Relevant bibliographies by topics / Jungfrau von Orleans (Schiller, Friedrich)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Jungfrau von Orleans (Schiller, Friedrich)'

Author: Grafiati
Published: 23 February 2023
Last updated: 26 July 2024

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Journal articles on the topic "Jungfrau von Orleans (Schiller, Friedrich)"

1

Wittkowski, Wolfgang, and Claudia Albert. "Friedrich Schiller: Die Jungfrau von Orleans." German Quarterly 63, no. 1 (1990): 114. http://dx.doi.org/10.2307/406617.

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2

Lee, Kyeonghi. "Issues of Faith and Reason in Friedrich Schiller’s Tragedy, Die Jungfrau von Orleans." Korean Journal of Literacy Research 12, no. 2 (2021): 429–51. http://dx.doi.org/10.37736/kjlr.2021.04.12.2.15.

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3

Port, Ulrich. "Marienbild und Militanz in Friedrich Schillers Die Jungfrau von Orleans. Longue durée, Nachleben und Aktualisierung barockkatholischer Schlagbilder im Zeitalter der Revolutionskriege." Zeitschrift für Kunstgeschichte 81, no. 2 (2018): 213–30. http://dx.doi.org/10.1515/zkg-2018-0015.

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Abstract This essay demonstrates how Baroque Catholic motifs of an aggressive and militant Virgin Mary are envisioned in Friedrich Schiller’s tragedy Die Jungfrau von Orleans – motifs which seem to be anachronistic with regard to the late medieval setting of the Joan of Arc story as well as with regard to the date of origin of Schiller’s play (1800 –1801). But precisely this anachronism can be read as a symptom of the times around 1800: namely as a return of repressed stocks of images from the age of confessionalization which gained explosive force for different reasons in the first decade aft
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Huang, Siyuan. "Patriotin und heilige Frau? - Überlegungen zur Konstruktion und Aktualität der Heldin in Friedrich Schillers Die Jungfrau von Orleans und zur chinesischen Johanna-Rezeption." Journal for german Culture and Literature 32 (December 31, 2023): 181–202. http://dx.doi.org/10.32681/jgcl.32.6.

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Samson, Emily. "Holiness and Horror: The Gendered Spectacle of Romantic Sleepwalking." Crossings: An Undergraduate Arts Journal 2, no. 1 (2022). http://dx.doi.org/10.29173/crossings73.

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Approaching the turn of the nineteenth century, somnambulism took various forms on the European stage as a morbidly fascinating window into the subconscious. Franz Mesmer's somewhat divisive theory of animal magnetism, or "mesmerism," was nevertheless taking hold in medical circles, and its often-female subjects were mirrored through portrayals of vulnerable sleepwalking heroines on the stage. But where there was vulnerability, there was also sublimity– more elevated manifestations of sleepwalking also emerged here, such as in the allegedly subconscious composition of Samuel Taylor Coleridge's
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Böcking, Cordula. "SCHILLER GOES TRANSNATIONAL: JULIE PAUCKER AND ROBERT SCHUSTER'S ‘MALALAI – DIE AFGHANISCHE JUNGFRAU VON ORLEANS’ (2017)." German Life and Letters, August 30, 2021. http://dx.doi.org/10.1111/glal.12317.

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Dissertations / Theses on the topic "Jungfrau von Orleans (Schiller, Friedrich)"

1

Tumat, Antje. "Rezeption und nationale Identität. Musik zu Schillers Jungfrau von Orleans am Stuttgarter Hoftheater." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71917.

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Goetz, Thomas. "Poetik des Nachrufs : zur Kultur der Nekrologie und zur Nachrufszene auf dem Theater /." Wien [u.a.] : Böhlau, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3045130&prov=M&dok_var=1&dok_ext=htm.

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Books on the topic "Jungfrau von Orleans (Schiller, Friedrich)"

1

1935-, Karthaus Ulrich, and Schiller Friedrich 1759-1805, eds. Friedrich Schiller, Die Jungfrau von Orleans. Reclam, 2006.

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2

Friedrich Schiller, Die Jungfrau von Orleans. M. Diesterweg, 1988.

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3

Wolfgang, Freese, Karthaus Ulrich, and Fischetti Renate, eds. Friedrich Schiller, Die Jungfrau von Orleans. Reclam, 1997.

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4

Tchaikovsky, Peter Ilich. La pulzella d'Orléans =: Orleanskaja deva : opera in quattro atti dalla tragedia romantica Die Jungfrau von Orléans di friedrich Schiller. Teatro Regio, 2002.

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Tchaikovsky, Peter Ilich. La pulzella d'Orleans =: Orleanskaja deva : opera in quattro atti della tragedia romantica Die Jungfrau von Orléans di Friedrich Schiller. Teatro Regio, 2002.

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6

Nichols, Alfred Bull, William Addison Hervey, and Friedrich Schiller. Die Jungfrau Von Orleans: Eine Romantische Tragödie, Von Friedrich Schiller. Creative Media Partners, LLC, 2018.

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7

Braun-Henle, Andrea. Friedrich Schiller: Die Jungfrau Von Orleans - Geschichtliche Hintergründe und Interpretationsansätze. GRIN Verlag GmbH, 2013.

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8

Friedrich Schiller "Die Jungfrau von Orleans": Eine Werkinterpretation auf geisteswissenschaftlicher Grundlage. Novalis Verlag, 1986.

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9

Schiller's Wallenstein, Maria Stuart, and Die Jungfrau von Orleans: The critical legacy. Camden House, 2002.

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10

Saranpa, Kathy J. Schiller's "Wallenstein," "Maria Stuart," and "Die Jungfrau von Orleans": The Critical Legacy (Literary Criticism in Perspective). Camden House, 2001.

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Book chapters on the topic "Jungfrau von Orleans (Schiller, Friedrich)"

1

Oellers, Norbert. "Schiller, Friedrich von: Die Jungfrau von Orleans." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19160-1.

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Guthke, Karl S. "Die Jungfrau von Orleans." In A Companion to the Works of Friedrich Schiller. Boydell and Brewer, 2005. http://dx.doi.org/10.1515/9781571136572-015.

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3

"3. Friedrich Schiller: Die Jungfrau von Orleans." In Spekulation als Poesie. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110367010.49.

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4

"3.1 ‚Mittelalterliche‘ Affektkulturen I – Friedrich Schiller: Die Jungfrau von Orleans." In Tribunal der Blicke. Böhlau Verlag, 2011. http://dx.doi.org/10.7788/boehlau.9783412213794.105.

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5

"5. Weiblichkeit und Psychologie der Amazonen: Hebbels Judith und Schillers Die Jungfrau von Orleans." In Friedrich Hebbels Arbeit an Schiller. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110660920-005.

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6

Parker, Roger. "Giovanna d’Arco." In The New Grove Guide to Verdi and His Operas. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195313130.003.0009.

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Abstract Dramma lirico in a prologue and three acts set to a libretto by Temistocle Solera in part after Friedrich von Schiller’s play Die Jungfrau von Orleans; first performed in Milan, Teatro alla Scala, on 15 February 1845. The cast at the premiere included Antonio Poggi (Carlo), Filippo Colini (Giacomo), and Erminia Frezzolini in the title role. King’s officers, villagers, people of Reims, French soldiers, English soldiers, blessed spirits, evil spirits, nobles of the realm, heralds, pages, young girls, marshals, deputies, knights and ladies, magistrates, halberdiers, guards of honour Setting Dom-Remy, Reims and near Rouen in 1429 There is virtually no evidence, but it seems that Verdi had arranged to write an opera for the 1844-45 Carnival season at La Scala as early as December 1843, and that soon afterwards he suggested to the impresario Bartolomeo Merelli that Temistocle Solera be engaged as the librettist. Solera was duly hired, wrote a text, and then-with typical exaggeration-made much of the fact that his libretto on the life of Joan of Arc was ‘original’, owing nothing either to Shakespeare or to Schiller.
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7

"König René oder die Geschichte. Zu Schillers Jungfrau von Orleans." In Schiller und die höfische Welt. Max Niemeyer Verlag, 1990. http://dx.doi.org/10.1515/9783110967234.407.

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8

"8: “Nicht meiner Rede, deinen Augen glaube!” Perspective in Die Jungfrau von Orleans." In Schiller the Dramatist. Boydell and Brewer, 2009. http://dx.doi.org/10.1515/9781571137500-012.

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