Relevant bibliographies by topics / Joseph – Criticism and interpretation; Joyce

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Academic literature on the topic 'Joseph – Criticism and interpretation; Joyce'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "Joseph – Criticism and interpretation; Joyce"

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Savinov, Rodion V. "At the origins of the neo-scholastic interpretation of kantianism:from C. Baldinotti to J. Kleutgen." Philosophy Journal, no. 3 (2021): 113–28. http://dx.doi.org/10.21146/2072-0726-2021-14-1-113-128.

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The article considers the first experience of interpretation and criticism of the Kantian doctrine of knowledge on the part of neo-scholastic thinkers in 1st half of the 19th century. It is shown that the transition from confessional polemics, which hadn’t philosophical in­terpretation, to the presentation and analysis of Kantian epistemology in Cesare Baldinotti’s treatise “Tentaminum metaphysicorum” (1817), when scholar takes an under­standing of Kantianism as radical skepticism. At the same time, he left unanswered ques­tions about what type of traditional concepts Kantianism refers, and ho
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Crook, Simon. "A Ruby and Triangled Sign upon the Forehead of Taurus: Modalities of Revelation in Megalithic Archaeoastronomy and James Joyce’s Novels Ulysses and Finnegans Wake." Religions 9, no. 11 (November 20, 2018): 375. http://dx.doi.org/10.3390/rel9110375.

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This paper proceeds from the concurrent interpretation of two distinct, apparently unrelated disciplinary contexts, at the crossroads of the positivism of archaeology and the imaginary world of literature. The character of the reciprocal relationship between megalithism in Neolithic Portugal and the writings of the twentieth-century author, James Joyce, is transfigured through the introduction of a third element of interpretation, a deeply paradoxical current of Jewish thought, with messianic dimensions, antithetical to the forces of mythic reconciliation present in Joyce’s fiction and in arch
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BERGER, KAROL. "Musicology According to Don Giovanni, or: Should We Get Drastic?" Journal of Musicology 22, no. 3 (2005): 490–501. http://dx.doi.org/10.1525/jm.2005.22.3.490.

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ABSTRACT In a recent essay, Carolyn Abbate argues for a ““drastic”” rather than ““gnostic”” conception of music and would want to see musicology's efforts redirected accordingly. In the wake of the 1985 call by Joseph Kerman urging musicologists to shift their attention from ““positivism”” and ““formalism”” to ““criticism”” or ““hermeneutics””——that is, to musicology centered on interpretation——Abbate issues a call for a new disciplinary revolution, one that would shift our attention from works to performances and thus undo what she perceives as the fatal weakness in Kerman's position. When we
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Kubíček, Jiří. "From Kerman to Merzbow: Notes on the metamorphoses of music analysis at the turn of the millennium." New Sound, no. 56-2 (2020): 23–46. http://dx.doi.org/10.5937/newso2055023k.

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This paper aims to delineate changes in the approach to music analysis over the last decades of the nineteenth century and to examine different possibilities in analysing works which have a characteristic that virtually excludes the use of traditional methods. The starting point is Joseph Kerman's criticism of music analysis, formulated in the 1980s, which - together with successive discussions - reflects a tendency towards abandoning the excessively academic and formalizing approach to analysis, moving from an attempt at an objective analysis of a work towards an interpretation that also focu
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Vorozhbitova, Aleksandra A., Serhiy I. Potapenko, Natalya Yu Khachaturova, and Yuliya N. Khoruzhaya. "Linguistic rhetoric of Soviet discourse: official vs personal register (J. Stalin – A. Dovzhenko)." Revista Amazonia Investiga 9, no. 29 (May 18, 2020): 224–33. http://dx.doi.org/10.34069/ai/2020.29.05.25.

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Within the conception of the Sochi Linguistic & Rhetorical School the paper discusses the diglossia of the Soviet discourse employed in the former USSR, distinguishes official and personal registers as well as shows their difference drawing on Joseph Stalin’s speech of 31 January 1944 to the Politburo of the Central Committee of the All-Union Communist Party of Bolsheviks concerning Alexander Dovzhenko’s screenplay “Ukraine in Flames” and in the writer’s diaries. The comparison reveals a few specific linguistic rhetorical features of cognitive communicative type ontologically characteristi
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Emel’yanova, N. ""Soft power" as a Concept: a Critical Analysis." Journal of International Analytics, no. 3 (September 28, 2018): 7–24. http://dx.doi.org/10.46272/2587-8476-2018-0-3-7-24.

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The focus of the article is on current discussions on the heuristic significance of the "soft power" concept, examines the socio-political and philosophical foundations of the phenomenon, and states the de-Americanization of the soft power discourse and the related changes in the behavior of the new "soft power" actors.The theoretical basis of the article is the conceptual interpretation of the concept of "power" proposed by Joseph Nye as an alternative to Realistic and Neo-Realistic models of power relations in modern world politics. Nye singled out coercion, influence and attractiveness as e
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Hellmers, Ryan. "Heidegger’s Encounter with Schelling." Heidegger Circle Proceedings 42 (2008): 23–34. http://dx.doi.org/10.5840/heideggercircle2008423.

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I provide a close analysis of truth and freedom in Heidegger’s work of the Contributions to Philosophy (Beiträge zur Philosophie). The work of Friedrich Wilhelm Joseph von Schelling is shown to play a decisive role in this key text of Heidegger’s, leading him to an understanding of the self in terms of freedom, community, culture, and history that carries important implications for political philosophy In attempting to uncover a thoughtful and elucidating interpretation of the Beiträge zur Philosophie, one of the most promising portions of Heidegger’s canon to which one can turn for assistance
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Vanini, Paolo. "A REACTIONARY FASCINATION: EMIL CIORAN AND JOSEPH DE MAISTRE." Ethics, Politics & Society 2 (May 3, 2019). http://dx.doi.org/10.21814/eps.2.1.97.

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The aim of this paper is to examine Cioran’s interpretation of Maistre’sreactionary thought. Cioran judges the philosophical work of De Maistre as a usefulinstrument to investigate the Twentieth century ideological debate on Revolution,with specific reference to the issue of the engagement of philosophers in politics.Through the analysis of Maistre’s criticism of revolutionary thought at the time ofthe Enlightenment, Cioran proposes an insightful deconstruction of the ideologicaldichotomy between Reaction and Revolution. Indeed, the paper will show thatCioran’s understanding of De Maistre impl
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Hart, Jonathan Locke. "French-speaking Intellectuals and Culture in Some Key Works of Edward Said." European Review, March 31, 2020, 1–19. http://dx.doi.org/10.1017/s1062798720000356.

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Edward Said, who is a key intellectual figure in the theory and interpretation of western European colonization and decolonization, sees criticism as personal engagement and a matter of character and not simply scholarship. He is highly influential in the fields of colonialism, postcolonialism, representation and interpretation. Of the many influences Said in turn has undergone, those in French deserve specific exploration. This article explores some of these influences, but it also looks at some of Said’s own representations of French and French-speaking culture. To this end I will examine ho
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Rutherford, Leonie Margaret. "Re-imagining the Literary Brand." M/C Journal 18, no. 6 (March 7, 2016). http://dx.doi.org/10.5204/mcj.1037.

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IntroductionThis paper argues that the industrial contexts of re-imagining, or transforming, literary icons deploy the promotional strategies that are associated with what are usually seen as lesser, or purely commercial, genres. Promotional paratexts (Genette Paratexts; Gray; Hills) reveal transformations of content that position audiences to receive them as creative innovations, superior in many senses to their literary precursors due to the distinctive expertise of creative professionals. This interpretation leverages Matt Hills’ argument that certain kinds of “quality” screened drama are d
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Dissertations / Theses on the topic "Joseph – Criticism and interpretation; Joyce"

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Skuthorpe, Barret School of English UNSW. "The Artist-God who ???disguides his voice???: a reading of Joseph Campbell???s interpretation of the dreamer of Finnegans Wake." Awarded by:University of New South Wales. School of English, 2006. http://handle.unsw.edu.au/1959.4/30593.

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This thesis is concerned with engaging a critic who has been neglected by his peers in the field of Joyce studies for more than forty years. This critic, Joseph Campbell, is an American scholar more popularly known for his studies in myth. However, he began his intellectual career contributing to a subject that emerged in the early years of the critical reception of Finnegans Wake: that the dream depicted in Joyce???s final masterpiece is dependent on a Dreamer. The neglect Campbell???s work has endured is largely due, this thesis argues, to an inaccurate treatment of his reading of this dream
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McMurren, Blair R. "James Joyce and the rhetoric of translation." Thesis, University of Oxford, 2002. http://ora.ox.ac.uk/objects/uuid:41fd0bc5-acc9-406f-b5e3-e21021470f92.

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This thesis examines theories of translation which are explicit in the themes and implicit in the rhetorical uses of form in the work of Joyce, with a focus on the French translations of Ulysses and Finnegans Wake produced with his collaboration between 1921 and 1931. Philosophies of translation from Jerome through Benjamin plus work in translation theory by Even-Zohar and Toury inform this study of the ethics both of translating and of being translated in the modernist idiom. In identifying a translation ethic arising out of the modernist aesthetic, the thesis postulates a rhetoric of transla
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Beaulieu, Etienne. "La fatigue romanesque de Joseph Joubert /." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84470.

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The opus of Joseph Joubert (1754--1824) was for a long period barely known, due to the fact that it languished unpublished, both during his lifetime and after his death, until the complete version of his Notebooks was brought out in 1938 by Andre Beaunier (reissued in 1994). It was thanks to this new form which his thoughts now took that a completely new Joubert came into view. No longer was he merely a moralist, as portrayed by Sainte-Beuve, whose version held sway for a number of decades, but a diarist as well, i.e., writing his thoughts on a daily basis, in the bourgeois tradition of
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Stedall, Ellie. "Herman Melville, Joseph Conrad and transatlantic sea literature, 1797-1924." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648378.

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Ingham, David Keith. "Mediation and the indirect metafiction of Randolph Stow, M. K. Joseph, and Timothy Findley." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25819.

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In order to explore the range of indirect metafiction as presented in three exemplary novels, this dissertation begins by examining how the assumptions of "realism" on the one hand and "postmodernism" on the other relate to the paradigmatic triad of story-teller, story, and audience. From this context emerges the view that the range of metafiction is determined by how it reveals the processes and nature of fiction according to a spectrum of mediation: that of the writer between his "raw materials" and the text, that of the text between writer and reader, and that of the reader between the text
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Doerr, Karin. "Joseph Breitbachs frühe Prosa im Licht der neuen Sachlichkeit." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75836.

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Joseph Breitbach began publishing literature in the late twenties. He came to occupy a specific place in the literary period generally called New Objectivity. The goal of this thesis is to define that place more closely. The first chapter analyzes Breitbach's early stories, whose themes are based on the new social reality of his time. The focus is on the organized workers of the far left (the proletarians), as well as the growing class of small clerks known as the petite bourgeoisie. Breitbach, a department store manager, crafted his fictional characters from this milieu and portrayed both the
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Rojas, René. "Language and the system : the closed world of Joseph Heller's fiction." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22626.

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This is a study of the use of language in Joseph Heller's novels Catch-22, Something Happened, Good as Gold, God Knows and Picture This. Heller's fiction is characterized by self-negating sentences and logic, a repetitive story line and circular structure. Each novel concerns the relationship between people and language, but the relationship invariably is circular and inherently non-progressive. The separation between people and language, analogous to the separation between existence and expression, is the basis for Heller's thematics.<br>Joseph Heller is a novelist who writes about language.
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Moira, Amara 1985. ""Dubliners" / "Dublinenses" : retraduzir James Joyce." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269967.

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Orientador: Fabio Akcelrud Durão<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-22T20:39:26Z (GMT). No. of bitstreams: 1 Moira_Amara_M.pdf: 2083817 bytes, checksum: 688ce4a9ffecb500ae13e648428af24b (MD5) Previous issue date: 2013<br>Resumo: O fato de existirem sete traduções do "Dubliners" de James Joyce poderia indicar duas situações diametralmente opostas: de um lado, que é possível já existir uma versão cujo brilho seria capaz de apagar, pelo menos temporariamente, a necessidade de se retraduzir os qu
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Van, der Merwe Stephen Gareth. "Generic engineering : a study of parody in selected works of Oscar Wilde, James Joyce and Tom Stoppard." Thesis, Stellenbosch : Stellenbosch University, 2004. http://hdl.handle.net/10019.1/49971.

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Thesis (MA)-- Stellenbosch University, 2004.<br>Full text to be digitised and attached to bibliographic record.<br>ENGLISH ABSTRACT: The following thesis develops a theory of parody as a multifunctional practice in relation to selected works of Oscar Wilde, James Joyce and Tom Stoppard. The study discusses parody as a mode of generic engineering (rather than a genre itself) with ideological ramifications. Based on an understanding of literary and non-literary genres as social institutions, this thesis describes the practice of parody as one of engineering generic or discursive incongruit
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Smith, Jeremy Mark. "Conviction in the everyday : Joseph Conrad and skepticism." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59889.

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Heart of Darkness, Chance, and Lord Jim can be described as philosophical works if considered in light of "ordinary language" philosophy. Conrad wrestled with skepticism much as Wittgenstein later would, but his struggle with the "bewitchment" of skeptical thinking took a narratival form. His champion was Marlow, raconteur of the three novels, who recurrently loses and recovers his words and his capacity to tell (to judge, to narrate). In these works the Marlovian investigation of human convention, linguistic and otherwise, is shown to be a necessary but perilous task. The possibility that we
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Books on the topic "Joseph – Criticism and interpretation; Joyce"

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Measuring the sadness: Conrad, Joyce, Woolf and European epiphany. Frankfurt am Main: Peter Lang, 2009.

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Haefner, Gerhard. Klassiker des englischen Romans im 20. Jahrhundert: Joseph Conrad, D.H. Lawrence, James Joyce, Virginia Woolf, Samuel Beckett : Begründung der Moderne und Abrechnung mit der Moderne. Heidelberg: C. Winter-Universitätsverlag, 1990.

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Marucci, Franco. Joyce. Roma: Salerno editrice, 2013.

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Brescia, Giuseppe. Joyce dopo Joyce. Napoli: Arte tipografica, 2004.

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Ginette, Michaud. Joyce. LaSalle, Québec: Hurtubise HMH, 1996.

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Michaud, Ginette. Joyce. Ville LaSalle,Quebec: Editions Hurtubise, 1996.

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Sherry, Simon, ed. Joyce. [Bègles, France]: Le Castor Astral, 1996.

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Joyce Mansour. Amsterdam: Rodopi, 1985.

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James Joyce. New York: F. Ungar Pub. Co., 1985.

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Estación Joyce. Caracas, Venezuela: Fundación Editorial Perro y Rana, 2008.

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Book chapters on the topic "Joseph – Criticism and interpretation; Joyce"

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Brooker, Joseph. "Slow Revelations." In Modernism and Close Reading, 86–112. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198749967.003.0005.

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This chapter examines the connection between modernism and close reading with reference to one major modernist writer, James Joyce. It examines a small number of examples of the close reading of Joyce’s fiction, trying to identify what happens at the level of interpretation, and also to describe what happens in the language of the critic. A premise of this discussion is that what we think of as close reading, when communicated to us, also implies a practice of writing. As Hugh Kenner, one of the readers under discussion, once remarked: ‘Criticism is nothing but explicit reading, reading articulating its themes and processes in the presence of more minds than one.’ The chapter seeks to discern how the writing of the critic, in thus making reading ‘explicit’, inflects our sense of the literary work.
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Van Rooy, Raf. "The conceptual pair and language history." In Language or Dialect?, 136–46. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198845713.003.0010.

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Most early modern interpretations of the language / dialect distinction were synchronic, but one conception was diachronic, in that language was considered to generate different dialects. Chapter 10 argues that even though this language-historical conception had earlier precursors, it was only due to the influence of Joseph Justus Scaliger’s work that it became popular. Already in the early seventeenth century, this conception was framed by Abraham Mylius within a cyclical process of language change. The language-historical interpretation of the conceptual pair, otherwise primarily understood in synchronic terms, soon prompted criticism, voiced most fiercely by Johann Heinrich Hottinger. Chapter 10 also briefly comments on the emergent idea that dialects preserved archaic features, which was in apparent contradiction with the diachronic conception of the distinction. Finally, this chapter illustrates how the conceptual pair came to be used as a handy discursive strategy for historical classifications of language, especially in cases where evidence was lacking.
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