Relevant bibliographies by topics / Justin Bieber

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Justin Bieber'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Justin Bieber"

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Parker, Ben. "IMAX and Its Doubles." Film Quarterly 67, no. 1 (2013): 22–26. http://dx.doi.org/10.1525/fq.2013.67.1.22.

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Donovan, Matt. "Shooting Justin Bieber & bin Laden in the Woods." Massachusetts Review 62, no. 2 (2021): 278–81. http://dx.doi.org/10.1353/mar.2021.0096.

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Ginting, Nopika Adelina, and Chaidir Syahri. "DEIXIS IN JUSTIN BIEBER’S SONGS." PROJECT (Professional Journal of English Education) 4, no. 1 (January 4, 2021): 55. http://dx.doi.org/10.22460/project.v4i1.p55-61.

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This research entitled Deixis in Justin Bieber’s Songs. The aims of this research is to analyze kind of deixis that used of Justin Bieber’s song lyrics in ‘Purpose Album and dominant deixis that used in this song. The focus types deixis which analyzed are: person dexis, place deixis and time deixis.The data used to complete this study is song lyrics of Justin Bieber in ‘Purpose Album. The song lyrics data got from internet browsing. Descriptive qualitative design is used to conduct this research. Having analyzed the data, the findings of this study are: (a) There are three kinds deixis are found, namely: person deixis (you,I, we, it, me, us, your, myself, yourself), time deixis (all day, all night, then, when, once, twice, tonight, at second chance, all the times, night, and place deixis (in this game, in my work, on my own); (b) The deixis words to be analyzed are 145 words; 130 words are person deixis, 11 words are time deixis, 4 words are place deixis; (c) The dominantly deixis that found is person deixis are 130 words or 89,6%. The researcher proposes student should learn deixis from song lyrics, because it’s familiar in society. Keywords: Deixis, Song Lyric, Place Deixis, Time Deixis, Person Deixis
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Boston, Arthur “A J. .” "What do you mean? Research in the Age of Machines." College & Research Libraries News 80, no. 10 (November 5, 2019): 565. http://dx.doi.org/10.5860/crln.80.10.565.

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What Do You Mean?” was an undeniable bop of its era in which Justin Bieber explores the ambiguities of romantic communication. (I pinky promise this will soon make sense for scholarly communication librarians interested in artificial intelligence [AI].) When the single hit airwaves in 2015, there was a meta-debate over what Bieber meant to add to public discourse with lyrics like “What do you mean? Oh, oh, when you nod your head yes, but you wanna say no.” It is unlikely Bieber had consent culture in mind, but the failure of his songwriting team to take into account that some audiences might interpret it that way was ironic, considering the song is all about interpreting signals.
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Allen, Kim, Laura Harvey, and Heather Mendick. "‘Justin Bieber Sounds Girlie’: Young People's Celebrity Talk and Contemporary Masculinities." Sociological Research Online 20, no. 3 (August 2015): 124–38. http://dx.doi.org/10.5153/sro.3738.

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In this article, we explore the ways that contemporary young masculinities are performed and regulated through young people's relationship with celebrity. We address the relative paucity of work on young men's engagements with popular culture. Drawing on qualitative data from group interviews with 148 young people (aged 14-17) in England, we identify ‘celebrity talk’ as a site in which gender identities are governed, negotiated and resisted. Specifically we argue that celebrity as a space of imagination can bring to the study of masculinities a focus on their affective and collective mobilisation. Unpicking young men's and women's talk about Canadian pop star Justin Bieber and British boyband One Direction, we show how disgust and humour operate as discursive-affective practices which open up and close down certain meanings and identities. We conclude that while there have been shifts in the ways that masculinities are performed and regulated, hierarchies of masculinities anchored through hegemonic masculinity remain significant.
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Soares, Thiago, and Juliana Souto. "Sobre a tensão entre Justin Bieber e seus fãs: Apontamentos para uma pedagogia das emoções." Comunicologia - Revista de Comunicação da Universidade Católica de Brasília 10, no. 1 (June 27, 2017): 200. http://dx.doi.org/10.24860/comunicologia.v10i1.8101.

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A partir da relação tensiva do cantor Justin Bieber e seus fãs, ao longo da turnê Purpose, que passou pelo Brasil entre os meses de março e abril de 2017, levanta-se um conjunto de questionamentos que apontam para: 1. a tentativa de construir um reconhecimento artístico para Bieber, cuja trajetória é fortemente marcada por questionamentos em torno de seus dotes musicais; 2. a estratégia de construção de autenticidade que passa pela performatização do “bad boy”, largamente difundida no universo do rap; 3. a dinâmica de pedagogia da emoção dos fãs, em torno de uma ética que aponta para os limites entre corpos e sujeitos em contextos de alta visibilidade.
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Berman, Naomi, and Chris Platania-Phung. "Broadcasting the Bieber Republic: A Critical Analysis of “#thatPOWER”." Journal of Communication Inquiry 44, no. 3 (January 27, 2020): 297–316. http://dx.doi.org/10.1177/0196859920901328.

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This article provides a critical analysis of “#thatPOWER”—a music video featuring will.i.am and Justin Bieber. This analysis focuses on the tensions and binary oppositions depicted in the video that pertain to social and geographic placement (e.g., “race,” gender, religion). Social science scholarship on youth and Wendy Brown’s account of neoliberalism are drawn on to argue that while “#thatPOWER” emphasizes individual agency and social advancement via will.i.am’s own achievements and aspirations, what is unintentionally promoted is an ironic vision of what we call the "Bieber Republic,” where agency via participatory democracy is erased. “#thatPOWER” neatly serves neoliberalism by tacitly “teaching” that social problems can be solved by individual achievement and mobility secured by inner energy and grit, backgrounded by market competition, consumerism, and technology. In this way “#thatPOWER” is complicit with what Brown calls the “stealth revolution” of neoliberalism.
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O’Connor, Clare. "The Angel as Wish Image: Justin Bieber, Popular Culture, and the Politics of Absolution." Communication, Culture and Critique 14, no. 3 (June 5, 2021): 471–86. http://dx.doi.org/10.1093/ccc/tcab031.

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Abstract In the early 21st century, the angel became a recurrent image within the visual economy of pop music stardom. By considering the case of Justin Bieber (whose angel invocations give expression to his struggles with celebrity, faith, and the pathology of Whiteness), the author reveals how biographical factors alone cannot account for the angel’s contemporary resonance. Instead, and drawing upon Walter Benjamin’s concept of wish image, the author argues that this invocational pattern reflects a general desire for a one-to-one correspondence between being and doing—here understood as a manifestation of the ur-historical longing for absolution. Because this desire is ambivalent, the angel has historically been invoked to symbolize wishes as divergent as fascism’s ideal gender relations and radical utopia’s equality. In this way, the angel’s current ubiquity alerts us to the role resonant myths often play in the elaboration of collective desires, while pointing toward their implications for emancipatory strategy.
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Lacasa, Pilar, Julián De la Fuente, María Ruth García-Pernía, and Sara Cortés. "Teenagers, Fandom and Identity." Persona Studies 3, no. 2 (December 13, 2017): 51. http://dx.doi.org/10.21153/ps2017vol3no2art648.

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<p>This paper analyses collective and individual identity construction processes in adolescent fan communities mediated by multimodal discourse. Our approach is supported by ethnographic work with teenage girls belonging to music communities built around One Direction and Justin Bieber, and rooted in participant observation. Firstly, we will show how participating in communities of practice, undertaking tasks which give meaning to group activities, contributes to the construction of a social and cultural identity supported by the interpretation, production and dissemination of texts. Secondly, we will examine how subjective and personal identities related to feelings, emotions and situations of support are also built by the fan community.</p><div class="grammarly-disable-indicator"> </div><div class="grammarly-disable-indicator"> </div><div class="grammarly-disable-indicator"> </div>
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Pratiwi, Vivi Yulia, Yeni Dwi Jayanti, and Isry Laila Syathroh. "AN ANALYSIS OF LEXICAL COHESION FOUND IN “NEVER SAY NEVER” SONG LYRICS." PROJECT (Professional Journal of English Education) 2, no. 3 (May 11, 2019): 377. http://dx.doi.org/10.22460/project.v2i3.p377-384.

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The purpose of this study is to describe kinds of lexical cohesion and to know frequent lexical cohesion used to support the cohesiveness of discourse in Justin Bieber and Jaden Smith’s song entitled “Never Say Never”. The subject of this study is “Never Say Never” song lyrics. This study uses descriptive qualitative that focuses on lexical cohesion in particular synonym, repetition (anaphora and epistrophe repetition) and antonym. The instrument that the researchers used are books, earphone, youtube and other supporting tools. From this study, the result shows that the lyrics of “Never Say Never” song contains eleven forms of lexical cohesion, consisting of two synonyms, seven repetitions, and two antonyms. So the most frequent occurrence in the data is repetition. The function of lexical cohesion is to make the lyrics have harmonization that makes the lyrics more meaningful
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Dissertations / Theses on the topic "Justin Bieber"

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Pinto, Raphael Silva. "Dinâmicas audiovisuais nos encontros com Justin Bieber." Niterói, 2017. https://app.uff.br/riuff/handle/1/3871.

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A pesquisa tem como foco investigativo as dinâmicas audiovisuais cotidianas construídas em torno de uma fase do percurso profissional do cantor canadense Justin Bieber, a partir da circularidade de suas fotos e vídeos na internet, especialmente no Instagram. Assim, como procedimento metodológico, destacou o documentário Never say Never (2011), cuja narrativa é apresentada como biografia de Justin Bieber, investigando os processos de identificação e imbricamentos entre os aparentemente distantes dois mundos: o da celebridade e dos que o cultuam. A problematização se configura a partir do instante em que os fãs do cantor parecem, a priori, não superar a transição ocorrida no perfil identitário do ídolo e passam a arquivar montagens fotográficas datadas no Instagram. As fotografias compartilhadas são entendidas como encontros narrativos e molduras imagéticas que pronunciam o componente midiático ao gênero biográfico tradicional, permitindo, assim, um interstício nas possíveis leituras sobre as trajetórias vitais das celebridades na contemporaneidade. Nesta perspectiva, buscam-se teorizações para compreender as necessidades imaginárias e as experiências do sujeito com a vida célebre. Sustentam as análises e reflexões desta pesquisa os trabalhos de Mikhail Bakhtin, Edgar Morin, Douglas Kellner, Muniz Sodré e Thiago Soares. Tal percurso traduziu-se na tentativa de elucidar diagnósticos que se somem aos estudos que já entendem o quanto é urgente, hoje, discutirmos as abordagens da cultura do entretenimento
The research is to focus investigative everyday audiovisual dynamics built around a stage in the career of Canadian singer Justin Bieber, from the roundness of your photos and videos on the Internet, especially on Instagram. As well as methodological procedure, said the documentary Never Say Never (2011), whose narrative is presented as Justin Bieber biography, investigating the identification and imbricamentos procedures between apparently distant worlds: the celebrity and the worship. The questioning is configured from the moment that the singer's fans seem a priori not overcome the transition occurred in the identity of the idol profile and pass the archive photo montages dated on Instagram. The photographs are understood as shared narrative meetings and image frames that pronounce the media component to the traditional biographical genre, allowing thus an interstitial on possible readings on the life paths of celebrities nowadays. In this perspective, looking up theories to understand the imaginary needs and experiences of the subject with the famous life. Support the analyzes and reflections of this research work of Mikhail Bakhtin, Edgar Morin, Douglas Kellner, Muniz Sodre and Thiago Soares. Such a course has resulted in an attempt to elucidate diagnoses that are additional to studies already understand how urgent it is today discussing the approaches of the entertainment culture
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Söderström, Mimmi. "Tweet-interaktion medBeliebers : En textanalys om hur Justin Bieber konstruerargemenskap med en tilltänkt publik genomtweets på Twitter." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30327.

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Syftet med denna uppsats är att, genom en textanalys av tweets på mikrobloggen Twitter, undersöka hurinteraktion skapas och upprätthålls mellan idol och fans. Exemplet som används är popstjärnan JustinBieber och hur tweets konstrueras på hans Twitter-sida för att bekräfta frågor om pseudo-interaktion,gemenskap och närvaro med sina följare som ofta kallas ”Beliebers”. Jag vill ta reda på vilkakommunikationskoder som används och hur teorier om interaktion kan kopplas till de tweets jagundersöker närmare. Som främsta metod används en kvalitativ textanalys för att se om det går att hittatydliga indikationer genom språkbruk, tilltal och innehåll som kan kopplas till teorier om hurinteraktionen med publiken presenteras, och huruvida publiken ses som okänd eller iakttagbar.Resultatet av studien har visat att den centrala kommunikationsmodellen som används i stjärnansTwitter-flöde fokuserar på gemenskap och samhörighet i budskapet som överförs snarare än självaöverföringen av information mellan till sändare, Bieber, och mottagare; fans, ”Beliebers” och följare.
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Reibold, Marc. "Putting Justice on Trial in Four Periods of German Literature: Case Studies (Jakob Wasserman, Arnold Zweig, Manfred Bieler, Thomas Brussig)." Diss., 2011. http://hdl.handle.net/10161/5039.

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This dissertation explores arguments against legal and authoritarian structures as thematized by four works of fiction from distinct periods of German history: Jacob Wasserman's Der Fall Maurizius (the Weimar Republic), Arnold Zweig's Das Beil von Wandsbek (the Third Reich), Manfred Bieler's Das Kaninchen bin Ich (post-war division of Germany), and Thomas Brussig's Leben bis Männer (Germany after reunification). The aim of my analysis is to define how each work builds a "case" against the state. It conducts a literary analysis of each work, which it places in its own cultural and political context. It then compares this case to German theories of law to determine points at which the work is in dialogue with pressing questions of justice particular to its legal epoch: Der Fall Maurizius (1928) builds a case against the state by juxtaposing positivist and natural law, yet ultimately cannot avoid the axiomatic nature of each position; Das Beil von Wandsbek (1938-43) is a Marxist morality play whose concept of justice proves insufficient to its own implied standards; Maria Morzeck oder Das Kaninchen bin ich (1969) engages the GDR's 1961 law reform directly, yet in its development from GDR film to FRG novel softens its critique of the state by thematizing its own literary limitations; and Leben bis Männer (2001) argues against Germany's post-reunification trials of former GDR border guards, but exposes its own plea for a sympathetic view of the GDR.


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Books on the topic "Justin Bieber"

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Gosman, Gillian. Justin Bieber. New York: PowerKids Press, 2012.

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Peppas, Lynn. Justin Bieber. New York: Crabtree, 2012.

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Rajczak, Kristen. Justin Bieber. New York: Gareth Stevens Pub., 2011.

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Tracy, Kathleen. Justin Bieber. Hockessin, Del: Mitchell Lane, 2011.

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Bolte, Mari. Justin Bieber. North Mankato, Minn: Snap Books, 2013.

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Gosman, Gillian. Justin Bieber. New York: PowerKids Press, 2012.

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Tanjah, Karvonen, ed. Justin Bieber. Calgary: Weigl Publishers, 2011.

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Frisch, Aaron. Justin Bieber. Mankato, MN: Creative Education, 2013.

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Bernard, Jan. Justin Bieber. Mankato, MN: The Childs World, 2012.

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Justin Bieber. London: Franklin Watts, 2012.

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Book chapters on the topic "Justin Bieber"

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Duguay, Stefanie. ""The More I Look Like Justin Bieber in the Pictures, the Better"." In A Networked Self and Platforms, Stories, Connections, 94–110. New York: Routledge, 2018. | Series: A networked self: Routledge, 2018. http://dx.doi.org/10.4324/9781315193434-7.

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Bickford, Tyler. "Justin Bieber, YouTube, and new media celebrity." In Musical Prodigies, 749–68. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780199685851.003.0035.

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"Fame and Nation: National Identity of Pop Star Justin Bieber." In The Performance of Celebrity: Creating, Maintaining and Controlling Fame, 13–21. BRILL, 2013. http://dx.doi.org/10.1163/9781848882546_003.

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El-Burki, Imaani Jamillah, and Rachel R. Reynolds. "It's No Secret Justin Wants to Be Black." In Advances in Human and Social Aspects of Technology, 15–28. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0212-8.ch002.

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Research shows that media representations of race, gender and social class designed for consumption by the millennial generation create a world of symbolic equality via narratives of racial harmony, female empowerment and forms of exaggeration where everyone seems to have a middle and or upper middle class quality of life. In general, the changing face of diversity as represented in media has been cast as a neoliberal politic, where ideologies of free markets are extended into representing a sense of equality among individuals and their respective social groups. While scholars have investigated exaggerated representations of inclusivity in a variety of media genres, there is limited scholarship investigating the ways in which comedy serves the neoliberalist agenda. Comedy Central's Roast of Justin Bieber aired March 2015 and has been replicated in multiple forms. The current study is an in depth discourse and content analysis of the racial and gender jokes appearing in this program. It concludes that what appears to be a move beyond race is instead working against a post-race reality.
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"1929 Justus Bier." In The Barcelona Pavilion by Mies van der Rohe, 66–71. De Gruyter, 2020. http://dx.doi.org/10.1515/9783035619935-012.

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"1929 Justus Bier." In Mies van der Rohe Barcelona-Pavillon, 72–76. De Gruyter, 2020. http://dx.doi.org/10.1515/9783035619911-012.

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"Gegenübertragung: »Biete Zuwendung für Geistererscheinungen«. Das Medium Friederike Hauffe und Justinus Kerners Die Seherin von Prevorst." In Literatur und Todesangst, 23–43. mentis Verlag, 2020. http://dx.doi.org/10.30965/9783957437068_003.

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"'Tweets from Justin Bieber's Heart: The Dynamics of the "Location" Field in User Profiles', Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, pp. 237-46." In Privacy in the Information Society, 459–68. Routledge, 2016. http://dx.doi.org/10.4324/9781315246017-38.

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Conference papers on the topic "Justin Bieber"

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Hecht, Brent, Lichan Hong, Bongwon Suh, and Ed H. Chi. "Tweets from Justin Bieber's heart." In the 2011 annual conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/1978942.1978976.

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