Relevant bibliographies by topics / Julia Gardner

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  2. Dissertations / Theses
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Academic literature on the topic 'Julia Gardner'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Julia Gardner"

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FERNANDES, Ricardo Maradei Lombardi, Guilherme Conceição Siqueira NAGLIATI, and Waldir STEFANO. "Florence Bascom e a tríade singular." Vita Scientia 4, no. 1 (2022): 72–81. https://doi.org/10.5281/zenodo.6864701.

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<strong>Resumo</strong>: Florence Bascom (1862-1945) foi uma pioneira na geologia, a segunda mulher a conseguir um PhD nesse campo, realizou suas pesquisas em petrografia, analisando as estruturas microsc&oacute;picas das forma&ccedil;&otilde;es dos Appalachiams associada com a <em>Geological Survey</em> (institui&ccedil;&atilde;o governamental). Al&eacute;m de pesquisadora foi a orientadora de diversas mulheres que seguiram carreira nas geoci&ecirc;ncias na <em>Bryn Mawr</em>. Dentre essas alunas um trio merece maior aten&ccedil;&atilde;o, Julia Gardner (1882-1960), Anna Jonas Stose (1881-197
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Arnold, Lois. "The Bascom-Goldschmidt-Porter Correspondence 1907 to 1922." Earth Sciences History 12, no. 2 (1993): 196–223. http://dx.doi.org/10.17704/eshi.12.2.g7148vr132v48vg4.

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Florence Bascom (1862-1945) was a USGS field geologist who trained a subsequent generation of earth scientists at Bryn Mawr College. Recent literature on the history of women in science has identified several of them, including Ida Ogilvie, Eleanora Bliss Knopf, Anna Jonas Stose, and Julia Gardner. By contrast, Mary W. Porter (1886-1980), who went on to become a crystallographer at Oxford, is virtually unknown. Both Bascom and Porter studied crystallography in the laboratory of Victor Goldschmidt (1853-1933) at the University of Heidelberg. A fifteen-year segment of the decades-long correspond
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Siddiqui, Shayzal, Joseph S. Lee, Julia Abbo, et al. "Abstract B033: Long-Term quality of life and hearing preservation after stereotactic radiosurgery for vestibular schwannoma." Clinical Cancer Research 31, no. 2_Supplement (2025): B033. https://doi.org/10.1158/1557-3265.targetedtherap-b033.

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Abstract Purpose/Objective(s): The aim of this study is to evaluate the long-term quality of life (QOL) and hearing preservation outcomes following definitive single-fraction Gamma Knife stereotactic radiosurgery (GKSRS) for vestibular schwannoma (VS). Materials/Methods: Baseline and follow-up QOL and audiogram data were collected from our prospectively maintained institutional database of VS patients treated with single-fraction GKSRS from 2006 to 2023. QOL metrics included the Hearing Handicap Inventory (HHI), Dizziness Handicap Inventory (DHI), Tinnitus Handicap Inventory (THI), and the 36-
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Osborne, John. "Lost Roman Images of Pope Urban V (1362-1370) for Julian Gardner." Zeitschrift für Kunstgeschichte 54, no. 1 (1991): 20. http://dx.doi.org/10.2307/1482514.

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Leahy, Sharon Williams. "Not a Model: First Lady Julia Gardiner Tyler And New York City's Print Culture." New York History 99, no. 3 (2018): 331–55. http://dx.doi.org/10.1353/nyh.2018.0030.

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Lloyd, Joan Barclay. "The Roman Crucible: The Artistic Patronage of the Papacy, 1198–1304 by Julian Gardner." Catholic Historical Review 101, no. 3 (2015): 624–25. http://dx.doi.org/10.1353/cat.2015.0115.

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D'Ambra, Eve. "The Temple of the Deified Matidia among the porticoes of the Campus Martius." Acta ad archaeologiam et artium historiam pertinentia 37, no. 24 N.S. (2023): 15–34. https://doi.org/10.5617/acta.12343.

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The essay focuses on a Hadrianic temple in the Campus Martius in Rome that commemorated the emperor’s mother-in-law and offered urban amenities in the form of porticoes and gardens. It then looks to related structures in Athens and Italica, and returns to Rome for a discussion of the Saepta Julia, a well-known portico next to Matidia’s temple often mentioned by poets for its social scene.
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GRØN, OLE. "Submerged Prehistory: research in context - Edited by Andrew Bicket and Julie Gardiner." International Journal of Nautical Archaeology 41, no. 2 (2012): 432–34. http://dx.doi.org/10.1111/j.1095-9270.2012.00354_5.x.

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Tüzün, Defne. "Garden of Ambivalence The Topology of the Mother-child Dyad in Grey Gardens." CINEJ Cinema Journal 1, no. 2 (2012): 92–101. http://dx.doi.org/10.5195/cinej.2012.48.

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The Maysles brothers’ 1975 documentary, Grey Gardens, portrays the lives of Edith Bouvier Beale and her daughter, Edith, known as Little Edie, the aunt and first cousin, respectively, of Jacqueline Bouvier Kennedy Onassis. The mother and daughter live together in their East Hampton house that is literally falling apart. As their identical names imply, the Beales share a symbiotic relationship which is reflected in every aspect of their life. I argue that Grey Gardens calls for Julia Kristeva’s insistence on abjection as a crucial struggle with “spatial ambivalence (inside/outside uncertainty)”
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Zebboudj, Abderezak, Masataka Amisaki, Hiroshi Yano, et al. "Abstract B079: Interleukin-33 activated ILC2s induce tertiary lymphoid structures in pancreatic cancer." Cancer Immunology Research 13, no. 2_Supplement (2025): B079. https://doi.org/10.1158/2326-6074.io2025-b079.

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Abstract Background: Tertiary lymphoid structures (TLS) are ectopic immune cell aggregates in tumors that correlate with enhanced immunity and prognosis. Although TLS form via lymphotoxin (LT)-LTβR signaling, the TLS inducing molecules and cells remain unclear. Approach: To identify TLS inducing signals, we use pancreatic ductal adenocarcinoma (PDAC), a cold tumor where increased TLS density correlates with enhanced survival. To discover novel TLS inducers, we analyze bulk transcriptomes from human PDAC and 12 cold and hot cancers. We dissect the mechanisms in a Kras/p53-driven orthotopic PDAC
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Dissertations / Theses on the topic "Julia Gardner"

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DeLaney, Theodore Carter. "Julia Gardiner Tyler: A nineteenth-century Southern woman." W&M ScholarWorks, 1995. https://scholarworks.wm.edu/etd/1539623870.

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This study examines the life of Julia Gardiner Tyler (1829-1889) as a means of learning more about elite southern women during the nineteenth-century. It addresses the fundamental question of how an ambitious woman could fulfill personal aspirations without openly defying gender conventions and focuses on a variety of themes affecting American women including: education, domesticity, slavery, politics, and religion.;Julia was a northerner by birth and education who adopted the South when she married President John Tyler in 1844. She enthusiastically embraced and defended southern culture and i
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Singleton, Elizabeth Marie. "Julia Gardiner Tyler: A President's Bride and Plantation Mistress in the Age of Domesticity." W&M ScholarWorks, 1986. https://scholarworks.wm.edu/etd/1539625334.

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Prieto, Yurinis. "Julio Garmendia écrivain de l'avant-garde hispano-américaine : genèse et révolution d'un discours." Paris 3, 2005. http://www.theses.fr/2005PA030128.

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Cette étude se propose d'étudier la genèse et l'évolution de l'œuvre littéraire de l'écrivain vénézuélien Julio Garmendia (1898-1977), en tant qu'auteur représentatif de l'avant-garde hispano-américaine. Elle la met à jour par une perspective axée sur la réception critique et la génétique textuelle. La première partie porte sur l'accueil critique que cette œuvre a reçu dans le milieu littéraire vénézuélien depuis les années 1920 jusqu'aux années 1990 ; ainsi que sur les liens existant entre celle-ci et les œuvres appartenant à l'avant-garde hispano-américaine des années vingt et trente. La deu
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Baudry, Paul. "Le classique chez Julio Ramón Ribeyro : réflexions et inflexions : recherches sur le corpus parafictionnel et la réception de son œuvre." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040119.

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Éclipsé par le boom latino-américain dans les années 1960, entre autres à cause d’un certain conservatisme formel, l’écrivain péruvien Julio Ramón Ribeyro (1929-1994) fait partie de ceux qui sont restés en marge de ce phénomène commercial alors que dans son pays d’origine il bénéficie actuellement d’une aura paradigmatique. Nous nous proposons d’analyser ce paradoxe à la lumière du classique en tant que levier conceptuel susceptible de produire une compréhension totalisante et organique aussi bien de la poétique que du destin historique de l’œuvre de Ribeyro. En effet, l’objet de cette thèse e
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De, Coning Alexis. "Perversity on paper taboo, abjection and literature: Iain Banks' The wasp factory, Ian McEwan's The cement garden, and Irvine Welsh's Marabou stork nightmares." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002247.

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This thesis explores the notion of perversity in literature, specifically with regard to representations of taboo and abjection in Iain Banks‟ The Wasp Factory, Ian McEwan‟s The Cement Garden, and Irvine Welsh‟s Marabou Stork Nightmares. Julia Kristeva‟s Powers of Horror: An Essay on Abjection, as well as her notion of revolt, constitute the central theoretical framework for my analysis. However, I also draw upon the concepts of monstrosity, grotesqueness and the uncanny in order to explicate the affect of abject fiction on the reader. I posit, then, that to engage with literary works that con
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Noguchi, Yu. "La vuelta al mundo en 70 años: itinerario de la poética de Julio Cortázar —Arte, fotografía y tecnología urbana—." Doctoral thesis, Universitat de Barcelona, 2021. http://hdl.handle.net/10803/672531.

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El objetivo de esta tesis es entender la totalidad de la poética de Julio Cortázar a través del análisis comparatista, y se desarrolla de acuerdo con los siguientes cuatro ejes: 1) la poética romántica, 2) la tecnología, 3) la tendencia nostálgica de la postguerra, 4) el compromiso político y la Segunda Vanguardia. En lo que concierne al primer eje, se lleva a cabo una revisión del Romanticismo literario a partir de la labor de varios críticos, entre los que destaca Paul de Man. En particular, se analizan tres poemas de Cortázar explícitamente inspirados en «Oda a una urna griega» de Keats,
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Petersen, Diego. "Les textes de tango dans la production littéraire argentine (1960-1980) : retrouver la voix de l'autre." Montpellier 3, 2003. http://www.theses.fr/2003MON30042.

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Retrouver la voix de l'autre à travers l'emprunt, la citation, les références aux textes de tango a été la volonté de nombreux auteurs argentins pendant la période 1960-1980. Utilisant des vers et des extraits des chansons les plus emblématiques de Gardel, Discépolo, Manzi. . . (Mi Buenos Aires querido, Anclao en París, Cambalache, Volver. . . ), les romanciers comme Julio Cortázar, dans Libro de Manuel, Manuel Puig dans Boquitas pintadas et Daniel Moyano dans Libro de navíos y borrascas ainsi que les poètes, Juan Gelman par exemple, ont réussi —par une intertextualité prouvant une filiation s
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Noordhuis-Fairfax, Sarina. "Field | Guide: John Berger and the diagrammatic exploration of place." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154278.

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Positioned between writing and drawing, the diagram is proposed by John Berger as an alternative strategy for articulating encounters with landscape. A diagrammatic approach offers a schematic vocabulary that can compress time and offer a spatial reading of information. Situated within the contemporary field of direct data visualisation, my practice-led research interprets Berger’s ‘Field’ essay as a guide to producing four field | studies within a suburban park in Canberra. My seasonal investigations demonstrate how applying the conventions of the pictorial list, dot-distribution map, routing
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Walker, Justine. "Spinning in my mother's garden : a search for subjectivity : an exegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand." 2009. http://hdl.handle.net/10179/1436.

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Appendix C contains video files which were unable to be uploaded onto the institutional repository, but are available with the hard copy of the thesis.<br>Is female subjectivity possible within a patriarchal system? The following discussion investigates feminist thought though equality, difference and androgyny, mapping the achievements, setbacks, advantages and disadvantages of each through the theories of Luce Irigaray, Jacques Derrida, Julia Kristeva and others. Discussing Irigaray’s thoughts on disrupting the symbolic with mimesis and hysteria, how intersubjectivity might be possible throu
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Gonçalves, Patrícia 1994. "Reprodutibilidade e construção na escultura Modernista." Master's thesis, 2018. http://hdl.handle.net/10451/33837.

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This dissertation intends to study two sculptural procedures that contributed to the transition from Classicism to Modernity – Reproducibility and Construction. Therefore, a case study of the Portuguese and international artistic context is presented and analysed, from the end of the nineteenth century until the middle of the twentieth, which was designated by Modernism. Reproducibility was not a product of the twentieth century, but of a long process that led to the paradigm shift at the beginning of this century. Its impact on Artistic Teaching is observed, based on the analysis of three l
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Books on the topic "Julia Gardner"

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Gardner, Julia Emily. The diary of Julia Emily Gardner, 1865 (age 15-16): Town of New Lisbon, Otsego Co., NY. G.B. Kraus and E. Kraus-Kissam, 1998.

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Seager, Robert. And Tyler too: A biography of John & Julia Gardiner Tyler. Easton Press, 1989.

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Casa del Cordón (Burgos, Spain), ed. Sorolla: CulturalCordón, 15 de mayo-27 de julio 2008. Gobierno de España, Ministerio de Cultura, 2008.

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Gualis, Gonzalo M. Borrás. Confines: Miradas, discursos, figuras en los extremos del siglo XX, sala de exposiciones de Plaza de España - Madrid, mayo - julio 2000. Comunidad de Madrid, Consejeriá de Cultura, Dirección General de Archivos, Museos, y Bibliotecas, 2000.

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Maza, José Lucas Chaves. Parque Centenario: Exposición conmemorativa del centenario del Parque de María Luisa (1914-2014) : Casino de la Exposición, 21 de mayo a 27 de julio de 2014. NOSDO, Ayuntamiento de Sevilla, ICAS, Instituto de la Cultura y las Artes, 2014.

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Jaroslav, Anděl, and IVAM Centre Julio González, eds. El Arte de la vanguardia en Checoslovaquia, 1918-1938 =: The art of the avant-garde in Czechoslovakia, 1918-1938 : IVAM Centre Julio González, 10 febrero-11 abril 1993. L'Centre, 1993.

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1897-, Climent Enrique, Lahuerta Genaro 1905-, Sánchez Pedro 1902-1971, and IVAM Centre Julio González, eds. Enrique Climent, Genaro Lahuerta, Pedro Sánchez: Els tres ibèrics valencians : IVAM Centre Julio González, 20 gener - 29 març, 1998. IVAM Centre Julio Gonzalez, 1998.

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Tupitsyn, Margarita. Utopía, ilusión y adaptación: Arte soviético, 1928-1945 : IVAM Centre Julio González 25 abril / 23 junio 1996. IVAM Centre Julio González, Generalitat Valenciana, Conselleria de Cultura, Educació i Ciencia, 1996.

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Ruiz, Enrique Andrés. Los tiempos fabulados: Arqueología y vanguardia en el arte español, 1900-2000 : de marzo a julio de 2007, Museo Arqueológico Regional. Comunidad de Madrid, Consejería de Cultura y Deportes, Museo Arqueológico Regional, 2007.

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Aupetitallot, Yves. GRAV, Groupe de recherche d'art visuel, 1960-1968: Stratégies de participation : Horacio Garcia Rossi, Julio Le Parc, François Morellet, Francisco Sobrino, Joël Stein Yvaral : 7 juin-6 septembre 1998, Magasin--Centre d'art contemporain de Grenoble. Le Magasin, 1998.

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Book chapters on the topic "Julia Gardner"

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Bainbridge, Susan, and Norine Wark. "Meeks Gardner, Julia (Julie)." In The Encyclopedia of Female Pioneers in Online Learning. Routledge, 2022. http://dx.doi.org/10.4324/9781003275329-24.

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Gould, Lewis L. "Julia (Gardiner) Tyler." In American First Ladies. Routledge, 2021. http://dx.doi.org/10.4324/9781003248972-8.

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Jaime de Pablos, María Elena. "Becoming Resilient Subjects: Vulnerability and Resistance in Emma Donoghue’s Room." In Cultural Representations of Gender Vulnerability and Resistance. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95508-3_3.

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AbstractEmma Donoghue’s novel Room narrates the story of Ma, a 26-year-old woman who has been imprisoned for seven years in an eleven-by-eleven-foot soundproof garden shed in an unnamed place in America with her 5-year-old boy, Jack. This present chapter deals with the abusive conditions of oppression and confinement that Ma and Jack must face both in captivity and after escape, the impact that these conditions have on their body, psyche and social life, the different practices of resistance that mother and child enact to cope with them and the transforming process they must undergo to bounce
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Cabal Guarro, Miquel. "More Than a Century of Dostoevsky in Catalan." In Translating Russian Literature in the Global Context. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.02.

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This essay explores the factors that shaped the introduction and dissemination of Dostoevsky’s works in the Catalan cultural sphere, focussing on several different stages of the author’s translations into Catalan. In the late 1800s, Russian literature was largely unknown in Catalonia; interest grew due to the public’s fascination with Russian political movements and the fin de siècle avant-garde, as well as the agitational political climate in Spain. The Catalan intelligentsia typically accessed new aesthetic forms through French publications, including Russian literature: the first translatio
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"11 Julia Gardiner Tyler." In First Ladies of the United States. Lynne Rienner Publishers, 2001. http://dx.doi.org/10.1515/9781626373532-013.

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Rosen, Jeff. "North’s gardens." In Julia Margaret Cameron’s ‘fancy subjects’. Manchester University Press, 2016. http://dx.doi.org/10.7765/9781784997465.00014.

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"THE GARDENS OF ALCINOUS." In Julian (Routledge Revivals). Routledge, 2014. http://dx.doi.org/10.4324/9781315778457-10.

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Rosen, Jeff. "North’s gardens: redemption and the return to origins." In Julia Margaret Cameron's 'fancy subjects'. Manchester University Press, 2016. http://dx.doi.org/10.7228/manchester/9781784993177.003.0008.

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"Entretien Avec Julia Kristeva: L’avant-Garde Aujourd’hui?" In Femmes / Frauen / Women. Brill | Rodopi, 1990. http://dx.doi.org/10.1163/9789004449299_013.

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"Julia Kristeva: Theorizing the Avant-Garde?: Leslie Hill." In Abjection, Melancholia and Love. Routledge, 2012. http://dx.doi.org/10.4324/9780203120545-16.

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