Academic literature on the topic 'Joseph Turrin'

El epígrafe CIL II 1433 (Turri genio), supuestamente copiado a finales del s. XV, plantea importantes problemas de carácter textual, de interpretación, soporte, localización, etc. Un nuevo análisis sistemático de las fuentes que lo transmiten permite poner de manifiesto su indisociable relación con el epígrafe falso CIL II 164*, así como la vinculación de ambos textos con el sepulcro romano de la Torre de Sant Josep en Villajoyosa. Se argumenta la falsedad de ambos epígrafes, cuyos textos habrían sido creados a raíz de la contemplación del conjunto arqueológico donde se sitúa la Torre de Sant Josep, lo que a su vez constituye el primer episodio conocido de la recepción moderna de este conjunto arqueológico.

The essay sets out to explain the general orientation of the studies, the problems, the perspectives and the research that were done by Joseph Daquin (1732–1815), a physician born in Chambéry (Savoy, Kingdom of Sardinia). He had a secular education at the Faculty of Medicine of Turin, where he earned his degree under Ignazio Somis and Vitaliano Donati. The aim of this essay is to give a critical contribution to cultural history and examine the origins of thermalism with particular emphasis on therapy, physics experiments, and its relation to political and social structure. Daquin was a witness of the advancement of science beyond the boundaries of scientific Enlightenment. His overriding intellectual concern was with the meaning and impact of chemistry theories on medical practices. The author has published an interesting Analyse des eaux thermales d’Aix en Savoie (1773), a natural experimental history of mineral waters in Aix-les-Bains.

El intento de desahucio de su vivienda, propiedad del Cabildo catedralicio,generó un turbio proceso en el cual don Pedro Tomé, primero, y suviuda, doña Josefa Carrera, después, convirtieron un mero asunto urbanístico en un complicado y espinoso asunto de Estado, preñado, sin duda, de connotaciones políticas. La pretensión del Cabildo —rehabilitar el edificio 123 de la plaza del Sarmental— provocó enfrentamientos a múltiples niveles entre el Estado borbónico y el Cabildo catedralicio de Burgos. Las «covachuelas» y las redes de influencia activaron sus exigencias y requiebros.PALABRAS CLAVE: Desahucio. Vivienda. Catedral. Estado borbónico. Redesde influencia. Covachuelas.

International Journal of Contemporary Education (IJCE) would like to acknowledge the following reviewers for their assistance with peer review of manuscripts for this issue. Many authors, regardless of whether IJCE publishes their work, appreciate the helpful feedback provided by the reviewers. Their comments and suggestions were of great help to the authors in improving the quality of their papers. Each of the reviewers listed below returned at least one review for this issue.Reviewers for Volume 2, Number 1Alexandra Ingram, University of Tennessee, USAAurora Q. Pestano, University of San Jose Recoletos, PhilippinesBruna Gabriela Augusto Marçal Vieira, Universidade Estadual Paulista, BrazilCarme Pinya, University of Balearic Islands, SpainChan Chang Tik, Monash University Malaysia, MalaysiaDina Radeljas, Mohawk Valley Community College, USADorota Celinska, Roosevelt University, USAFederica Cornali, University of Turin, ItalyFroilan Delute Mobo, Philippine Merchant Marine Academy, PhilippinesGiuseppe Maugeri, Ca' Foscari University, ItalyIonel Bondoc, University of Agricultural Sciences and Veterinary Medicine Iasi, RomaniaIosif Fragkoulis, Hellenic Open University, GreeceJavier Fombona, Univ. Oviedo, SpainMakrina Nina Zafiri, Aristotle University of Thessaloniki, GreeceMatthew Schatt, University of Florida, USAMurat Tezer, Near East University, CyprusNesrin Ozturk, Ege University, TurkeyNilgün Tosun, Trakya University, TurkeyNoelia Navarro Gómez, Universidad de Almería, SpainRaymond Aaron Younis, ACU Australia, AustraliaRochelle Ge, University of Saint Joseph, MacaoSandro Sehic, Oneida BOCES, USAVassiliki Pliogou, Metropolitan College of Thessaloniki, GreeceXiaojing Sun, Utrecht University, The NetherlandsWilliam OscarEditorial AssistantInternational Journal of Contemporary Education---------------------------------------------------------Redfame Publishing9450 SW Gemini Dr. #99416Beaverton, OR 97008, USATel: 1-503-828-0536 ext. 509Fax: 1-503-828-0537E-mail: ijce@redfame.comURL: http://ijce.redfame.com

Abstract Although traditionally associated with the ascendance of National Romanticism, Slavic folklore, and the Neo-Russian style in painting, architecture, and the decorative arts, the Abramtsevo artistic circle was also privy to the inception and production of a number of manifestly Orientalist works, such as Vasilii Polenov’s Christ and the Adulteress (1888), Mikhail Vrubel’s ceramic sculptures of The Assyrian, The Egyptian Girl, The Pharaoh, and The Libyan Lion (1890s), and the costumes and set designs for the theatrical productions Judith (1878, 1898), Joseph (1880, 1881, 1887, 1889), The Black Turban (1884, 1887, 1889), King Saul (1890), and To the Caucasus (1891). In addition, a series of hybrid works that fused elements of the exotic with national thematic and stylistic content, such as Viktor Vasnetsov’s Underwater Kingdom (1884) and Mikhail Vrubel’s Princess Volkhova (1898), were likewise produced under the auspices of Savva Mamontov and the Abramtsevo community, thus blurring the boundaries between native and foreign, local and global, self and other, and Slavophilia and Orientalia. The present article posits that an understanding of the romanticized, Neo-Russian artistic and theatrical productions, and the nationalist polemics of the Abramtsevo artistic circle is necessarily incomplete without a detailed examination of the various Orientalist crosscurrents which informed and structured many of the group’s artworks throughout the 1880s and 1890s—a narrative that has been largely left out of scholarly accounts of the movement.

The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 64 (2016), issue 4. In Polish museum collections there are a few objects made of coral or decorated with it. They are, among others, altars, holy water fonts, crucifixes and other liturgical items. Most often they were bought during Poles’ travels to Italy in the Mannerism and Baroque epochs. St Mary’s Basilica’s treasury boasts of a portable coral altar dated to the middle of the 17th century, a gift from Maria Josepha, the wife of King Augustus III. It has a golden frame and is embellished with enamel and coral. Its centre features the figure of the Blessed Virgin Mary standing on a crescent, in a radiant coral glory, surrounded by Marian symbols. It is an apotheosis of the Blessed Virgin Mary based on a fragment of the Apocalypse of St John. The figure of Mary is presented with her cosmic attributes: twelve stars around her head; she is clothed with a radiant glory; and she has a crescent under her feet. Around her seven symbolic biblical signs are presented, ones connected in the exegetic tradition with her being the mother of the Messiah. The term Cedrus exaltata—is perceived as the symbol of majesty, sublimity, loftiness, paradisaical beauty, safety. Fons signatus is a sealed spring, an enclosed one, accessible only to the Mother of God’s Son, chosen by God. Hortus conclusus is the symbol of St Mary’s virginity. Oliva speciosa points to St Mary’s charity, her extraordinary fertility, inner peace, the gift of relieving sufferings. Rosa plantata is a metaphor of wisdom, love, medicine for sinners. Puteus aquarum viventium, a well of living waters, indicates St Mary’s mediation for people redeemed by Jesus. Turris eburnea—the ivory tower is another feature of the Virgin Mary’s beauty, of her immaculate body and fortitude.

RESUMEN:El objetivo del artículo es aproximarnos a la controvertida biografía del comisario Manuel Brabo Portillo. El trabajo está basado en fuentes primarias y secundarias. El método utilizado es empírico. En el imaginario del mundo sindicalista revolucionario, Brabo Portillo era el policía más odiado, la reencarnación de la cara más turbia del Estado. Fue, así mismo, un espía alemán relacionado con el hundimiento de barcos españoles, el asesinato del empresario e ingeniero Barret y el primer jefe de los terroristas vinculados a la patronal barcelonesa. La conflictividad que afectó a España en el período de la Primera Guerra Mundial es fundamental para entender los orígenes del terrorismo vinculado al pistolerismo, que marcó la historia político social española del primer tercio del siglo XX.PALABRAS CLAVE: Brabo Portillo, pistolerismo, espionaje, sindicalismo, Primera Guerra Mundial.ABSTRACT:The objective of the article is an approach to the controversial biography of Police Chief Manuel Brabo Portillo. The work is based on primary and secondary sources. The method used is empirical. In the imagery of the revolutionary syndicalist world, Brabo Portillo was the most hated policeman, the reincarnation of the murkiest face of the state. He was also a German spy connected with the sinking of Spanish ships, the murder of businessman and engineer Josep Barret and the first head of the terrorists linked to Barcelona employers. The conflict that affected Spain during the period of the First World War is fundamental in order to understand the origins of terrorism linked to pistolerismo, which marked Spanish social political history during the first third of the twentieth century.KEY WORDS: Brabo Portillo, pistolerismo, espionage, syndicalism, First World War. BIBLIOGRAFÍAAisa, M., La efervescencia social de los años 20. Barcelona 1917-1923, Barcelona, Descontrol, 2016.Aguirre de Cárcer, N., La neutralidad de España durante la Primera Guerra Mundial (1914-1918). I. Bélgica, Madrid, Ministerio de Asuntos Exteriores, 1995.Alonso, G., “’Afectos caprichosos’: Tradicionalismo y germanofilia en España durante la Gran Guerra”, Hispania Nova, 15, 2017, pp. 394-415.Amador, A., El Terror blanco en Barcelona. Las bombas y los atentados personales. Actuación infernal de una banda de asesinos al servicio de la burguesía. El asesinato como una industria, Tarragona, Talleres gráf. Gutenberg, [1920?].Anglés, C., “Contra los sindicatos. Los procesos de la organización obrera. La impostura nunca ha sido justicia”, Solidaridad Obrera, 836 (1/8/1918), p. 1.Balcells, A., El Pistolerisme. Barcelona (1917-1923), Barcelona, Pòrtic, 2009.Ben-Ami, S., La Dictadura de Primo de Rivera (1923-1930), Barcelona, Planeta, 1984.Bengoechea, S., Organització patronal i conflictivitat social a Catalunya. Tradició i corporativisme entre finals de segle i la dictadura de Primo de Rivera, Barcelona, PAM, 1994.Bengoechea, S., El locaut de Barcelona (1919-1920), Barcelona, Curial, 1998.Bengoechea, S., “1919: La Barcelona colpista. L’aliança de patrons i militars contra el sistema liberal”, Afers, 23/24 (1996), pp. 309-327.Brabo Portillo, M., Ensayo sobre policía científica, Barcelona, Gassó Hermanos, [190?].Bravo Portillo, M. y Samper, A., Programa para los exámenes de ingreso ó ascenso en plazas de oficiales de cuarta clase de la Hacienda Pública, Madrid, Mateu, 1906.Bueso, A., Recuerdos de un cenetista, Barcelona, Ariel, 1976.Burgos y Mazo, M. de, El verano de 1919 en Gobernación, Imprenta de E. Pinós-Cuenca, 1921.Calderón, F. de P. [Rico Ariza, E.] y Romero, I., Memorias de un terrorista. Novela episódica de la tragedia barcelonesa, Barcelona, [s.e.], [1924?].Carden, R. M., German Policy Toward Neutral Spain, 1914-1918, London, Routledge, 2014.Cardona, G., Los Milans del Bosch, una familia de armas tomar. Entre la revolución liberal y el franquismo, Barcelona, Edhasa, 2005.Casal Gómez, M., La Banda Negra. El origen y la actuación de los pistoleros en Barcelona (1918-1921), 2ª. Edición, Barcelona, Icaria, 1977.Calle Velasco, M. D. de la, “Sobre los orígenes del estado social en España”, Ayer, 25 (1997), pp. 127-150.D’Ors, E., “La unidad de Europa”, La Vanguardia, (1/12/1914), p. 7.Díaz Plaja, F., Francófilos y germanófilos. Los españoles en la guerra europea, Barcelona, Dopesa, 1973.Díez, P., Memorias de un anarcosindicalista de acción, Barcelona, Bellaterra, 2006.Domingo Méndez, R., “La Gran Guerra y la neutralidad española: entre la tradición historiográfica y las nuevas líneas de investigación”, Spagna Contemporanea, 34 (2008), pp. 27-44.Esculies, J., “España y la Gran Guerra. Nuevas aportaciones historiográficas”, Historia y Política, 32 (2014), pp. 47-70.Esdaile, Ch. J., La Quiebra del liberalismo, 1808-1939, Barcelona, Crítica, 2001.Foix, P., Los Archivos del terrorismo blanco. El fichero Lasarte (1910-1930), Madrid, Las Ediciones de la Piqueta, 1978.Forcadell, C., Parlamentarismo y bolchevización. El movimiento obrero español, 1914-1918, Barcelona, Crítica, 1978.Fuentes Codera, M., “El somni del retorn a l’Imperi: Eugeni d’Ors davant la Gran Guerra”, Recerques, 55 (2007), pp. 73-93.Fuentes Codera, M., “Germanófilos y neutralistas. Proyectos tradicionalistas y regeneracionistas para España (1914-1918)”, Ayer, 91/3 (2013), pp. 63-92.Fuentes Codera, M., España en la Primera Guerra Mundial. Una movilización cultural, Madrid, Akal, 2014.García Oliver, J., El Eco de los pasos, Paris/Barcelona, Ruedo Ibérico, 1978.García Sanz, F., España en la Gran Guerra, Madrid, Galaxia Gutenberg, 2014.Giráldez, E., “Brabo Portillo ¡Yo te acuso, Asesino!”, Solidaridad Obrera, 840 (5/8/1918), p. 1.Golden, L., “Les dones com avantguarda; El rebombori del pa del gener 1918”, L’Avenç (1981), pp. 45-52.Golden, L., “The women in command. The Barcelona women’s consumer war of 1918”, UCLA Historical Journal (1985), pp. 5-32.E. González Calleja y F. del Rey Reguillo, La Defensa armada contra la revolución. Una historia de las guardias cívicas en la España del siglo XX, Madrid, CSIC, 1995.González Calleja, E., La Razón de la fuerza. Orden público, subversión y violencia política en la España de la Restauración, 1875-1917, Madrid, CSIC, 1998.González Calleja, E., El Máuser y el sufragio. Orden público, subversión y violencia política en la crisis de la Restauración (1917-1931), Madrid, CSIC, 1999.González Calleja, E., (ed.), Políticas del miedo. Un balance del terrorismo en Europa, Madrid, Biblioteca Nueva, 2002.González Calleja, E., La España de Primo de Rivera. La modernización autoritaria 1923-1930, Madrid, Alianza Editorial, 2005.González Calleja, E., El laboratorio del miedo. Una historia general del terrorismo, Barcelona, Crítica, 2013.González Calleja, E. y Aubert, P., Nidos de espías. España, Francia y la Primera Guerra Mundial, Madrid, Alianza, 2014.González Calleja, E. (coord.), Anatomía de una crisis. 1917 y los españoles, Madrid, Alianza, 2017.Granados de Siles, J., “El escandaloso espionaje de Barcelona”, Solidaridad Obrera, 793 (19/6/1918), p. 1.Gual Villalbí, P., Memorias de un industrial de nuestro tiempo, Barcelona, Sociedad General de Publicaciones, [193?].León-Ignacio, J., Los años del pistolerismo. Ensayo para una guerra civil, Barcelona, Planeta, 1981.León-Ignacio, J., “Brabo Portillo, comisario y político”, Historia y vida, 181 (1983), pp. 68-73.Llates, R., 30 anys de vida catalana, Barcelona, Aedos, 1969.Madrid, F., Ocho meses y un día en el Gobierno Civil de Barcelona (confesiones y testimonios), Barcelona-Madrid, Las ediciones de la flecha, 1932.Manent, J., Records d’un sindicalista llibertari català, 1916-1943, París, Edicions Catalanes de París, 1976.Marquès, J., Història de l’organització sindical tèxtil “El Radium”, Barcelona, La Llar del Llibre, 1989.Márquez, B. y Capo, J. M., Las Juntas militares de defensa, Barcelona, Librería Sintes, 1923.Martínez Fiol, D., El catalanisme i la Gran Guerra (1914-1918). Antologia, Barcelona, La Magrana, 1988.Martínez Fiol, D. y Esculies Serrat, J., L’Assemblea de Parlamentaris de 1917 i la Catalunya rebel, Barcelona, Generalitat de Catalunya, 2017.Martínez Fiol, D. y Esculies Serrat, J., 1917. El año en que España pudo cambiar, Sevilla, Renacimiento, 2018.M.C.C., “El ‘affaire’ Brabo Portillo”, publicado en El Parlamentario y reproducido por Solidaridad Obrera, 926 (2/11/1918), p. 1.Mendoza, E., La verdad sobre el caso Savolta, Barcelona, Seix y Barral, 1975.Morales Lezcano, V., El colonialismo hispano-francés en Marruecos (1898-1927), Madrid, Siglo XXI, 1976.Navarra, A., 1914. Aliadófilos y germanófilos en la cultura española, Madrid, Cátedra, 2014.Navarra, A., Aliadòfils i germanòfils a Catalunya durant la Primera Guerra Mundial, Barcelona, Generalitat-CHCC, 2016.Nisk, “¡Inocente Brabo!”, Solidaridad Obrera, 789 (15/6/1918), p, 1.Pestaña, Á.,“A vuela pluma” y “En Libertad”, Solidaridad Obrera, 840-841 (5-6/8/1918), p. 1.Pestaña, Á., Terrorismo en Barcelona. Memorias inéditas, Barcelona, Planeta, [1979].Pradas Baena, M. A., L’anarquisme i les lluites socials a Barcelona 1918-1923. La repressió obrera i la violència, Barcelona, PAM, 2003.Pujadas, X., Marcel·lí Domingo i el marcel·linisme, [Barcelona], PAM, 1996.Roig, M., Rafael Vidiella. L’aventura de la revolució, Barcelona, Laia, 1976.Romero Salvadó, F. J., “Crisi, agonia i fi de la monarquía liberal (1914-1923)”, Segle XX. Revista catalana d’història, 1 (2008), pp. 57-82.Romero Salvadó, F. J. y Smith, A. (eds.), The Agony of Spanish Liberalism. FromRevolution to Dictatorship 1913-23, Houndmills, Basingstoke, Palgrave Macmillan, 2010.Rosenbusch, A., “Los servicios de información alemanes: sabotaje y actividad secreta”, Andalucía en la historia, 45 (2014), pp. 24-29.Rosenbusch, A., “Guerra Total en territorio neutral: Actividades alemanas en España durante la Primera Guerra Mundial”, Hispania Nova, 15 (2017), pp. 350-372.S. A., “Historia de un ‘bravo’ muy pillo”, La Campana de Gracia, 2569 (28/6/1918), p. 4.S.A., L’Esquella de la Torratxa, (12/7 y 30/8/ y 12/9/1918), pp. 447, 451, 456, 458, 568, 577 y 592.S. A., “A cada puerco le llega su San Martín” y “La muerte de Batet”, Solidaridad Obrera, 711 y 712 (9 y 10/1/1918), p. 1.S. A., Solidaridad Obrera, 713-716 (11-14/1/1918), p. 1.S. A., “Los conflictos del hambre”, Solidaridad Obrera, 717, 719-721 y 723-727 (15 y 17-19 y 21-25/1/1918), p. 1.S.A., Solidaridad Obrera, 783 y 784-786, (9-12/6/1918), p. 1.S.A., Solidaridad Obrera, 789-790, 794-795, 798 (15-16, 20-21 y 24/6/1918), p. 1.S. A., Solidaridad Obrera, 833 y 837 (28/7 y 2/8/1918), p. 1.S. 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L., “El Instituto de Reformas Sociales: origen, evolución y funcionamiento”, Revista Crítica de Historia de las Relaciones Laborales y de la Política Social, 8 (mayo 2014), pp. 7-28.Smith, A., “The Catalan Counter-revolutionary Coalition and the Primo de Rivera Coup, 1917–23”, European History Quaterly 37:1 (2007), pp. 7-34.Smith, A., Anarchism, revolution and reaction. Catalan labor and the crisis of the Spanish State, 1898-1923, New York, Oxford, Berghahn, 2007.Soldevilla, F., El Año político 1920, Madrid, I. de Julio Cosano, 1921.Taibo II, P. I., Que sean fuego las estrellas. Barcelona (1917-1923), Barcelona, Crítica, 2016.Tamames, R. y Casals, X., Miguel Primo de Rivera, Barcelona, Ediciones B, 2004.Tusell, J., Radiografía de un golpe de estado. El ascenso al poder del general Primo de Rivera, Madrid, Alianza, 1987.Val, R. del y Río del Val, J. del, Solidaridad Obrera, 787-788, 790, 794, 801, 805, 807, 811, 814, 818, 828, 829, 836, 970 (13, 14, 16, 20 y 27/6/, 3, 7, 10, 14, 23, 24 y 31/7/ y 1/8/ y 10/121918), p. 1.Vandellós, P., “Contra los sindicatos. Los procesos de la sindicación obrera. De actualidad”, Solidaridad Obrera, 791 (17/6/1918), p. 1.Vidiella, R., Los de ayer. Novela, Madrid-Barcelona, Nuestro Pueblo, 1938.Winston, C. M., La Clase trabajadora y la derecha en España (1900-1936), Madrid, Cátedra, 1989.Winston, C. M., “Carlist workers groups in Catalonia, 1900-1923”, en S. G. Payne (dir.), Identidad y nacionalismo en la España contemporánea: el carlismo, 1833-1975, Madrid, Actas, 1996, pp. 85-101.Wosky, Solidaridad Obrera, 791, 801 y 820, (17 y 21/6/ 10/7/1918), pp. 1 y 3.

The present article was originally published in Czech translation by Michaela Freemanová: ‘Vivaldiho bohemikální rukopisy’, Opus musicum, 44/3 (2012), 14-25. It concerns the several manuscripts - mostly autographs - of Antonio Vivaldi that appear to originate from Bohemia and the time of the composer’s visit, accompanied by his father Giovanni Battista Vivaldi, to ‘Germania’ in 1729-30. Besides three manuscripts of compositions with lute (RV 83, 85 and 93), whose association with Count Johann Joseph von Wrtby (Jan Josef z Vrtba, 1669-1734) had been recognized in the 1970s, there are eleven further manuscripts (of RV 155, 163, 186, 278, 282, 288, 330, 380, 473, 500 and 768) discovered to be of similar, putatively Bohemian provenance that survive in Vivaldi’s personal archive of music, now preserved in Turin. Through the examination of their paper-types and rastrographies (utterly distinct from those of the music papers Vivaldi typically used in Italy), a clear picture emerges of the near-contemporaneity and common origin of these fourteen manuscripts.

Thesis (D.M.A.)--University of North Texas, 2005.
System requirements: Adobe Acrobat Reader. Accompanied by 5 recitals, recorded July 1, 1996, June 22, 1998, June 24, 2002, Sept. 8, 2003, and Oct. 27, 2005. Includes bibliographical references (p. 56).

Thesis (D.M.A.)--University of North Texas, 2005.
System requirements: Adobe Acrobat Reader. Accompanied by recitals, recorded Nov. 9, 2000, Feb. 15, 2001, Apr. 26, 2001, Nov. 15, 2001, Nov. 28, 2001, and Apr. 25, 2005. Includes bibliographical references (p. 80-82).

Hemispheres is a three-movement work for winds written by Joseph Turrin in May 2002. Commissioned by Kurt Masur for the New York Philharmonic, he wished to include a piece exclusively for winds and percussion in the programming of his farewell concert that commemorated his eleven years as Music Director. The work is in three movements: Genesis, Earth Canto, and Rajas which represent three different cultural views of creation. Formally, this work is based structurally and thematically on melody rather than harmony. This analysis focuses on three main tools which unify this work. The first is that thematic material from the first movement is reintroduced and developed in the second and third movements. The second is a consistently reoccurring rhythmic grouping in threes. This three note motive, found in all three movements, is used both melodically and as an accompaniment. The third is the unifying pitch center of C. Through an economy of musical means, Turrin composed Hemispheres with only a minimal number of themes and motives, each developed through the course of all three movements.

This study addresses on facet of Joseph Turrin's compositional oeuvre: his published works for solo trumpet. Complete histories if all six trumpet compositions are chronicles. A discussion of formal organization and significant style features including harmonic language, melodic style and rhythmic features is included. A detailed performance analysis follows. The degree of difficulty of each work is assessed through an investigation of tessitura, range, melodic contour, endurance factors, fingerings, and technical features of the accompaniment. Analysis of tempi and dynamics, articulation and phrasing, and timbral considerations provides additional points of focus to the study. Finally, the importance of Turrin's works for trumpet and his impact on trumpet literature is assessed. Idiomatic aspects of composition that make Turrin's music attractive to performers are investigated and discussed.

abstract: Joseph Turrin’s compositions for trumpet are frequently performed, and have become a large part of the trumpet repertoire. His trumpet works are played at events such as International Trumpet Guild conferences, have been featured with many well-known orchestras and bands, and are standard recital works. Many of Turrin’s trumpet works have been performed and recorded by well-established musicians, which include Philip Smith, Joseph Alessi, David Hickman, Robert Sullivan, Brian Shaw, Thomas Hooten, Terry Everson, Wynton Marsalis, and Alison Balsom. This study examines in detail each of Joseph Turrin’s twenty-four published works for trumpet. Turrin’s pieces include Elegy, Caprice, Concerto for Trumpet, Intrada, Two Portraits, Someone to Watch Over Me, Chronicles, Two Gershwin Portraits, Fandango, and Three Episodes, and include pieces written for Philip Smith, Joseph Alessi, Wynton Marsalis, Harold Lieberman, Lew Soloff, Brian Shaw, Robert Sullivan, and Thomas Hooten. A complete history of each composition and arrangement, and information relating to their premieres are presented. Technical elements from the music are discussed, such as range, articulation, melodic contour, endurance, and difficult fingerings. Biographical information such as youth, education, and career about Turrin are incorporated, along with a discussion of his compositional characteristics and influences. In addition, a list of each work with an assigned difficulty grade, as well as a current discography, is included.
Dissertation/Thesis
Doctoral Dissertation Music 2019

TITLE: Peter Turrini as a schocking and sympathetic playwright on an example of selected plays (Die Minderleister, Tod und Teufel, Josef und Maria) SUMMARY: This diploma thesis deals with the analysis of key plays of the Austrian author Peter Turrini. The first part focuses on the biographical portrait of the author, the description of relations and influencies on his work and a list of his plays and screenplays. Literary and sociopolitical context of his work is mentioned in this part and Turrini's relationship to his motherland Austria is specified. The second part concentrates on the analysis of the three key plays in terms of author's development of views. In this analysis the configurations of characters and their metamorphoses in time are scrutinized. This analysis is done by means of an inductive method, which describes the plot chronologically, comments on it and defines the changes of the configurations. The result of the scrutiny is the evaluation of the development. KEY WORDS: Configurations, development of a character, drama, irony, contrast, paradox, provocation, sympathy, atonement 1

Bibliographical citation Návrhy uměleckého řemesla pro liturgii v díle Josefa Fanty/ Liturgical applied art designs in the work of Josef Fanta: diploma work/ Inka Pospíšilová; tutor: PhDr. Jaroslav Sojka, Ph.D. -- Prague, 2014. -- 129 s. Abstract The theme of this diploma work, that came out partly from the preceding bachelor work, which was dedicated to the art nuovo decor in Prague ecclesiastical milieu, is Josef Fanta's (1856-1954) designs for ecclesiastical purpose in the field of applied art, which have never been published so far. Josef Fanta is mainly known only as an architect, author of the Prague Central Station building and has never been studied in more details. The main aim of this diploma paper is trying to evaluate the almost 100 years lasting life and work. The chosen segment of his wide creative activities, ornamenta ecclesiae - liturgical textile and equipment, is suprisingly plentiful group including number of prestigious orders. Keywords Fanta, Josef turn of the 19th / 20th century applied art ecclesiastical art art nouveau historism eclecticism

The diploma thesis focuses primarily on analysing the Christological and soteriological system of Josef Pospíšil, an important representative of the first generation of Czech neo-Thomism. The study includes a brief description of Pospíšils life work with reference to the contemporary context. The author presents Pospíšil not only as a theologian, but also as a major representative of Czech Thomistic philosophy.

This chapter treats the second-generation Hasmonean figure John Hyrcanus to whom the virtues of leadership, priesthood, and prophecy are attributed. This ascription is reflected not only in Josephus and rabbinic literature but also receives a hostile twist in the Dead Sea Scrolls. Based on an earlier stratum from a lost Aramaic chronicle, the legend recounts an announcement of military victory by a heavenly voice in the temple. In essence this tale belongs to a genre identified as priestly temple legends. This priestly legend was in turn integrated into both the Josephan and the rabbinic contexts. The new rabbinic setting in effect “rabbinized” the image of John Hyrcanus and inverted the message of the story, using it to announce the end of the era of prophecy. In contrast, Josephus underscored the merit of prophecy and retained the full image of John as a political and military leader. For both corpora, Hyrcanus represents the acme of the Hasmonean rulership.

This chapter presents the history of the development of the concept of phase space. Phase space is the central visualization tool used today to study complex systems. The chapter describes the origins of phase space with the work of Joseph Liouville and Carl Jacobi that was later refined by Ludwig Boltzmann and Rudolf Clausius in their attempts to define and explain the subtle concept of entropy. The turning point in the history of phase space was when Henri Poincaré used phase space to solve the three-body problem, uncovering chaotic behavior in his quest to answer questions on the stability of the solar system. Phase space was established as the central paradigm of statistical mechanics by JW Gibbs and Paul Ehrenfest.

This chapter examines Joseph Beifeld's attempts to create a respectable amusement park that he envisioned would enhance Chicago's civic health by rejuvenating the senses of its residents. White City represented an effort by nineteenth-century cultural elites to lift up the sensibilities of the working and middle classes by surrounding them with beautifully designed spaces. According to Beifeld, his White City amusement park was a commercial venture based on “humanitarian principles.” The goal had less to do with turning a profit and more to do with raising social and cultural standards for political purposes. After the park's first few seasons that began in 1905, however, Beifeld's uplifting vision faded. This chapter considers why Beifeld's amusement park did not flourish and concludes with a discussion of Jane Addams's claim that Chicago's commercial culture debased the senses of young people and thus degraded their character.

Mark Ashurst-McGee, Robin Scott Jensen, and Sharalyn D. Howcroft introduce Foundational Texts of Mormonism: Examining Major Early Sources by noting the rich documentary record of the early history of Mormonism and the Church of Jesus Christ of Latter-day Saints. Among these the documents from the founding era under Joseph Smith are several major sources to which historians continually turn for information. However, as the authors explain, this is often with little appreciation for the complexity of the circumstances under which these documents were produced. The volume provides several examples of how understanding the complexity of documentary production helps historians to use these sources more critically. The authors individually introduce the chapters of the book.

Deportation and migration were formative for ancient Judaism and seminal for its literature. Dislocation, whether conceived of as forced or voluntary, influenced Israel’s recollection of her more distant past. Early pre-exilic narratives of Israel’s beginnings were redacted during and in response to Israel’s experience of exile, so that, for example, earlier Abraham and Joseph traditions were reshaped drawing on the realities of the Babylonian exile and the related Diaspora; these reworked traditions, in turn, informed narratives, such as Esther and Daniel, that took exile and diaspora as their explicit subject. The stories of Israel’s origins and its accounts of post-exilic and diasporic existence exerted a reciprocal influence on each other; and thus Israelite history came to be narrated as a series of exiles and returns, in which current dislocations were understood in terms of primeval patterns, and ancestral stories were revised in light of current dislocations.

This article traces the history of statistical mechanics, beginning with a discussion of mechanical models of thermal phenomena. In particular, it considers how several circumstances, including the establishment of thermodynamics in the mid-nineteenth century, led to a focus on the model of heat as a motion of particles. It then describes the concept of heat as fluid and the kinetic theory before turning to gas theory and how it served as a bridge between mechanics and thermodynamics. It also explores gases as particles in motion, the Maxwell–Boltzmann distribution, the problem of specific heats, challenges to the second law of thermodynamics, and the probabilistic interpretation of entropy. Finally, it examines how the results of the kinetic theory assumed a new meaning as cornerstones of a more broadly conceived statistical physics, along with Josiah Willard Gibbs and Albert Einstein’s development of statistical mechanics as a synthetic framework.

Benign paroxysmal positional vertigo (BPPV) is by far the most common cause of vertigo, and approximately one in five people will have it at some time during their lifetime. Sudden violent spells of vertigo are triggered by a change in position, such as turning over in bed, getting in and out of bed, bending down and straightening up, and extending the head back to look up. During an attack, both eyes oscillate in a characteristic pattern, called nystagmus. Indeed, understanding the mechanism for nystagmus production was key to developing a cure for BPPV. It is difficult to say who exactly deserves credit for discovery of the cure for BPPV, but as with most discoveries in medicine, there is a long list of contributors, each providing a small piece to the puzzle. To tell the story, this book focuses on five remarkable physician scientists who made key discoveries leading up to the cure for BPPV: Prosper Ménière (1799–1862), Josef Breuer (1842–1925), Robert Bárány (1876–1936), Charles Hallpike (1900–1979), and Harold Schuknecht (1917–1996). The final section brings the reader up to the present time, describing the contributions of recent investigators and our current approach to treating BPPV.

Josef Breuer presented his initial work on the inner ear to the Imperial Society of Physicians in 1873. His basic premise was that the semicircular canals sense angular movement of the head by movement of the fluid (endolymph) within them. The endolymph moves relative to the walls of the canals because of its inertia. In dissecting the semicircular canals of pigeons, he noted nerve endings contacting cells at the base of the ampulla and microscopic hairs extending from the top of the cells into a gelatinous bulb (the cupula). He hypothesized that movement of the endolymph fluid triggered by angular head movements bent the tiny hairs, activating the nerve endings at the base of the hair cells. The nerves in turn passed on signals reflecting the direction and magnitude of hair deflection to the central nervous system. At approximately the same time, Ernst Mach came to a similar conclusion.

In terms of media relations, judicial authorities are caught in a complex area of activity between the freedom of the press and free media coverage on the one hand and upholding the fundamental rights of the accused and third parties on the other. A further particular and multifaceted constitutional significance can in turn be ascribed to the press, radio, television and the new forms of the media, which derives not only from the fundamental right of the freedom of the press and that of media coverage, as stipulated by Art. 5 I 2 of Germany’s Basic Law, but also from the principle of democracy laid down in Art. 20 I of the same law. The regulatory proposal offered in this study represents a model which is both in keeping with the interests of those involved and practicable, and which in this difficult constitutional context will allow judicial authorities to make an appropriate decision with regard to providing the media and the public with information about ongoing criminal proceedings. With contributions by Prof. Dr. Robert Esser, RA Hanns W. Feigen, RA Prof. Dr. Björn Gercke, PräsLKA a.D. Wolfgang Hertinger, Prof. Dr. Gerrit Hornung, Dr. Horst Hund, Prof. Dr. Albert Ingold, Prof. Dr. Dieter Kugelmann, RiAG Dr. Markus Mavany, Min Herbert Mertin, Steffen Rittig, Prof. Dr. Josef Ruthig, Prof. Dr. Mark A. Zöller.

The introduction identifies the “other revolutions”—the sexual revolution, the socialist revolution, and the ‘free theater’ revolution—that came together in London in the 1890s as the first wave of modern Irish playwrights sought to prove themselves on the London stage. The introduction also explains and justifies the book’s theoretical paradigm and methodologies, arguing for the importance of reading social politics and sexual politics together. It identifies some of the limitations of the “global turn” and its dependence on evolutionary and market-theory based conceptions of “world literature,” arguing that these paradigms obscure the existence of the intentionally anticapitalist systems of exchange that sustained left theater during the period under investigation. It makes the case for reading the intersection of Irish drama and utopian socialism through queer theory, based on their shared ambivalence about what Lee Edelman calls “reproductive futurism,” and draws on the work of Jose Munoz, J. J. Halberstam, and Natalie Melas to elaborate a comparative paradigm which is not defined by developmental logic or capitalist conceptions of value. It argues for the necessity of treating socialism as an embodied praxis, especially in the Irish context. It concludes with summaries of the five chapters and the epilogue.

The chapter utilizes sight as a gauge with which to trace the transition from a philosophy of Being to a philosophy of Becoming. The cultural expressions of the anti-ocular turn observed in the nineteenth century provide the framework for a testing of Conrad’s use of the witness-narrator in Lord Jim, a novel that dramatizes the oscillations between an aesthetics of Being and one of Becoming. Bergson’s Creative Evolution and Time and Free Will inform the philosophical backdrop to the discussion, the anti-ocular turn of modernism its cultural complement, and narratology’s concept of the witness-narrator, the fictional measure against which these discourses strain. The three coalesce in an attempt to think the relation between sight, experience, and comprehension, between the demise of visual perception and its figurative, scientific, and philosophical expressions in the failure of categorical thinking and instrumental logic.

The Spectator was one of the greatest publishing sensations of the eighteenth century. The first multivolume collected edition was in the press before the original series had been concluded, and it soon appeared in luxury illustrated volumes, pocket formats, and schoolroom editions. This chapter charts the first hundred years of the Spectator’s life in print, focusing on complete editions produced in the British Isles. The account begins with the Tonsons’ bookselling dynasty, and their dominance of the London Spectator market for the first half of the century, taking in the first illustrations of the papers and the first scholarly edition. In Scotland and Ireland a parallel market flourished, and Scottish writers were responsible for landmark scholarly editions at the turn of the nineteenth century. The chapter is accompanied (in an Appendix) by a descriptive catalogue of complete editions of the Spectator from 1712 to 1812, accounting for 79 editions (over 600 volumes). The catalogue is a key resource for further study of The Spectator, its afterlives, and influence.

The masculine world of Addison’s eighteenth-century ‘republic of letters’ was mirrored by that inhabited by Victorian ‘Men of Letters’, and hence much of the lively interest taken in him by nineteenth-century cultural commentators and makers of (and historians of) public opinion. The agnostic manliness of such men as Leslie Stephen and W. J. Courthope informed the way they wrote about Addison, whose Christianity they tended to slight and who was described by them as ‘delicate’. Macaulay had been more admiring of Addison as a Christian gentleman, while Thackeray praised him as an English humorist. Pope and Swift continued to enjoy an ascendancy in eighteenth-century English literary history, with Addison and Steele appreciated more for having been ‘characteristic’ of their age than as acting in any way as intellectually innovative figures. Matthew Arnold was notably critical of Addison, whom he found provincial and narrow. Both Addison and his Victorian critics were subjected to feminist criticism by Virginia Woolf, who happened to be Stephen’s daughter, but she in her turn slighted the most significant early Victorian study of Addison, the life written by the Unitarian Lucy Aikin. The ‘long nineteenth century’ in the English literary history of the eighteenth century is thus bookended by studies of Addison by women, and it is time that justice was paid to Aikin’s pioneering and still valuable study, submerged as it has been by readers of Macaulay’s essay on Addison, which was ostensibly a review of Aikin’s exercise in literary biography.

Following the death of Lorenzo Snow in 1901, Joseph F. Smith was next in the line of prophetic successors. Joseph F. became the prophet and president of The Church of Jesus Christ of Latter-day Saints in autumn. He ramped up efforts to commemorate Joseph Smith’s birthday and especially to rehearse his first vision. In the turn-of-the-century crisis that threatened to undermine Mormonism, Joseph F. Smith’s selection, relation, and repetition of the story of his uncle’s first vision helped the saints navigate their way to a new narrative, one in which plural marriage could be relinquished without eroding the saints’ faith in revelations received by their prophets past or present.

The starting point for this chapter is a work by the German artist Joseph Beuys. ‘7000 oaks’ is an installation which he inaugurated at Kassel, a city that had been damaged during the Second World War (Scholz 1986). Each tree was paired with a basalt stele which was quarried locally. In Beuys’s conception, the installation would change its character over time. For the first few years the standing stones would be the dominant feature, but they would become less conspicuous as the oaks grew to maturity. After that, there might be two very different outcomes. Either new trees would be planted as the old ones died— that was the artist’s plan—or a setting of monoliths would be all that remained with the stones themselves marking the positions of oaks that had disappeared. Beuys was concerned with regeneration in a way that was entirely appropriate in a war-damaged city where the oak trees would gradually replace a setting of rocks. His work was informed by his interest in ecology and played on a contrast between wood and stone which is equally relevant to archaeology. They are very different materials from one another, but both were used in prehistoric structures and employed in distinctive ways. Wood is an organic substance and eventually decays. Stone, on the other hand, is inorganic and for that reason it lasts a long time. The distinction is important in considering ancient architecture (Parker Pearson and Ramilsonina 1998). Of course, there were places in which only one of these materials was available, but there were others where the distinctive ways in which stone and wood were used are especially informative. Two examples illustrate the point. Neolithic houses in Northern Europe were timber constructions, but most of the tombs that accompanied them were made of local stone. In this case, the choice of building material suggests that these dwellings were thought to have a finite lifespan, whilst the tombs of their occupants would have a longer history. Similarly, the Neolithic longhouse at La Haute Mée in north-west France was built of wood but was accompanied by a granite menhir (Cassen et al. 1998).

This chapter assesses how Nikita Khrushchev's solution to the dictator's agency problem led to an epidemic of data falsification and the most radical purge of the post-Stalin era. It points out how the purge of 1960 to 1961 marked a break between the high-pressure approach practiced by both Nikita Khrushchev, Joseph Stalin, and the more accommodating stance of Khrushchev's successor, Leonid Brezhnev. It also discusses the key turning point in relations between the authoritarian leadership in Moscow and their principals in the regions that was caused by a rupture that took place toward the end of 1960. The chapter draws attention to the mass replacement and dismissal of provincial leaders that turn out to be a purge of regional leaders unprecedented in its proportions in the post-totalitarian era. It investigates the scandal that blew up in Riazan, a medium-sized agricultural region, which was chosen as Khrushchev's standard-bearer for new agricultural policies.

Chapter Four provides a detailed analysis of Joseph Smith's famous funeral sermon, the King Follett discourse. The auditors' notes for this sermon reveal Smith's semi-extemporaneous preaching technique, which combines advanced preparation in the general outline of the sermon with the extemporaneous delivery of words in the moment of performance. The sermon also reveals Smith's familiarity with the common "doctrine and use" sermon pattern, as well as his use of resumptive repetition, concealed heads, and mnemonic cues. Turning to the sermon notes of Baptist preacher Abraham Marshall, the chapter continues with a discussion of mnemonic cues by illustrating the preaching technique of creating condensed, succinct sermon outlines, known as short notes, briefs, or sketches, which preachers extemporaneously amplified into fully developed sermons in the moment of performance. Finally, the chapter explores how Methodist preachers adapted these preaching techniques to structure their written compositions, with an emphasis on spiritual autobiographies. These oral and written techniques provide a historical context for understanding how Joseph Smith applied the same methodology in the construction and oral composition of the Book of Mormon.

The idea of other islands on farther shores resides deep in the traditions of Irish literature and goes back to phases of mythology, exploration, and odyssey. In the modern period this dispersal has happened from economic necessity, which has depended in turn on innovations in the technology of travel. The transit overseas was shaped by Ireland’s traumatic historical experiences, and this complex panorama is background to many works of Irish literature, both historical and contemporary. At the same time, an interest in the sea crossings that were the bridge between Ireland and its emigrants’ destinations is a subject in itself, as are the many port cities into which these temporary mariners filtered on disembarkation. This chapter reads versions of the sea-crossing to New York in fictions of Joseph O’Connor, Joseph O’Neill, and Colum McCann, all of whose works suggest the idea of the Atlantic as a place of continual transit.

This chapter views a series of philosophical exchanges in the eighteenth century, which showcases the back and forth between plausibly Stoic and Epicurean concerns and arguments. It first takes a look at François de Salignac de la Mothe-Fénelon, the major opponent from within French Catholicism of the Augustinian tendency towards Epicureanism, before turning to Bernard Mandeville's critique of Shaftesbury. The chapter also studies the moral philosophies of Joseph Butler and Francis Hutcheson, both of whom directed their arguments against Mandeville and in defence of Shaftesbury. In addition, the chapter discusses a persuasive interpretation of David Hume as a somewhat Epicurean and certainly anti-Stoic moral theorist.

Accidentally, Josef Velenovský and František Mareš were both natives of South Bohemia and both carved their careers in science moving from physiology to philosophy as evident from conclusions drawn from their scientifi c research. Th us by the same token but each in his own way, they refl ected on man’s limited capacity for gaining knowledge and, by contrast, on the special signifi cance of technology which could not exist without thorough human understanding. On that account technology, which had made man’s work easier or helped him travel vast distances, at the same rate became a phenomenon that enabled man to force his will upon his surroundings. Th e inevitable eff ect of such conduct was the confl ict between man -created technology and man’s existential dependence on Nature. In view of the fact that the two scientists published their observations about the eventuality of technology being turned against man no later than the turn of the twentieth century, the topicality of their ken is even more surprising.

Housing form and city form: Urban morphology and local identityKeywords (3-5): Building type, urban morphology, Valencia, housing, house floor-plan design This paper aims to analyse the processes of typological evolution of residential buildings in Valencia as a way to outline an 'affiliation' within the city's housing types, capable of endowing a local identity profile beyond European influences that began to generalise from mid-XIX century. The residential fabric of Valencia maintained a certain continuity/ intelligibility in its morphological evolution until the 1970s, in which the development of the 1966 PG marked a turning point, with the progressive incorporation of "modern" forms of housing, vaguely related to the diffusion of CIAM architectural principles. Nevertheless, a most substantial part of the city fabric, amounting to two-thirds of all residential buildings, was built before the 1966 PG, and therefore away from 'modern' housing practices. Most of this fabric, corresponding to neighbourhoods resulting from urban extension projects starting in the second half of the nineteenth century, is made out of serially-aggregated, multi-family buildings or 'houses of flats', forming perimeter blocks, whose profile still characterises visually the city's townscape. To a large extent, these 'houses of flats' are the result of a progressive codification of building prototypes that first appeared in the historic city, originating from the transformation of the traditional city-house. Initially, the transformation began with increasing the number of storeys, successively followed with processes of plot-aggregation, all combined with an horizontal division configuring new housing floor-plans. These processes progressively generated larger buildings, in which the plot shape and dimensions appear as determining instances. References (100 Word) ALONSO DE ARMIÑO, L. y PIÑON, J.L. (1986). La formazione del la Valencia moderna. Sutoria Urbana, (37), 89-114. AZAGRA, J. (1993). Propiedad inmueble y crecimiento urbano. Valencia 1800-1931. Madrid: Síntesis. BRIGUZ Y BRU, G. (1837). Escuela de Arquitectura Civil. Valencia: Joseph de Orga. HERMOSILLA, J. (1750). La architectura civil (manuscrito). DALY, M.C. (1864). L’architecture privée au XIXème siècle, sous Napoléon III MOLEY, C. (1999). Regard sur l’immeuble privé. Architecture d’un habitat 1880-1970. Paris: Le Moniteur. PIÑÓN, J.L. (1988). Los orígenes de la Valencia moderna PONS, A. y SERNA, J. (1992). La ciudad extensa. Valencia: Diputació de València. SANCHO, A. (1855). Mejoras materiales de Valencia. Valencia: Imprenta de José Mateu.

21-ojo amžiaus visuomenė pasirinko darnaus vystymosi kelią. Daug dėmesio skiriama sveikai aplinkai kurti, palankaus gyvenimo būdui formuoti. Patalpų komfortui turi įtakos ne tik oro temperatūra, bet ir santykinė drėgmė, šviežio oro kiekis ir jo apykaita, CO2 koncentracija ir kiti parametrai. Tik atsižvelgus į juos, galima tiksliai apibūdinti patalpų mikroklimato būklę ir higienos normų atitiktį. Taigi šiam tikslui Vilniaus mieste yra pasirinktos 4 ugdymo įstaigos (vaikų darželiai), kurioms remiantis Lietuvos statybos ir higienos normose apibrėžtais reikalavimais ir pateiktomis rekomendacijomis, yra atliekama patalpų oro kokybės analizė. Remiantis eksperimentiniais tyrimo duomenimis, siekiama nustatyti esamas ugdymo įstaigų esamas problemas, pasiūlyti technologinius sprendinius ir rekomendacijas, kaip jose pagerinti mikroklimato parametrus ir užtikrinti, kad pasirinktas sprendinys atitiktų norimus poreikius.

This paper identifies distinct features of the Cheng Cycle as compared to the steam injected gas turbine, STIG. Development started on the Cheng Cycle in 1974. After eight years of research and testing, the Cheng Cycle was commercialized in 1982. The commercial opportunity came by winning one of the State of California’s Energy Commission sponsored bids at the San Jose State University campus. The first Cheng Cycle power plant was built around the Allison 501KB gas turbine. The project was won on the merit of excellent thermal efficiency with maximum flexibility. It is also the most economical system because it can follow fluctuating electrical and steam loads independently. Financing, licensing and all appropriate permits were completed within one year. It took less than a year to construct and was on line by the end of 1984. Immediately, several distinct features were noticed: (1) the Cheng Cycle boosts power by 70% and efficiency by 40% over the simple cycle, (2) it can follow the electric and steam loads independently, (3) it demonstrated low emission and established 25 ppm NOx as BACT for the San Francisco Bay Area Air Quality District. In 1987, GE introduced their Steam Injected Gas Turbine, STIG, using the LM 2500 and LM 5000, and in the 1990’s GE also introduced the LM1600 version of STIG. The high pressure ratio of those engines resulted in low exhaust temperature. That is not efficient enough to power a steam cycle. Unfortunately, STIG confused some users into thinking that every steam injected gas turbine was a Cheng Cycle. STIG uses the traditional constant pressure waste heat boiler technology. Operation is limited to near full load because low exhaust temperature at partial load would cause dysfunctional heat imbalance in the heat recovery steam generator (HRSG). The Cheng Cycle, in comparison, adopted a variable pressure HRSG so its operating range extends from idle to full load. This variable pressure HRSG allows full heat recovery, whereas STIG has to limit its operating range to maintain heat transfer balance. This unique HRSG design means that the Cheng Cycle is a thermal feedback cycle. As in any feedback system it could oscillate, in this case the oscillations are between fuel-flow and steam-flow. The Cheng Cycle utilizes digital control technology to the system. The integrated system provides the user with smooth operation and rapid start-up and load change capability.