Academic literature on the topic 'Journalisme en ligne'

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Journal articles on the topic "Journalisme en ligne"

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Mauriac, Laurent, Pascal Riché, Françoise Benhamou, Julie Lambert, and Marc-Olivier Padis. "Le journalisme en ligne : transposition ou réinvention ?" Esprit Mars/avril, no. 3 (2009): 86. http://dx.doi.org/10.3917/espri.0903.0086.

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Tredan, Olivier. "Le « journalisme citoyen » en ligne : un public réifié ?" Hermès 47, no. 1 (2007): 115. http://dx.doi.org/10.4267/2042/24084.

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Eyries, Alexandre. "Amandine Degand, Benoît Grevisse, dirs, Journalisme en ligne. Pratiques et recherches." Questions de communication, no. 24 (December 31, 2013): 296–97. http://dx.doi.org/10.4000/questionsdecommunication.8813.

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Hamelin, Jean, and André Beaulieu. "Aperçu du journalisme québécois d'expression française." Articles 7, no. 3 (April 12, 2005): 305–48. http://dx.doi.org/10.7202/055320ar.

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L'exposé qui suit n'a pas la prétention de retracer l'histoire complète du journalisme québécois. À quelques exceptions près, le manque de monographies a considérablement réduit l'envergure de notre travail fait d'approches ou, pour reprendre le terme de Charles DuBos, d'«approximations». Dans l'état actuel de nos connaissances, toute fresque historique sur le sujet serait prématurée. Nous nous limitons donc à esquisser les principales étapes du journalisme, à classifier les journaux et à établir leur filiation, à circonscrire les pôles de pensée et, derrière ces pôles, les groupes humains qui s'agitent. L'histoire de la presse, nouvelle province dans l'empire de Clio, semble s'intéresser davantage à la presse d'information et d'opinion, le journal, qu'à la presse d'information savante qui englobe les revues générales et les revues spécialisées. Ici comme ailleurs, au départ, tout se passe comme si les chercheurs avaient conscience qu'il s'agissait là de deux objets différents, car il y a loin du journal quotidien à la revue. Toute revue, même générale, ne s'inscrit-elle pas dans la ligne d'une certaine spécialisation ? De fait, les concepts de journal et de revue doivent marquer les étapes de toute investigation de la presse d'une société. Ce n'est que lorsque ces deux avenues auront été explorées que nous pourrons saisir le phénomène dans sa totalité. Nous ne parcourons ici qu'une seule avenue, celle des journaux. Il nous tarde de parcourir la seconde.
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Joux, Alexandre, and Brigitte Sebbah. "Les représentations implicites du pouvoir des médias d’information." Sur le journalisme, About journalism, Sobre jornalismo 9, no. 1 (June 15, 2020): 166–79. http://dx.doi.org/10.25200/slj.v9.n1.2020.425.

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FR. S’appuyant sur des entretiens avec les journalistes à l’origine du Décodex et ceux impliqués dans son fonctionnement, cet article interroge les représentations associées à ce dispositif de signalement de la fiabilité des sources d’information en ligne. Il questionne notamment la représentation de leur travail atypique de fact checking durant le lancement du dispositif, au moment de la campagne présidentielle française, et les ambitions affichées et sous-entendues de ses promoteurs. En effet, le Décodex a ceci de particulier qu’il ne dénonce pas les fake news, comme de nombreux sites de fact checking, mais ambitionne d’identifier les sources qui les propagent. Dès lors, il s’autorise le droit de distinguer parmi les émetteurs de messages en ligne au nom d’un idéal journalistique. Les journalistes du Décodex voient-ils dans leurs pratiques une réaffirmation de la prétention épistémologique du journalisme à dire le vrai contre les fake news ? Comment perçoivent-ils le dispositif dans l’environnement numérique et médiatique ? Au-delà du discours de réaffirmation de la légitimité journalistique face aux fake news, c’est aussi un discours de l’efficacité des médias de référence qui est promu et de leur utilité sociale. Ainsi, la portée limitée des fake news durant la campagne présidentielle française de 2017 sera expliquée par la responsabilité des médias ayant « pignon sur rue ». En refusant de relayer les fausses informations, les médias d’information ont joué le rôle social de garant d’un débat public équilibré. Mais ce succès revendiqué est aussi un moyen pour la profession de journaliste de ne pas s’interroger sur ses limites, celles-là même qui conduisent aujourd’hui les fact checkers à défendre un journalisme menacé et le Décodex à se présenter comme une entreprise nécessaire. *** EN. Based on interviews with the journalists behind the Decodex project and those involved in its operation, this article examines the representations associated with this service that reports on the trustworthiness of online news sources. In particular, it looks at the representation of the anomalous fact checking at the launch of the service during the French presidential campaign, and the stated and implicit ambitions of its promoters. Indeed, the Decodex is unique in that it does not denounce fake news, like many fact-checking sites, but rather aims to identify the sources that disseminate it. In this way, it grants itself the right to distinguish among the transmitters of online material in the name of a journalistic ideal. Do Decodex journalists see in their practices a reaffirmation of the epistemological claim of journalism to tell the truthful rather than fake news? How do they perceive the service within the online and media environment? Beyond the reaffirmation of journalistic legitimacy vis-à-vis fake news, it is also a discourse on the efficacy of reference media and their social usefulness. For example, the limited presence of fake news during the French presidential campaign of 2017 could be explained by citing the responsibility of the media with its eye on the street; by refusing to relay false information, the news media played the social role of guarantor of a balanced public debate. But this claimed success is also a way for the journalistic profession not to question its limits, the very limits that today lead fact checkers to defend threatened journalism and for the Decodex to present itself as a necessary enterprise. *** PT; Com base em entrevistas com os jornalistas criadores do Decodex e aqueles envolvidos no seu funcionamento, este artigo questiona as representações associadas a esse dispositivo de alerta da confiabilidade das fontes de informação online. Em particular, questiona a representação do seu trabalho atípico de fact checking quando do lançamento do sistema, na época da campanha presidencial francesa, e as ambições declaradas e implícitas de seus promotores. De fato, o Decodex tem a especificidade de não denunciar fake news, como muitos sites de fact checking, mas visa identificar as fontes que as propagam. Portanto, ele se dá o direito de denunciar os emissores de mensagens online em nome de um ideal jornalístico. Os jornalistas do Decodex veriam em suas práticas uma reafirmação da pretensão epistemológica do jornalismo de dizer a verdade contra as fake news? Como eles percebem esse dispositivo no ambiente digital e midiático? Para além do discurso de reafirmação da legitimidade jornalística diante das fake news, é também um discurso da eficácia dos meios de comunicação de referência que se promove, e de sua utilidade social. Assim, o impacto limitado das fake news durante a campanha presidencial francesa de 2017 será atribuído à mídia oficial. Ao recusar transmitir informações falsas, a mídia de informação desempenhou o papel social de garantidor de um debate público equilibrado. Mas esse sucesso reivindicado é também uma forma de a profissão jornalística não questionar seus limites, esses que hoje levam os fact checking a defender um jornalismo ameaçado e o Decodex a se apresentar como um empreendimento necessário. ***
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Le Brize, Claude. "Journalisme en Ligne, Pratique et Recherches Amandine Degand et Benoît Grevisse (dir.), De Boeck, Paris, 2012." Communication & langages 2013, no. 177 (September 2013): 160–61. http://dx.doi.org/10.4074/s0336150013013148.

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Heuguet, Guillaume, and Pierre-Carl Langlais. "Un manuel de journalisme au service des « invisibles » ? Le cas du Data Journalism Handbook." Sur le journalisme, About journalism, Sobre jornalismo 3, no. 1 (April 15, 2014): 100–113. http://dx.doi.org/10.25200/slj.v3.n1.2014.133.

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Manuel international décliné en plusieurs langues, le Data Journalism Handbook s’est imposé comme l’une des principales références sur le datajournalisme. Il propose une vulgate ouverte, révélant les usages émergents fédérés ce nouvel idéal professionnel. L’invocation de la tradition du manuel de journalisme semble entrer en contradiction avec cet objectif. Les manuels privilégient usuellement ce qui est déjà visible dans la profession. Un manuel de journalisme qui encouragerait l’affirmation de pratiques « invisibles » est-il envisageable ? Dans cette étude, nous avons procédé à une analyse croisée des supports, des acteurs et des discours. L’étude du dispositif révèle un décalage significatif entre le discours que l’ouvrage tient sur lui-même et ses conditions de production : l’apport communautaire a été canalisé par les éditeurs de l’ouvrage. Un recensement des auteurs suggère une grande diversité de profils : tout en confortant les acteurs existants, le manuel a encouragé une prise de parole inédite. Enfin les conceptions du datajournalisme sont empreintes d’une certaine ambiguïté. S’ils appellent à une redécouverte d’usages dissimulés, les auteurs retiennent une vision épistémologique classique du journalisme. Les bases de données sont ainsi posées en amont, sans que le travail nécessaire à leur constitution ne soit rendu visible. La révélation des invisibles apparaît ainsi surtout dans le processus d’écriture du manuel : des intervenants marginaux ont effectivement pris la parole. La contrainte formelle du genre manuel aurait, pour le reste, limité la promesse initiale. Bien que s’inspirant ouvertement des communautés en ligne, l’ouvrage a été élaboré d’une manière toute classique : quelques éditeurs font appel à des contributeurs, dont le travail s’intègre dans un cadre déjà formalisé. Sur le plan des discours, il prône davantage l’intégration du datajournalisme dans des idéologies préexistantes, plutôt que l’affirmation d’un contre-journalisme. Plus qu’une synthèse définitive du datajournalisme, le Data Journalism Handbook symboliserait sa solubilité dans les structures et les représentations dominantes de la profession. As an international handbook available in several languages, the Data Journalism Handbook has established itself as one of the main references on data journalism. It proposes an open vulgate, revealing the emerging uses uniting this new professional ideal. Invoking the tradition of the journalistic handbook seems to contradict this goal. Handbooks usually advance what is already visible in the profession. Is it feasible for a journalistic handbook to encourage the acknowledgement of the “invisible”? In this study, we conducted a comparative analysis of the media, players and discourses. A study of the instrument reveals a significant gap between how the book presents itself, and its production conditions: contributions from the community were channelled by the editors of the book. A survey of authors suggests a diversity of profiles: all the while accommodating existing actors, the manual encouraged an unprecedented contribution from others. And finally, the designs of data journalism are imbued with a certain ambiguity. Even though they call for a rediscovery of hidden uses, the authors retain a classical epistemological vision of journalism. Databases are therefore placed upstream without making visible the work necessary in their creation. Rendering “invisibles” visible, therefore, takes place especially in the process of writing the manual: marginal contributors indeed spoke. The formal constraints of the instrument, the “handbook,” limited the initial promise for the rest. Although openly inspired by online communities, the book was developed in a classical way; a few editors relying on contributors whose work was integrated into a preexisting framework. In terms of discourse, it advocates including data journalism in preexisting ideologies, rather than assert an “anti-journalism.” More than a synthesis of data journalism, the Data Journalism Handbook symbolizes its solubility within the dominant structures and representations of the profession. Manual internacional vertido para várias línguas, o Data Journalism Handbook se impôs como uma das principais referências sobre o jornalismo de dados. Ele propõe uma vulgata aberta que revela os usos emergentes e unificados desse novo ideal da profissão. A invocação da tradição do manual de redação parece entrar em contradição com esse objetivo. Os manuais privilegiam usualmente o que já está visível na profissão. Afinal, um manual de redação jornalística capaz de incentivar a emergência de práticas “invisíveis” é algo desejável? Neste estudo, confrontamos, na análise, os suportes, os atores e os discursos. O estudo do dispositivo revela uma defasagem significativa entre o discurso que o manual faz sobre si mesmo e suas condições de produção: durante esse processo, as contribuições da comunidades foram canalizadas pelos editores do livro. Informações sobre os autores sugerem uma grande diversidade de perfis. Assim, ao mesmo tempo em que abriu espaço a atores sociais já estabelecidos, o manual passou a encorajar uma contribuição coletiva sem precedentes. Enfim, as concepções do jornalismo de dados são marcadas por certa ambiguidade: seus autores destacam sua capacidade de redescobrir práticas em desuso, mas acabam reforçando uma visão epistemológica tradicional do jornalismo. Dessa forma, as bases de dados são colocadas em evidência, sem que o trabalho necessário para constituí-las seja visível. A revelação dos invisíveis aparece, nesse caso, sobretudo no processo de redação do manual: ele dá abertura à colaboração de participantes que estão à margem. Os limites formais implícitos ao gênero manual acabariam, nesse caso, por restringir a promessa inicial do livro. Apesar de se inspirar abertamente nas comunidades online, o manual foi elaborado a partir de um formato tradicional: os editores convidaram colaboradores, cujo trabalho já se encontra integrado a um contexto formal. Do ponto de vista do discurso, existe, de certa forma, uma proclamação de integração do jornalismo de dados às ideologias pré-existentes, mais do que a afirmação de um contra-jornalismo. Para além de uma síntese definitiva do jornalismo de dados, o Data Journalism Handbook simbolizaria sua dissolução nas estruturas e representações dominantes da profissão.
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Riboni, Ulrike Lune. "Filmer et partager la révolution en tunisie et en Égypte." Anthropologie et Sociétés 40, no. 1 (May 18, 2016): 51–69. http://dx.doi.org/10.7202/1036370ar.

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Désignés très tôt comme les premières mobilisations « documentées par leurs acteurs », les soulèvements tunisiens et égyptiens initiés fin 2010 auront donné lieu à une profusion d’images, saisies au moyen de téléphones portables et mises en ligne. L’assiduité des filmeurs, les prises de risques face à la répression et l’impératif « Il faut filmer ! » maintes fois répété, établissent l’acte de filmer comme nécessaire. Nécessaire pour dire au monde ce qui se passe… mais pour dire aussi sa propre existence. En effet, trop vite circonscrit au moyen du terme « journalisme citoyen » à une pratique au service de la production d’information, cet usage de l’image investit plusieurs fonctions et témoigne de l’exigence de se réapproprier la représentation. Les filmeurs se révèlent alors en lutte pour la reconnaissance de leur dignité collective et individuelle.
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Parrot, Benjamin, and Valérie Patrin-Leclère. "Sport et presse quotidienne régionale : un journalisme sous influence ?" Communication & langages N° 168, no. 2 (June 1, 2011): 113–25. http://dx.doi.org/10.3917/comla.168.0113.

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Résumé Cet article permet de bien cerner et de mieux comprendre les tâtonnements qui caractérisent les pratiques des journalistes, alors que la profession apparaît souvent comme une corporation guidée par des règles et des lignes éditoriales précises. Il est écrit par un journaliste sportif qui témoigne de sa vie professionnelle, dans un club puis dans un titre de presse locale. Il est mis en perspective par une chercheuse qui travaille sur les transformations des médias et du journalisme. Avec recul et sincérité, l’auteur raconte ce à quoi nul observateur extérieur n’a d’ordinaire accès : la pratique ordinaire du journalisme.
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Golan, Oren, and Nakhi Mishol-Shauli. "Fundamentalist web journalism: Walking a fine line between religious ultra-Orthodoxy and the new media ethos." European Journal of Communication 33, no. 3 (March 14, 2018): 304–20. http://dx.doi.org/10.1177/0267323118763928.

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New media journalism has perturbed traditional reporting not only in mainstream-modern societies but also within religious-cum-insular communities. Focusing on the Jewish ultra-Orthodox community in Israel and in light of web journalists’ continuous struggle with leading clergy and an apprehensive public, this study grapples with the question, ‘How do ultra-Orthodox web journalists view their work mission as information brokers for an enclave culture?’ The study gleaned from 40 in-depth interviews with web journalists and discussions with community web activists. Results uncovered three major schemata that drive their praxis: (1) Communal-Haredi, (2) Western-Democratic and (3) Journalist Ecosystem. Findings suggest a rising archetype of fundamentalist web journalism that rests its professional ethos on writers’ practice, rather than on formalized training or communal dictums. Web journalists were found to strongly identify with their community, yet, often unintentionally, also act as a secondary form of authority and harbingers of change.
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Dissertations / Theses on the topic "Journalisme en ligne"

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Roy, Jean-Hugues. "Le journalisme informatique au Québec : expansion du journalisme ou nouveau territoire professionnel?" Master's thesis, Université Laval, 2016. http://hdl.handle.net/20.500.11794/27205.

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Le journalisme informatique est une pratique émergente qui consiste en l'emploi de méthodes et d'outils empruntés au domaine de l'informatique dans la cueillette, le traitement, l'analyse ou la présentation en ligne de l'information, dans le respect des valeurs fondamentales du journalisme (Diakopoulos, 2010). Cette recherche caractérise le journalisme informatique tel qu'il se pratique au Québec en 2015 au moyen d'une série d'entrevues semi-dirigées avec 30 participants : des praticiens, bien sûr, mais aussi des responsables des principales entreprises de presse où le journalisme informatique est pratiqué ou a été pratiqué, ainsi que des professionnels de l'informatique afin d'avoir un point de vue extérieur. Elle met notamment en relief deux attitudes à l'égard de cette pratique, attitudes qui s'expriment par un travail-frontière. Il y a, d'une part, les tenants d'une ségrégation entre le journalisme et l'informatique, et, d'autre part, les partisans d'une hybridation entre les deux disciplines. Pour ces derniers, le journalisme informatique occupe un territoire professionnel distinct, à la frontière du journalisme et de l'informatique. Cette recherche décrit de façon détaillée les motivations, les compétences et les activités des journalistes informatiques québécois et fait valoir qu'ils participent à une certaine « re-professionnalisation » du journalisme. Mots-clés : journalisme; informatique; technologie; journalisme informatique; journalisme de données; datajournalisme; journalisme assisté par ordinateur; professionnalisme; identité professionnelle; compétences professionnelles; travail-frontière; innovation en journalisme; Canada; Québec
"Computational journalism is the application of computing [...] to the activities of journalism including information gathering, organization and sensemaking, communication and presentation, and dissemination and public response to news information, all while upholding core values of journalism" (Diakopoulos, 2010). This study, based on a series of 30 semi-structured interviews with journalists, managers, but also data and computer scientists (in order to get a point of view from outside journalism), provides a characterization of computational journalism as it is practised in 2015 in the Canadian province of Québec. Two prevailing attitudes towards computational journalism are expressed through different types of boundary work. On one hand, some respondents think journalism and computer science are two separate fields, each with their own professionals. Another group of respondents feels, on the other hand, that both disciplines should blend into a hybrid profession with its own, distinct, "professional territory". This research dives into the motivations, the necessary skills and workflows of Québec computational journalists, and argues they contribute to a re-professionalization of journalism. Keywords : journalism; computer science; technology; computational journalism; data journalism; datajournalism; computer-assisted reporting; professionalism; professional identity; professional skills; boundary work; journalistic innovation; Canada; Quebec
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Jacquet, Antoine. "Le français des journalistes en ligne. Régulation de la langue par les représentations et les pratiques." Doctoral thesis, Universite Libre de Bruxelles, 2018. https://dipot.ulb.ac.be/dspace/bitstream/2013/272093/5/Contrat.pdf.

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L’usage de la langue par les journalistes en ligne suscite de nombreuses critiques. Cette thèse a pour objectif de comprendre les mécanismes qui permettent d’expliquer la langue observable sur cinq sites d’information généralistes belges francophones :DH.be, La Libre.be, Le Soir.be, RTBF Info et RTL Info. Situé au croisement de la sociologie du journalisme et de la sociolinguistique, cette recherche est organisée autour d’une hypothèse centrale :la langue des journalistes en ligne est le résultat d’une régulation multifactorielle. L’étude propose dès lors une analyse approfondie des facteurs qui influent sur la langue des sites d’information. Ces facteurs sont étudiés à partir des discours d’une large variété d’acteurs, et qui sont considérés comme ayant une incidence sur les pratiques linguistiques des journalistes.La régulation de la langue des journalistes web est envisagée au travers de quatre approches complémentaires, qui constituent les quatre chapitres du travail. En premier lieu sont analysés 77 textes qui abordent la langue des journalistes, et qui ont été publiés depuis la création de l’Association de la presse belge à la fin du XIXe siècle jusqu’à aujourd’hui. Ces textes rassemblent les discours de nombreux acteurs qui appartiennent ou non au groupe professionnel des journalistes. Ils permettent de dégager des socles du discours critique, les attentes et les enjeux liés à l’usage de la langue par les journalistes et qui sont apparus sur une longue période. Ensuite, une étude des discours de membres du public de la presse en ligne est proposée :le deuxième chapitre consiste en une analyse d’un corpus de 1 204 commentaires d’internautes postés au bas d’articles des cinq sites étudiés, et qui concernent la langue des journalistes. Ces commentaires sont mis en rapport avec les textes du premier chapitre. Complétant les deux premières approches, le troisième chapitre s’intéresse aux représentations linguistiques des journalistes web et des rédacteurs en chef travaillant pour les cinq médias étudiés. Il vise à saisir, sur la base de 28 entretiens, la manière dont les acteurs de la presse en ligne considèrent la langue qu’ils pratiquent et qu’ils veulent proposer à leur public. Enfin, reposant également sur les 28 entretiens réalisés, la quatrième approche a pour but d’interroger la place de la langue dans le processus de production de l’information en ligne. Elle permet d’appréhender les contraintes et les pratiques des journalistes web par rapport à l’usage de la langue.Ce travail montre que la langue des sites d’information est régulée par un ensemble de représentations linguistiques, professionnelles et sociales, des attentes, des enjeux pour le journalisme et pour la langue française, des contraintes et des pratiques. Il permet de comprendre les logiques plurielles et souvent opposées qui interviennent dans les questions de langue lors de la rédaction et de l’édition des articles en ligne.The use of language by online journalists is prone to much criticism. This doctoral thesis aims to understand the mechanisms at work behind the language used on five generalist news websites in French-speaking Belgium: DH.be, La Libre.be, Le Soir.be, RTBF Info and RTL Info. At the crossroads of the sociology of journalism and sociolinguistics, this research project revolves around a central hypothesis: the language of news websites is the result of a multifactorial regulation. The study therefore offers an in-depth analysis of the numerous factors influencing the linguistic practices of online journalists. These factors are identified and studied on the basis of a large variety of discourses.The regulation of the language used by online journalists is considered through four complementary approaches, constituting the four chapters of the present work. We start with the analysis of 77 texts discussing the language of journalists that have been published since the creation of the Association de la presse belge at the end of the 19th century up to now. These texts gather the discourses of several actors, belonging or not to the professional group of journalists. They allow to highlight the foundations and the evolution over time of critical approaches, expectations and stakes linked to the use of language by journalists. We then study the discourses of online media users: the second chapter analyses a corpus of 1,204 comments posted by internet users under news articles published on the five websites studied, addressing the issue of journalistic language. The content of comments is confronted to the arguments from the texts analysed in the first chapter. Complementing the first two approaches, the third chapter addresses the linguistic representations of web journalists and editors-in-chief working for the five media under review. Based on 28 interviews, this chapter aims to understand how actors of online newsrooms consider the language they are using and striving to offer to their audience. Finally, also making use of the 28 interviews, the fourth approach intends to grasp how the news production process shapes the habits of online journalists regarding language use.This study demonstrates that the language used on news websites is regulated by a set of linguistic, professional and social representations, as well as by expectations, constraints, habits and a number of stakes for journalism and the French language. It offers an explanation for the multiple – and often conflicting – logics defining the use of language when producing and editing news articles on the Web.
Doctorat en Information et communication
info:eu-repo/semantics/nonPublished
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De, Maeyer Juliette. "L'usage journalistique des liens hypertextes: étude des représentations, contenus et pratiques à partir des sites d'information de la presse belge francophone." Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209443.

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Le lien hypertexte, élément fondamental du web, est porteur de nombreuses promesses pour le journalisme en ligne :il permettrait la mise en boucle des informations, et révèlerait les réseaux de relations dans lesquels s’inscrivent les médias et les journalistes. À ce titre, la place du lien dans le journalisme n'est pas forcément celle qui était prophétisée.

Il convient donc de l'examiner attentivement, pour mieux comprendre ce que les journalistes font des liens, et ce que le lien fait au journalisme. Cette recherche poursuit trois objectifs, et opère donc en trois temps :(1) appréhender le lien hypertexte dans l'imaginaire journalistique, (2) décrire les liens contenus sur les sites d'information de la presse francophone belge dans leur contexte d'énonciation, et (3) replacer les liens dans leur contexte de production.

Afin d'expliciter d'abord, du point de vue des acteurs eux-mêmes, la diversité des rôles que peut avoir le lien dans le contexte du journalisme, ce travail remonte le fil de conversations métajournalistiques au sujet du lien hypertexte. Sur le mode de la cartographie des controverses, celles-ci sont l’objet (1) d’un compte-rendu chronologique qui cherche à recontextualiser précisément chacune des controverses, puis, (2) d’une analyse thématique qui explicite tous les registres d'argument que les journalistes associent aux liens.

Ensuite, les liens hypertextes présents sur six sites web d’information d'organes de presse belge francophone sont décrits, dans leur contexte d’énonciation. Les résultats de l'analyse mettent en évidence que les sites d'information ne sont pas homogènes en matière de liens, chacun d'entre eux en faisant des usages spécifiques. Ils dévoilent également plusieurs pistes de questionnement sur les raisons d'être des liens, notamment sur le caractère structurant de la technique ou le caractère déterminant des enjeux économiques.

Enfin, tous ces éléments sont éclairés par une enquête sur le contexte de production des sites d'information. Une observation directe dans deux rédactions met en évidence les configurations spécifiques qui, en entremêlant la culture des journalistes, des inscriptions socio-techniques, et leurs relations avec les intérêts économiques de l'organisation médiatique, structurent l’usage journalistique des liens.

Au final, cette triple démarche aboutit à mettre en évidence que la configuration des interrelations qui caractérisent le journalisme (c'est-à-dire les relations entre les journalistes, leurs pairs, leurs sources, leurs publics, les produits d’information et la règle) se manifeste assez clairement dans les usages journalistiques du lien hypertexte. Mais elle montre aussi qu’il faut également tenir compte de la matérialité pour véritablement comprendre ce réseau d’interrelations.
Doctorat en Information et communication
info:eu-repo/semantics/nonPublished

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4

Estienne, Yannick. "Le journalisme à l'épreuve d'Internet : fabrique de l'information en ligne et recomposition d'un espace de professions." Grenoble 3, 2006. http://www.theses.fr/2006GRE39037.

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L'émergence d'une nouvelle spécialité journalistique, le journalisme en ligne, nous conduit à considérer Internet comme le terrain d'observation privilégié des mutations du journalisme. L'essor des pratiques d'information et d'autopublication sur Internet ainsi que le développement des médias "pur Web" rendent les frontières du territoire du journalisme encore plus floues qu’elles ne l'étaient. Le journalisme en ligne apparaît dès lors comme un révélateur des mécanismes d'hybridation des genres médiatiques et des métiers de l'information et de la communication. Il permet également de mieux comprendre l'emprise croissante du marketing sur la culture journalistique.
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5

Sadeghi, Mehrdad. "Le journalisme citoyen à l'ère numérique : enjeux de la pratique journalistique de non-professionnels en ligne : étude de cas : les médias citoyens en persan." Thesis, Bordeaux 3, 2013. http://www.theses.fr/2013BOR30065.

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Cette recherche académique s’intéresse à l’émergence des pratiques contemporaines du traitement de l'actualité en ligne, récemment mises à la portée de non professionnels grâce au développement des technologies de l'information et de la communications, et regroupées sous la notion de journalisme citoyen. Deux axes différents mais complémentaires constituent la base essentielle du programme de recherche : Le premier axe consiste à s’interroger sur la nature et l’identité de la profession de journaliste, ses poids et ses limites, ses évolutions après l’émergence du web, l’arrivée de nouveaux supports médiatiques et sa confrontation avec les nouvelles technologies de l’information et de la communication. Il s’attache également à comprendre et analyser l'essence, les particularités, les dimensions et les défis de la pratique journalistique amateur mise à la portée de tous via la technologie numérique. Le second axe est constitué d’une étude de cas sur les médias citoyens en persan. Il comprend plusieurs pistes de recherche et d’analyse : la sphère journalistique et l'environnement médiatique en Iran. Les circonstances de l’usage d’Internet et le taux de confiance des internautes face aux sources d’information citoyennes. La réception par les journalistes professionnels iraniens du phénomène de journalisme citoyen et celui de l’intervention en ligne de citoyens ordinaires sur l’actualité. Les priorités des créateurs de médias citoyens, leurs propres méthodes dans la collecte, le traitement et la publication de l‘information en ligne. La thèse prend en compte également les limites, restrictions et enjeux identitaires de cette nouvelle pratique journalistique au regard de ses pratiquants
This academic research focuses on the emergence of contemporary practices in the treatment of online news recently brought within the reach of non-professionals through the development of information and communication technologies, and grouped under the concept of citizen journalism. Two different but complementary approaches constitute the essential basis of this research study: The first approach is to examine the nature and identity of the profession of journalism, its weight and its limits, and its evolution after the emergence of the Web, as well as the arrival of new media technology and its confrontation with information and communication technologies. It also attempts to understand and analyze the essence, characteristics, dimensions and challenges of the uses of amateur journalism brought to the attention of everyone via digital technology. The second approach consists of a case study of citizen media in Persian. It includes several researches and analyses, such as: The sphere of journalism and the media environment in Iran; the way in which Internet is used and the rate of trust of internet-users vis-à-vis the source of online information from citizens; the manner in which Iranian professional journalism receives citizen journalism and ordinary people’s involvement in the current affairs; the priorities of the creators of citizen media, and their own methods of collecting, processing and publishing online information. This thesis also takes into account the limitations, restrictions and identified issues of this new journalism practice in relation to its practitioners
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Alawad, Abd Elkarim. "Histoire de la presse arabe en ligne en comparaison avec la presse européenne numérique." Thesis, Limoges, 2016. http://www.theses.fr/2016LIMO0074.

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Cette étude traite une question de grande importance en jetant la lumière sur la presse électronique arabe et fait la comparaison avec la presse digitale européenne et américaine, à travers la connaissance du phénomène de la presse électronique, ses caractéristiques, ses aspects négatifs et la situation des journalistes et leurs syndicats, leur engagement dans la déontologie professionnelle à travers leur travail dans la presse électronique.L'étude traite la faiblesse de la presse électronique arabe, son incapacité à faire la concurrence avec les journaux digitaux européens et américains. Elle jette la lumière sur les raisons de cette faiblesse, les aspects négatifs de la presse électronique arabe à cause de la faiblesse des réseaux de l'Internet et la faiblesse de ses utilisateurs dans le monde arabe, à cause de la domination des régimes arabes qui considèrent la presse électronique comme ennemie de sa domination sur la liberté de l'expression
This study deals with an issue of great importance in shedding light on Arabic electronic media and makes the comparison with European and American digital press, through the knowledge of the phenomenon of electronic media, its features, its negative aspects and the situation of Journalists and their unions, their commitment to professional ethics through their work in the electronic media.The study discusses the weaknesses of the Arab electronic media, its inability to compete with European and American digital newspapers.It sheds light on the reasons for these weaknesses, the negative aspects of Arab electronic media because of the weakness of the Internet networks and the few number of its users in the Arab world because of the domination of Arab regimes consider electronic media as an enemy of its rule on freedom of expression
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Béasse, Muriel. "Conditions d'énonciations et stratégies d'écriture des narrations journalistiques du web : les renouvellements d’un contrat de véridicité." Doctoral thesis, Université Laval, 2021. http://hdl.handle.net/20.500.11794/67963.

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Thèse en cotutelle : Université Laval, Québec, Canada, Philosophiae doctor (Ph. D.) et Université de StrasbourgStrasbourg, France
Cette thèse s’intéresse à la compréhension des transformations contemporaines de l’écriture journalistique à l’aune de la mission de vérité traditionnellement associée à cette activité. Ce mandat social idéalisé fait partie de l’imaginaire de la profession et participe à la légitimité de la pratique journalistique. Il trouve une résonance contemporaine, dans un espace public en mutation où les entreprises médiatiques et les journalistes expérimentent de nouvelles façons d’informer. La recherche porte sur des narrations journalistiques multimédias exploitant les spécificités de l’écriture numérique (webdocumentaire, scrollytelling, long format…). Notre hypothèse est que les renouvellements en jeu dans ces dispositifs d’information se négocient dans la dimension coopérative du web. La recherche s’appuie sur l’analyse d’un corpus de cinq récits produits dans les médias d’information français dans la décennie 2009-2019. Elle est complétée par des entretiens avec leurs auteurs et des acteurs de la production. En documentant une pratique émergente du webjournalisme, ce travail rend compte d’expériences d’écriture entre narrativité et numérique qui contribuent à une reformulation du contrat de véridicité du journalisme.
This thesis focuses on seeking to understand the tension between transformations in contemporary journalistic writing and the obligation of truth traditionally associated with this activity. This idealised social mandate speaks to the appeal and to the legitimacy of journalistic practice and has a strong echo in the shifting public spaces where media companies and journalists are experimenting with new ways to inform. The research focuses on multimedia journalistic narratives exploiting the specificities of digital writing (webdocumentary, scrollytelling, long format, etc.). Our hypothesis is that the changes at play in these informative devices are negotiated in the cooperative dimension of the web. The research is based on the analysis of a corpus of five stories produced in the French news media in the decade 2009-2019. It is complemented by interviews with their authors and producers. This work investigates the emergent practice of webjournalism as acts of writing in which narrative and digital modalities contribute to a reformulation of veridicity as a journalistic contract.
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Kurpiel, Solange. "Internet Media Dreamin : un idéal démocratique incarné par le journalisme alternatif en ligne au Brésil et en France." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2034/document.

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Avec l’ouverture d’Internet au public, en 1994, une nouvelle offre journalistique alternative naît à travers le monde. À l’initiative de professionnels expérimentés et reconnus, ces sites d’information s'inscrivent dans un projet idéologique et démocratique commun : l’Internet Media Dreamin’. Ils rêvent de réhabiliter un journalisme engagé dans les intérêts démocratiques et citoyens, qui a été perverti au fil des années par des logiques économiques de marché. Pour ce faire, les dreamers’ adhèrent au cyberespace public, ainsi qu’à ses promesses d’autonomisation citoyenne, de désinstitutionnalisation du débat public et de liberté du partage informationnel. Internet est pour eux bien plus qu’une technologie : c’est une solution qui leur permettrait de dribbler un environnement informationnel hégémonique. Portée sur le processus de reconfiguration du paysage journalistique, cette thèse interroge la capacité de l’offre alternative en ligne à rompre avec les hiérarchies institutionnalisées de l’information, en proposant des espaces médiatiques qui favorisent l’expression citoyenne polyphonique. Ce questionnement initial est décliné en trois perspectives de réflexion : 1) l’individu et son action médiatique citoyenne ; 2) les instances médiatiques et leur positionnement communicationnel dans le débat public ; et 3) les structures médiatiques et les pratiques journalistiques. Notre panel d'étude est composé par 50 pure players d’information du Brésil et de la France : un média global ayant des déclinaisons dans les deux pays étudiés et 48 projets alternatifs nationaux. Pour son traitement, nous avons mené une analyse de contenus thématique à partir des données récoltées lors de veilles documentaires réalisées entre 2016 et 2019, et de 31 entretiens semi-directifs menés auprès des producteurs de contenus inscrits dans les projets étudiés. Inspirés par le dispositif d’analyse de genre d’information médiatique établi par Patrick Charaudeau (1997, 2006, 2011), nous avons procédé à l'analyse de discours de publications selon deux « thèmes-événements » (Soulages, 2002) : la condition féminine et les élections présidentielles de 2017 en France et de 2018 au Brésil. Pour la réalisation de cette étude, 3 147 textes ont été récoltés à l’aide de méthodes manuelles et automatiques, puis traités à partir du positionnement et des degrés d’engagement des locuteurs selon deux axes : postures énonciatives et points de vue discursifs. Pour structurer nos discussions, notre thèse est organisée en deux parties, renvoyant à la temporalité évolutive du développement idéologique et médiatique des projets journalistiques alternatifs en ligne. La première partie, intitulée « en Rêve », révèle une problématisation théorique et empirique de trois projets idéologiques et démocratiques que nous avons convenu d’appeler Internet Dreamin’, Media Dreamin’ et Internet Media Dreamin’. Ensuite « en Chair et en Os » est dédiée à l’incarnation de l’Internet Media Dreamin’ dans et par le corps social. Pour cela, nous développons trois chapitres structurés à partir des tensions établies par les producteurs d’information alternatifs par rapport aux modèles journalistiques dominants : 1) voix bourgeoise et citoyenne ; 2) information homogène et hétérogène ; 3) dépendance et indépendance médiatique. En plus des discussions théoriques et empiriques, cette thèse a pour ambition de proposer une méthodologie pour la constitution des cartographies discursives, révélatrices du degré d’engagement de l’offre médiatique
With the opening of the Internet to the public, in 1994, a new alternative journalistic offer emerged around the world. On the initiative of experienced and recognized professionals, these news websites are part of a common ideological and democratic project: the Internet Media Dreamin'. It represents the dream of rehabilitating a journalism committed to democratic interests and citizens, which has been perverted over the years by the economic logic of the market. To achieve this, these dreamers' adhere to the public cyberspace, as well as to its promises of citizen empowerment, deinstitutionalization of the public debate, and freedom of information sharing. For them, the Internet is more than a technology: it is a solution that would allow them to circumvent a hegemonic information environment. Focusing on the process of reconfiguration of the journalistic landscape, this PhD thesis questions the ability of the online alternative offer to break with the institutional hierarchies of information, by proposing media spaces that promote a polyphonic citizen expression. This initial questioning is developed from three perspectives: 1) the individual and their citizen and media action; 2) the media and their communication positioning in the public debate; and 3) media structures and journalistic practices.Our study panel is composed of 50 news pure plays from Brazil and from France: a global one with editions in each of the two countries, and 48 alternative national projects. For its treatment, we implemented a thematic content analysis based on data collected through information monitoring conducted between 2016 and 2019, and 31 semi-structured interviews with content producers involved in the projects studied. Inspired by the method of media information gender analysis established by Patrick Charaudeau (1997, 2006, 2011), we analyzed the discourse of two "event-theme" articles (Soulages, 2002): women's condition and presidential elections of 2017 in France and 2018 in Brazil. To carry out this study, 3,147 texts were collected using manual and automatic methods, then processed according to the positions and the engagement levels of the speakers, according to two axes: enunciative postures and discursive points of view. To structure our discussions, this thesis is organized in two parts, which refer to the temporal evolution of the ideological and media development of alternative online journalistic projects. The first part, entitled "In Dreams", reveals a theoretical and empirical problematization of three ideological and democratic projects, that we call Internet Dreamin', Media Dreamin' and Internet Media Dreamin '. Then "In flesh and blood" aims to ponder about the incarnation process of the Internet Media Dreamin' in and by the social body. For this, we develop three chapters based on the tensions established by alternative journalism producers regarding the dominant journalistic models: 1) bourgeois and citizen voice; 2) homogeneous and heterogeneous information; 3) dependent and independent media. In addition to these theoretical and empirical contributions, this thesis aims to propose a methodology for the constitution of discursive cartography, eliciting the degree of commitment of the media offer
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Simard, Anne-Marie. "L'utilisation des stratégies de diffusion dans le journalisme numérique québécois : le cas du piège à clic." Master's thesis, Université Laval, 2020. http://hdl.handle.net/20.500.11794/66825.

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Ce mémoire porte sur l'implantation des stratégies de diffusion au sein de trois grandes entreprises de presse québécoises et leur degré d'utilisation de la stratégie du piège à clic pour attirer l'attention du lecteur. Marquées par une période de changements des modèles médiatiques et avec l'avènement des réseaux sociaux dans le monde journalistique, les entreprises de presse ont dû adapter leurs stratégies pour rejoindre leur lectorat sur de nouvelles plateformes. Dans une logique de coopétition avec les plateformes d'infomédiation (Bouquillion, Miège et Moeglin, 2013), cette étude se focalise sur l'analyse des stratégies de diffusion des contenus sur la plateforme Facebook, et la présence de publications se rapprochant d'une définition du piège à clic proposée par Chen, Conroy et Rubin (2015) dans trois entreprises distinctes, soit Radio-Canada (ICI Québec), Québecor (Le Journal de Québec) et Groupe Capitales Médias (Le Soleil). En utilisant un cadre théorique qui mobilise la théorie des industries culturelles et la notion de filière, notamment celle de l'infomédiation et celle de l'économie de l'attention, nous examinons dans quelle mesure la recherche du sensationnel et de la viralité pour générer des clics est présente chez ces acteurs. La recherche fait appel à une méthode mixte à dominance qualitative et propose cinq facteurs recensés dans les recherches antérieures pour évaluer et quantifier l'utilisation de la méthode du piège à clic dans les entreprises de presse québécoises. Par ailleurs, des entrevues réalisées avec les gestionnaires de contenus des entreprises permettent de comprendre les cadres des stratégies de diffusion et leur vision de l'utilisation d'une telle stratégie. À l'issue de l'analyse de trois journées de publication pour chaque entreprise, nous ne pouvons retrouver l'utilisation du piège à clic dans sa version la plus aboutie. L'analyse montre que certains indicateurs sont plus présents que d'autres lors la diffusion sur les réseaux sociaux et nous pouvons conclure que la fidélisation du public basée sur l'établissement d'une relation de confiance, plutôt que la recherche d'un très vaste auditoire rapidement, reste au cœur des stratégies de diffusion de ces entreprises de presse.
This study aims to analyze Facebook editorial strategies by Quebec media companies and their eventual use of clickbait strategies. Marked by technological and socioeconomic shifts within the media landscape for almost two decades, media companies must adapt their publication strategies to new media platforms, including those of social network sites such as Facebook and infomediaries. This research evaluates the presence of indicators of a clickbait derived from existing literature (Chen, Conroy et Rubin , 2015)) and its use by three different Quebec media companies: Radio-Canada/CBC (ICI Québec), Groupe Capitales Médias (Le Soleil) and Quebecor (le Journal de Québec). Based on a mixed methods qualitative research, which combines content analysis of Facebook publications to quantify the use of clickbait within these three companies, and open interviews with content managers to further understand the broadcast strategies put in place, we find that there is no significant use of clickbait strategies within these media companies. However, the analysis shows that certain indicators are definitely more present, as media companies try to get attention on Facebook while trying to work on a long-term reader retention based on trust, rather than count on short-lived viral attention.
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Barbeau, Jean-Sébastien. "LA TRANSFORMATION DU BLOGUE EN UNE ACTIVITÉ DU JOURNALISME PROFESSIONNEL QUÉBÉCOIS FRANCOPHONE (1995-2010)." Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28435/28435.pdf.

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L’objectif de cette recherche consiste à dévoiler les adaptations qu’a subies la pratique discursive du blogue, née hors des médias traditionnels, en devenant une activité journalistique professionnelle des médias québécois francophones. La recherche a été menée selon une approche méthodologique de type qualitative avec trois méthodes – une revue de presse, une observation de blogues et des entrevues auprès de journalistes-animateurs de blogues professionnels. Les résultats montrent que les entreprises médiatiques ont, par diverses retouches, transformé le blogue d’un espace pour la liberté d’expression individuelle, ce qu’il était à l’origine, en un espace d’expression d’opinion sous contrôle organisationnel. Elles indiquent aussi que le souhait formulé par les médias que le blogue soit le moyen par excellence du dialogue entre les journalistes et le public, ne s’est que très peu réalisé. Dans ce mémoire, le processus d’appropriation et d’adaptation par les médias d’une forme de discours née hors du journalisme professionnel est examiné sous l’éclairage croisé du « flou » qui serait la caractéristique principale du journalisme selon Denis Ruellan, et sous celui de la tendance au « journalisme de communication », modélisé par Jean Charon et Jean de Bonville.
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Books on the topic "Journalisme en ligne"

1

Wulfemeyer, K. Tim. Online newswriting. Ames, Iowa: Blackwell Pub. Professional, 2006.

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Xigen, Li, ed. Internet newspapers: Making of a mainstream medium. Mahwah, NJ: Lawrence Erlbaum Associates, 2005.

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Vallée, Jason. Passion Journalisme: Comment CrÉer Votre MÉdia en Ligne ? Independently Published, 2020.

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Wulfemeyer, K. Tim. Online Newswriting. Wiley & Sons, Incorporated, John, 2010.

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Marthoz, Jean-Paul. En première ligne: Le journalisme au cœur des conflits. Mardaga éditions, 2019.

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Rosenberry, Jack, and Burton St John. Public Journalism 2. 0: The Promise and Reality of a Citizen Engaged Press. Taylor & Francis Group, 2009.

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Rosenberry, Jack, and Burton St John. Public Journalism 2. 0: The Promise and Reality of a Citizen Engaged Press. Taylor & Francis Group, 2009.

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Rosenberry, Jack, and Burton St John. Public Journalism 2. 0: The Promise and Reality of a Citizen Engaged Press. Taylor & Francis Group, 2009.

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Public Journalism 2. 0: The Promise and Reality of a Citizen Engaged Press. Routledge, 2009.

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Public journalism 2.0: The promise and reality of a citizen-engaged press. New York: Routledge, 2010.

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Book chapters on the topic "Journalisme en ligne"

1

Graham, Todd, Daniel Jackson, and Scott Wright. "The Possibilities and Limits of “Open Journalism”: Journalist Engagement Below the Line at the Guardian 2006–2017." In Letters to the Editor, 147–69. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26480-2_9.

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Broersma, Marcel. "Walking the line: Political journalism and social media publics." In The Routledge Companion to Political Journalism, 262–70. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429284571-24.

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Cottle, Simon. "Reporting from Unruly, Uncivil Places: Journalist Voices from the Front Line." In Reporting Dangerously, 111–44. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-40670-5_6.

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Te’o, Rebecca. "Violent Femmes: Collective Memory After 9/11 and Women on the Front Line of Journalism." In Memory and the Wars on Terror, 219–35. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56976-5_12.

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Winseck, Dwayne. "The Broken Internet and Platform Regulation: Promises and Perils." In Palgrave Global Media Policy and Business, 229–57. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95220-4_12.

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AbstractA relatively small number of global Internet giants—Google, Apple, Facebook, Amazon, Microsoft, and Netflix—have come under intense and ongoing fire for precipitating a twin crisis of journalism and the media, destroying democracy, and centralizing control over the Internet. In response, a new wave of Internet regulation is now in the making in one country after another. This chapter agrees that a forceful response to the platforms is overdue but raises concerns that the case against GAFAM + has become orthodoxy, anchored in cherry-picked evidence and a tendency to see these firms as the cause of all perceived woes. I also argue that while attempts to regulate digital platforms by the standards of broadcasting regulation may be politically expedient, this approach rests on superficial analogies. It also ignores the fact that the media industries have developed in close proximity to the vastly larger telecoms, consumer electronics and banking firms since the mid-nineteenth century. The last sections of this chapter offer four principles of structural and behavioural regulation drawn from this history as guides for a new generation of internet regulation today: structural separation (break-ups), line of business restrictions (firewalls), public obligations and public alternatives.
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Calabrese Steimberg, Laura. "Le discours (très) prescriptif des internautes sur le journalisme et les journalistes. Une étude des commentaires en ligne." In Informer avec Internet, 141–57. Presses universitaires de Franche-Comté, 2016. http://dx.doi.org/10.4000/books.pufc.9647.

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Selvik, Kjetil, and Jacob Høigilt. "Introduction." In Journalism in the Grey Zone, 1–23. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399515818.003.0001.

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The chapter explains the political constraints and possibilities of journalism in Lebanon and Tunisia and places the issue of journalism and politics within the literature on media in the Arab region. In conceptual terms, media instrumentalisation, hybrid politics and hybrid media are the organising terms for the book. The combination of these three features is found in many countries around the world and leads to a mixed situation for journalists. While journalists are formally free to say what they want, and their work is politically consequential, they are also either encouraged or pressured to toe the line of powerful media owners and politicians. Media instrumentalisation in such contexts is an unstable equilibrium. It generates resentment among journalists and the wider society that may, in critical situations, lead to open conflict.
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Mahmood, Fahad. "Combating Bullets With a Pen." In Advances in Media, Entertainment, and the Arts, 54–71. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1298-2.ch004.

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Journalists have always faced restrictions on their freedom of speech and threats to their security in Pakistan. During Pakistan's 2018 general elections, the country's media was also managed and controlled to create a maligned pubic-sphere to misguide the Pakistani voters. Public sphere was maligned through misinformation, political propaganda and distortion of facts and maneuvering of journalism. This created ill effects for public discourses on democracy. Findings obtained through in-depth interviews of twenty journalists, who covered elections 2018, revealed that strategic media maneuvering was witnessed during the country's 2018 elections. Media freedom was largely constrained and journalists faced physical, psychological and financial threats in the line of their duty and for their efforts to foster democracy in the country. This study revealed Pakistan's long history of dictatorship, weak political system, and national psyche of control as the major reasons for such happenings.
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Kurt Piehler, G., and Ingo Trauschweizer. "Introduction." In Reporting World War II, 1–14. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531503093.003.0001.

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This introduction provides an overview of literature examining war-time reporting in World War II. It considers the tension between American journalists seeking to accurately report the news and the impact of official censorship and self-censorship. Although supportive of the war effort, many reporters strived to avoid being mere ciphers of the American military and often sought to accurately document events as they unfolded. The journalism of Ernie Pyle and the editorial cartoons of Bill Mauldin proved influential in explaining to fellow GIs and the broader public the experiences of front-line combat troops.
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Boyle, Alan. "Popular Audiences on the Web." In A Field Guide for Science Writers. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780195174991.003.0019.

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Let's face it: We're all Web journalists now. You might be working for a newspaper or magazine, a television or radio outlet, but your story is still likely to end up on the Web as well as in its original medium. You or your publication may even provide supplemental material that appears only on the Web—say, a behind-the-scenes notebook, an interactive graphic, or a blog. Or you might even be a journalist whose work appears almost exclusively on the Web—like me. I worked at daily newspapers for 19 years before joining MSNBC, a combined Web/television news organization. So I still tend to think of the Web as an online newspaper, with a lot of text, some pictures, and a few extra twists. But with the passage of time, online journalism is gradually coming into its own—just as TV started out as radio with pictures, but soon became a distinct news medium. To my mind, the principles of online journalism—having to do with fairness, accuracy, and completeness—are the same as the principles of off-line journalism. But the medium does shape the message, as well as the qualities that each medium considers most important. Wire-service reporters value getting the story out fast; newspapers value exclusive sources; magazines value in-depth coverage; radio and TV look for sounds and pictures that will help tell the story. All these factors are important for the Web as well, but one thing makes online journalism unique: Web writers are looking for ways to tell the story using software. Let's take a closer look at how one multimedia story unfolded, then get into how the tools and toys of the trade can be used in your own work. News coverage of space shuttle launches and landings usually follows a familiar routine: From MSNBC's West Coast newsroom in Redmond, Washington, I would update the landing-day story continuously, starting with the de-orbit burn, just as a wire service reporter might do. On February 1, 2003, however, the shuttle's landing was scheduled for a Saturday morning, one of the lightest times of the week for Web traffic.
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Conference papers on the topic "Journalisme en ligne"

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Koç, Nur Emine, and Asena Tunalı. "Legitimization of Gender-Based Violence Through Media." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctc.2021/ctc21.003.

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Violence is a problematic phenomenon that has a global impact on both individuals and societies. From the reporting aspect of the news to the composition of television programs, violence has taken over the media. Considering the forms of violence in both social media and mainstream media, the use of language is observed to resemble a favor to the ones who commit these acts of violence, not the ones who are subject to it. Accessibility of the events occurring at any given moment within or outside of the border of individuals and the changing realities is a necessity. All these changes in our daily lives cause paradigm shifts, change the way we live, act, or understand for better or for worse as we are exposed. Media and the news, the prominent mediums of this exposure to life, manifest our current way of thinking and also play a significant role in creating the mindset that is determined to have been socially down the line. In this study, femicide cases that have drawn attention, under the spotlight of mainstream media and social media journalism from 2009 to 2020, providing a platform for individuals to report real-life events amateurly, and adopted the use of language by mainstream media and social media journalists, will be analyzed using content analysis method. Moreover, changes in the use of language adopted by mainstream media and the effects of these uses in the scope of the way we live, act, or understand will be argued.
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Koç, Nur Emine, and Asena Tunalı. "Legitimization of Gender-Based Violence Through Media." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.001.

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Violence is a problematic phenomenon that has a global impact on both individuals and societies. From the reporting aspect of the news to the composition of television programs, violence has taken over the media. Considering the forms of violence in both social media and mainstream media, the use of language is observed to resemble a favor to the ones who commit these acts of violence, not the ones who are subject to it. Accessibility of the events occurring at any given moment within or outside of the border of individuals and the changing realities is a necessity. All these changes in our daily lives cause paradigm shifts, change the way we live, act, or understand for better or for worse as we are exposed. Media and the news, the prominent mediums of this exposure to life, manifest our current way of thinking and also play a significant role in creating the mindset that is determined to have been socially down the line. In this study, femicide cases that have drawn attention, under the spotlight of mainstream media and social media journalism from 2009 to 2020, providing a platform for individuals to report real-life events amateurly, and adopted the use of language by mainstream media and social media journalists, will be analyzed using content analysis method. Moreover, changes in the use of language adopted by mainstream media and the effects of these uses in the scope of the way we live, act, or understand will be argued.
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Simeonova, Lora. "The (Im)possible Communication of the War: Challenges in Academic Education after the Russian Invasion in Ukraine." In COMMUNICATION AND MEDIA OF THE 21ST CENTURY: EDUCATIONAL AND PROFESSIONAL CHALLENGES. Faculty of Journalism and Mass Communication, 2023. http://dx.doi.org/10.60060/trjz6976.

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Could the war be rationalized, discussed or analyzed within university halls? Has the Bulgarian Alma mater provided adequate answers to the media and communication students’ reasonable questions after the Russian Invasion of Ukraine? How does the worldwide number-one topic influence academic lectures? The report is based on a study amongst 58 second-year Journalism, Public Relations and Book-Publishing students from the Faculty of Journalism and Mass Communication of Sofia University. The results of the questionary show that discussions at university are a significant “compass” for future media and communication specialists in troubled times. War has been turning into a “thin red line” during the classes of the summer semester in 2021/2022. Nevertheless, the majority of the students confess that they would benefit if the topic is even more widely-discussed – especially in the field of media literacy, media ethics and journalism practice.
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Skudra, Ojārs. "Political Communication Culture of Political Journalists Representing the Press in Unstable Democracy of Latvia. 2021–2022." In International scientific conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/ms22.13.

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As a state of democratic parties and a flawed democracy, the Republic of Latvia is characterized by political communication processes that do not contribute to the process of constructing a participatory political culture. The current paper offers the analysis of publications of the political journalists of the private printed weekly magazines “Ir” and “Sestdiena” about the work of political parties, the government and the parliament in 2021 and the beginning of 2022 in order to understand the meaning of the publications and the connections between the meanings with the help of hermeneutic analysis as a qualitative research method of communication science, as well as explain the participation of political journalists in political communication by constructing or reconstructing subcultures of Latvian political culture. Journalists of both aforementioned legacy or traditional media criticize the work of the government and parties as ineffective, but do not appeal to representatives of civic citizens and political subcultures of critical citizens, calling for civil and political activity, reducing everything to the behind-the-scenes and open activities of political parties and members of parliament as they prepare for the next parliamentary elections. The editorial lines of both periodicals differ; however, their political journalists accept the model of elite democracy prevailing in RL and the traditional role of private media in it, without serious objections. Both “Ir”, representing the pro-European, pro-Atlantic orientation, and “Sestdiena”, whose editorial line mainly has centrist populist, pro-business accents, are unable to satisfy the demand of some of their readers, as evidenced by the rather steady trend of decrease in their readership. There are no publications in these periodicals that would attempt to analyse the causes of the decrease in the number of readers and subscribers, not to mention the concretization of this process in connection with the four subcultures of Latvian political culture.
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Miao, Daniel, Tyler Liu, and Andrew Park. "Factorial!: A Google Chrome Extension to Analyze and Rate News Articles using Machine Learning." In 3rd International Conference on Advances in Computing & Information Technologies. Academy & Industry Research Collaboration, 2023. http://dx.doi.org/10.5121/csit.2023.131504.

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The advent and spread of the internet has caused many users to favor the convenience and breadth of reporting that online news offers, whether it be from media companies or social platforms, which in turn has led to the monetization and corruption of said stories [4]. Large, company-owned news sites each try to appeal to only a few groups across the political spectrum, oftentimes sacrificing the indifference and integrity which serve as the tenets of honest journalism. We propose to aid in solving this problem a Chrome extension which serves to provide metrics, information, and line-by-line analysis of article text in order to help readers stay aware and healthily skeptical [5][6]. Using machine learning (ML) as well as traditional algorithms, we aim to provide key info on the article’s truthfulness as well as the source’s bias and ownership [7]. In this project, we used 3 main models, each to detect fake news, political leaning and sentiment, in addition to traditional criteria such as readability, # of words, and time to read. All of our models performed well both theoretically and practically, giving above 80% accuracy on all occasions.
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Bölükbaşı, Selahattin. "The Example of Fanatik Newspaper Within the Context of The Evolution of Communication From Traditional Media to New Media Tools During the Covid-19 Pandemic." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.024.

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Fanatik Newspaper has been chosen as a sample in explaining the evolution of communication from traditional media to new media tools during the Covid-19 pandemic period, as Fanatik uses both media platforms efficiently. During the pandemic period, in which people didn’t go out or even avoid meeting their relatives, it’s been harder to reach daily newspapers to be informed about developments. After the 1990s, humanity has already become acquainted with internet journalism, which led to a decrease in the purchase of newspapers, and people started following the developments mostly from other platforms such as computers and mobile phones. And the advent of Covid-19 increased people’s dependence to digital platforms as a result of the restrictions implemented by the states. This study includes a video interview with Ömer Necati Albayrak, who has been the editor of Fanatik since 2012, and the data collected about newspapers and online journalism during the pandemic. The meeting was originally planned to be held face-to-face, yet because of the pandemic, it had to be held over Zoom, one of the relatively new media applications. The questions asked in the interview were prepared in line with the location feature that’s in social networks (URL-1). Both qualitative and quantitative analysis methods were used in this study. With the content analysis performed with quantitative methods, information about the circulation and advertising revenues of the newspapers in Turkey in the last ten years were collected. As a result of both studies, it has been recorded that people mostly follow the news from the internet sites, however; the circulation of the newspapers, which declined at the beginning of the pandemic, increased again later. In consequence of the findings, although the evolution of communication from traditional media to new media seems to have been completed during the pandemic, it has been detected those newspapers are preferred more when it comes to advertising revenue.
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Pralica, Dejan, and Vladimir Barovic. "MOODLE AS A PLATFORM FOR DISTANCE LEARNING AT THE DEPARMENT OF MEDIA STUDIES IN NOVI SAD." In eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-169.

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The aim of this paper is to show how the implementation of Moodle program could improve the education at the Department of Media Studies at Faculty of Philosophy in Novi Sad. Since the media studies are interdisciplinary studies, it is easy to adapt them to the new digital technologies. The method of work using this free source e-learning software platform will be thoroughly described in the paper. The case study of the course Radio journalism will try to present many occasions in which Moodle can be used, both in the form of multimedia contents and as an addition to the traditional lectures. The research that will be conducted among the students of the third year (53 subjects), the forth year (38 subjects), and the fifth year (master) (17 subjects) will show the students? expectations and their abilities during the lectures. The authors assumed that the students of the third, fourth and fifth years have enough knowledge about the digital media, gained during the previous years, thus they were the target group according to which the questionnaire was created. The preliminary results of the research showed that 24% of the participants heard about Moodle and that 67% would be interested in that type of e-learning if the Faculty introduced it. During the pilot phase, the following functions will be used: giving assignments, forum, downloading files, grading, Moodle instant messages, on-line calendar and on-line news and announcements for the course Radio journalism.It is predicted that this type of e-learning would be very interesting and would not represent an obstacle for learning to the generations that were born in the era of digital communication.
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Barovic, Vladimir, and Dejan Pralica. "DIGITAL MEDIA TECHNOLOGIES IN THE IMPLEMENTATION OF THE COURSE "REPORTING IN NATURAL DISASTERS AND ACCIDENTS"." In eLSE 2014. Editura Universitatii Nationale de Aparare "Carol I", 2014. http://dx.doi.org/10.12753/2066-026x-14-146.

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Since 2007 a teaching course on the subject of "reporting In natural and intentionally caused catastrophes and disasters has been carried on in the Department of Media Studies at the Faculty of Philosophy at the University of Novi Sad. The mentioned subject deals with media reporting and journalist engagement on the place where catastrophes caused by people (terrorism, explosions, car accidents, citizen gatherings, fires) or natural calamities (floods, earthquakes, tsunamis, hurricanes, tornadoes, extremely bad weather conditions) happen. The subject syllabus for a school year is carried out during one term with two classes of lecture and two classes of exercise per week. Students are interested in carrying through the syllabus and a number of those enrolled in this elective reaches maximum which is about 35 students for each course. We carried out a study on a theme of possibility of using a media digital technology in performing the syllabus" Reporting in natural and intentionally caused catastrophes and disasters" with the aim to examine how much students are interested to make a use of new digital technologies in the teaching course. An extensive analysis of the students answers was made relating to their perception of the use of new digital technologies, lecturing on Skype, the importance of online debate with the aim of exchanging different views with the students from other universities in the region and world. The researchers were interested in how much students use digital resources when they write their term papers, if they have a good on line communication with their professors and assistant professors, if they would like to have an on line cooperation with the Military, the Fire Department or some other institutions which deal with crisis situations and which digital innovation they would implement into the realization of this subject syllabus. The fundamental idea in this project is to analyze the students attitudes about using of media digital technologies in the realization of this syllabus which offers great opportunities for implementing the mentioned technologies. We expect that the result of this research will be the modification of the plan and the syllabus for this subject, which is to implement innovations in the sense of application of digital technologies observed as the most significant by students. Thus the teaching course will be enriched and innovated with new digital technologies and the syllabus will be adapted to students requests.
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Kovaleva, M. V. "The Theme of Cultural Crisis by Representatives of Russian Religious Thought of the Late 19th – Early 20th Centuries (on the Example of the Works of S.N. Bulgakov and N.A. Berdyaev)." In General question of world science. General question of world science, 2022. http://dx.doi.org/10.18411/gqws-15-10-2022-05.

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Dynamic changes in Russian social life in the late 19th and early 20th centuries, the elimination of its rigid ideological framework influenced the development of our society. The turning points were not limited to economic and political changes. There was a radical change in the worldview paradigm, which, accordingly, influenced the content of ideals, values, life-sense attitudes, and rules of social interaction. The rearrangement of the components of the spiritual and semantic core of culture at the end of the 1990s testified to a crisis in this area. It was the crisis processes in culture that predetermined the further search for its adequate interpretation and, in this regard, aroused tremendous research interest in its genesis, structure, driving forces and internal potential. Undoubtedly, attention to this phenomenon is also connected with the fact that culture in modern conditions is becoming the dominant social force. No social phenomenon can take place outside of culture and independently of it. This means that cardinal changes in society entail changes in the system of its norms and values, i.e. cultural change, and conversely, change in culture is necessarily accompanied by a shift in the social field. Regulating interpersonal interactions, cultural systems, first of all, semantic complexes (ideas, norms, values) constitute any social phenomenon. Accordingly, in modern philosophy, interest in culture as a factor in creative life and social development is becoming more acute. At the beginning of the 20th century, in the extremely specific conditions of “Russian life”, representatives of Russian religious philosophy directed their creative search to comprehending the essence of culture and determining ways out of the crisis. In this regard, it seems relevant to appeal to the ideas of such philosophers as S.N. Bulgakov, N.A. Berdyaev, who comprehend the fate of Russian culture and put forward a number of provisions that determine the understanding of this phenomenon. In line with the assessment of culture as a factor in social life order, the topic is relevant, which highlights the problematic field of analysis outlined by representatives of Russian religious philosophy of the late XIX - early XX centuries. This is the understanding of culture as a specific holistic organism, as a way of familiarizing a person with the spiritual essence of the world, as a value space oriented towards ideals. This is a deep faith in culture, its interpretation as a means of spiritual life, in which the personal beginning of a person is revealed. At the beginning of the 20th century, the selfdetermination of Russian religious philosophy took place in the context of an appeal to the spiritual heritage, including the religious one. And already self-determined as such, Russian religious thought reflects on the state of national culture. One of the most popular problems of the beginning of the 20th century is the problem of the cultural crisis. The religious concept of culture is inherent in the desire to comprehend the essence of culture in order to open the way from a crisis state to renewal and cultural revival. The Russian thought of this period is distinguished by the breadth of its consideration of the theme of the crisis: from theoretical and historical-cultural analysis to sharp socio-philosophical journalism. The concept of the crisis of culture, developed by Russian religious philosophers, is the basis of their own philosophy of culture. Representatives of this trend focus their creative search on determining ways out of the crisis, therefore, addressing this issue in the presence of a tendency to overcome the cultural crisis that began in Russian society at the end of the 19th century is also relevant. It should be noted that the identified problems, the topics developed by Russian religious philosophers of the late XIX - early XX century are polemical both in theoretical terms and in the context of the realities of modern Russian culture. Is culture a space of absolute values? Is it possible to truly understand culture in detachment from social pragmatics? Why should human activity necessarily be associated with ideals and values? Should a philosophical approach to understanding culture be based on historical realities? Is it possible to identify the concept of culture as a whole with spiritual culture? What is a crisis - cultural exhaustion or being without cultural orientation? The answers to these and many other questions, one way or another touched upon by representatives of this trend, no doubt introduce new aspects into the philosophical vision of culture, enrich modern cultural and philosophical knowledge and, which is very important, contribute to an in-depth understanding of Russian cultural processes of the new millennium.
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Reports on the topic "Journalisme en ligne"

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Khomenko, Tetiana, and Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.

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The authors explored the activity of mass media and cultural organizations aimed at clarification of the current problematic issue – preservation of Ukrainian cultural heritage under the conditions of the full-scale invasion of Russia into Ukraine. The authors emphasize that occupants not only destroy historic buildings, i.e. material objects, but also steal art values, destroy library and archive funds; their actions are aimed at destruction of our spirituality, identity and history. It is pointed out that there are the main streams in the work of journalists, experts, and culture figures, namely: fixation of losses, propaganda of the Ukrainian culture in the world, expert evaluation of the restitution possibilities, and filling of the culture material with patriotic sense. The full-scale invasion of Russia into Ukraine on the 24th of February 2022 led to the numerous loss of life, ruination of the military, civil and infrastructure objects. But the state-aggressor destroys and robs our culture in this war. Since the beginning of the war mass media have been actively informing about the situation in the regions, which happened to be at the line of the Russian troops attack. The information was in particular about the fact that different educational establishments, libraries and their funds, museums with valuable collections, theatres, religious buildings and historic buildings had been ruined. To tell the truth the information was incomplete due to the limited opportunities to monitor the situation. However, later it has been systematized. The work of journalists and experts contributed to this since they stated the criminal acts of Russia, informing about the ruination facts of historic, sacral, cultural monuments, devastation of many museum collections, destruction of library and archive funds. Digitalization of the Russian war crimes against Ukrainian culture became one more important work aimed at preservation of the Ukrainian cultural heritage. It was done by means of interactive maps of the Ukrainian cultural losses and it enables documenting crimes of the occupant army and spreading this information at the international level. Key words: culture, cultural front, cultural losses, cultural values, cultural heritage, war, media.
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Hotsur, Oksana, and Anastasiia Bila. Епістолярна спадщина Олени Теліги як виразник творчої особистості. Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11723.

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The scientific research considers and analyzes the epistolary heritage of Olena Teliha. Excerpts from her correspondence are presented, which testify to the formation of a brilliant woman, a creative personality who played an extremely important role in the struggle for the formation of Ukrainian statehood. It is from the letters that we learn that for her letters are almost an ideal way of communication. The epistolary heritage of Olena Teliha allows us to reveal the vision of the main processes in her personal life against the background of the general historical discourse. In addition, the main communicative visions that determine her creative personality are highlighted: communicative vision of friendship, love, creation of literary talent, perseverance and strength, resistance to rejection. Attention is focused on the importance of studying and researching the epistolary heritage of creative personalities in the context of social communications. From the quoted letters, which are distinguished by their sincerity and accuracy of expression, it is possible to determine and formulate what positions and ideas the civic activist, poet and publicist adhered to. In addition, we can see the line of consistency in the formation of a creative personality who not only lives and writes, but acts – creates history, its moment, the value of which is felt and understood by future generations. It is found that the life path in its interconnection with historical circumstances and social environment influenced the formation of the creative personality of the genius poet and publicist. The peculiarities of the epistolary of Olena Teliha are determined by the circumstances, people and personalities that she had to face in life. The promising areas of research are the letters of Olena Teliha, which are in the archives of other countries and the allocation of journalistic and documentary aspects of her epistolary heritage. Keywords: epistolary heritage, letters, public figure, journalism, creative personality.
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Yatsymirska, Mariya. Мова війни і «контрнаступальна» лексика у стислих медійних текстах. Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11742.

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The article examines the language of the russian-ukrainian war of the 21st century based on the materials of compressed media texts; the role of political narratives and psychological-emotional markers in the creation of new lexemes is clarified; the verbal expression of forecasts of ukrainian and foreign analysts regarding the course of hostilities on the territory of Ukraine is shown. Compressed media texts reflect the main meanings of the language of the russian-ukrainian war in relation to the surrounding world. First of all, the media vocabulary was supplemented with neologisms – aggressive and sad: “rashism”, “denazification”, “katsapstan”, “orks”, “rusnia”, “kremlins”, “parebrik”, “in the swamps”, “nuclear dictator”, “putinism”, “two hundred” and others. Numerals acquired new expressive and evaluative meanings: “200s” (dead), “300s” (wounded), “400s” (russian military personnel who filed reports for termination of the contract), “500s” (hopelessly drunk russian soldiers, alcoholics who are unable to perform combat tasks). The language of war intensified the slogans of the struggle for state independence and people’s freedom. The scope of the greeting “Glory to Ukraine! – Glory to Heroes!”. New official holidays have appeared in the history of Ukraine since 2014: “Heroes of the Heavenly Hundred” Day (February 20), “Ukrainian Volunteer Day” (March 14), “Defenders and Defenders of Ukraine Day” (October 14), “Volunteer Day” (5 December). As you know, the professional holiday of the military is the Day of the Armed Forces of Ukraine” (December 6). A special style is characteristic of media texts on military topics: “Iron Force of Ukraine” (Iron Force of Ukraine), “digitize the Army” (for effective simulation of military operations); “grain corridor” (export of Ukrainian grain to African and European countries); “don’t let Ukraine lose” (the position of the Allies at the first stage of the war), “Ukraine must win!” (the position of the Allies in the second stage of the war); “in the Russian-Ukrainian war, the thinking of the 19th century collided with the thinking of the 21st century”, “a politician is a person who understands time” (Grigori Yavlinskyy, Russian oppositionist); “aggressive neutrality” (about Turkey’s position); “in Russia”, “there, in the swamps” (in Russia), “weak, inadequate evil” (about Russia), “behind the fence”; “a great reset of the world order”; “technology of military creativity”; “they are not Russian and not Ukrainian, they are Soviet”, “people without mentality”, “in Ukraine and without Ukraine” (Vitaly Portnikov about a separate category of Russian-speaking citizens in Ukraine); “information bed of Ukraine” (about combat operations on the front line; “when a descendant asks me what I did in those terrifying moments, I will know what to answer. At the very least, I did not stand aside” (opinion of a Ukrainian fighter). Compressed in media texts is implemented in the headline, note, infographic, chronicle, digest, help, caption for photos, blitz poll, interview, short articles, caricature, visual text, commercial, etc. Researchers add “nominative-representative text (business card text, titles of sections, pages, names of presenters, etc.) to concise media texts for a functional and pragmatic purpose.” accent text (quote, key idea); text-navigator (content, news feed, indication of movement or time); chronotope”. A specific linguistic phenomenon known as “language compression” is widespread in media texts. Language compression is the art of minimization; attention is focused on the main, the most essential, everything secondary is filtered out. Compression uses words succinctly and sparingly to convey the meaning as much as possible. For example, the headline “Racism. What is the essence of the new ideology of the Russian occupiers?”. The note briefly explains the meaning of this concept and explains the difference from “nazism” and “fascism”. Key words: compressed media text, language compression, language of war, emotional markers, expressive neologisms, political journalism.
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