Academic literature on the topic 'Joseph Conrad'

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Journal articles on the topic "Joseph Conrad"

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Branny, Grażyna. "Recenzja książki Moniki Malessy‑Drohomireckiej pt. Konwencje, stereotypy, złudzenia. Relacje kobiet i mężczyzn w prozie Josepha Conrada." Literaturoznawstwo 1, no. 13 (April 30, 2020): 87–92. http://dx.doi.org/10.25312/2451-1595.13/2019__08gmtb.

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‘Under Joseph Conrad’s Eyes’: A Review of Monika Malessa-Drohomirecka’s Konwencje, stereotypy, złudzenia. Relacje kobiet i mężczyzn w prozie Josepha Conrada [Conventions, Stereotypes, Delusions: Male-Female Relationships in the Prose of Joseph Conrad] (Universitas, Kraków 2017, 334 pages) The review concerns a Conrad monograph by Monika Malessa-Drohomirecka titled Konwencje, stereotypy, złudzenia. Relacje kobiet i mężczyzn w prozie Josepha Conrada [Conventions, Stereotypes, Delusions: Male-Female Relationships in the Prose of Joseph Conrad], which appeared in print at Universitas as a post-doctoral publication in 2017. As the first full-fledged study on the subject on the Polish market, the book fills a gap in the Conrad studies in Poland in the area that has been well covered in the American and West European Conrad studies. The monograph explores male-female relationships in almost all of Conrad’s oeuvre in the context of his biography, the philosophical and literary trends as well as conventions of his epoch. However, as the review points out, albeit in itself nuanced, Malessa-Drohomirecka’s book seems to lack in in-depth analysis and ‚close reading’ at the expense of scope. Keywords: Joseph Conrad, men and women, relationships
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Brodsky, G. W. Stephen. "Joseph Conrad: Prefaces by Joseph Conrad." Conradiana 47, no. 3 (2015): 257–64. http://dx.doi.org/10.1353/cnd.2015.0030.

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Ariesta, Daisy, and Emanuella Christine Natalia Mau. "Conrad�s Efficiency in An Outpost of Progress." Journal of Language and Literature 18, no. 1 (April 9, 2018): 50–56. http://dx.doi.org/10.24071/joll.v18i1.1055.

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This study aims at finding out Conrads efficiency in An Outpost of Progress. The efficiency itself means the characteristic of being human which is found in Conrads An Outpost of Progress that is directed on how white people should act. The main character of this story is analyzed using the theory of character The theory of author and voice is used to crosscheck the findings in theory of characters. These theories contribute to find out Conrads voice in the story.This study finds out that Conrad is emphasizing the importance of efficiency to white men. This study also supports Achebes statement toward Conrad being a racist. It is because Conrad is proud of having the efficiency and is looking down at the other race.Keywords: Efficiency, Joseph Conrad, Outpost of Progress
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Mercier, Christophe. "Joseph Conrad." Commentaire Numéro 49, no. 1 (March 21, 1990): 197–99. http://dx.doi.org/10.3917/comm.049.0197.

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Walker, George. "Joseph Conrad." Journal of Research in International Education 3, no. 2 (August 2004): 225–36. http://dx.doi.org/10.1177/1475240904044389.

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Watts, Cedric. "The Selected Letters of Joseph Conrad by Joseph Conrad." Conradiana 48, no. 1 (2016): 100–104. http://dx.doi.org/10.1353/cnd.2016.0011.

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Wiesenfarth, Joseph. "Ford's Joseph Conrad." Renascence 53, no. 1 (2000): 43–60. http://dx.doi.org/10.5840/renascence20005313.

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Peters, John G. "Joseph Conrad Criticism." Literature Compass 3, no. 3 (May 2006): 588–602. http://dx.doi.org/10.1111/j.1741-4113.2006.00320.x.

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Amar Acheraïou. "Joseph Conrad (review)." Conradiana 40, no. 1 (2007): 89–91. http://dx.doi.org/10.1353/cnd.0.0000.

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Colin, Bertrand. "Joseph Conrad: le premier commandement [Joseph Conrad: The First Command]." International Journal of Psychoanalysis 90, no. 3 (June 2009): 665–72. http://dx.doi.org/10.1111/j.1745-8315.2009.00159_2.x.

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Dissertations / Theses on the topic "Joseph Conrad"

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Gonçalves, Reynaldo. "Joseph Conrad." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106190.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1982.
Made available in DSpace on 2013-12-05T19:33:35Z (GMT). No. of bitstreams: 1 321742.pdf: 4635971 bytes, checksum: 4b46f82077a2a3a968ff6b7315d4ef0b (MD5)
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Teng, Hong-Shu. "Joseph Conrad and conspiracy." Thesis, Royal Holloway, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313431.

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Wong, Man Olive. "Men at work : masculinity, solidarity and solitude in Conrad's Fiction /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161768.

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Kang, Sukjin. "Joseph Conrad : his dialogic poetics." Thesis, University of Newcastle Upon Tyne, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244330.

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Tourchon, Patrick Paccaud-Huguet Josiane. "Joseph Conrad et Borneo, 1895-1920 chronotopes borneens dans l'oeuvre de J. Conrad /." Lyon : Université Lumière Lyon 2, 2004. http://demeter.univ-lyon2.fr:8080/sdx/theses/lyon2/2004/tourchon_p.

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Erdinast-Vulcan, D. "Joseph Conrad and the modern temper." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384049.

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Lepaludier, Laurent. "Ordres et désordres chez Joseph Conrad." Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb375949057.

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Kim, Jong-Seok. "Seeing the self in the other : narcissism and the double in Joseph Conrad's fiction /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901249.

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Jenvey, Brandon John. "Subject of Conrad : a Lacanian reading of subjectivity in Joseph Conrad's fiction." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/23438.

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This thesis examines how the fiction of Joseph Conrad anticipates and enacts the elaborate model of subjectivity that is later formalised in the psychoanalytic theory of Jacques Lacan. While modernist criticism has often utilised the work of post‐structuralism in reading key texts of modernism, the complexity and profundity of the conceptual relationship between Conrad and Lacan has not yet been explored in depth. Conrad’s work captures the impact and influence of emerging transnational capital upon forms of the subject in the later nineteenth and early twentieth centuries. Further, his fiction is also sensitive to how nascent global capital structures forms of space that the subject is embedded within in their daily experience. I argue that it is the intricate and finely woven theories of Lacan that are necessary in identifying this area of the novelist’s work, as Lacan’s model contends with both the individual psychic structure of the subject, and, crucially, how the individual is located and constituted within the broader matrix of social reality. Using four of Conrad’s novels from his early period to the end of his major phase, the thesis traces the evolution of the various fundamental modalities of Lacan’s subject across Conrad’s fiction. I examine how Almayer’s Folly offers the key tenets of Lacan’s primary model of the subject of desire, while Lord Jim presents the transition of the subject of desire into Lacan’s later mode of the subject of drive. Subsequently, The Secret Agent is shown to critique the role of rationalism in the structuring of the subject’s consciousness, while, finally, I read Under Western Eyes as a tour de force of Lacan’s four discourses. The deep and fundamental relationship between the two figures’ work attests to their acuity in observing the development of the subject in the twentieth century, while the method of theoretical analysis also, on a wider disciplinary level, suggests and helps to confirm the continued validity of the mode of deep reading in literary interpretation.
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Tourchon, Patrick. "Joseph Conrad et Borneo, 1895-1920 : chronotopes bornéens dans l'oeuvre de J. Conrad." Lyon 2, 2004. http://theses.univ-lyon2.fr/documents/lyon2/2004/tourchon_p.

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Les critiques conradiens font souvent peu de cas de la topographie. De Robert Lee à John Stape, nombre d'érudits nient la pertinence des références géographiques au nom d'un allégorisme, d'un symbolisme ou d'un psychologisme plus ou moins explicite. Le point de départ de cette thèse est de remettre en question ces présupposés et d'accepter la possiblilité pour l'espace et le temps, en tant que ce sont aussi des catégories littéraires, d'être essentiels dans les romans et les nouvelles de Conrad. Dès que Conrad se réinsère ainsi dans l'espace-temps, le concept bakhtinien de chronotope devient applicable. Ce qui veut dire qu'un appareil théorique complexe et riche devient disponible. Car non seulement le chronotope réunit le temps et l'espace, mais il implique de plus une interrogation sur l'émergence du sujet, tout comme il amène à examiner les différentes voix qu'un texte donne à entendre pour une polyphonie potentielle. Le concept bakhtinien, pourvu qu'il se soutienne d'une sémiotique peircéenne et s'enrichisse de développements plus récents opérés par Lacan, couvre donc aussi bien la narratologie que la pragmatique, l'analyse que la rhétorique. Or, Joseph Conrad est un auteur si "chronotopique" qu'une typologie de ses oeuvres peut se foncer sur la localisation précise de ses décors narratifs. Parmi ces décors, Bornéo se distingue comme le lieu que Conrad n'a jamais vraiment quitté : de son premier roman (Almayer's Folly, 1895) à son avant-dernier (du moins publié) (The Rescue, 1920), il ne cesse de revisiter l'île. Une approche bakhtinienne ne pouvait donc qu'éclairer un tel signifiant insistant, et ainsi éclairer aussi les procédés créatifs de Conrad
Conradian critics often take no account of topography. From Robert Lee to John Stape, many scholars hold geographical references as irrelevant, shifting the emphasis on alleged allegorical, symbolic or psychological aspects. The starting point of this thesis is to question such assumptions and to accept the possiblility for space and time, inasmuch as they are literary categories as well, to be essential in Conrad's novels and short stories. Once Conrad is re-inserted into space-time, the Bakhtinian concept of chronotope becomes applicable. Which means that a rich, complex theoretical appartus becomes available. For chronotopes not only merge space and time, they also imply questions about the subject's emergence, as they lead to study the various voices that can be heard in a text to form a potential polyphony. The Bakhtinina concept, provided it is backed up by a Peircean semiotics and enriched by Lacan's more recent developments, thus encompasses narratology as well as pragmatics, psychoanalysis as well as rhetoric. Now, Joseph Conrad proves so "chronotopic" a writer that a typology of his work can be based on a thorough location of his stories setting. Among these settings, Borneo stands out as the place Conrad never really left : from his first novel (Almayer's Folly, 1895) to the penultimate (published) one (The Rescue, 1920), he pays persistent visits to the island. A Bakhtinian approach could but shed light on such a recurring signifier, and therefore on Conrad's creativity
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Books on the topic "Joseph Conrad"

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Harold, Bloom, ed. Joseph Conrad. New York: Chelsea House Publishers, 1986.

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Joseph Conrad. Hove: Wayland, 1990.

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Harold, Bloom. Joseph Conrad. New York: Bloom's Literary Criticism, 2010.

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Watts, Cedric Thomas. Joseph Conrad. Plymouth, UK: Northcote House in association with The British Council, 1994.

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Nadelhaft, Ruth L. Joseph Conrad. Atlantic Highlands, NJ: Humanities Press International, 1991.

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Ray, Martin, ed. Joseph Conrad. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-09387-8.

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Spittles, Brian. Joseph Conrad. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22205-6.

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Goonetilleke, D. C. R. A. Joseph Conrad. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21126-5.

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Simmons, Allan H. Joseph Conrad. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-20959-6.

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Watts, Cedric. Joseph Conrad. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19775-0.

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Book chapters on the topic "Joseph Conrad"

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Humphrey, Richard. "Joseph Conrad." In Kindler Kompakt: Reiseliteratur, 157–60. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04508-9_35.

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Lucas, E. V. "Joseph Conrad." In Joseph Conrad, 84–86. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-09387-8_21.

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Epstein, Jacob. "Joseph Conrad." In Joseph Conrad, 168–72. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-09387-8_41.

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Karl, Frederick R. "Joseph Conrad." In The Craft of Literary Biography, 69–88. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07452-5_5.

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Basseler, Michael. "Conrad, Joseph." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8273-1.

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Peck, John. "Joseph Conrad." In Maritime Fiction, 165–85. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780333985212_10.

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Basseler, Michael. "Joseph Conrad." In Kindler Kompakt Englische Literatur 20. Jahrhundert, 33–35. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_2.

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Humphrey, Richard. "Joseph Conrad." In Kindler Kompakt: Englische Literatur, 19. Jahrhundert, 196–99. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05527-9_46.

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Ingram, Allan. "Joseph Conrad." In Joseph Conrad, 25–108. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315024622-2.

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Ingram, Allan. "Joseph Conrad." In Joseph Conrad, 109–13. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315024622-3.

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Conference papers on the topic "Joseph Conrad"

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Janicki, Joel J. "Anarchy and Betrayal in Joseph Conrad’s The Secret Agent." In Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2014. http://dx.doi.org/10.5176/2251-3566_l314.24.

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Manggong, Lestari, and Mohamad Rizal. "Postcolonial Network Analysis of Joseph Conrad’s Heart of Darkness." In Proceedings of the 3rd English Language and Literature International Conference, ELLiC, 27th April 2019, Semarang, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.27-4-2019.2285320.

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Huang, Yuandan. "Spontaneous Flow of Colonialism: A Postcolonial Reading of Joseph Conrad's Heart of Darkness." In 2017 International Conference on Sports, Arts, Education and Management Engineering (SAEME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/saeme-17.2017.58.

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Sun, Xin. "Feminism Interpretation of Joseph Conrad’s Works –Taking Heart of Darkness as an Example." In Proceedings of the 2018 5th International Conference on Education, Management, Arts, Economics and Social Science (ICEMAESS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icemaess-18.2018.206.

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Pare, C., and W. J. Firth. "Instabilities of counterpropagating waves in a Kerrlike medium." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1989. http://dx.doi.org/10.1364/oam.1989.wl49.

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Over the last few years, different types of instability associated with counterpropa- gating waves in a bulk Kerrlike medium have been discovered.1−3 Considering a finite response time for the nonlinearity, Silberberg and Bar-Joseph1 first predicted temporal oscillations and chaos at high intensity. Taking into account the extra degree of freedom due to the polarization state of the fields, Gaeta et al.2 have then shown that this polarization state is actually unstable above some intensity threshold. Finally, we have recently shown, using a linear stability analysis, that transverse instabilities also occur above another intensity threshold and an analytical expression has been given for this threshold.3 Here, we present a simple explicit analytical expression (in terms of the length of the medium and the tensor components of the susceptibility) for the polarization instability threshold in the case of equal beam intensities, considering only the first bifurcation. This instability can then be interpreted as a four-wave mixing self-oscillation. This result allows us to compare the different instability thresholds associated with contra- directional waves. It is shown that the transverse instability should dominate, not excluding however the possible onset of polarization instability at higher intensity.
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Uya, Yifan. "Vibração colaborativa: A jornada mítica de um menino de carvão." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.119.g190.

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A pesquisa tem como objetivo examinar o conceito de mito das perspectivas psicológicas e estruturais de Carl Jung e Lévi-Strauss, com as reflexões filosóficas de Maurice Merleau-Ponty e Martin Heidegger sobre a fenomenologia e discussões em torno do conceito ocidental da luz simbólica e críticas à postura instrumentalista da tecnologia. A pesquisa argumenta que a criação de mitos é uma forma necessária de tecnologia social, que pode transformar a experiência em valores altruístas a serem realizados no futuro, movidos pelo poder saciável da sabedoria e do conhecimento. Para desenvolver ainda mais essa tecnologia. A pesquisa visita a xamanologia e a fórmula mítica canônica de Lévi-Strauss a respeito da discussão que falta sobre a experiência psicológica e a comunidade. Do ponto de vista do profissional, a pesquisa também desafia a crise epistemológica do dualismo, buscando uma compreensão sistêmica do mito e da criação de mitos, usando os mais recentes métodos aplicados de gestão organizacional sustentável de Joseph M. Coll. A revisão contextual eventualmente levanta a hipótese de uma nova metodologia para a criação de mitos contemporânea, a bricolagem taoísta com um enfoque técnico específico na produção cinematográfica ensaísta. Este projeto conduzido pela prática implica uma jornada de metáforas e significantes relativos à minha história pessoal e experiência. Como um imigrante de primeira geração da Nova Zelândia, originalmente nascido em uma pequena cidade de mineração de carvão no Leste da Mongólia Interior, China, meu autoposicionamento é essencial para o processo de construção de mitos. Com pensamento sistêmico e uma metodologia hipotética, a pesquisa avalia a produção cinematográfica como uma organização de crescimento orgânico, que conta com múltiplas restrições criativas, e fluxos de trabalho algorítmicos, que servem ao estabelecimento estrutural das unidades míticas básicas necessárias. Pragmaticamente, a pesquisa estuda profissionais do cinema como Chris Marker e Adam Curtis e músicos como Elysia Crampton Chuquimia e Howie Lee para explorar criativamente as questões técnicas e teóricas do cinema ensaísta, reexaminando a História e a experiência de uma maneira socialmente consciente. Dando as boas-vindas à minha origem da cultura manchu e chinesa da Mongólia Interior e à complexidade da minha infância, a prática de design se concentrará no processo de crescimento de uma narrativa mitopoética contemporânea específica. Isto leva para um xamã briquete e um deus renascido nas costas de Bixi 赑 赑, um dragão-tartaruga que gosta de nadar no meio do nada, enquanto carrega montanhas nas costas. Este mito pessoal observa e resolve conscientemente o self no cenário da crise do Antropoceno. As representações e os conceitos são encorajados a crescer e se transformar em novas descobertas e autorrealizações, como um processo interno de aprendizagem que ajuda o self e o público a chegar mais perto da voz do inconsciente e das respostas emocionais. Em última análise, a pesquisa capitaliza conceitos contemporâneos para promover a sabedoria da autoaceitação como paz interior. O objetivo é revelar o Tao do mito e da criação de mitos como uma resposta tecnológica para resolver o apelo de David Attenborough por mudanças de paradigma global em seu livro “Uma Vida no Nosso Planeta”.
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Reports on the topic "Joseph Conrad"

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Wegener, Madison. A Question of Belief: The Narrative of Joseph Conrad?s Lord Jim. Portland State University Library, January 2016. http://dx.doi.org/10.15760/honors.325.

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