Journal articles: 'Josep Pla'

1

Cuenca Torivio, José Manuel. "Josep Pla, Cronista parlamentario." Alfinge. Revista de Filología 8, no. 8 (January 1, 1995): 73. http://dx.doi.org/10.21071/arf.v8i8.7578.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Bush, Peter. "The Gray Notebookby Josep Pla." Translation Review 87, no. 1 (September 2, 2013): 59–69. http://dx.doi.org/10.1080/07374836.2013.834702.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Trias, Lluís Quintana, and Mònica Baró. "LA CORRESPONDÈNCIA ENTRE JOSEP PLA I L’EDITORIAL JOVENTUT I LES DECISIONS EDITORIALS DE PLA ALS ANYS 40." Catalan Review 19, no. 1 (January 1, 2005): 285–314. http://dx.doi.org/10.3828/catr.19.16.

Full text

Abstract:

Immediately after the Civil War, Josep Pla took some decisions—not merely aesthetic, but also commercial—about his work that would lead him to publish his books with five different publishers. This article provides an explanation for these decisions, supported by unpublished correspondence between Josep Pla and the Editorial Joventut (see appendix) and the recently-published correspondence between Pla and Cruzet.

APA, Harvard, Vancouver, ISO, and other styles

4

Badosa Mont, Cristina. "Josep Pla: space, time and memory." Digithum, no. 15 (May 15, 2013): 12. http://dx.doi.org/10.7238/d.v0i15.1792.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Arqués, Rossend. "Josep Pla: Itàlia com a mirall." Quaderns d’Italià 7 (November 3, 2002): 187. http://dx.doi.org/10.5565/rev/qdi.122.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Ferrer, Antoni. "Le Paris littéraire de Josep Pla." Cahiers d'études romanes, no. 6 (October 1, 2001): 123–42. http://dx.doi.org/10.4000/etudesromanes.298.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

i Puig, Montserrat Roser, and Xavier Pla. "Josep Pla: Ficcio autobiografica i veritat literaria." Modern Language Review 93, no. 2 (April 1998): 554. http://dx.doi.org/10.2307/3735450.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Bou, Enric, Xavier Pla, and Josep Pla. "Josep Pla. Ficcio autobiografica i veritat literaria." Hispanic Review 67, no. 4 (1999): 568. http://dx.doi.org/10.2307/474728.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Arqués, Rossend. "Roma, ciutat absent (o quasi) en l’obra de Josep Pla." Quaderns d’Italià 8 (November 3, 2002): 209. http://dx.doi.org/10.5565/rev/qdi.145.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Fuster, Francisco. "Josep Pla: Seeing the World in the Form of Articles." Hispanic Research Journal 20, no. 2 (March 4, 2019): 191–93. http://dx.doi.org/10.1080/14682737.2018.1537348.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Garolera, Narcís. "El quadern gris, de Josep Pla: resultats d'una edició crítica." Hispanic Research Journal 10, no. 3 (June 2009): 272–78. http://dx.doi.org/10.1179/174582009x448666.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Trias, Lluís Quintana. "Josep Pla a la península del Cap de Creus: la creació d'un cronòtop." Bulletin of Hispanic Studies 81, no. 4 (December 2004): 521–34. http://dx.doi.org/10.3828/bhs.81.4.7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Culleton, Colleen P. "Josep Pla, Geographer: The Presence of Landscape inEl pagès i el seu món." Romance Quarterly 53, no. 3 (July 2006): 185–94. http://dx.doi.org/10.3200/rqtr.53.3.185-194.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Blanco Hogg, Antonio. "Unas «cartas de Francia» de Josep Pla en Destino. Aproximación a la IV República francesa en los inicios de la Guerra de Argelia." Çédille 12 (April 1, 2016): 72. http://dx.doi.org/10.21071/ced.v12i.5615.

Full text

Abstract:

L’article suppose une première aproche de l’information offerte par la revue Destino à ses lecteurs sur la France de la IVème République française, concrètement pendant le mandat de Pierre Mendès- France en 1954, et qui a son origine dans quatre articles publiés par le journaliste et écrivain Josep Pla juste quand la guerre d’Algérie a commencé. Une information marquée par l’obsessive ligne éditoriale anticommuniste de cette charismatique publication de l’Espagne franquiste.

APA, Harvard, Vancouver, ISO, and other styles

15

Grasset, Eloi. "Josep Pla. Seeing the World in the Form of Articles by Joan Ramon Resina." Revista de Estudios Hispánicos 52, no. 3 (2018): 1032–34. http://dx.doi.org/10.1353/rvs.2018.0073.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Vilei, Leonardo. "Notas sobre la recepción de la literatura catalana moderna en Italia: el caso de Josep Pla." Revista de lenguas y literaturas catalana, gallega y vasca 20 (January 1, 2015): 95. http://dx.doi.org/10.5944/rllcgv.vol.20.2015.15913.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Luque Amo, Álvaro. "El Journal littéraire de Paul Léautaud: la obra y su recepción en España." Thélème. Revista Complutense de Estudios Franceses 36, no. 1 (May 12, 2021): 57–64. http://dx.doi.org/10.5209/thel.71159.

Full text

Abstract:

El presente trabajo analiza el Journal littéraire de Paul Léautaud y su recepción en España. De gran importancia en el contexto francés, el diario de Léautaud es leído por algunos de los diaristas españoles más importantes, como Josep Pla o Andrés Trapiello, y su reciente publicación (Léautaud, 2016) incide en el asentamiento del diario personal en la literatura española. El artículo se divide en dos partes: en la primera se analiza el Journal littéraire y las principales características que definen su estatus de diario literario; en la segunda, se acomete un repaso histórico por los diferentes textos que demuestran la progresiva acogida del Journal en el ámbito español.

APA, Harvard, Vancouver, ISO, and other styles

18

Pla, Xavier. "Producción de presencia y representaciones de la vida cotidiana en la novela La calle Estrecha de Josep Pla." Arizona Journal of Hispanic Cultural Studies 19, no. 1 (2016): 217–30. http://dx.doi.org/10.1353/hcs.2016.0017.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Batalla, Maria Dasca. "El imaginario de Estados Unidos en dos libros de viajes de Julián Marías y Josep Pla de los años cincuenta." Bulletin of Hispanic Studies 96, no. 8 (September 2019): 835–50. http://dx.doi.org/10.3828/bhs.2019.50.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Popowich, Alice Emma. "The Creation of a French Catalan Identity through the Landscape of the Roussillon: The Writings of Josep Pla and Jean." Studies in Linguistics and Literature 2, no. 4 (November 29, 2018): 269. http://dx.doi.org/10.22158/sll.v2n4p269.

Full text

Abstract:

The end of the 19th century saw the Roussillon at a crossroads: to the north were the social and financial opportunities that came from adopting French, the language of the aristocracy and the elite (Berjoan, 2009, pp. 121-122), to south was the shining example of Barcelona, now living its Renaixença period, where Catalan arts and culture were gaining the attention on a world stage. In Perpignan, and in neighboring communities, the intellectual classes of the Roussillon were weighing their options. Catalan was widely spoken in this area of France, but few could write it. In fact, the efforts by the French government to unify the nation under one language had resulted in the devaluing of Catalan among its speakers. A lack of grammatical and orthographical norms in French Catalonia had also led native speakers to become confused about the language they spoke (Berjoan, 2009, p. 122). Was it Catalan? Were they?

APA, Harvard, Vancouver, ISO, and other styles

21

Grau, Daniel P. "ESCRIPTURA I IDENTITAT NACIONAL: LA TRADUCCIÓ DE LES «GUÍAS DE ESPAÑA» DE JOSEP PLA I JOAN FUSTER / WRITING AND NATIONAL IDENTITY: THE TRANSLATIONS OF JOSEP PLA’S AND JOAN FUSTER’S «GUÍAS DE ESPAÑA»." Cultura, Lenguaje y Representación, no. 20 (2018): 167–81. http://dx.doi.org/10.6035/clr.2018.20.11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Pujol, Anton. "Joan Ramon Resina. Josep Pla. Seeing the World in the Form of Articles. Toronto: U of Toronto P, 2017. 312 pp." Symposium: A Quarterly Journal in Modern Literatures 74, no. 2 (April 2, 2020): 118–21. http://dx.doi.org/10.1080/00397709.2020.1745462.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Francés-Díez, M. Àngels. "Pompeu Fabra i els escriptors." Ítaca. Revista de Filologia, no. 10 (December 15, 2019): 101. http://dx.doi.org/10.14198/itaca2019.10.05.

Full text

Abstract:

L’objectiu d’aquest article, fruit de la meua intervenció a una taula redona de balanç sobre la vigència de l’obra de Pompeu Fabra (en el context de la Jornada Internacional «100 anys de l’obra de Pompeu Fabra», que va tenir lloc a la Universitat d’Alacant el 27 de març de 2019), és dibuixar algunes pinzellades sobre la recepció de la reforma fabriana entre els escriptors de l’època. Així doncs, dedicaré un primer apartat a relatar les reaccions dels escriptors vuitcentistes a les noves convencions, parant atenció en la visió del mateix Fabra sobre l’assumpte i les resistències d’alguns autors consagrats a sotmetre’s als canvis; en segon lloc, dedicaré unes pàgines a examinar la situació al País Valencià i, per últim, en faré un balanç breu, que col·labore en la visió col·lectiva de l’home i l’obra que ofereix aquest volum de la revista Ítaca. Al final de l’article podreu trobar un annex amb alguns textos literaris d’homenatge al mestre Fabra, precedits d’un comentari general; concretament, el retrat que hi va dedicar Josep Pla en el seu recull Homenots (1969), i tres poemes de tres referents de la nostra literatura contemporània: «El meu poble i jo», de Salvador Espriu (1968), «Jaculatòries del centenari», de Pere Quart (1968), i «Entreacte», de Joan Brossa (1961).

APA, Harvard, Vancouver, ISO, and other styles

24

Jakovljevic, Branislav. "Theater of Atrocities: Toward a Disreality Principle." PMLA/Publications of the Modern Language Association of America 124, no. 5 (October 2009): 1813–19. http://dx.doi.org/10.1632/pmla.2009.124.5.1813.

Full text

Abstract:

In October 1992, the united nations security council requested the secretary-general to appoint an impartial commission to examine and record the atrocities committed in the wars in the former Yugoslavia. Two years later, this commission produced its final report. Some of the goriest pages in this catalogue of infamy are dedicated to the explosion on the Markale open-air market in central Sarajevo that took place around noon on Saturday, 5 February 1994. The report describes it as “the worst attack on civilians during the siege” of Sarajevo, citing that it killed at least 66 persons and wounded 197 (781). This explosion can be said to represent the turning point in the Bosnian war, which by that point had lasted some twenty-two months without any reasonable resolution in sight. David Binder, a New York Times reporter and the author of the most detailed account of this atrocity to date, writes that itprovoked the first engagement of NATO in European hostilities since it was founded four decades earlier and the first involvement of U.S. forces in combat in Europe since the beginning of the Cold War. Within days it also drew Russia into the hapless circle of Balkan problem-solvers, along with a unit of Russian peacekeeping troops—the first entry of Russia into the former Yugoslavia since Joseph Stalin's break-up with Josip Broz Tito in 1948. (70)

APA, Harvard, Vancouver, ISO, and other styles

25

Tortella, Gabriel. "León Benelbas Tapinero, Anna Cabré i Pla, Isabel Pujadas i Rúbies, Josep Pujol i Andreu, y Caries Sudrià i Triay: Població, agricultura i energia, vol. 5 de Història Econòmica de la Catalunya Contemporània, Barcelona, Enciclopèdia Catalana, 1989. No hay bibliografía, ni índice de materias, ni se indica el precio." Revista de Historia Económica / Journal of Iberian and Latin American Economic History 8, no. 1 (March 1990): 220–22. http://dx.doi.org/10.1017/s0212610900002196.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Becker, Bernd W. "Managing with Data: Using ACRLMetrics and PLAmetrics by Peter Hernon, Robert E. Dugan, Joseph R. Matthews." portal: Libraries and the Academy 16, no. 3 (2016): 653. http://dx.doi.org/10.1353/pla.2016.0036.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Mitchell, W. Bede. "Reflecting on the Future of Academic and Public Libraries, ed. by Peter Hernon and Joseph R. Matthews." portal: Libraries and the Academy 14, no. 1 (2013): 122–23. http://dx.doi.org/10.1353/pla.2013.0044.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Mackenzie, Scott. "“Stock the Parish with Beauties”: Henry Fielding's Parochial Vision." PMLA/Publications of the Modern Language Association of America 125, no. 3 (May 2010): 606–21. http://dx.doi.org/10.1632/pmla.2010.125.3.606.

Full text

Abstract:

The parish and the social systems it sustains are prominent in Henry Fielding's Joseph Andrews. His parochial vision, formulated across the range of his literary, critical, and juridical writings, constitutes an intricate scheme of surveillance, discipline, and care that Fielding hoped to see applied throughout the nation. He combines a plan for reforming oversight of the poor (from the intimate confines of parish management through the supervisory offices of the county and the magistracy) with a heuristics of judgment and discrimination, based on the visible authenticity of poverty and verified by the ridiculousness of affectation, which he exemplifies through the antiromance of Joseph Andrews. Romance, for Fielding, is the literary version of affectation, a transgressive masquerade that belongs to social emulation and that can be unmasked by a “test of truth,” derived from the third earl of Shaftesbury's Characteristicks.

APA, Harvard, Vancouver, ISO, and other styles

29

Soubeyran, Michel. "Joseph-Jean-Théophile de Mourcin (1784-1856)." Paléo 1, no. 1 (1990): 9–11. http://dx.doi.org/10.3406/pal.1990.1408.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Haakenson, M. "Two Spanish brothers revisited: recent research surrounding the life and instrumental music of Juan Bautista Pla and Jose Pla." Early Music 35, no. 1 (January 16, 2007): 83–96. http://dx.doi.org/10.1093/em/cal127.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Lanza, Fabio. "O Movimento pela Anistia durante a ditadura militar brasileira (1964 – 1985)." Cadernos de Pesquisa do CDHIS 33, no. 2 (December 23, 2020): 310–35. http://dx.doi.org/10.14393/cdhis.v33n2.2020.55644.

Full text

Abstract:

Este artigo é resultado de uma pesquisa documental sobre os arquivos do Serviço Nacional de Informações - SNI, da agência do Paraná, e sobre o material censurado do jornal católico “O São Paulo” – JOSP. O foco da investigação foi analisar as matérias censuradas do JOSP e os documentos do serviço de inteligência para identificar fontes inéditas sobre o tema da anistia política durante a ditadura militar brasileira (1964-85). Foi identificado como ocorreu o controle e a manipulação do tema da anistia pelos órgãos de segurança do Estado, seja no SNI ou no processo de imposição da censura no JOSP.

APA, Harvard, Vancouver, ISO, and other styles

32

Freedgood, Elaine. "Divination." PMLA/Publications of the Modern Language Association of America 128, no. 1 (January 2013): 221–25. http://dx.doi.org/10.1632/pmla.2013.128.1.221.

Full text

Abstract:

What if in the final minutes of your heavyingdescendingthe landing strip kept lyingchanging you backinto the air the way a whitebacks away in anger when you approach with the directions you've been asked?—Ed Roberson, “The Aerialist Narratives”The fate of the nation is foretold in the arcs of birds, in the flight patterns of the ruling class, in the strip of runway hard to see in the fog. Only through the scrutiny of all such lines will our fates grow clear.—Joseph Donahue, “Metaphysical Shivers: Reading Ed Roberson”

APA, Harvard, Vancouver, ISO, and other styles

33

Bost, Darius. "Decomposing Bodies, Utopian Dreams: Joseph Beam, AIDS, and Black/Queer Politics." Palimpsest: A Journal on Women, Gender, and the Black International 8, no. 2 (2019): 11–18. http://dx.doi.org/10.1353/pal.2019.0012.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Gabaccia, Donna R. "Response to Marilyn Fischer, Jose Jorge Mendoza, and Celia Bardwell-Jones." Pluralist 5, no. 3 (2010): 56–62. http://dx.doi.org/10.1353/plu.2010.0007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Glavey, Brian. "Dazzling Estrangement: Modernism, Queer Ekphrasis, and the Spatial Form of Nightwood." PMLA/Publications of the Modern Language Association of America 124, no. 3 (May 2009): 749–63. http://dx.doi.org/10.1632/pmla.2009.124.3.749.

Full text

Abstract:

The reputation of Djuna Barnes's Nightwood as a work of “marginal” modernism is complicated by its affinities with the aesthetics of high modernism, a fact signaled by its role as the inspiration of Joseph Frank's theory of spatial form. At once emblematic and eccentric, the novel is devoted to both recognition and obscurity. Nightwood enacts this paradox through a strategy of queer ekphrasis that aestheticizes moments of loss, giving aesthetic form to experiences of stigma in order to “dazzle” them. Attending to Barnes's spatial form will forward debates about modernism and queer theory, suggesting a more useful vocabulary for both: an account of the aesthetic that is neither wholly subversive nor wholly conservative and a nuanced account of queerness that does not subscribe to either total negation or total affirmation.

APA, Harvard, Vancouver, ISO, and other styles

36

Martin, Regina. "Absentee Capitalism and the Politics of Conrad's Imperial Novels." PMLA/Publications of the Modern Language Association of America 130, no. 3 (May 2015): 584–98. http://dx.doi.org/10.1632/pmla.2015.130.3.584.

Full text

Abstract:

The nature of Joseph Conrad's critique of imperialism, given his novels' pervasive racism, persists as a source of debate. his essay argues that three of his imperial novels, Lord Jim, Nostromo, and Victory, take aim at an emerging system of imperialism organized around the modern, investorowned corporation. his system, referred to here as “absentee capitalism,” was replacing the nineteenthcentury British system of relatively small, familybased irms. he novels idealize the familyowned irm as having a presence of material value, meaning, and afect that contrasts with the wasted value let in the wake of absentee capitalism's invisible and everchanging network of social relations. According to this interpretation, Victory, which has been marginalized in Conrad studies, takes on renewed import for its insight into the relation among imperialism, romance, and modernism in Conrad's oeuvre.

APA, Harvard, Vancouver, ISO, and other styles

37

Macpherson, Sandra. "The Political Fallacy." PMLA/Publications of the Modern Language Association of America 132, no. 5 (October 2017): 1214–19. http://dx.doi.org/10.1632/pmla.2017.132.5.1214.

Full text

Abstract:

What kind of action is literary criticism? In literary criticism: a concise political history, Joseph North tells us up front: it's political action. His history “is explicitly motivated by present concerns: one has something like a goal, and something like a plan for reaching it,” and his goal is to persuade “readers on the radical left” that there is something at stake for them in “an extended discussion of matters literary, aesthetic, and methodological” (viii, ix, x). Or, rather, his goal is to persuade both readers on the left and “readers within and around academic literary studies” that their interests align: that the “materialist account of the aesthetic” at the root of close reading is “properly understood as part of a longer history of resistance to the economic, political, and cultural systems that prevent us from cultivating deeper modes of life” (x).

APA, Harvard, Vancouver, ISO, and other styles

38

Diagne, Souleymane Bachir. "Remarks on Inclusive Comparison." Cambridge Journal of Postcolonial Literary Inquiry 5, no. 3 (August 30, 2018): 262–65. http://dx.doi.org/10.1017/pli.2018.20.

Full text

Abstract:

At the center of Joseph Slaughter’s important address is the question of inclusion. It appears in the phrase “inclusive comparison.” The remark he makes in a footnote about “non-privileged (generally minor and/or minority) commentators in the world of letters who compared literature from marginal places to the literature from Europe” is particularly interesting as it speaks of pioneers of sort who dared to take seriously the “exhortation to compare” beyond established and conventional borders and bring into the literary conversation other literatures. I would like to develop a few reflections inspired to me by the notion of “inclusive comparison” by examining first the very concept of “comparison” and by considering the lessons to be drawn from the works of a couple of pioneers of “inclusive comparison” bringing in African literature: Abbé Grégoire and Blaise Cendrars.

APA, Harvard, Vancouver, ISO, and other styles

39

Langbauer, Laurie. "Prolepsis and the Tradition of Juvenile Writing: Henry Kirke White and Robert Southey." PMLA/Publications of the Modern Language Association of America 128, no. 4 (October 2013): 888–906. http://dx.doi.org/10.1632/pmla.2013.128.4.888.

Full text

Abstract:

This essay considers the poetry of the juvenile author Henry Kirke White (1785-1806), largely unstudied today but well known throughout the nineteenth century. Kirke White's work provides an example of the importance to juvenile writing of prolepsis—a trope that yokes immediacy to the future, employing a range of strategies including both anticipation and retrospection. Robert Southey's edition of Kirke White's Remains, coming on the heels of Southey and Joseph Cottle's edition of Thomas Chatterton (1752-70), consolidated juvenile writing into a recognizable tradition. Taking young Romanticera writers seriously now helps us recover how many young people published and how actively their writing was discussed. Romanticism's relation to juvenility can shape new hypotheses about literary practice and offer alternative understandings of tradition: the juvenile tradition, through a proleptic sense of its own immanence, anticipates its future critical neglect but indicates the retrospection and reinterpretation that will someday remedy it.

APA, Harvard, Vancouver, ISO, and other styles

40

Keogh, Calvin W. "The Critics’ Count: Revisions ofDraculaand the Postcolonial Irish Gothic." Cambridge Journal of Postcolonial Literary Inquiry 1, no. 2 (May 22, 2014): 189–206. http://dx.doi.org/10.1017/pli.2014.8.

Full text

Abstract:

This article revisits Irish criticism of the foundational period of postcolonial studies in view of its relevance to the topic of revisionism in contemporary postcolonial theory. Situating the status of Ireland and its literature in postcolonial studies, it suggests that the early distinction between academic “rereading” and creative “writing back” is a false one and that developments in Irish studies in the 1980s anticipate the more nuanced brands of contemporary postcolonialism. As a case in point, the article considers critical revisions of Irish Gothic fiction, which provided a context for various revisions conducted in the 1990s and early 2000s of the novelDracula(1897) by Bram Stoker (1847–1912). It focuses on the “metrocolonial” concept introduced by Joseph Valente, which offers a means not only of connecting these revisions but of specifying the postcolonial status of Ireland and of relating revisionism to the revolutionary and reconciliatory strands of contemporary postcolonial theory.

APA, Harvard, Vancouver, ISO, and other styles

41

Stilling, Robert. "An Image of Europe: Yinka Shonibare's Postcolonial Decadence." PMLA/Publications of the Modern Language Association of America 128, no. 2 (March 2013): 299–321. http://dx.doi.org/10.1632/pmla.2013.128.2.299.

Full text

Abstract:

In 1891 Oscar Wilde argued that “Lying, the telling of beautiful untrue things, is the proper aim of art.” A hundred years later, the Anglo-Nigerian artist Yinka Shonibare MBE takes up where Wilde left off, arguing that “[t]o be an artist you have to be a good liar.” This essay explores how Shonibare reinvents Wilde's antirealism for a globalized, postcolonial world. Building on Leela Gandhi's notion of “interested autonomy,” I argue that in works such as his 2001 photo series Dorian Gray, Shonibare turns to Wilde's aestheticism as a means of upending the relation between realism and politics found in Chinua Achebe's critique of Joseph Conrad's Heart of Darkness, rediscovering the disparate racial and sexual geographies at stake in Wilde's novel The Picture of Dorian Gray and in Albert Lewin's 1945 film version of it. Shonibare's post-colonial decadence, I argue, demonstrates how decadent aestheticism may become central to postcolonial imaginings of the real.

APA, Harvard, Vancouver, ISO, and other styles

42

Zastrow, Amanda. "The Lives of Chang & Eng: Siam’s Twins in Nineteenth-Century America by Joseph Andrew Orser." Pleiades: Literature in Context 36, no. 2S (2016): 41–42. http://dx.doi.org/10.1353/plc.2016.0122.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Thornber, Karen. "Education for the Future." PMLA/Publications of the Modern Language Association of America 133, no. 3 (May 2018): 700–706. http://dx.doi.org/10.1632/pmla.2018.133.3.700.

Full text

Abstract:

Cathy N. Davidson's the new education: how to revolutionize the university to prepare students for a world in flux joins a rapidly growing genre that calls on society and its leaders to revolutionize education at all levels to prepare children and young adults for a fast-changing world. his genre includes the former Harvard University president Derek Bok's The Struggle to Reform Our Colleges (2017) and the Northeastern University president Joseph E. Aoun's Robot-Proof: Higher Education in the Age of Artificial Intelligence (2017). But whereas Bok focuses on why so little has changed in education despite the pressing need for radical transformation and Aoun introduces the new discipline of “humanics” as a means for higher education to prepare students for an era when professions are rapidly disappearing, Davidson highlights the widening gap between a rapidly changing society and an educational system that has not kept pace. Davidson supports her theoretical arguments with case studies of programs from institutions that are paving the way for a new education.

APA, Harvard, Vancouver, ISO, and other styles

44

Yamakawa, Ibrahim Alisson. "A máquina de Joseph Walser, de Gonçalo M. Tavares e a modalização do vazio." Raído 13, no. 32 (November 26, 2019): 195–210. http://dx.doi.org/10.30612/raido.v13i32.9277.

Full text

Abstract:

A máquina de Joseph Walser, de Gonçalo M. Tavares, objeto base das discussões empreendidas neste artigo, faz um retrato da crise da sociedade tecnocrática, ao por em tela Joseph Walser, um dedicado operário de fábrica que se abdica de si mesmo em favor da máquina para sobreviver à violência decorrente da guerra e da máquina . Em decorrência disso, Joseph Walser passa por um processo de esvaziamento de sentidos acelerado pelo ritmo implacável das máquinas e pela violência da guerra. Logo, a convivência com o vazio torna-se inevitável. É fato, portanto, que para este romance o vazio demonstra ser um eixo de extrema signifi cação. Assim, o presente artigo propõe uma refl exão sobre a modalização do vazio nesse romance, especialmente, aquele caracterizado pela falta e o que se apresenta enquanto possibilidade de sentido. Para auxiliar essa refl exão, recorre-se aos estudos de Santiago Kovadloff (2003), David Le Breton (1991); (2018), entre outros.

APA, Harvard, Vancouver, ISO, and other styles

45

Siegel, Jonah. "Owning Art after Napoléon: Destiny or Destination at the Birth of the Museum." PMLA/Publications of the Modern Language Association of America 125, no. 1 (January 2010): 142–51. http://dx.doi.org/10.1632/pmla.2010.125.1.142.

Full text

Abstract:

A set of major old-master paintings looted from Spanish Royal Collections, including important canvases by Velázquez (fig. 1), Correggio, and others, was discovered in Joseph Bonaparte's baggage, abandoned along with the rest of his property as he fled from the Battle of Vitoria, which ended his tumultuous five-year reign as king of Spain in 1813. Years later the duke of Wellington offered to return the collection to the restored monarch. But Ferdinand VII—who owed his throne to the duke's victories—refused to take it. What in its day would have been called the return to legitimacy, the restoration of the Bourbon line after the defeat of Napoléon, did not result in the restitution of Napoleonic loot. The works remain at Apsley House, the duke's home in London, where they have been on display in the Waterloo Gallery since 1819, a usurper's booty transformed by its history into an emblem of royal generosity, gratitude, and military prowess (fig. 2). The collection is now part of the museum officially established at the duke's residence in 1947, following another European military cataclysm in which Britain prevailed.

APA, Harvard, Vancouver, ISO, and other styles

46

Binková, Simona. "Josef Polišenský e o seu interesse pela história das regiões lusófonas." IBERO-AMERICANA PRAGENSIA 45, no. 2 (May 29, 2018): 43–49. http://dx.doi.org/10.14712/24647063.2017.8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Vieira Della Giustina, Micheli, Mara Glarete Rodrigues Marinho, Claudia Zamberlan, Elenice Spagnolo Rodrigues Martins, and Silomar Ilha. "Machado-Joseph Disease in the context of the person/family that experiences it: daily changes and future expectations Doença de Machado-Joseph no contexto da pessoa/família que a vivencia: alterações cotidianas e expectativas futuras." Revista de Pesquisa: Cuidado é Fundamental Online 9, no. 4 (October 31, 2017): 1126. http://dx.doi.org/10.9789/2175-5361.2017.v9i4.1126-1131.

Full text

Abstract:

Objetivo: Conhecer as principais alterações cotidianas e as expectativas futuras vivenciadas pela pessoa/família com a Doença de Machado-Joseph. Métodos: Pesquisa exploratória, descritiva de abordagem qualitativa, realizada com sete familiares de uma pessoa com a doença de Machado-Joseph, em uma cidade do Rio Grande do Sul. Os dados coletados durante uma visita domiciliar realizada no mês de abril de 2016, por meio de entrevista semiestruturada e observação participante, foram submetidos à análise de conteúdo. Resultados: Emergiram cinco categorias: (Des)conhecimento da doença antes do diagnóstico; Conhecimento da doença após o diagnóstico; Dificuldades do diagnóstico; Alterações vivenciadas após o diagnóstico; Expectativas para o futuro com a doença de Machado-Joseph. Conclusão: Torna-se necessário, mais investimento por parte dos profissionais da saúde, especialmente dos enfermeiros, na realização de estudos voltados a buscar auxiliar as pessoas/familiares que convivem com a Doença de Machado-Joseph.

APA, Harvard, Vancouver, ISO, and other styles

48

Edwards, E. J., and Thomas Vranken. "“Oscar Wilde's Book”: Early American Reviews of The Picture of Dorian Gray." PMLA/Publications of the Modern Language Association of America 133, no. 1 (January 2018): 199–204. http://dx.doi.org/10.1632/pmla.2018.133.1.199.

Full text

Abstract:

Oscar wilde's only novel, the picture of dorian gray, first appeared in the july 1890 issue of the american periodical lippin- cott's Monthly Magazine? While the sometimes acrimonious reception of the novel in Britain has been routinely noted, less scholarly attention has been paid to the reception of Dorian Gray in the United States. Even when scholars allude to the reaction of the press there, they do so almost always as an afterthought—as a way of juxtaposing the novel's censorious reception in Britain with its supposedly more positive reception across the Atlantic. Thus, in the introduction to his definitive edition of Dorian Gray for Oxford University Press, Joseph Bristow comments in a footnote that he has “found no evidence of outright hostility towards The Picture of Dorian Gray in the American press,” before outlining “the trouncing that Wilde … experienced” in Britain“ (ln101). Similarly, in his general introduction to the ”uncensored“ Dorian Gray for Harvard University Press, Nicholas Frankel notes of the novel, ”To be sure, appreciative and sensitive reviews appeared in Britain and America, but a significant segment of the British press reacted with outright hostility, condemning the novel as ‘vulgar,’ ‘unclean,’ ‘poisonous,’ ‘discreditable,’ and ‘a sham’“ (5). In her contribution on Wilde in the series Bloom's How to Write about Literature, Amy Watkin is even more Manichaean: ”Americans loved it,“ she declares. ”English reviewers did not“ (129).

APA, Harvard, Vancouver, ISO, and other styles

49

Brooks, Lisa. "The Primacy of the Present, the Primacy of Place: Navigating the Spiral of History in the Digital World." PMLA/Publications of the Modern Language Association of America 127, no. 2 (March 2012): 308–16. http://dx.doi.org/10.1632/pmla.2012.127.2.308.

Full text

Abstract:

In her introduction to the english institute's e-book on periodization, the editor, virginia jackson, remarks on the ability of its “digital format” to invite innovative ways of interacting with texts. Marshall Brown's article in the book, for example, allows readers to hear Joseph Haydn's music while they read nineteenth-century literature, giving them an immediate understanding of the musical metaphors Brown uses for describing literary history. Our contemporary presence and capabilities in the digital world, Brown suggests, may help us to understand periods as “linked episodes within the rolling flood of time,” enabling what Jackson describes as “a literary historical process” that “is not progress but wave, not transcendence” but, as Brown writes, “the metrics and bar lines shaping the pulse of history'” (Jackson, par. 4). The authors of On Periodization suggest a practice of periodization that allows for simultaneities: “a new plane of historicity on which several temporalities unfold at once” (Jackson, par. 4). This conception of time is made possible by the present moment, the (relatively) new technologies we have in our midst, through which this e-book is expressed. This “new plane” of simultaneities reflects the primacy of the present in that the technologies we use are actively shaping how we experience literature and literary history (Martin 153–56). Furthermore, while chronological periodization can dis-embed events from their places, our process of reading rhizomically in the digital world may move us to reconsider the primacy of place.

APA, Harvard, Vancouver, ISO, and other styles

50

Cruz, Denise. "Beyond the Nation: Diasporic Filipino Literature and Queer Reading By Martin Joseph Ponce New York: New York University Press, 2012, 298 pp." Cambridge Journal of Postcolonial Literary Inquiry 2, no. 2 (April 28, 2015): 299–300. http://dx.doi.org/10.1017/pli.2015.5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Josep Pla'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles