and in the representation of the "Heimkehrer" ; roth builds his "family romance" through the creation of the mother-character and of the father-figure and in the description of his native soil. The study of these themes enables us to understand how literary writing proceeds to locate psychic deficiencies, to displace or reverse them into the opposite, to transform or to overcome them, in brief to achieve a "creative surpassing
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Sekolanyane, Joseph Edward Mothapedi. "Measurement of service quality of small business in the Vaal area / by Joseph E. M. Sekolanyane." Thesis, North-West University, 2004. http://hdl.handle.net/10394/2370.

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Piewak, Florian [Verfasser], and J. M. [Akademischer Betreuer] Zöllner. "LiDAR-based Semantic Labeling : Automotive 3D Scene Understanding / Florian Pierre Joseph Piewak ; Betreuer: J. M. Zöllner." Karlsruhe : KIT-Bibliothek, 2020. http://d-nb.info/1212512405/34.

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Piewak, Florian Pierre Joseph [Verfasser], and J. M. [Akademischer Betreuer] Zöllner. "LiDAR-based Semantic Labeling : Automotive 3D Scene Understanding / Florian Pierre Joseph Piewak ; Betreuer: J. M. Zöllner." Karlsruhe : KIT-Bibliothek, 2020. http://d-nb.info/1212512405/34.

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Koumah, Charles Yao. "La Tension créatrice entre les cultures britannique et Akan J.B. Danquah et M. Dei-Anang en quête de l'africanité /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37606595q.

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Blunschi, Ackermann Marie-Rose. "Joseph Wresinski Wortführer der Ärmsten im theologischen Diskurs." Fribourg Acad. Press, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2749713&prov=M&dok_var=1&dok_ext=htm.

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Schuchart, Joseph Konstantin [Verfasser], and Michael M. [Akademischer Betreuer] Resch. "Global task data dependencies in the partitioned global address space / Joseph Konstantin Schuchart ; Betreuer: Michael M. Resch." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2021. http://d-nb.info/1231794437/34.

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Koch, Katharina. "Franz Joseph Molitor und die jüdische Tradition Studien zu den kabbalistischen Quellen der "Philosophie der Geschichte"." Berlin New York de Gruyter, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2780938&prov=M&dok_var=1&dok_ext=htm.

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Poltz, Irma [Verfasser], Thorsten M. [Akademischer Betreuer] [Gutachter] Gesing, and Josef-Christian [Gutachter] Buhl. "Synthese und Struktur-Eigenschaftsbeziehungen gallogermanatischer Sodalithe |NaaXb(H2O)n|[GaGeO4]6 und verwandter Verbindungen / Irma Poltz. Betreuer: Thorsten M. Gesing. Gutachter: Thorsten M. Gesing ; Josef-Christian Buhl." Bremen : Staats- und Universitätsbibliothek Bremen, 2016. http://d-nb.info/1111020795/34.

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Mayr, Moritz [Verfasser], Bernd M. [Akademischer Betreuer] [Gutachter] Wolfarth, and Johann Josef [Gutachter] Hauner. "Einfluss genetischer Marker auf den Erfolg einer stationären Therapieintervention bei adipösen Kindern und Jugendlichen / Moritz Mayr ; Gutachter: Bernd M. Wolfarth, Johann Josef Hauner ; Betreuer: Bernd M. Wolfarth." München : Universitätsbibliothek der TU München, 2016. http://d-nb.info/1123210829/34.

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Schwendner, Maximilian Josef [Verfasser], Sandro M. [Akademischer Betreuer] Krieg, Sandro M. [Gutachter] Krieg, and Stephanie E. [Gutachter] Combs. "Einfluss und Nutzen der navigierten transkraniellen Magnetstimulation (nTMS) in der Bestrahlungsplanung maligner Gehirntumore / Maximilian Josef Schwendner ; Gutachter: Sandro M. Krieg, Stephanie E. Combs ; Betreuer: Sandro M. Krieg." München : Universitätsbibliothek der TU München, 2020. http://d-nb.info/1216626383/34.

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Kollewe, Carolin. "Von Scham zu Stolz Erinnerungen, Objekte, Identitäten und ihre Repräsentation in einem mexikanischen Gemeindemuseum." Berlin Münster Lit, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=3020212&prov=M&dok_var=1&dok_ext=htm.

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Joseph, Jayabalan M. [Verfasser], and Michael [Akademischer Betreuer] Schleicher. "The actinome of Dictyostelium amoebae : comparative in silico and in vivo characterization / Jayabalan M. Joseph. Betreuer: Michael Schleicher." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2014. http://d-nb.info/1063278570/34.

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Axthammer, Quirin Josef [Verfasser], and Thomas M. [Akademischer Betreuer] Klapötke. "Investigation on oxygen-rich materials based on nitrocarbamates and FOX-7 / Quirin Josef Axthammer ; Betreuer: Thomas M. Klapötke." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2016. http://d-nb.info/1131040503/34.

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Bocquet, Antoine. "Esprit et société (la philosophie sociale de J. -M. Gérando)." Paris, EHESS, 2012. http://www.theses.fr/2012EHES0105.

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Y a-t-il une politique de l'individualisme ? - L'œuvre du philosophe spiritualiste et philanthrope Joseph-Marie de Gérando (1772-1842) apparaît comme un bon point de vue sur cette question, quoique l'idée même d'un spiritualisme sociologique puisse sembler paradoxale. Cette étude se donne dès lors pour tâche de suivre le destin de la méthode comparative à travers les divers aspects de la philosophie de cet auteur mal connu quoique crucial à plusieurs égards. Ses contributions à l'Idéologie et à la psychologie, à l'anthropologie, à la grammaire, à la littérature comparée, à la philanthropie et à l'administration, son œuvre pour l'éducation des sourds-muets y sont considérés dans cette perspective. Le principal résultat de ce tavail peut se résumer simplement sous le nom de paradoxe spiritualiste. Le spiritualisme, dont Gérando serait un des premiers représentants, à mesure qu'il gagne vers l'intériorité, s'ouvre ici aux pratiques concrètes et à une forme originale de comparatisme, comme si sa pente naturellement introspective le consuisait à un point de rebroussement propre à mettre en défaut le dispositif du sujet. Sous un autre aspect, on établit la façon dont s'est opéré le passage de l'Idéologie au sens que ce terme a chez les Idéologues, phiosophes sensualistes du Directoire, à l'idéologie au sens de l'anthropologie culturelle (les idées sociales). De ce point de vue, la contribution propre du spiritualisme aurait été de constituer l'esprit comme domaine d'élaboration pour la notion de social
Is there a politics of individualism ? - The work of spiritualist philosopher and philanthropist Joseph-Marie de Gérando (1772-1842) appears as a good point of view on this issue, although the idea of a sociological spiritualism may seem paradoxical. This study follows therefore what happens to comparative method through the various aspects of the philosophy of this little known although crucial author. His contributions to the Ideology and psychology, anthropology, grammar, comparative literature, philanthropy and administration, his work for the education of deaf-mutes are considered in this perspective. The main result of this work can be summarized simply as the spiritual paradox. Spiritualism, which Gérando is one of the first representatives, as it gets into interiority, opens to concrete practices and to an original form of comparative approachs, as if its introspective tendency naturally led him to a turnaround point able to show the weakness of subject "dispositif". In another aspect, we establish how took place the transition from "ideology", in the sense that this term has for Ideologues, sensualist philosophers of the Directoire, to the "ideology" in the sense of cultural anthropology (the social ideas). From this point of view, the specific contribution of spiritualism would have been to constitute the mind as an area of elaboration for the concept of "social"
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Bielfeldt, Sigrun. "Selbst oder Natur Schellings Anfang in Russland." München Sagner, 2000. http://d-nb.info/990829944/04.

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Robarts, Leslie Michael Martyn. "A bibliographical and textual study of the wordbooks for James Miller's Joseph and his brethren and Thomas Broughton's Hercules, oratorio librettos set to music by George Frideric Handel, 1743-44." Thesis, University of Birmingham, 2008. http://etheses.bham.ac.uk//id/eprint/188/.

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This thesis recovers the wordbooks for Handel’s oratorios from their neglect in literary and musical history. Taking Joseph and his Brethren and Hercules as samples, it shows the essential place of wordbooks in the original oratorio experience and challenges an editorial and performance practice which favours music over words. Chapter One presents editions of the wordbooks of Joseph and Hercules in order to offer a transmissional history, and Chapter Two reclaims the literariness of the librettos and demonstrates their effectiveness. Chapter Three examines the two librettos in the composer’s and copyist’s manuscript musical scores prior to first publication of the wordbooks and reveals verbal changes made during composition of the music. Chapter Four explores the significance of wordbooks for the booksellers of Joseph and Hercules and reconstructs aspects of wordbook production and consumption. Chapter Five identifies the wordbooks’ printer and places wordbook production in the context of book trade regulation and copyright. Chapter Six discusses the material identity of the wordbooks and the design principles which supported their reception. The thesis concludes that access to printed librettos is essential to redress the verbal-musical imbalance in contemporary performances of Handel’s oratorios.
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Hartmann, Telse. "Kultur und Identität Szenarien der Deplatzierung im Werk Joseph Roths." Tübingen Basel Francke, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2778114&prov=M&dok_var=1&dok_ext=htm.

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Boge, Birgit. "Die Anfänge von Kiepenheuer & Witsch : Joseph Caspar Witsch und die Etablierung des Verlags (1948-1959) /." Wiesbaden : Harrassowitz Verlag, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3328439&prov=M&dok_var=1&dok_ext=htm.

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Gerber, Michael. "Zur Liebe berufen pastoraltheologische Kriterien für die Formung geistlicher Berufe in Auseinandersetzung mit Luigi M. Rulla und Josef Kentenich." Würzburg Echter, 2007. http://d-nb.info/987068997/04.

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Ikenmeyer, Christian Verfasser], Johannes [Akademischer Betreuer] Blömer, Peter [Akademischer Betreuer] Bürgisser, and Joseph M. [Akademischer Betreuer] [Landsberg. "Geometric complexity theory, tensor rank, and Littlewood-Richardson coefficients / Christian Ikenmeyer. Betreuer: Johannes Blömer ; Peter Bürgisser ; Joseph M. Landsberg." Paderborn : Universitätsbibliothek, 2012. http://d-nb.info/1036891380/34.

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Garrett, Oliver James. "Fictions of ethics and identity : ideological negotiations and representations in the works of Joseph Conrad and J. M. Coetzee." Thesis, University of Exeter, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496172.

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This thesis sets out to consider Joseph Conrad's and J. M. Coetzee's approaches to, and interrogations of, theories of ethics and identity. In pursuit of this task, the study presents an analysis of the authors' distinctive and complementary address to the ways in which certain influential concepts are 'applied' by, and within, their cultures. Especially relevant in this respect, as extensive preoccupations of both Conrad and Coetzee, are the authors' literary expressions of 'consciousness' and 'conscience'. In noting the special attention paid by these authors to the writing of consciousness, and to the consciousness of writing, the thesis illustrates particular thematic representations and engagements with the notion of the 'self and the 'human good'.
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47

Leung, Joseph M. [Verfasser]. "The implication of CAD-CAM-CNC integration on skilled machining work in the tool-making profession / Joseph M Leung." Aachen : Shaker, 2010. http://d-nb.info/1164340204/34.

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48

Kron, Heike Susanne [Verfasser], and Josef M. [Akademischer Betreuer] Schmidt. "Rezeptionsgeschichte James Tyler Kents (1849-1916) in Deutschland von 1886 bis 1986 / Heike Susanne Kron. Betreuer: Josef M. Schmidt." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2014. http://d-nb.info/1065609825/34.

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49

Ikenmeyer, Christian Verfasser], Johannes [Akademischer Betreuer] Blömer, Peter [Akademischer Betreuer] [Bürgisser, and Joseph M. [Akademischer Betreuer] Landsberg. "Geometric complexity theory, tensor rank, and Littlewood-Richardson coefficients / Christian Ikenmeyer. Betreuer: Johannes Blömer ; Peter Bürgisser ; Joseph M. Landsberg." Paderborn : Universitätsbibliothek, 2012. http://nbn-resolving.de/urn:nbn:de:hbz:466:2-10472.

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50

Baumgärtner, Isolde. "Wasserzeichen Zeit und Sprache im lyrischen Werk Iosif Brodskijs." Köln Weimar Wien Böhlau, 2003. http://deposit.d-nb.de/cgi-bin/dokserv?id=2893386&prov=M&dok_var=1&dok_ext=htm.

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