Academic literature on the topic 'Justin Bieber'

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Journal articles on the topic "Justin Bieber"

1

Parker, Ben. "IMAX and Its Doubles." Film Quarterly 67, no. 1 (2013): 22–26. http://dx.doi.org/10.1525/fq.2013.67.1.22.

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2

Donovan, Matt. "Shooting Justin Bieber & bin Laden in the Woods." Massachusetts Review 62, no. 2 (2021): 278–81. http://dx.doi.org/10.1353/mar.2021.0096.

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Ginting, Nopika Adelina, and Chaidir Syahri. "DEIXIS IN JUSTIN BIEBER’S SONGS." PROJECT (Professional Journal of English Education) 4, no. 1 (2021): 55. http://dx.doi.org/10.22460/project.v4i1.p55-61.

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This research entitled Deixis in Justin Bieber’s Songs. The aims of this research is to analyze kind of deixis that used of Justin Bieber’s song lyrics in ‘Purpose Album and dominant deixis that used in this song. The focus types deixis which analyzed are: person dexis, place deixis and time deixis.The data used to complete this study is song lyrics of Justin Bieber in ‘Purpose Album. The song lyrics data got from internet browsing. Descriptive qualitative design is used to conduct this research. Having analyzed the data, the findings of this study are: (a) There are three kinds deixis are fou
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4

Boston, Arthur “A J. .” "What do you mean? Research in the Age of Machines." College & Research Libraries News 80, no. 10 (2019): 565. http://dx.doi.org/10.5860/crln.80.10.565.

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What Do You Mean?” was an undeniable bop of its era in which Justin Bieber explores the ambiguities of romantic communication. (I pinky promise this will soon make sense for scholarly communication librarians interested in artificial intelligence [AI].) When the single hit airwaves in 2015, there was a meta-debate over what Bieber meant to add to public discourse with lyrics like “What do you mean? Oh, oh, when you nod your head yes, but you wanna say no.” It is unlikely Bieber had consent culture in mind, but the failure of his songwriting team to take into account that some audiences might i
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Allen, Kim, Laura Harvey, and Heather Mendick. "‘Justin Bieber Sounds Girlie’: Young People's Celebrity Talk and Contemporary Masculinities." Sociological Research Online 20, no. 3 (2015): 124–38. http://dx.doi.org/10.5153/sro.3738.

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In this article, we explore the ways that contemporary young masculinities are performed and regulated through young people's relationship with celebrity. We address the relative paucity of work on young men's engagements with popular culture. Drawing on qualitative data from group interviews with 148 young people (aged 14-17) in England, we identify ‘celebrity talk’ as a site in which gender identities are governed, negotiated and resisted. Specifically we argue that celebrity as a space of imagination can bring to the study of masculinities a focus on their affective and collective mobilisat
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6

Soares, Thiago, and Juliana Souto. "Sobre a tensão entre Justin Bieber e seus fãs: Apontamentos para uma pedagogia das emoções." Comunicologia - Revista de Comunicação da Universidade Católica de Brasília 10, no. 1 (2017): 200. http://dx.doi.org/10.24860/comunicologia.v10i1.8101.

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A partir da relação tensiva do cantor Justin Bieber e seus fãs, ao longo da turnê Purpose, que passou pelo Brasil entre os meses de março e abril de 2017, levanta-se um conjunto de questionamentos que apontam para: 1. a tentativa de construir um reconhecimento artístico para Bieber, cuja trajetória é fortemente marcada por questionamentos em torno de seus dotes musicais; 2. a estratégia de construção de autenticidade que passa pela performatização do “bad boy”, largamente difundida no universo do rap; 3. a dinâmica de pedagogia da emoção dos fãs, em torno de uma ética que aponta para os limite
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7

Berman, Naomi, and Chris Platania-Phung. "Broadcasting the Bieber Republic: A Critical Analysis of “#thatPOWER”." Journal of Communication Inquiry 44, no. 3 (2020): 297–316. http://dx.doi.org/10.1177/0196859920901328.

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This article provides a critical analysis of “#thatPOWER”—a music video featuring will.i.am and Justin Bieber. This analysis focuses on the tensions and binary oppositions depicted in the video that pertain to social and geographic placement (e.g., “race,” gender, religion). Social science scholarship on youth and Wendy Brown’s account of neoliberalism are drawn on to argue that while “#thatPOWER” emphasizes individual agency and social advancement via will.i.am’s own achievements and aspirations, what is unintentionally promoted is an ironic vision of what we call the "Bieber Republic,” where
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8

O’Connor, Clare. "The Angel as Wish Image: Justin Bieber, Popular Culture, and the Politics of Absolution." Communication, Culture and Critique 14, no. 3 (2021): 471–86. http://dx.doi.org/10.1093/ccc/tcab031.

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Abstract In the early 21st century, the angel became a recurrent image within the visual economy of pop music stardom. By considering the case of Justin Bieber (whose angel invocations give expression to his struggles with celebrity, faith, and the pathology of Whiteness), the author reveals how biographical factors alone cannot account for the angel’s contemporary resonance. Instead, and drawing upon Walter Benjamin’s concept of wish image, the author argues that this invocational pattern reflects a general desire for a one-to-one correspondence between being and doing—here understood as a ma
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9

Lacasa, Pilar, Julián De la Fuente, María Ruth García-Pernía, and Sara Cortés. "Teenagers, Fandom and Identity." Persona Studies 3, no. 2 (2017): 51. http://dx.doi.org/10.21153/ps2017vol3no2art648.

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<p>This paper analyses collective and individual identity construction processes in adolescent fan communities mediated by multimodal discourse. Our approach is supported by ethnographic work with teenage girls belonging to music communities built around One Direction and Justin Bieber, and rooted in participant observation. Firstly, we will show how participating in communities of practice, undertaking tasks which give meaning to group activities, contributes to the construction of a social and cultural identity supported by the interpretation, production and dissemination of texts. Sec
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10

Pratiwi, Vivi Yulia, Yeni Dwi Jayanti, and Isry Laila Syathroh. "AN ANALYSIS OF LEXICAL COHESION FOUND IN “NEVER SAY NEVER” SONG LYRICS." PROJECT (Professional Journal of English Education) 2, no. 3 (2019): 377. http://dx.doi.org/10.22460/project.v2i3.p377-384.

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The purpose of this study is to describe kinds of lexical cohesion and to know frequent lexical cohesion used to support the cohesiveness of discourse in Justin Bieber and Jaden Smith’s song entitled “Never Say Never”. The subject of this study is “Never Say Never” song lyrics. This study uses descriptive qualitative that focuses on lexical cohesion in particular synonym, repetition (anaphora and epistrophe repetition) and antonym. The instrument that the researchers used are books, earphone, youtube and other supporting tools. From this study, the result shows that the lyrics of “Never Say Ne
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