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Journal articles on the topic 'Joseph Conrad'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 June 2024

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1

Branny, Grażyna. "Recenzja książki Moniki Malessy‑Drohomireckiej pt. Konwencje, stereotypy, złudzenia. Relacje kobiet i mężczyzn w prozie Josepha Conrada." Literaturoznawstwo 1, no. 13 (April 30, 2020): 87–92. http://dx.doi.org/10.25312/2451-1595.13/2019__08gmtb.

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‘Under Joseph Conrad’s Eyes’: A Review of Monika Malessa-Drohomirecka’s Konwencje, stereotypy, złudzenia. Relacje kobiet i mężczyzn w prozie Josepha Conrada [Conventions, Stereotypes, Delusions: Male-Female Relationships in the Prose of Joseph Conrad] (Universitas, Kraków 2017, 334 pages) The review concerns a Conrad monograph by Monika Malessa-Drohomirecka titled Konwencje, stereotypy, złudzenia. Relacje kobiet i mężczyzn w prozie Josepha Conrada [Conventions, Stereotypes, Delusions: Male-Female Relationships in the Prose of Joseph Conrad], which appeared in print at Universitas as a post-doctoral publication in 2017. As the first full-fledged study on the subject on the Polish market, the book fills a gap in the Conrad studies in Poland in the area that has been well covered in the American and West European Conrad studies. The monograph explores male-female relationships in almost all of Conrad’s oeuvre in the context of his biography, the philosophical and literary trends as well as conventions of his epoch. However, as the review points out, albeit in itself nuanced, Malessa-Drohomirecka’s book seems to lack in in-depth analysis and ‚close reading’ at the expense of scope. Keywords: Joseph Conrad, men and women, relationships

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2

Brodsky, G. W. Stephen. "Joseph Conrad: Prefaces by Joseph Conrad." Conradiana 47, no. 3 (2015): 257–64. http://dx.doi.org/10.1353/cnd.2015.0030.

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3

Ariesta, Daisy, and Emanuella Christine Natalia Mau. "Conrad�s Efficiency in An Outpost of Progress." Journal of Language and Literature 18, no. 1 (April 9, 2018): 50–56. http://dx.doi.org/10.24071/joll.v18i1.1055.

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This study aims at finding out Conrads efficiency in An Outpost of Progress. The efficiency itself means the characteristic of being human which is found in Conrads An Outpost of Progress that is directed on how white people should act. The main character of this story is analyzed using the theory of character The theory of author and voice is used to crosscheck the findings in theory of characters. These theories contribute to find out Conrads voice in the story.This study finds out that Conrad is emphasizing the importance of efficiency to white men. This study also supports Achebes statement toward Conrad being a racist. It is because Conrad is proud of having the efficiency and is looking down at the other race.Keywords: Efficiency, Joseph Conrad, Outpost of Progress

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4

Mercier, Christophe. "Joseph Conrad." Commentaire Numéro 49, no. 1 (March 21, 1990): 197–99. http://dx.doi.org/10.3917/comm.049.0197.

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5

Walker, George. "Joseph Conrad." Journal of Research in International Education 3, no. 2 (August 2004): 225–36. http://dx.doi.org/10.1177/1475240904044389.

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6

Watts, Cedric. "The Selected Letters of Joseph Conrad by Joseph Conrad." Conradiana 48, no. 1 (2016): 100–104. http://dx.doi.org/10.1353/cnd.2016.0011.

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7

Wiesenfarth, Joseph. "Ford's Joseph Conrad." Renascence 53, no. 1 (2000): 43–60. http://dx.doi.org/10.5840/renascence20005313.

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8

Peters, John G. "Joseph Conrad Criticism." Literature Compass 3, no. 3 (May 2006): 588–602. http://dx.doi.org/10.1111/j.1741-4113.2006.00320.x.

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9

Amar Acheraïou. "Joseph Conrad (review)." Conradiana 40, no. 1 (2007): 89–91. http://dx.doi.org/10.1353/cnd.0.0000.

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10

Colin, Bertrand. "Joseph Conrad: le premier commandement [Joseph Conrad: The First Command]." International Journal of Psychoanalysis 90, no. 3 (June 2009): 665–72. http://dx.doi.org/10.1111/j.1745-8315.2009.00159_2.x.

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11

Šavle, Majda. "Joseph Conrad in Slovene translations." Acta Neophilologica 38, no. 1-2 (December 1, 2005): 61–69. http://dx.doi.org/10.4312/an.38.1-2.61-69.

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Joseph Conrad gained public admiration for the romantic glamour and atmosphere of his tales of the sea, of distant coasts and exotic locales, while his fellow artists and literary critics praised his superb use oflanguage, his writing style, and his narrative techniques. The following chronological account oftranslations and critical responses to them and of the discussions about the life and work of Joseph Conrad show, that in Slovenia, too, Conrad is considered to be one of the greatest novelists in the English language.

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12

Zabierowski, Stefan. "Joseph Conrad na kartach kwartalnika „Verbum”." Colloquia Litteraria 30, no. 1-2 (August 23, 2022): 81–95. http://dx.doi.org/10.21697/cl.2021.30.1-2.5.

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This article presents 2 valuable Polish texts on Conrad, published in Polish Catholic guarterly review „Verbum”. First article,by Rafał Marceli Bluth, presents important event in Conrad`s biography – his decision to leave his native country – Poland for ever. The second article,,by Konrad Górski, offers original interpretation of famous Conrad`s novel – Lord Jim.

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13

Bottmann, Denise. "JOSEPH CONRAD NO BRASIL." Belas Infiéis 1, no. 1 (September 20, 2012): 263–76. http://dx.doi.org/10.26512/belasinfieis.v1.n1.2012.11183.

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14

Warodell, Johan. "Suspense by Joseph Conrad." Conradiana 45, no. 3 (2013): 69–72. http://dx.doi.org/10.1353/cnd.2013.0016.

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15

Haryadi, Rafi, and Yusmalinda Yusmalinda. "AN ANALYSIS OF HYPERBOLE USED IN HEART OF DARKNESS BY JOSEPH CONRAD." LINGUA LITERA : journal of english linguistics and literature 7, no. 2 (September 12, 2022): 12–22. http://dx.doi.org/10.55345/stba1.v7i2.165.

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Abstract The purpose of this research was to identify the forms of hyperbole found in Heart of Darkness by Joseph Conrad. The research data were taken from the novel Heart of Darkness by Joseph Conrad. The writer applied Claridge’s theory to classify the forms of hyperbole. There are seven forms of hyperbole. They are single-word hyperbole, phrasal hyperbole, clausal hyperbole, numerical hyperbole, hyperbolic superlatives, hyperbolic comparison, and hyperbolic repetition. This study was qualitative research. This study reveals that seven forms of hyperbole according to Claridge (2011) were found in Heart of Darkness by Joseph Conrad. The forms are single-word hyperbole, phrasal hyperbole, clausal hyperbole, numerical hyperbole, the role of the superlative, comparison, and repetition. From the occurrence of all seven forms of hyperbole, it was found that the most form of hyperbole was clausalhyperbole. In conclusion, it can be said that Joseph Conrad used all forms of hyperbole in the novel Heart of Darkness.

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16

Ткачук, Олена. "Гендерні аспекти творчості Джозефа Конрада B англомовних розвідках." Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe 1, no. 1 (2015): 289–98. http://dx.doi.org/10.15804/pomi201520.

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Gender aspects of creativity by Joseph Conrad in English studies. The arh’cle is devoted to the analysis of gender discourse in the arh’sh’c heritage of the English classics, a Pole by birth, Joseph Conrad, by modern studies, often in coverage of racial, nah’onal, polifical, postcolonial and other issues.

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17

Muzalda, Dayaram, and Dr Aparna Banik. "Loneliness in The Novels of Joseph Conrad." SMART MOVES JOURNAL IJELLH 7, no. 11 (November 28, 2019): 11. http://dx.doi.org/10.24113/ijellh.v7i11.10129.

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Loneliness is one of the recurrent factors in the novels of Joseph Conrad. This malaise crops up time and again in the novel of Conrad. The heroes of Herman Melville, James Joyce, Virginia Woolf, Fydor Dostoevsky, Franz Kafka, R. L. Stevenson, and many more suffer from a sense of alienation. The protagonists of Joseph Conrad also prefer to direct their own life not by social norms but by their own whims, ideals and visions, which gradually take them to the extremes of loneliness and despair.

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18

Lobo, Suely Maria De Paula e. Silva. "Conrad: light in darkness." Estudos Germânicos 8, no. 1 (December 31, 1987): 15. http://dx.doi.org/10.17851/0101-837x.8.1.15-19.

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This essay presents an analysis of the several stages Marlow, the main character in Joseph Conrad's Heart of darkness passes by in his search for truth and self-understanding. It also questions the nature and extent of his achievement and success. Este ensaio apresenta uma análise dos diversos estágios por que passa Marlow, o narrador principal em Heart of darkness de Joseph Conrad, na sua busca de verdade e auto-conhecimento. Também questiona a natureza e o sucesso dos resultados dessa busca.

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19

Ena, Ouda Teda, and Made Frida Yulia. "Foreshadows and Symbols in The Brussels Company�s Main Office in Joseph Conrad�s Heart of Darkness." LLT Journal: A Journal on Language and Language Teaching 15, no. 2 (January 10, 2017): 9–14. http://dx.doi.org/10.24071/llt.v15i2.318.

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Joseph Conrads Heart of Darkness unveils a story about a journey to the inner selfto find the mysteries of human mind. The way the writer presents his story is veryintriguing in that he makes of use of many foreshadows and symbols. This paperattempts to examine the foreshadows and symbols which Conrad uses in this novella;however, the discussion is limited to the ones that appear in The Brussels CompanysMain Office.DOI: https://doi.org/10.24071/llt.2012.150202

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20

Ingram, Allan, and Steve Ressler. "Joseph Conrad: Consciousness and Integrity." Modern Language Review 86, no. 2 (April 1991): 430. http://dx.doi.org/10.2307/3730569.

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21

Thibaud, Paul, and Nicolas Guerpillon. "Joseph Conrad et l'Afrique coloniale." Esprit Janvier, no. 1 (2007): 133. http://dx.doi.org/10.3917/espri.0701.0133.

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22

Dumas, Robert. "L'Agent secret, de Joseph Conrad." Médium 37-38, no. 4 (2013): 286. http://dx.doi.org/10.3917/mediu.037.0286.

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23

André, Jean-Marie. "Les twitts de Joseph Conrad." Hegel N° 1, no. 1 (2016): 70. http://dx.doi.org/10.4267/2042/58974.

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24

RAY, MARTIN. "JOSEPH CONRAD AND ARNOLD BENNETT." Notes and Queries 44, no. 3 (September 1, 1997): 353—a—353. http://dx.doi.org/10.1093/nq/44-3-353a.

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25

RAY, MARTIN. "JOSEPH CONRAD AND ARNOLD BENNETT." Notes and Queries 44, no. 3 (1997): 353—a—353. http://dx.doi.org/10.1093/nq/44.3.353-a.

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26

Okafor, Clement Abiaziem. "Joseph Conrad and Chinua Achebe." Journal of Black Studies 19, no. 1 (September 1988): 17–28. http://dx.doi.org/10.1177/002193478801900102.

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27

Leavis, L. R. "Joseph Conrad and creative integrity." English Studies 72, no. 1 (February 1991): 28–37. http://dx.doi.org/10.1080/00138389108598731.

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28

Marsden, Philip Davis. "Did Joseph Conrad have loiasis?" Transactions of the Royal Society of Tropical Medicine and Hygiene 89, no. 4 (July 1995): 464. http://dx.doi.org/10.1016/0035-9203(95)90065-9.

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29

Lane Bradshaw, Ann. "Joseph Conrad and Louis Becke." English Studies 86, no. 3 (June 2005): 206–25. http://dx.doi.org/10.1080/0013838042000335677.

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30

Stephen Brodsky, G. W. "Joseph Conrad by Robert Hampson." Conradiana 51, no. 1-2 (March 2019): 95–105. http://dx.doi.org/10.1353/cnd.2019.0001.

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31

White, Andrea. "The Rover by Joseph Conrad." Conradiana 51, no. 1-2 (March 2019): 106–14. http://dx.doi.org/10.1353/cnd.2019.0003.

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32

Gokulsing, T. "JOHN G. PETERS, The Cambridge Introduction to Joseph Conrad. * ALLA H. SIMMONS, Joseph Conrad." Notes and Queries 55, no. 2 (June 1, 2008): 242–43. http://dx.doi.org/10.1093/notesj/gjn047.

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33

Tkachuk, Olena. "MULTICULTURALISM BY CONRAD-EMIGRANT." Polish Studies of Kyiv, no. 35 (2019): 376–80. http://dx.doi.org/10.17721/psk.2019.35.376-380.

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The article is devoted to the problem of the multiculturalism by Joseph Conrad, the English writer and the world classic of the 20th century, who, due to the preservation of his Polish national-cultural identity, and by estrangement from this identity in his artistic consciousness, was able to influence the intellectual and artistic atmosphere in England of his times. In this way, the Polish identity became a background for Conrad’s artistic creativity, and at the same time, universal values and criteria were the key to the successful acculturation in English society in its one of the most effective strategies – the integration strategy. In this case Conrad acquired another national-cultural identity, English, – while retaining his native, Polish. Undoubtedly, one of the most important issues touched by almost all researchers is his arrival in English literature, a Pole in origin, who only arrived in England in the twenty-first year, actually emigrating, and for a very short time becaming a venerable writer. It should be noted that, taking into account the peculiarities of English mentality, the task was rather uneasy. All this undoubtedly led to the development of a variety of approaches to understanding the creative personality and rich heritage of Joseph Conrad. Foreign literary and critical academic circles, which introduced the concept of «new English literature» (meaning the post-colonial period), do not take into account such figures of the English literary process as Joseph Conrad, whose work falls out of its chronological framework, and indicates that multicultural literature appeared on the approaches to the twentieth century. However, only nowadays it was possible that such an approach was based on the principles of multiculturalism, that is, the phenomenon justified in the 90s of the XX century, although, as the majority of scholars testify, it existed for a long time in cultural studies, literary criticism, art history and philosophy. We have chosen this approach. The research is devoted to the study of the problems of national-cultural identity by Joseph Conrad, as well as the mechanism of his acculturation in the conditions of emigration.

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34

Zabierowski, Stefan. "„Najmniej antypatyczną jest mi Austria” (Memoriał Josepha Conrada-Korzeniowskiego w sprawie polskiej z roku 1914)." Konteksty Kultury 17, no. 2 (2020): 152–68. http://dx.doi.org/10.4467/23531991kk.20.013.12447.

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“Austria Is the Least Awful to Me” (Joseph Conrad-Korzeniowski’s 1914 Note on the Polish Problem) The article attempts at a presentation and an interpretation of a relatively unknown text by Joseph Conrad, namely, his Memoriał w sprawie polskiej [Note on the Polish Problem], written in Zakopane in 1914. The author of this article by interpreting the text of that document proves that it was created – to a great extent − under the influence of trialist conceptions of Galician conservatives, predominantly, an eminent lawyer from Kraków, Ph.D. Teodor Kosch.

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35

Watts, Cedric, and John G. Peters. "The Cambridge Introduction to Joseph Conrad." Modern Language Review 103, no. 2 (April 1, 2008): 526. http://dx.doi.org/10.2307/20467817.

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36

Punter, David, Daphna Erdinast-Vulcan, and Richard Ambrosini. "Joseph Conrad and the Modern Temper." Modern Language Review 89, no. 2 (April 1994): 464. http://dx.doi.org/10.2307/3735272.

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37

Watts, Cedric. "The Secret Agent by Joseph Conrad." Conradiana 50, no. 2 (2018): 195–97. http://dx.doi.org/10.1353/cnd.2018.0017.

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38

Gasyna, George. "“Sailing towards Poland” with Joseph Conrad." Polish Review 64, no. 4 (December 1, 2019): 91–96. http://dx.doi.org/10.5406/polishreview.64.4.0091.

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39

Phillips, Caryl, and Chinua Achebe. "Was Joseph Conrad Really a Racist?" Philosophia Africana 10, no. 1 (2007): 59–66. http://dx.doi.org/10.5840/philafricana200710111.

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40

Virole, Benoît. "La Folie Almayer de Joseph Conrad." Enfances & Psy 45, no. 4 (2009): 119. http://dx.doi.org/10.3917/ep.045.0119.

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41

Nettels, Elsa. "Joseph Conrad and the Modern Temper." MFS Modern Fiction Studies 40, no. 4 (1994): 880–82. http://dx.doi.org/10.1353/mfs.1994.0019.

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42

Madigan, Patrick. "Joseph Conrad Today. By Kieron O'Hara." Heythrop Journal 52, no. 6 (October 11, 2011): 1061. http://dx.doi.org/10.1111/j.1468-2265.2011.00699_22.x.

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43

TANNER, TONY. "Joseph Conrad and the last gentleman." Critical Quarterly 28, no. 1-2 (March 1986): 109–42. http://dx.doi.org/10.1111/j.1467-8705.1986.tb00012.x.

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44

TANNER, TONY. "Joseph Conrad and the last gentleman." Critical Quarterly 28, no. 1 (June 28, 2008): 109–42. http://dx.doi.org/10.1111/j.1467-8705.1986.tb00250.x.

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45

Hocks, Richard A. "Teaching Joseph Conrad and Henry James." Henry James Review 17, no. 3 (1996): 264–74. http://dx.doi.org/10.1353/hjr.1996.0022.

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46

Ray, M. "Note. Joseph Conrad and Arnold Bennett." Notes and Queries 44, no. 3 (September 1, 1997): 353. http://dx.doi.org/10.1093/nq/44.3.353.

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47

Higdon, David Leon. ": Joseph Conrad: A Biography. . Jeffrey Meyers." Nineteenth-Century Literature 47, no. 1 (June 1992): 120–23. http://dx.doi.org/10.1525/ncl.1992.47.1.99p0435g.

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48

Dryden, Linda. "Joseph Conrad and Popular Culture (review)." Conradiana 39, no. 1 (2007): 77–81. http://dx.doi.org/10.1353/cnd.2007.0005.

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49

Billy, Theodore. "Joseph Conrad: The Short Fiction (review)." Conradiana 39, no. 2 (2007): 183–86. http://dx.doi.org/10.1353/cnd.2007.0012.

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50

Disanto, Michael John. "Joseph Conrad Today (review)." Conradiana 41, no. 2 (2011): 209–15. http://dx.doi.org/10.1353/cnd.2011.0011.

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