Academic literature on the topic 'Jungian Theory'

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Journal articles on the topic "Jungian Theory"

1

Rowland, Susan. "Jung, art and psychotherapy re-conceptualized by the symbol that joins us to the wildness of the universe." International Journal of Jungian Studies 7, no. 2 (2015): 81–93. http://dx.doi.org/10.1080/19409052.2014.905487.

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Despite the impact of the publication of Jung's own (literally) monumental work of rendering images in The Red Book (2009), the relation of art, artists, art psychotherapy and Jungian studies is puzzling and complex. As Tjeu van den Berk's excellent Jung on Art (2012) demonstrates, Jung by no means posited a comfortable continuum between his psychology and aesthetics. Even artists impressed by his notions of the inherently creative unconscious imagination do not share the priorities of Jungian-oriented art psychotherapists. In exploring this problem of Jungian psychology and the aesthetic doma
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Walker, Gavin. "Sociological theory and Jungian psychology." History of the Human Sciences 25, no. 1 (2012): 52–74. http://dx.doi.org/10.1177/0952695111427360.

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Tresan, David I. "Jungian metapsychology and neurobiological theory." Journal of Analytical Psychology 41, no. 3 (1996): 399–436. http://dx.doi.org/10.1111/j.1465-5922.1996.00399.x.

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Johnson, Carter Davis. "Beyond Melodrama." Steinbeck Review 19, no. 1 (2022): 33–46. http://dx.doi.org/10.5325/steinbeckreview.19.1.0033.

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Abstract East of Eden is often criticized as overly symbolic and melodramatic. However, such characterizations overlook Steinbeck’s latent innovations in characterization. Rather than developing stiff allegorical figures, Steinbeck makes creative use of Carl Jung’s theory of archetypes, forming personalities that manifest psychological potentialities and transformations. In this essay, I trace the manifestations of Jungian theory across several characters in East of Eden, contrasting Steinbeck’s use of Jungian archetypes with traditional literary archetypes. Additionally, I outline how this ar
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5

Reynolds, Bianca. "Emergence Through Playwriting." Journal of Jungian Scholarly Studies 14 (June 11, 2019): 73–91. http://dx.doi.org/10.29173/jjs7s.

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Jungian artistic criticism is a thriving field of scholarship, with strong representation in the literature across numerous disciplines. However, there is relatively little Jungian representation in critical studies of dramatic writing. This essay adopts the dual perspectives of playwright and dramatic critic to argue for the utility of a Jungian theoretical framework for the creation and analysis of play texts. Such utility is demonstrated through analysis of a case study genre, termed the “contemporary family homecoming drama.” C. G. Jung’s theories of individuation and the psychological com
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Maxwell, Grant. "Differenciating the Depths: A ‘Jungian Turn’ in Deleuze and Guattari Studies." Deleuze and Guattari Studies 17, no. 1 (2023): 112–43. http://dx.doi.org/10.3366/dlgs.2023.0504.

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Although it is not clear that Deleuze and Guattari were simply and unambiguously Jungians, they extensively engaged with Jung’s depth psychology in both affirmative and critical ways. It is striking that Deleuze expresses a strong affinity between his work and that of Jung in several texts; Jung’s influence on Deleuze has not tended to be emphasised by scholars, though there is a rapidly growing ‘Jungian turn’ in Deleuze and Guattari studies. This article briefly extracts the influence of Jung on Deleuze and Guattari and, more extensively, explores profound resonances between Deleuze's Differe
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Hall, James A. "Toward a Jungian Theory of Hypnosis." American Journal of Clinical Hypnosis 29, no. 2 (1986): 109–15. http://dx.doi.org/10.1080/00029157.1986.10402693.

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8

Baumlin, James S. "Reading/Misreading Jung: Post-Jungian Theory." College Literature 32, no. 1 (2005): 177–86. http://dx.doi.org/10.1353/lit.2005.0002.

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9

Arnold, Kyle. "Anti-epiphany and the Jungian Manikin: Toward a Theory of Prepsychotic Perceptual Alterations." Journal of Phenomenological Psychology 33, no. 2 (2002): 245–75. http://dx.doi.org/10.1163/15691620260622912.

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AbstractThis paper articulates a psychodynamically informed phenomenological reading of prepsychotic perceptual alterations, which the author calls anti-epiphanies. Several of Carl Jung's experiences of the anti-epiphany, as described in his autobiography Memories, Dreams, Reflections (1961), are taken as exemplar cases. These anti-epiphanies are viewed through a critical psychobiographical lens, in an interpretationwhich tacks back and forth between Jung's childhood, psychological theories, and later prepsychotic experience. It is claimed that Jung's anti-epiphanies are linked to his use of s
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Hockley, Luke. "Jungian screen studies – ‘Everything is Awesome…’?" International Journal of Jungian Studies 7, no. 1 (2015): 55–66. http://dx.doi.org/10.1080/19409052.2014.958896.

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Jungian film theory has reached a point where it has started to coalesce into a field. It is perhaps timely to take stock of what constitutes that field, and the extent to which a Jungian orientation to film and media is differentiated from Freudian and Lacanian approaches as well as those derived from traditional phenomenology and Deleuze.
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