Academic literature on the topic 'Journalist-historian'

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Journal articles on the topic "Journalist-historian"

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Lennon, J. Michael. "Norman Mailer:Novelist, Journalist, or Historian?" Journal of Modern Literature 30, no. 1 (2006): 91–103. http://dx.doi.org/10.2979/jml.2006.30.1.91.

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Steel, Ronald. "Walter Lippmann: Journalist and historian." Society 36, no. 5 (1999): 77–79. http://dx.doi.org/10.1007/bf02686156.

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Lennon, Michael. "Norman Mailer: Novelist, Journalist, or Historian?" Journal of Modern Literature 30, no. 1 (2007): 91–103. http://dx.doi.org/10.1353/jml.2006.0060.

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Мазин, Константин, and Konstantin Mazin. "M. Pogodin: man, historian, journalist, collector, traveler." Service & Tourism: Current Challenges 8, no. 3 (2014): 5–12. http://dx.doi.org/10.12737/5594.

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The major milestones of life and work of famous Russian historian, journalist, collector and public figure Mikhail Petrovich Pogodin are considered in the article. It shows the scientist´s contribution to the development of Russian culture. In particular his artistic heritage as a theorist of domestic tourism in Russia is analyzed.
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Hampel, Robert L. "The Journalist as Historian: Nicholas Lemann's: The Big Test." History of Education Quarterly 41, no. 1 (2001): 72. http://dx.doi.org/10.1111/j.1748-5959.2001.tb00075.x.

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Few books have the scope and sweep of Nicholas Lemann's The Big Test: The Secret History of the American Meritocracy (New York: Farrar, Straus and Giroux, 1999). In 400 pages the author takes up five large topics. The first third is a history of the rise of standardized testing, especially the origins of the Educational Testing Service (ETS), the largest and best known nonprofit testing corporation in this country. The second part traces the post-World War II expansion of higher education, with detailed case studies of the California system and Yale University. The final third features a series of snapshots and essays on affirmative action. Running throughout the entire book are the interrelated topics of college admissions and economic mobility—(the universities supposedly became a “national personnel department” p. 345, which “grant the high scorers a general, long-duration ticket to high status that can be cashed in anywhere p. 347.”)
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Lytvynov, Volodymyr, and Ruslana Mnojivska. "Stanislaw Orychowski (1513-1566): from unia universalis to repudium romae." Ukrainian Religious Studies, no. 66 (February 26, 2013): 124–34. http://dx.doi.org/10.32420/2013.66.259.

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Stanislaw Orichovsky's coat of arms Oksha (Stanislaw Orzechowski, Stanislaus Orichovius Ruthenus / Roxolanus, 1513-1566) is an outstanding Ukrainian-Polish speaker, historian, journalist, philosopher and lawyer of the pan-European level. He is considered to be the leading representative of Renaissance humanism in Ukraine.
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Trocini, Federico. "Un omaggio a Sergio Romano? Della differenza che corre tra il mestiere di storico e il mestiere di colui che racconta storie." HISTORIA MAGISTRA, no. 2 (November 2009): 18–22. http://dx.doi.org/10.3280/hm2009-002003.

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- Referring to Seneca's well-known satirical text, the article makes fun of the recent congress held in Sergio Romano's honour. Contesting both his supposed moderatism, and his historical journalism, the article wants to show the factiousness of his political orientation and, more importantly, to draw attention to the differences - primarily, methodological - which distinguish the profession of the historian from that of someone who ‘tells stories'.Key words: Sergio Romano, Historian, Revisionism, Journalist, Moderatism, Berlusconism, Apocolocyntosis.Parole chiave: Sergio Romano, storico, revisionismo, giornalista, moderatismo, berlusconismo, apocolocintosi.
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Silva, Juremir Machado da. "Historical report as narrative procedure." Comunicação e Sociedade 34 (December 17, 2018): 443–53. http://dx.doi.org/10.17231/comsoc.34(2018).2958.

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This text approaches the intersection of history, journalism and literature as a procedure for the constitution of a specific narrative, the great historical or intellectual report of deepening. A simple question is explored: what if the historian is a journalist who covers the past and narrates him as a writer?
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Strum, Philippa. "The Journalist as Historian: Anthony Lewis, Civil Liberties, and the Supreme Court." Journal of Supreme Court History 29, no. 2 (2004): 191–206. http://dx.doi.org/10.1111/j.1059-4329.2004.00081.x.

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de Graaf, John, and Alan Harris Stein. "The Guerrilla Journalist as Oral Historian: An Interview with Louis "Studs" Terkel." Oral History Review 29, no. 1 (2002): 87–107. http://dx.doi.org/10.1525/ohr.2002.29.1.87.

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Dissertations / Theses on the topic "Journalist-historian"

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Tsai, Shu-Fen. "Ruth Adam (1907-1977), novelist, journalist, broadcaster, biographer, social historian : a representative English feminist writer?" Thesis, University of Sussex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262721.

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Rodrigues, Leonardo Paiva do Monte. "A divulgação da história nos livros de Eduardo Bueno e Laurentino Gomes." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-13122016-123826/.

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Este trabalho tem como proposta analisar algumas obras de divulgação da história. Centraliza-se a pesquisa nos trabalhos dos mais bem-sucedidos jornalistas-historiadores brasileiros: Eduardo Bueno, autor da Coleção Terra Brasilis e Laurentino Gomes, autor de 1808, 1822 e 1889. Uma das hipóteses centrais da dissertação é que dentro do campo da história, essas obras participam de uma luta pelo monopólio das representações do passado. Por isso, investigam-se os distanciamentos e as aproximações entre a escrita histórica e a escrita jornalística, estabelecendo uma relação entre textos e paratextos para entender sua produção e as condições socioculturais que permitiram sua emergência. Além disso, analisam-se os papéis que são interpretados pela mídia, pela crítica especializada, pelas editoras e pelos próprios autores na composição e repercussão daqueles livros.
The purpose of this dissertation is to analyze some historical divulgation books. The research has focused on the most successful brazilian journalists-historians: Eduardo Bueno, author of the Coleção Terra Brasilis and Laurentino Gomes, author of 1808, 1822 and 1889. One of the most important hypothesis of this dissertation is that inside the fields of history, divulgation works have participated in a contest for monopoly of representations of the past. This study has been exploring the approach and the gaps between historical writing and journalistic writing. It establishes a relation between texts and paratexts to understand the production of those publications and the sociocultural conditions for their emergence. The roles interpreted by media, by experienced book reviews, by publishing companies and by the authors are analyzed in the composition and repercution of those books.
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Books on the topic "Journalist-historian"

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Van Loon: Popular historian, journalist, and FDR confidant. Palgrave Macmillan, 2005.

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"King of critics": George Saintsbury, 1845-1933, critic, journalist, historian, professor. University of Michigan Press, 1992.

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John Edward Bruce: Politician, journalist, and self-trained historian of the African diaspora. New York University Press, 2004.

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The first wife's tale: A memoir by Louise Straus-Ernst : art historian, critic, journalist, intimate of Europe's avant-garde artists in the 1920s and 30s. Midmarch Arts Press, 2004.

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Minnen, Cornelis Van. Van Loon: Popular Historian, Journalist, and FDR Confidant. Palgrave Macmillan, 2005.

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Minnen, Cornelis van. Van Loon: Popular Historian, Journalist, and FDR Confidant (The World of the Roosevelts). Palgrave Macmillan, 2005.

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Maxwell, Catherine. Scent, the Body, and the Cosmopolitan Flaireur. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198701750.003.0005.

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This chapter focuses on the cosmopolitan flaireur, the sophisticated citizen of the world who relishes the fragrance of travel, represented by the historian and classicist John Addington Symonds and the journalist and critic Lafcadio Hearn, his junior by ten years. The smell of the human body is something that speaks intimately to the very nature of perfume, which references and alludes to corporeal odours as much as it camouflages them. Appreciators respectively of male and female body scents, both Symonds and Hearn write enthusiastically about the perfumes of the places they visit and the bodies they encounter there, but they are also keen consumers of the literature of other lands, both past and present, savoured by them for its release of distinctive male and female fragrances. This chapter focuses on the cosmopolitan flaireur, the sophisticated citizen of the world who relishes the fragrance of travel, represented by the historian and classicist John Addington Symonds and the journalist and critic Lafcadio Hearn, his junior by ten years. The smell of the human body is something that speaks intimately to the very nature of perfume, which references and alludes to corporeal odours as much as it camouflages them. Appreciators respectively of male and female body scents, both Symonds and Hearn write enthusiastically about the perfumes of the places they visit and the bodies they encounter there, but they are also keen consumers of the literature of other lands, both past and present, savoured by them for its release of distinctive male and female fragrances.
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Oliveira, José Claudio Alves de, Ana Helena da Silva Delfino Duarte, Fabiano Lopes de Paula, Genivalda Cândido da Silva, and Gilson Magno dos Santos. Ex-votos do Brasil: Arte e folkcomunicação. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-221-6.

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The present work, published in 2016, comes from the Ex-Voto do Brasil Project, developed from 2005 to 2011, and sponsored by CNPq. It aimed at researching and analyzing ex-votos at the main Brazilian chapels of miracles, churches and museums in order to study the typology, iconography, iconology, grammar, discourse, social memory and multiple forms that, as testimonies or media, ex-votos carry messages and information from individual and collective issues. In this second revised edition, there are six narratives authored by researchers from Bahia, Goiás and Minas Gerais. They analyze ex-votos from the point of view of art, communication, history and linguistics. All authors are researchers at GREC - Study Group on Cybermuseums. The book is brilliantly presented by Dr. Caroline Perrée and Dr. Clarisse Prêtre (French researchers), and from Brazil, by Dr. Ednaldo Soares (researcher and writer), Dr. Karina Janz Woitowicz (researcher and journalist), and Dr. Maria Helena Ochi Matue Flexor (historian). Finally, it is also presented by Dr. Elin Luque Agraz (Mexican historian), who honorably shared with us her research and ideas about the innate wealth of ex votos, but passed away in 2018.
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Morris, Burnis R. Carter G. Woodson. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496814074.001.0001.

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Historian Carter G. Woodson’s employment of the black press and modern public-relations techniques to preserve and popularize black history during the first half of the 20th century is rediscovered and examined in this study. This rarely explored side of Woodson, often called “The Father of Black History,” resurrects the lost image of a leading cultural icon who used his celebrity in multiple roles as an opinion journalist, newsmaker, and CEO/publicist of black history to bring veneration to a subject whose past was clouded by misinformation and contempt. During his era, 1915-1950, Woodson cultivated and won crucial press support for his Black History Movement, while merging his interests and the interests of the black newspapers. His cause became their cause.
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Robin, Libby, Chris Dickman, and Mandy Martin, eds. Desert Channels. CSIRO Publishing, 2010. http://dx.doi.org/10.1071/9780643097506.

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Desert Channels is a book that combines art, science and history to explore the ‘impulse to conserve’ in the distinctive Desert Channels country of south-western Queensland. The region is the source of Australia’s major inland-flowing desert rivers. Some of Australia’s most interesting new conservation initiatives are in this region, including partnerships between private landholders, non-government conservation organisations that buy and manage land (including Bush Heritage Australia and the Australian Wildlife Conservancy) and community-based natural resource management groups such as Desert Channels Queensland. Conservation biology in this place has a distinguished scientific history, and includes two decades of ecological work by scientific editor Chris Dickman. Chris is one of Australia’s leading terrestrial ecologists and mammalogists. He is an outstanding writer and is passionate about communicating the scientific basis for concern about biodiversity in this region to the broadest possible audience. Libby Robin, historian and award-winning writer, has co-ordinated the writings of the 46 contributors whose voices collectively portray the Desert Channels in all its facets. The emphasis of the book is on partnerships that conserve landscapes and communities together. Short textboxes add local and technical commentary where relevant. Art and science combine with history and local knowledge to richly inform the writing and visual understanding of the country. Conservation here is portrayed in four dimensions: place, landscape, biodiversity and livelihood. These four parts each carry four chapters. The ‘4x4’ structure was conceived by acclaimed artist, Mandy Martin, who has produced suites of artworks over three seasons in this format with commentaries, which make the interludes between parts. Martin’s work offers an aesthetic framework of place, which shapes how we see the region. Desert Channels explores the impulse to protect the varied biodiversity of the region, and its Aboriginal, pastoral and prehistoric heritage, including some of Australia’s most important dinosaur sites. The work of Alice Duncan-Kemp, the region’s most significant literary figure, is highlighted. Even the sounds of the landscape are not forgotten: the book's webpage has an audio interview by Alaskan radio journalist Richard Nelson talking to ecologist Steve Morton at Ocean Bore in the Simpson Desert country. The twitter of zebra finches accompanies the interview. Conservation can be accomplished in various ways and Desert Channels combines many distinguished voices. The impulse to conserve is shared by local landholders, conservation enthusiasts (from the community and from national and international organisations), Indigenous owners, professional biologists, artists and historians.
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Book chapters on the topic "Journalist-historian"

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Pelling, Henry. "Private Life: Historian and Journalist, 1929–39." In Winston Churchill. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-10691-2_19.

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Julliard, Jacques. "The Intellectual, the Historian and the Journalist." In Intellectuals in Twentieth-Century France. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22501-9_9.

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"Grimaldi: journalist, historian, diplomat." In Theatre and Politics in Nineteenth-Century Spain. Cambridge University Press, 1988. http://dx.doi.org/10.1017/cbo9780511627644.007.

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"Wilma Dykeman." In Writing Appalachia, edited by Katherine Ledford and Theresa Lloyd. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813178790.003.0041.

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As a journalist, historian, essayist, novelist, and short story writer in the mid-twentieth century, Wilma Dykeman was in the vanguard of the new Appalachian studies movement. Dykeman was born in Asheville, North Carolina, where her mother’s family had lived for generations. After graduating from Northwestern University in 1940, she married James Stokely Jr., a poet and son of an East Tennessee canning company magnate, with whom she reported on the civil rights movement in the 1950s....
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"How the journalist and the historian came to the environmental issues, 1964–1969." In The environmental turn in postwar Sweden. Manchester University Press, 2021. http://dx.doi.org/10.7765/9789198557749.00007.

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Robinson, Harlow. "A Hollywood Life." In Lewis Milestone. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813178332.003.0014.

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This chapter provides a summary and overview of Milestone’s life and career. In 1979 the Directors Guild of America honored him with a tribute, where various actors and directors praised his contribution to the Hollywood movie industry. Film historian David Parker wrote an appreciation for the printed program, noting his longevity and concern for “social candor.” Journalist Arthur Lewis wrote a profile calling Milestone “modest” and “macho.” His close friend Norman Lloyd described Milestone as “remarkable,” but observed that “personal complications” prevented his huge talent from emerging fully.
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Aleksandrova, Anna K. "Greece and its history in The Greek mosaic: History, people, travels by Natalia Nissen: A contemporary Russian narrative." In A Stranger’s Gaze: Diplomats, Journalists, Scholars — Travellers between East and West from the Eighteenth Century to the Twenty-First. Institute of Slavic Studies, Russian Academy of Sciences; Nestor-Istoriia, 2020. http://dx.doi.org/10.31168/4469-1767-9.21.

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The essay examines the contemporary Russian narrative on Greece and its history using The Greek mosaic: History, people, travels by Natalya Nissen as an example. The book is a collection of essays linked by a common plot thread - the life and travels of a foreigner in Greece. The author had spent considerable time living in Greece, and had travelled extensively accompanied by her friend, Yannis, a Greek historian, documenting both her travels and the historical backgrounds of the locations she visited. Nissen is a professional historian as well as a journalist, and her writing can certainly be considered “qualified” journalism at the very least, since the author has far more familiarity with the subject than an average travel writer. Despite that, the book is still influenced by the predominant Russian narrative about Greece, portraying the Greeks as kind, hospitable people, closely linked to the rich and fascinating history of their country. This prevents the author from presenting an accurate picture of the country and leads to her ignoring any and all negative social trends influencing contemporary Greek society, despite all her knowledge and the depth of cultural analysis.
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Eltantawi, Sarah. "Gender and the Western Reaction to the Case." In Shari'ah on Trial. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520293779.003.0006.

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This chapter explores the western reaction to Amina Lawal’s case. It outlines how famous western leaders, from Nicolas Sarkozy to Bill Clinton to Oprah Winfrey treated this case, and critically examines western non-governmental organizations’ responses. The chapter also examines how difficult it can be to discuss how Nigerian women feel about shar’iah, if their views are negative, in western scholarly discourses that are understandably concerned about the damage done by “imperial feminism.” This chapter tries to unearth Nigerian women’s voices in as authentic a way as possible, and provides two visions of gender rights in Northern Nigeria: that of Northern Nigerian historian Ibraheem Sulaiman and Northern Nigerian journalist, the late Balkisu Yusuf. The chapter ends with a short conclusion.
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Carlin, Richard, and Ken Bloom. "Final Years." In Eubie Blake. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190635930.003.0012.

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The final chapter examines Eubie’s revived career on stage and record in the 1970s and 1980s. Furthermore, the chapter discusses key figures who played a role in promoting his career, including historian Robert Kimball; composer/pianist William Bolcom and his wife, singer Joan Morris; recording engineer Carl Seltzer, who partnered with Eubie in forming Eubie Blake Music (Eubie’s record label and publishing company); and lawyer Elliot Hoffman, who championed and protected Blake’s work. The chapter also explores the impact of the mental decline and deaths of Noble Sissle and Andy Razaf on Eubie; Julianne Boyd’s production of a new musical review, Eubie!, which brought his return to Broadway; the show’s development and casting, including bringing Maurice and Gregory Hines to Broadway and their subsequent success; and difficulties dealing with the show’s producer, Ashton Springer. Finally, the chapter relates Eubie’s complex feelings about racism; his work with two biographers, African American journalist Lawrence Carter and jazz writer Al Rose; Rose’s fights with Elliot Hoffman over the writing and publication of his biography; late accolades; and Eubie’s final performances and death.
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Berghahn, Volker R. "Paul Sethe." In Journalists between Hitler and Adenauer. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691179636.003.0002.

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This chapter turns to the “grand old man” of West German journalism—Paul Sethe (1901–1967)—who was one of the best-known journalists during the founding years of the Federal Republic. Sethe also poses a considerable challenge to the historian who tries to evaluate his professional record because of his work as an editor of the Ohligser Anzeiger und Tageblatt (OA) until December 1933 and of Frankfurter Zeitung (FZ) between 1934 and 1943. After all, whereas in the OA he expressed views that were critical of Hitler before 1933, the FZ's journalism occupied a rather more ambiguous position in the Third Reich. There is also the question of whether deep down in his heart he was more of a scholar of serious history than a journalist writing in the daily hustle and bustle of the newspaper business. As this chapter shows, he wrote several big books on historical themes after 1945 and, judging from his output, putting pen to paper certainly seems to have come to him with ease.
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