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Relevant bibliographies by topics / Joseph Sheridan Le Fanu

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Academic literature on the topic 'Joseph Sheridan Le Fanu'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "Joseph Sheridan Le Fanu"

1

Lozes, Jean. "Le « Bestiaire » fantastique de Joseph Sheridan Le Fanu." Études irlandaises 13, no. 1 (1988): 55–62. http://dx.doi.org/10.3406/irlan.1988.2482.

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Subotsky, Fiona. "In a Glass Darkly (1872), J. Sheridan LeFanu." British Journal of Psychiatry 195, no. 2 (2009): 162. http://dx.doi.org/10.1192/bjp.195.2.162.

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Joseph Sheridan Le Fanu (1814-1873) is another literary Dubliner. Having studied law at Trinity College, he became a journalist and author, famous for both his sensationalist novels and his supernatural tales. For In a Glass Darkly Le Fanu used a technique common in gothic fiction by having a narrator/editor who presents past documents, in this instance of mysterious medical case histories from the papers of the nowdeceased Dr Hesselius. The latter is a European ‘metaphysical physician’ with Swedenborgian leanings who likes to investigate curious psychological phenomena. He considerably resemb

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Brakovska, Jelena. "JOSEPH SHERIDAN LE FANU: METAMORPHOSES AND INNOVATIONS IN GOTHIC FICTION." CBU International Conference Proceedings 1 (June 30, 2013): 182–87. http://dx.doi.org/10.12955/cbup.v1.32.

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Notwithstanding the fact that the Anglo-Irish writer Joseph Sheridan Le Fanu was one of the most popular writers of the British Victorian era, his name and most of his works are not well-known to a common reader. The present research investigates how the author inventively modifies traditional Gothic elements and penetrates them into human’s consciousness. Such Le Fanu’s metamorphoses and innovations make the artistic world of his prose more realistic and psychological. As a result, the article presents a comparative literary study of Le Fanu’s text manipulations which seem to lead to the crea

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Manara, Franck. "Une eau fantastique : lecture de « The Haunted Baronet, » de Joseph Sheridan Le Fanu." Études irlandaises 29, no. 2 (2004): 121–34. http://dx.doi.org/10.3406/irlan.2004.1722.

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Clark Mitchell, David. "A New ‘Rhetoric of Darkness’: Joseph Sheridan Le Fanu, John Connolly and the Irish Gothic." Oceánide 13 (February 9, 2020): 95–102. http://dx.doi.org/10.37668/oceanide.v13i.45.

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The relationship between Ireland and the Gothic goes back to the early days of the genre, when the Sublime, as identified by the Irish philosopher Edmund Burke, became central to the aesthetic concepts which would abound in the articulation of the Gothic as a literary form. The “dark, desolate and stormy grandeur” of the perception of Ireland which was held by the English reading public in the late eighteenth century was readily adaptable for the use of the island as a kind of pre-Enlightenment wilderness which, when combined with its linguistic, religious and cultural “otherness”, provided a

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Forclaz. "Edgar Allan Poe and Joseph Sheridan Le Fanu: Pioneers of the Story of Detection." Edgar Allan Poe Review 21, no. 2 (2020): 265. http://dx.doi.org/10.5325/edgallpoerev.21.2.0265.

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Fernández, Richard Jorge. "Guilt, Greed and Remorse: Manifestations of the Anglo-Irish Other in J. S. Le Fanu’s “Madame Crowl’s Ghost” and “Green Tea”." Atlantis. Journal of the Spanish Association for Anglo-American Studies 42, no. 2 (2020): 233–51. http://dx.doi.org/10.28914/atlantis-2020-42.2.12.

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Monsters and the idea of monstrosity are central tenets of Gothic fiction. Such figures as vampires and werewolves have been extensively used to represent the menacing Other in an overtly physical way, identifying the colonial Other as the main threat to civilised British society. However, this physically threatening monster evolved, in later manifestations of the genre, into a more psychological, mind-threatening being and, thus, werewolves were left behind in exchange for psychological fear. In Ireland, however, this change implied a further step. Traditional ethnographic divisions have tend

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Pająk, Patrycjusz. "Uncanny Styria." Prace Filologiczne. Literaturoznawstwo, no. 9(12) cz.1 (July 4, 2019): 149–62. http://dx.doi.org/10.32798/pflit.114.

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The nineteenth century in the West was a period of intellectual and artistic fascination with the East, both distant and near: Asian and Eastern European. One of the regions that attracted the interest of Western Europeans was Styria, situated on the border separating Austria from Hungary and the Balkans, that is, the West from the East. Borderland cultural phenomena stimulate the imagination as much as exotic phenomena. Both disturb with their hybrid character, which results from the mixing of elements from familiar and alien cultures. With their duality and ambiguity, borderlands are the sou

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McCann, Andrew. "ROSA PRAED AND THE VAMPIRE-AESTHETE." Victorian Literature and Culture 35, no. 1 (2007): 175–87. http://dx.doi.org/10.1017/s1060150307051479.

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ROSA CAMPBELL PRAED left Australia for London in 1876. In the decade or so subsequent to her arrival in the metropolis she forged a successful career as a writer of occult-inspired novels that drew on both theosophical doctrine and a nineteenth-century tradition of popular fiction that included Edward Bulwer-Lytton and Joseph Sheridan Le Fanu. A string of novels published in the 1880s and the early 1890s, including Nadine: the Study of a Woman (1882), Affinities: A Romance of Today (1885), The Brother of the Shadow: A Mystery of Today (1886), and The Soul of Countess Adrian: A Romance (1891),

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Begnal, Michael H., Ivan Melada, Stephen J. Brown, Desmond Clarke, and Barry Sloan. "Sheridan Le Fanu." Canadian Journal of Irish Studies 14, no. 2 (1989): 102. http://dx.doi.org/10.2307/25512753.

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Dissertations / Theses on the topic "Joseph Sheridan Le Fanu"

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Lozes, Jean. "Joseph Sheridan Le Fanu, romancier et nouvelliste anglo-irlandais, 1814-1873." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376075264.

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Lozes, Jean. "Joseph Sheridan Le Fanu : romancier et nouvelliste anglo-irlandais : 1814-1873." Toulouse 2, 1987. http://www.theses.fr/1987TOU20018.

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L'œuvre de Le Fanu est née de la tragique rencontre politico-religieuse entre deux pays, l'Irlande et l'Angleterre. Elle est une vision d'abord historique, puis mythique de ce conflit. L'étude de cette confrontation aboutit très vite à une hésitation fatale, à l'impossibilité de trouver une solution. L'art de Le Fanu consiste à exprimer cette hésitation et cette impossibilité sur deux modes littéraires utilisés conjointement. Expression de l'enfermement, de l'incompréhensible prédestination, de l'inexorable fatalité, de la menace constante du mystère, traduction de la grande peur originelle qu

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Girard, Gaïd. "Aspects et construction du fantastique dans les nouvelles de Joseph Sheridan Le Fanu (1814-1873)." Paris 4, 1994. http://www.theses.fr/1994PA040074.

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Le but de cette thèse est de dégager les constantes de l'écriture fantastique de Le Fanu dans ses nouvelles. L'étude s'organise autour de trois axes : la réécriture de contes irlandais,l'utilisation des codes du roman gothique,l'invention de nouvelles formes d'écriture qui lient explicitement fantastique et fantasmatique. Le fanu parvient à inscrire dans la fictionalité écrite l'expérience du conteur,qui redit sans répéter,qui signale tout par le fragment<br>This thesis aims at defining the specificity of Le Fanu's fantastic in his short stories. .

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Issa, Alexandra. "Hennes namn var Carmila : En queerteoretisk analys av Joseph Sheridan Le Fanus novell Carmilla." Thesis, Södertörns högskola, Lärarutbildningen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-31431.

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This dissertation is a text analysis of the short novel Carmilla (1872) by the Irish ghost story-author Joseph Sheridan Le Fanu. It is a close reading analysis where I apply a queer theoretical perspective using Mia Franck’s model to analyze different silence practices in Carmilla. I focus on the female vampire Carmilla and her companion Laura and how they are portrayed in this short novel. I will ask the questions: do the characters Carmilla and Laura show a non-heterosexual relationship, passion and desire? How do they depart from the gender norm and can they be seen as characters who deviat

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Campos, Ludmila Rode de [UNESP]. "Carmilla e Sabella: em busca de uma identidade feminina em Joseph Sheridan Le Fanu e Tanith Lee." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/99126.

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Made available in DSpace on 2014-06-11T19:29:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-08-22Bitstream added on 2014-06-13T21:00:16Z : No. of bitstreams: 1 campos_lr_me_sjrp.pdf: 696640 bytes, checksum: 9fd8fdc49f20d3c0d98f77a5b2b314c5 (MD5)<br>Este trabalho teve como objetivo realizar uma análise comparativa entre duas obras literárias que têm como foco a questão da representação literária feminina. Ao analisar os textos Carmilla (1872), de Joseph Sheridan Le Fanu, e Sabella (1980), de Tanith Lee, buscamos apontar alguns traços comuns característicos quanto às descrições das

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Campos, Ludmila Rode de. "Carmilla e Sabella : em busca de uma identidade feminina em Joseph Sheridan Le Fanu e Tanith Lee /." São José do Rio Preto : [s.n.], 2008. http://hdl.handle.net/11449/99126.

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Orientador: Álvaro Luiz Hattnher<br>Banca: Nícea Helena de ALmeida Nogueira<br>Banca: Carla Alexandra Ferreira<br>Resumo: Este trabalho teve como objetivo realizar uma análise comparativa entre duas obras literárias que têm como foco a questão da representação literária feminina. Ao analisar os textos Carmilla (1872), de Joseph Sheridan Le Fanu, e Sabella (1980), de Tanith Lee, buscamos apontar alguns traços comuns característicos quanto às descrições das personagens femininas e as posturas que assumem diante da sociedade na qual estão inseridas, a fim de encontrar alguns possíveis aspectos no

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Silva, Danilo Tavares Marinho da. "O padre e o médico: as vozes de autoridade em In a glass darkly." Niterói, 2017. https://app.uff.br/riuff/handle/1/3745.

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Submitted by Fabiano Vassallo (fabianovassallo2127@gmail.com) on 2017-05-03T18:29:38Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Danilo - Mestrado.pdf: 4582767 bytes, checksum: e268d638f435833cc3b7d2e69a1ac790 (MD5)<br>Approved for entry into archive by Josimara Dias Brumatti (bcgdigital@ndc.uff.br) on 2017-05-29T16:56:54Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Danilo - Mestrado.pdf: 4582767 bytes, checksum: e268d638f435833cc3b7d2e69a1ac790 (MD5)<br>Made available in DSpace on 2017-05-29

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Widén, Anders. "Drives of death and sexuality in John Polidori´s "The vampyre" and Joseph Sheridan Le Fanu´s Carmilla." Thesis, Karlstads universitet, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-27359.

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Ashman, Anne. "Beyond the gates : a psychobiographical study of death, mourning, and the Swedenborgian after-life in the later works of Joseph Sheridan Le Fanu." Thesis, University of Aberdeen, 2005. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=158292.

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Summary Joseph Thomas Sheridan Le Fanu (1814-1873) became a virtual recluse after the death of his wife in 1858. However, after this date he published much of his best work, mostly on supernatural themes. This thesis uses Freudian psychobiography to explore this paradox, examining Le Fanu's preoccupation with the subject of death and the after-life. Chapter One - explains the psychobiographical methodology; establishes the biographical facts that are connected with symptomatic features of Le Fanu's fiction; and introduces certain Freudian concepts that are relevant to Le Fanu's case. My aim is

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Paquiot, Alethea. "Images de la transgression : Carmilla (1872), Dracula (1897) et les vampires d'Anne Rice." Thesis, Le Havre, 2016. http://www.theses.fr/2016LEHA0028.

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Devenu célèbre sous les traits de Dracula, le vampire est un monstre révélateur et résilient qui s'est fait archétype incontournable de la culture populaire et dont l'existence diégétique précède le roman de Bram Stoker. Du folklore à la fiction et de l'ombre à la lumière, son évolution est représentative des sociétés et des époques dans lequel il revient à la vie. A la fois transgressifs et normatifs, ses avatars jouent un rôle cathartique en incarnant le refus des lois humaines naturelles et divines, mais aussi la réitération de ces règles et la création de canons littéraires. Cette étude di

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Books on the topic "Joseph Sheridan Le Fanu"

1

Sheridan Le Fanu. Twayne Publishers, 1987.

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McCormack, W. J. Sheridan Le Fanu. 3rd ed. Sutton, 1997.

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McCormack, W. J. Sheridan Le Fanu and Victorian Ireland. 2nd ed. Lilliput Press, 1991.

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J. Sheridan Le Fanu: A bio-bibliography. Greenwood Press, 1995.

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Sage, Victor. Le Fanu's gothic: The rhetoric of darkness. Palgrave Macmillan, 2004.

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Sage, Victor. Le Fanu's gothic: The rhetoric of darkness. Palgrave Macmillan, 2003.

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Dissolute characters: Irish literary history through Balzac, Sheridan Le Fanu, Yeats, and Bowen. Manchester University Press, 1993.

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Achilles, Jochen. Sheridan Le Fanu und die schauerromantische Tradition: Zur psychologischen Funktion der Motivik von Sensationsroman und Geistergeschichte. G. Narr, 1991.

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McCarter, Geraldine. The Cock and Anchor and Checkmate: A comparative study of two novels by J.T. Sheridan Le Fanu. The Author], 1989.

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Whisler, Elizabeth A. English gothic tradition in Ireland and the United States of America: The short stories of Joseph Sheridan LeFanu and Nathaniel Hawthorne. The Author], 1999.

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Book chapters on the topic "Joseph Sheridan Le Fanu"

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Achilles, Jochen. "Le Fanu, Joseph Sheridan." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8962-1.

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Achilles, Jochen. "Joseph Sheridan Le Fanu." In Kindler Kompakt: Horrorliteratur. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04502-7_20.

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Achilles, Jochen. "Le Fanu, Joseph Sheridan: Uncle Silas." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8963-1.

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Killeen, Jarlath. "Joseph Sheridan Le Fanu and Ireland." In The Palgrave Handbook of Steam Age Gothic. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-40866-4_15.

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Achilles, Jochen. "Le Fanu, Joseph Sheridan: In a Glass Darkly." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8964-1.

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Milbank, Alison. "Joseph Sheridan Le Fanu: Gothic Grotesque and the Huguenot Inheritance." In A Companion to Irish Literature. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444328066.ch22.

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Jones, Anna Maria. "Sheridan Le Fanu." In A Companion to Sensation Fiction. John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781444342239.ch21.

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Milbank, Alison. "The Haunted House: Sheridan Le Fanu." In Daughters of the House. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1057/9780230372412_8.

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Rance, Nicholas. "Conclusion: Sheridan Le Fanu and Sensation Fiction." In Wilkie Collins and Other Sensation Novelists. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-11964-6_9.

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Imfeld, Zoë Lehmann. "‘These devils have made quite a saint of you’: Sheridan Le Fanu." In The Victorian Ghost Story and Theology. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30219-5_5.

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Conference papers on the topic "Joseph Sheridan Le Fanu"

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Brakovska, Jelena. "JOSEPH SHERIDAN LE FANU: METAMORPHOSES AND INNOVATIONS IN GOTHIC FICTION." In CBU International Conference on Integration and Innovation in Science and Education. Central Bohemia University, 2013. http://dx.doi.org/10.12955/cbup.2013.32.

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