Relevant bibliographies by topics / Juan (1966-....)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Juan (1966-....)'

Author: Grafiati
Published: 21 September 2024

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Journal articles on the topic "Juan (1966-....)"

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Stagnaro, Juan Carlos. "Grandes psiquiatras argentinas." Vertex Revista Argentina de Psiquiatría 30, no. 148 (2019): 426–53. http://dx.doi.org/10.53680/vertex.v30i148.125.

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Dossier: Grandes psiquiatras argentinas: Arturo AMEGHINO (1869-1948), René ARDITI ROCHA (1904-1962), Gregorio BERMANN (1894-1972), José T. BORDA (1869-1936), Gonzalo BOSCH (1885-1965), Exequías BRINGAS NÚÑEZ (1904-2000),Domingo CABRED (1859-1929), Raúl CAMINO (1939-2018), Lanfranco CIAMPI (1885-1962), Juan DALMA (1895-1977), Francisco DE VEYGA (1866-1942), Noel FELDMAN (1928-2001), R. Horacio ETCHEGOYEN (1919-2016), Jorge GARCÍA BADARACCO (1924-2010), Mauricio GOLDENBERG (1916-2006), José INGENIEROS (1877-1925), Cristofredo JAKOB (1856-1966), Alejandro KORN (1860 -1936), Enrique Eduardo KRAPF
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Quiñones Aguilar, Mariuska, and Ernesto Santiesteban Leyva. "Valores historiográficos del cine cubano de ficción en los años sesenta." Espergesia 11, no. 1 (2024): e110107. http://dx.doi.org/10.18050/rev.espergesia.v11i1.2896.

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Desde su nacimiento, la Historia y el Cine han estado interrelacionados. Este ensayo examinó cómo el cine cubano de ficción de los años sesenta reflejó y contribuyó a la comprensión de los procesos revolucionarios y la construcción de una identidad nacional en Cuba. El objetivo general fue analizar y destacar los valores historiográficos del cine cubano de ficción producido en esa década, evaluando cómo estas obras cinematográficas reflejaron y contribuyeron a la comprensión de los procesos revolucionarios y la construcción de una identidad nacional en Cuba. A partir del triunfo de la Revoluci
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Cerdán, Josetxo, and Lucía Rodríguez García de Herreros. "“El futuro es de la mujer porque el pasado es del hombre”. La recuperación del cine de Nadia Werba en España (1965-1967)." Fotocinema. Revista Científica de Cine y Fotografía, no. 29 (July 19, 2024): 173–200. http://dx.doi.org/10.24310/fotocinema.29.2024.19575.

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La pintora y cineasta Nadia Werba, afincada hace tiempo en Italia pero residente en Madrid durante unos diez años a partir de 1956, realizó en los años 60 cuatro cortometrajes documentales con un estilo observacional muy particular: San Juan del Toro (1965), Maestros del duende (1966), Unos chicos, unas chicas (1966) y Catch (1967). Además de su valor cinematográfico, estos trabajos tienen interés como retrato sociológico, puesto que muestran diferentes aspectos de la España de su tiempo, desde el mundo taurino al yeyé, pasando por la lucha libre. Como parte del interés actual de los estudios
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Olivares Bruno, Itzel. "Asistir a la invención propia." La Palabra y el Hombre, revista de la Universidad Veracruzana 1, no. 43 (2018): 72–74. http://dx.doi.org/10.25009/lpyh.v1i43.2536.

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La autobiografía, un género muy estudiado en la actualidad, tuvo un papel protagónico en la literatura mexicana durante la década de 1960 con el proyecto Nuevos escritores mexicanos del siglo XX presentados por sí mismos. En él participaron varios autores con sus "autobiografías precoces", entre los que destaca Juan Vicente Melo quien discurre sobre su vida y su obra con una relación estrecha, comenzando con la prosa sumamente "inventiva" y los elementos retóricos con los cuales reconstruye acontecimientos del pasado. A 50 años de haberse publicado su Autobiografía (1966), la Editorial UV la r
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Zelaya, Diego Gabriel, Marina Güller, and Rüdiger Bieler. "Doubling the known diversity of a remote island fauna: marine bivalves of the Juan Fernández and Desventuradas oceanic archipelagos (Southeastern Pacific Ocean)." PeerJ 12 (June 28, 2024): e17305. http://dx.doi.org/10.7717/peerj.17305.

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Juan Fernández and Desventuradas are two oceanic archipelagos located in the southeastern Pacific Ocean far off the Chilean coast that received protected status as marine parks in 2016. Remoteness and access difficulty contributed to historically poor biodiversity sampling and limited associated research. This is particularly noticeable for bivalves, with most prior regional publications focused on single taxa or un-illustrated checklists. This study investigates marine bivalves collected between the intertidal and 415 m depth during (1) the 1997 IOC97 expedition aboard the M/V Carlos Porter,
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Antunes Klais, Thalita Beatriz, Fabricio Bau Dalmas, Giancarlo Lastoria, and Antonio Conceição Paranhos Filho. "ANÁLISE MULTITEMPORAL DA COBERTURA DO SOLO DO MUNICÍPIO DE PONTA PORÃ, MATO GROSSO DO SUL, DE 1966 A 2006?" Geoambiente On-line, no. 19 (January 3, 2013): 01. http://dx.doi.org/10.5216/revgeoamb.v0i19.26050.

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Neste trabalho avaliou-se a evolução do uso e ocupação do solo em Ponta Porã – MS no período compreendido entre 1966 e 2006, tendo como base o uso de geotecnologias e dados de sensoriamento remoto, permitindo o monitoramento ambiental dos processos antrópicos. Ponta Porã é cidade limítrofe a oeste com a República Federativa do Paraguai, formando uma conurbação internacional com Pedro Juan Caballero, isso confere a região vantagens relacionadas à logística e a boas condições para o desenvolvimento econômico. Para a análise multitemporal da cobertura do solo foram utilizadas as cartas topográfic
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Kazmina, Anastasia O. "The Philosophical Code in the Performances Staged by Anatoly Efros of the 1960s." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, no. 3 (2023): 144–57. http://dx.doi.org/10.35852/2588-0144-2023-3-144-157.

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The poetics of Anatoly Efros’s performances and his metaplot in the directing process in the context of the theatre aesthetics of the Soviet era was often analyzed from the point of view of hermeneutics. Many reviews of his contemporaries are written from this perspective. The approach to the analysis of Efros's work by codes, described in detail by the French theatre critics Anne Ubersfeld and Patrice Pavis, seems to be the most accurate for understanding the deep semantic structures of his individual productions and his work as a united whole. On the example of the performances On the Weddin
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Prims i Vila, Roger. "Josep Miquel Ramis (ed.), «Epistolari Sebastià Juan Arbó - Joan Sales (1966-1982)», Barcelona, Publicacions de l’Abadia de Montserrat («Textos i Estudis de Cultura Catalana», 221), 2018, 167 pp." Caplletra. Revista Internacional de Filologia, no. 65 (September 28, 2018): 250. http://dx.doi.org/10.7203/caplletra.65.12717.

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Ressenya sobre el llibre de Josep Miquel Ramis (ed.), Epistolari Sebastià Juan Arbó - Joan Sales (1966-1982), Barcelona, Publicacions de l’Abadia de Montserrat («Textos i Estudis de Cultura Catalana», 221), 2018, 167 pp., ISBN: 978-84-9883-956-2.
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Kalenić Ramšak, Branka. "Las técnicas narrativas de la novella Española de la posguerra, con la atención especial a la novella de los años." Verba Hispanica 7, no. 1 (1998): 5–46. http://dx.doi.org/10.4312/vh.7.1.5-46.

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En los años sesenta de la posguerra española aparecen tres novelas que pueden ser con­ sideradas como nove/as de ruptura: Tiempo de silencio (1962) de Luis Martín-Santos, Señas de identidad (1966) de Juan Goytisolo y Cinco horas con Mario (1966) de Miguel Delibes. Las tres obras son ejemplo de un nuevo paradigma en la narrativa española de posguerra que la historia y la crítica literaria suelen denominar realismo dialéctico. Este tipo de realismo introduce muchas novedades formales queriendo liberarse del realismo social o realismo objetivo, vigente en la literatura española de posguerra aprox
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Pereira, André Cesar. "Percusos de Don Juan nas Américas." Língua e Literatura, no. 27 (October 15, 2003): 245. http://dx.doi.org/10.11606/issn.2594-5963.lilit.2003.105467.

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Esse trabalho analisa o mito de Don Juan em duas obras das Américas (Le Don Juan chrétien - 1966, do autor quebequense Jacques Ferron, e Don Juan acorrentado -1999, da autora brasileira Wanda Fabian) a partir da análise de Jean Rousset (O mito de Don Juan - 1981), que estuda o mito através de três pontos fundamentais: o ser inconstante, o grupo feminino e a figura do morto. Inicialmente apresenta-se o percurso histórico do mito de Don Juan na literatura escrita da Europa, observando as suas características. Em um segundo momento, desenvolve-se a análise de Jean Rousset e em seguida, estuda-se
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Dissertations / Theses on the topic "Juan (1966-....)"

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Quinteros, Marcela Cristina. "Juan Natalicio González (1897-1966): um intelectual plural." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-07022017-151430/.

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Esta tese procura identificar quais eram os principais objetivos intelectuais e políticos de Juan Natalicio González (1897-1966), um escritor paraguaio que desempenhou um amplo leque de atividades jornalista, ensaísta, editor, político, militante do Partido Colorado e diplomata. A partir da análise de suas biografias, de seus próprios textos (autobiografia, ensaios e a revista Guarania) e do resgate feito pela historiografia, consideramos que González atingiu parcialmente suas ambições políticas, na medida em que chegou a ser presidente de seu país, foi derrubado e já não pôde voltar a ocupar
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Lee, A. E. "Order and chaos in Juan Goytisolo's fictional works from 1966 to 1982." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384499.

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Jermyn, Tracy Aileen. "Savage impossibility : the paradox of rebellion in the novels of Juan Goytisolo, 1966-1988." Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/283935.

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This study proposes a non-chronological reading of the six novels written by Juan Goytisolo between 1966 and 1988 in the light of the French thinker Georges Bataille and others related to his theory of a 'general economy' of excess. My approach to these novels focuses primarily on the theme of rebellion and the paradox inherent in the quest for liberation embarked upon by each. Reading this paradox in relation to the basic Bataillian premise that transgression does not destroy the limit but completes and reinforces it, I have structured my study around the various categories Bataille formulate
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Teixeira, Romeu da Silva. "Embates sociais da Espanha nos anos 50 em Últimas tardes con Teresa (1966), de Juan Marsé /." Assis, 2020. http://hdl.handle.net/11449/192120.

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Orientador: Maira Angélica Pandolfi<br>Resumo: O trabalho em questão visa, a partir de Últimas tardes con Teresa (1966), de Juan Marsé, discutir os embates sociais da década de 50 na Espanha franquista. Marsé cria a história da relação amorosa de dois integrantes de classes sociais diferentes, que por olhos mais superficiais pode ser considerado como tradicional e debate, durante a narrativa, questões de significativa importância histórica. Há a intenção de discutir as questões sociais presentes em Lazarillo de Tormes, clássico produção espanhola e suas relações com o romance de Juan Marsé, se
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Chipi, Eneko. "Intimes liminalités, Poétique des frontières et figuration du Moi dans l'oeuvre nouvellistique de Juan Bonilla." Electronic Thesis or Diss., Pau, 2024. https://theses.hal.science/tel-04702409.

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L'objectif de la thèse est de démontrer l'existence, dans l'œuvre nouvellistique de Juan Bonilla, d'une double articulation poétique entre l'imagerie de la frontière, la redéfinition spéculaire de la littérarité par l'entremise de l'hybridité générique du texte et la construction d'une modalité autoréférentielle particulière fondée sur cette réactualisation métalittéraire du motif liminaire. La réflexivité bonillienne s'inscrit dans un régime éloigné d'une mimésis consciente et l'identité auctoriale demeure toujours à la marge de l'objet du discours, perpendiculaire à la substance de la narrat
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Bury, Laurence. "Les élections de juin 1968$$eévénements [i. E. évènements], traces, mythes : l'exemple du département du Nord." Tours, 1997. http://www.theses.fr/1997TOUR1007.

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A l'origine de cette thèse, un constat : si les évènements de mai-juin 1968 ont suscité une abondante littérature, l'épisode électoral de juin, souvent présenté comme simple épilogue à une crise qui seule retient l'attention, occupe une place minime dans les ouvrages. Surtout, le scrutin n'a pas fait l'objet d'analyses complètes et systématiques, contrairement aux autres consultations électorales. Ce détournement de curiosité a favorisé une généralisation hâtive des premiers commentaires des journalistes et observateurs de l'époque : "élections de la peur", "raz de marée gaulliste", "chambre i
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Lavergne, Lucie, and Lucie Lavergne. "L'écriture poétique, d'espaces et de rythmes : regards croisés sur six recueils de la poésie hispanophone contemporaine : Rubén Darío, Cantos de vida y esperanza (1905) ; Juan Ramón Jiménez, Diario de un poeta reciencasado (1916) ; Rafael Alberti, Marinero en tierra (1924) ; Vicente Aleixandre, Espadas como labios (1932) ; Pere Gimferrer, Arde el mar (1966) ; Leopoldo María Panero, Teoría (1973)." Phd thesis, Université Blaise Pascal - Clermont-Ferrand II, 2011. http://tel.archives-ouvertes.fr/tel-00942945.

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Par les analyses croisées de six recueils de la poésie hispanophone du XXe siècle, cette thèse se propose de définir l'écriture poétique à travers son rythme. Ce dernier est envisagé relation avec la notion d'espace. Partant de l'association traditionnelle du rythme et de la métrique, la première partie observe comment l'espace métrique de l'écriture versifiée, par sa structure, ses frontières, met en jeu la loi et sa transgression. En revanche, la seconde partie considère l'espace comme " substance ", c'est-à-dire qu'elle observe l'écriture dans son déroulement même, d'abord langagier et phra
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Lavergne, Lucie. "L’écriture poétique, d’espaces et de rythmes : regards croisés sur six recueils de la poésie hispanophone contemporaine : Rubén Darío, Cantos de vida y esperanza (1905) ; Juan Ramón Jiménez, Diario de un poeta reciencasado (1916) ; Rafael Alberti, Marinero en tierra (1924) ; Vicente Aleixandre, Espadas como labios (1932) ; Pere Gimferrer, Arde el mar (1966) ; Leopoldo María Panero, Teoría (1973)." Thesis, Clermont-Ferrand 2, 2011. http://www.theses.fr/2011CLF20021/document.

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Par les analyses croisées de six recueils de la poésie hispanophone du XXe siècle, cette thèse se propose de définir l’écriture poétique à travers son rythme. Ce dernier est envisagé relation avec la notion d’espace. Partant de l’association traditionnelle du rythme et de la métrique, la première partie observe comment l’espace métrique de l’écriture versifiée, par sa structure, ses frontières, met en jeu la loi et sa transgression. En revanche, la seconde partie considère l’espace comme « substance », c’est-à-dire qu’elle observe l’écriture dans son déroulement même, d’abord langagier et phra
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Castillo, Arce Macarena. "El ingreso al museo mediante la canonización cenicienta de Juan Emar en la exposición “Juan Emar ¡Armonía! eso es todo”." Tesis, Universidad de Chile, 2008. http://repositorio.uchile.cl/handle/2250/109790.

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El presente trabajo tiene como finalidad el análisis y lectura de la exposición “Juan Emar, ¡Armonía! eso es todo” , realizada en la Biblioteca Nacional entre el 5 de junio y el 27 de julio del año 2007, llevada a cabo bajo el alero del Archivo Nacional de Bibliotecas, Archivos y Museos (DIBAM), del Archivo del Escritor, perteneciente a la misma institución, y de la Galería Cité Jofré al Fondo, siendo esta última la propietaria de los dibujos y croquis expuestos, los que fueron donados posteriormente al Archivo. En el año 1995 se funda bajo el alero de la Biblioteca Nacional y de la Dirección
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Tennenini, Roberta. "El fulgor de la palabra : el oficio poético de Juan Gelman (1956-2014)." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20115.

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Cette thèse porte sur l’oeuvre complète du poète argentin Juan Gelman (1930-2014). Bien qu’il soit un auteur de renommée internationale, les recueils qu’il a publiés pendant les dernières années de sa vie restent amplement méconnus. Ainsi, à trois ans de sa mort, nous proposons une étude qui analyse sa production la plus récente en la mettant en perspective avec la poésie qu’il a écrite auparavant. La richesse et l’originalité de son écriture ainsi que la complexité du contexte historique dans lequel elle s’inscrit, nous ont amenée à adopter une perspective critique post-théorique, à savoir un
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Books on the topic "Juan (1966-....)"

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Angeles, José Luis. Narraciones imposibles: Juan Goytisolo : narrativa (1966-1975). P. Lang, 2006.

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Qujing juan yan chang zhi bian zuan wei yuan hui. Qujing juan yan chang zhi, 1966-2009. Yunnan ren min chu ban she, 2010.

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1912-1983, Sales Joan, and Ramis Josep Miquel 1982-, eds. Epistolari Sebastià Juan Arbó-Joan Sales (1966-1982). Publicacions de l'Abadia de Montserrat, 2018.

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Galván, Valeria, and Florencia Osuna. Política y cultura durante el "Onganiato": Nuevas perspectivas para la investigación de la presidencia de Juan Carlos Onganía (1966-1970). Prohistoria Ediciones, 2014.

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Cancel, Alex Figueroa. El camino al cerro pelado: La oposicion del Gobierno de Puerto Rico a la participación de Cuba en los X Juegos Centroamericanos y del Caribe en 1966. Editorial Deportiva CAIN, 2016.

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author, Rabionet Silvia E., Román Franco, Ángel A., author, Hernández García, María Concepción, editor, and Rosario Urrutia, Mayra, writer of supplementary textual content, eds. Historia de la medicina tropical en Puerto Rico en el siglo XX. Ediciones Laberinto, 2022.

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Juan, Hidalgo. Juan Hidalgo de Juan Hidalgo (1961-1991). Pre-Textos, 1991.

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Cristóbal, Juan. Juan Cristóbal (1896-1961). Patronato de la Alhambra y el Generalife, 2014.

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Schwartz, Claude. Un certain goût du bonheur: Mai 1968-juin 1969. Editions Findakly, 1998.

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Sordo Madaleno, J. (Juan), 1916-1985, ed. Juan Sordo Madaleno (1916-1985). Arquine, 2013.

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Book chapters on the topic "Juan (1966-....)"

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Danby, Colin. "Noyola, Juan (1922–1962)." In The New Palgrave Dictionary of Economics. Palgrave Macmillan UK, 2021. http://dx.doi.org/10.1057/978-1-349-95121-5_3105-1.

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di Tella, Guido, and Carlos Rodríguez Braun. "Lorenzo Juan Sigaut." In Argentina, 1946–83: The Economic Ministers Speak. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-11756-7_15.

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Salorio, Demetrio Barcia. "Juan Barcia Caballero (1852-1926)." In WPA Anthology of Spanish Language Psychiatric Texts. John Wiley & Sons, Ltd, 2008. http://dx.doi.org/10.1002/9780470986752.ch12.

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Díaz-Rubio, Manuel. "Juan José López Ibor (1906-1991)." In WPA Anthology of Spanish Language Psychiatric Texts. John Wiley & Sons, Ltd, 2008. http://dx.doi.org/10.1002/9780470986752.ch27.

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Wittenborn, J. R. "The 15th Congress — San Juan 1986." In Thirty Years CINP. Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/978-3-642-73956-9_16.

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Vališová, Marie. "Řečové akty omluvy u českých studentů v angličtině (L2): vybrané výsledky pilotáže." In Výzkum v didaktice cizích jazyků II. Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9547-2019-8.

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During the second half of the 20th century, there was a shift in focus in second language acquisition research from linguistic competence to communicative and pragmatic competence (Hymes, 1972; Canale &amp; Swain, 1980; Canale, 1983; Bachman, 1990; Bachman &amp; Palmer, 1996; Usó-Juan &amp; Martínez-Flor, 2006). This resulted in a growing number of studies on speech acts in general. Motivated by a lack of studies on the speech acts of apology in conversations of Czech learners of English as a foreign language, my dissertation project aims to shed light on apology strategies used by Czech university students.
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Rocha, Carolina. "Juan Moreira." In Argentine Cinema and National Identity (1966-1976). Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940544.003.0009.

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This chapter is devoted to survey the process of adapting and shooting Juan Moreira, one of the most popular accounts about an outlaw gaucho who ends up defeated by the forces of civilization and progress. I discuss the challenges faced by its director, Leonardo Favio, and the popular success the film received, relying on press releases and film reviews of 1973.
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Rocha, Carolina. "Juan Manuel de Rosas." In Argentine Cinema and National Identity (1966-1976). Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940544.003.0014.

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This chapter chronicles Juan Manuel de Rosas’ pre-production and its weak reception among critics. I analyse the film as a biopic that differs from the previous ones which had aimed to be inspirational ones.
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"6 Hay que sonreír (1966)." In Juan Carlos Onetti, Manuel Puig and Luisa Valenzuela. Boydell and Brewer, 2005. http://dx.doi.org/10.1515/9781846154065-007.

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Rocha, Carolina. "Political and Social Tensions in Post-1955 Argentina." In Argentine Cinema and National Identity (1966-1976). Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940544.003.0002.

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This chapter provides a brief account of post 1955 political events in Argentina, starting with the coup d’état that ousted Juan Domingo Perón and established the revolución libertadora. I argue that after 1955, a new vision for Argentina was developed and implemented. The Armed Forces’ intervention in the country’s affairs coincided with developments in other parts of Latin America that encouraged the notion of socio-political change and developmentalism which was evident in the arts and sciences. I also contend that these changes contributed to reaffirm Argentine nationalism which aligned Argentina with Western values and Catholicism. I also survey the military and civil governments in the late 1960s and early 1970s.
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Conference papers on the topic "Juan (1966-....)"

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A. B., P. "O INSTITUTO JUAN BAUTISTA ALBERDI (1956-1974) NO PARAGUAI DE STROESSNER." In ANAIS DO II CONGRESSO INTERNACIONAL PAULO FREIRE: O LEGADO GLOBAL. Galoa, 2018. http://dx.doi.org/10.17648/paulofreire-2018-89664.

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Michot, Pierre. "Quatre avatars de la statue (1969-1995) : Strehler, Langhoff et deux fois Chéreau." In Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7948.

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Maino Ansaldo, Sandro. "Le Corbusier, el punto de partida de Juan Borchers." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.631.

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Resumen: La figura de Le Corbusier ejerció una influencia sin contrapeso en la arquitectura moderna chilena, caracterizada salvo excepciones, por una adopción superficial y figurativa de sus ideas y formas. Entre estas excepciones está el singular caso del arquitecto Juan Borchers Fernández (1910-75) quien mediante sus agudas observaciones y lúcida crítica expone su adhesión mientras al mismo tiempo desmonta las contradicciones, los errores de interpretación y las falencias de las tesis lecorbuserianas. Para el análisis se utilizaron dos libros fundamentales (Vers une Architecture, 1923; Le Mo
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Terribilini, Josefa. "Quand Don Juan finit sur grand écran. Sganarelle hors champ (Bluwal 1965 – Weber 1998)." In Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.8000.

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Lodo, Gabriela Cristina. "Marta Traba e a construção de duas histórias da arte na América Latina." In Encontro de História da Arte. Universidade Estadual de Campinas, 2011. http://dx.doi.org/10.20396/eha.7.2011.4085.

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Marta Traba (1930-1983) foi uma importante escritora e crítica de arte argentino-colombiana, formada em Filosofia e Letras pela Universidade Nacional de Buenos Aires, e História da Arte pela Sorbonne de Paris. Radicou-se em Bogotá na década de 1950, onde obteve a cátedra de História da Arte na Universidade Nacional da Colômbia, residindo no país até 1968, quando passou, então, por outras cidades, como: Montevidéu, Caracas, San Juan de Puerto Rico, Washington, Princeton, Barcelona e Paris.
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Escola, Marc. "Don Juan foudroyé par Vitez (Avignon, 1978)." In Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7891.

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Bucchi, Gabriele, and Lise Michel. "Entretien avec Jean-François Sivadier : la mort de Don Juan dans Don Juan (2016) et Don Giovanni (2017)." In Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7892.

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Toichkina, Alexandra V. "KULISH AND BYRON (TO THE HISTORY OF DON JUAN’S TRANSLATIONS INTO UKRAINIAN)." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.19.

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Translations of Byron’s works occupy a special place in the work of P. A. Kulish (1819– 1897). They can be divided into three parts: nine poems included in the poetry collection Borrowed kobza; Don Juan, first canto; Childe Harold’s Pilgrimage. As far as we know, Kulish was the first to attempt to translate Byron’s last, unfinished poem into Ukrainian. He chose not the “learned” type of translation, but “rehash”, which allowed more free experimentation in the field of vocabulary and rhythm. The edition was published as a separate reprint in 1891. Kulish saw his task in providing a translation
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Ferrer Forés, Jaime J. "Binibeca Vell. Interpreting tradition." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15325.

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Following the visual and volumetric bases extracted from the traditional Mediterranean architecture, Francisco Juan Barba Corsini (1916-2008) and Antoni Sintes Mercadal (1921-1981) designed Binibeca Vell (1964-1972) a respectful complex with the environment and the constructive traditions. The integration in the site, the built forms, the materials used and the urban structure reflect the organization of a traditional village. The research aims to analyze the architectural features, the reinterpretation of vernacular elements and the local traditional construction crafts involved in the comple
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Terribilini, Josefa, and Aurélien Maignant. "Entretien avec Julien Basler sur le Dom Juan des Fondateurs (2018)." In Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7895.

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Reports on the topic "Juan (1966-....)"

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Pérez Torres, Raúl. Brief Notes on Ecuadorian and U.S. Literature. Inter-American Development Bank, 1997. http://dx.doi.org/10.18235/0007923.

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O'Sullivan, Robert B. Geology of the Cedar Mesa - Boundary Butte Area, San Juan County, Utah (GIS Reproduction of USGS Map in B-1186 [1965]). Utah Geological Survey, 2019. http://dx.doi.org/10.34191/ofr-713dr.

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Henderson, Tim, Vincet Santucci, Tim Connors, and Justin Tweet. National Park Service geologic type section inventory: North Coast and Cascades Inventory & Monitoring Network. National Park Service, 2022. http://dx.doi.org/10.36967/nrr-2293013.

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A fundamental responsibility of the National Park Service (NPS) is to ensure that park resources are preserved, protected, and managed in consideration of the resources themselves and for the benefit and enjoyment by the public. Through the inventory, monitoring, and study of park resources, we gain a greater understanding of the scope, significance, distribution, and management issues associated with these resources and their use. This baseline of natural resource information is available to inform park managers, scientists, stakeholders, and the public about the conditions of these resources
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Research Department - Government Finance - Statements of Revenue and Expenditure - File 2 - Including Public Utilities WA - Balance Sheets - Dec 1944 - Jun 1960. Reserve Bank of Australia, 2022. http://dx.doi.org/10.47688/rba_archives_2006/17182.

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Elevation of the water-table surface for the alluvial aquifer and hydrologic conditions in the Santa Isabel-Juana Diaz area, Puerto Rico, March 1986. US Geological Survey, 1987. http://dx.doi.org/10.3133/wri874123.

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