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Journal articles on the topic 'Justin Bieber'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Parker, Ben. "IMAX and Its Doubles." Film Quarterly 67, no. 1 (2013): 22–26. http://dx.doi.org/10.1525/fq.2013.67.1.22.

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2

Donovan, Matt. "Shooting Justin Bieber & bin Laden in the Woods." Massachusetts Review 62, no. 2 (2021): 278–81. http://dx.doi.org/10.1353/mar.2021.0096.

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Ginting, Nopika Adelina, and Chaidir Syahri. "DEIXIS IN JUSTIN BIEBER’S SONGS." PROJECT (Professional Journal of English Education) 4, no. 1 (2021): 55. http://dx.doi.org/10.22460/project.v4i1.p55-61.

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This research entitled Deixis in Justin Bieber’s Songs. The aims of this research is to analyze kind of deixis that used of Justin Bieber’s song lyrics in ‘Purpose Album and dominant deixis that used in this song. The focus types deixis which analyzed are: person dexis, place deixis and time deixis.The data used to complete this study is song lyrics of Justin Bieber in ‘Purpose Album. The song lyrics data got from internet browsing. Descriptive qualitative design is used to conduct this research. Having analyzed the data, the findings of this study are: (a) There are three kinds deixis are fou

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4

Boston, Arthur “A J. .” "What do you mean? Research in the Age of Machines." College & Research Libraries News 80, no. 10 (2019): 565. http://dx.doi.org/10.5860/crln.80.10.565.

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What Do You Mean?” was an undeniable bop of its era in which Justin Bieber explores the ambiguities of romantic communication. (I pinky promise this will soon make sense for scholarly communication librarians interested in artificial intelligence [AI].) When the single hit airwaves in 2015, there was a meta-debate over what Bieber meant to add to public discourse with lyrics like “What do you mean? Oh, oh, when you nod your head yes, but you wanna say no.” It is unlikely Bieber had consent culture in mind, but the failure of his songwriting team to take into account that some audiences might i

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5

Allen, Kim, Laura Harvey, and Heather Mendick. "‘Justin Bieber Sounds Girlie’: Young People's Celebrity Talk and Contemporary Masculinities." Sociological Research Online 20, no. 3 (2015): 124–38. http://dx.doi.org/10.5153/sro.3738.

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In this article, we explore the ways that contemporary young masculinities are performed and regulated through young people's relationship with celebrity. We address the relative paucity of work on young men's engagements with popular culture. Drawing on qualitative data from group interviews with 148 young people (aged 14-17) in England, we identify ‘celebrity talk’ as a site in which gender identities are governed, negotiated and resisted. Specifically we argue that celebrity as a space of imagination can bring to the study of masculinities a focus on their affective and collective mobilisat

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Soares, Thiago, and Juliana Souto. "Sobre a tensão entre Justin Bieber e seus fãs: Apontamentos para uma pedagogia das emoções." Comunicologia - Revista de Comunicação da Universidade Católica de Brasília 10, no. 1 (2017): 200. http://dx.doi.org/10.24860/comunicologia.v10i1.8101.

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A partir da relação tensiva do cantor Justin Bieber e seus fãs, ao longo da turnê Purpose, que passou pelo Brasil entre os meses de março e abril de 2017, levanta-se um conjunto de questionamentos que apontam para: 1. a tentativa de construir um reconhecimento artístico para Bieber, cuja trajetória é fortemente marcada por questionamentos em torno de seus dotes musicais; 2. a estratégia de construção de autenticidade que passa pela performatização do “bad boy”, largamente difundida no universo do rap; 3. a dinâmica de pedagogia da emoção dos fãs, em torno de uma ética que aponta para os limite

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Berman, Naomi, and Chris Platania-Phung. "Broadcasting the Bieber Republic: A Critical Analysis of “#thatPOWER”." Journal of Communication Inquiry 44, no. 3 (2020): 297–316. http://dx.doi.org/10.1177/0196859920901328.

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This article provides a critical analysis of “#thatPOWER”—a music video featuring will.i.am and Justin Bieber. This analysis focuses on the tensions and binary oppositions depicted in the video that pertain to social and geographic placement (e.g., “race,” gender, religion). Social science scholarship on youth and Wendy Brown’s account of neoliberalism are drawn on to argue that while “#thatPOWER” emphasizes individual agency and social advancement via will.i.am’s own achievements and aspirations, what is unintentionally promoted is an ironic vision of what we call the "Bieber Republic,” where

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O’Connor, Clare. "The Angel as Wish Image: Justin Bieber, Popular Culture, and the Politics of Absolution." Communication, Culture and Critique 14, no. 3 (2021): 471–86. http://dx.doi.org/10.1093/ccc/tcab031.

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Abstract In the early 21st century, the angel became a recurrent image within the visual economy of pop music stardom. By considering the case of Justin Bieber (whose angel invocations give expression to his struggles with celebrity, faith, and the pathology of Whiteness), the author reveals how biographical factors alone cannot account for the angel’s contemporary resonance. Instead, and drawing upon Walter Benjamin’s concept of wish image, the author argues that this invocational pattern reflects a general desire for a one-to-one correspondence between being and doing—here understood as a ma

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Lacasa, Pilar, Julián De la Fuente, María Ruth García-Pernía, and Sara Cortés. "Teenagers, Fandom and Identity." Persona Studies 3, no. 2 (2017): 51. http://dx.doi.org/10.21153/ps2017vol3no2art648.

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<p>This paper analyses collective and individual identity construction processes in adolescent fan communities mediated by multimodal discourse. Our approach is supported by ethnographic work with teenage girls belonging to music communities built around One Direction and Justin Bieber, and rooted in participant observation. Firstly, we will show how participating in communities of practice, undertaking tasks which give meaning to group activities, contributes to the construction of a social and cultural identity supported by the interpretation, production and dissemination of texts. Sec

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10

Pratiwi, Vivi Yulia, Yeni Dwi Jayanti, and Isry Laila Syathroh. "AN ANALYSIS OF LEXICAL COHESION FOUND IN “NEVER SAY NEVER” SONG LYRICS." PROJECT (Professional Journal of English Education) 2, no. 3 (2019): 377. http://dx.doi.org/10.22460/project.v2i3.p377-384.

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The purpose of this study is to describe kinds of lexical cohesion and to know frequent lexical cohesion used to support the cohesiveness of discourse in Justin Bieber and Jaden Smith’s song entitled “Never Say Never”. The subject of this study is “Never Say Never” song lyrics. This study uses descriptive qualitative that focuses on lexical cohesion in particular synonym, repetition (anaphora and epistrophe repetition) and antonym. The instrument that the researchers used are books, earphone, youtube and other supporting tools. From this study, the result shows that the lyrics of “Never Say Ne

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11

Bickford, Tyler. "The new ‘tween’ music industry: The Disney Channel, Kidz Bop and an emerging childhood counterpublic." Popular Music 31, no. 3 (2012): 417–36. http://dx.doi.org/10.1017/s0261143012000335.

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AbstractThis article examines the expansion of the US children's music industry in the last decade. It considers the sanitising of Top 40 pop for child audiences in the Kidz Bop compilations, the entrance of Disney into the popular music market and the meteoric rise of tween music products such as High School Musical, Hannah Montana/Miley Cyrus, the Jonas Brothers and Justin Bieber. It shows that, as children increasingly consume mainstream musical products, in the converse dynamic children's artists themselves play an increasingly prominent role in popular culture and in many ways have taken

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12

Rivera-Rideau, Petra, and Jericko Torres-Leschnik. "The Colors and Flavors of My Puerto Rico." Journal of Popular Music Studies 31, no. 1 (2019): 87–108. http://dx.doi.org/10.1525/jpms.2019.311009.

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Luis Fonsi and Daddy Yankee’s song “Despacito” shattered numerous records to become one of the most successful Spanish-language songs in U.S. pop music history. Declared 2017’s “Song of the Summer,” the “Despacito” remix featuring Justin Bieber prompted discussions about the racial dynamics of crossover for Latin music and Latina/o artists. However, little attention was paid to the ways that “Despacito”’s success in the Latin music market demonstrated similar racial dynamics within Latin music, especially in the song’s engagement with reggaeton, a genre originally associated with Black and wor

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13

Purnamasari, Ita. "An Analysis of Connotative Meaning on Justin Bieber’s Song Lyrics." PIONEER: Journal of Language and Literature 10, no. 2 (2018): 156. http://dx.doi.org/10.36841/pioneer.v10i2.247.

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Semantics is the study of the meaning of words, phrases and sentences. Connotative meaning can be found in literary work including song lyrics. A song can also become a media to introduce social values. In this study, the researcher focus on connotative meaning using Chaer’s (2013) theory and sense a values of American people using theory by Khols (1984). The data source in this study are Justin Bieber’s song lyrics. This research was done by analyzing the data qualitatively. Techniques of data collection are done by downloading the song and the lyrics, listening the song, reading the lyrics a

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14

Cobb, Michael. "A Little Like Reading: Preference, Facebook, and Overwhelmed Interpretations." PMLA/Publications of the Modern Language Association of America 128, no. 1 (2013): 201–6. http://dx.doi.org/10.1632/pmla.2013.128.1.201.

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Somehow, of late I had got into the way of involuntarily using the word “prefer” upon all sorts of not exactly suitable occasions. And I trembled to think that my contact with the scrivener had already seriously affected me in a mental way. And what further and deeper aberration might it not yet produce?—Herman Melville, “Bartleby the Scrivener” (22-23)His brain was jerking forward likea bad slide projector. Hesaw the doorwaythe house the night the world andon the other side of the world somewhere Herakles laughing drinking gettinginto a car and Geryon'swhole body formed one arch of a cry—upca

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15

Ibarra Padilla, Adelaida María, Gloria Cristina Martínez Martínez, and Esquid Bernardo Mena Bermúdez. "Política criminal contra el hurto en Colombia 2016-2020." Justicia 26, no. 39 (2021): 237–54. http://dx.doi.org/10.17081/just.26.39.4312.

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 El hurto figura entre los comportamientos delictivos que más afectan los bienes particulares y que mayor incidencia tiene en la precepción de inseguridad ciudadana. La política criminal estatal ha resultado ineficaz en su labor de reducir este delito y garantizar la protección de los bienes de sus habitantes, conforme al mandato constitucional y, por el contrario, se observa una tendencia al alza. Esta situación revela la necesidad de establecer las diferentes causas que lo generan y las políticas públicas que se vienen implementando para la garantía del patrimonio económico. Para ello,

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16

Hernández Quintero, Hernando A. "Aspectos polémicos sobre el objeto material del delito de lavado de activos (delitos fuente)." Justicia 22, no. 32 (2017): 118–38. http://dx.doi.org/10.17081/just.23.32.2908.

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Con el propósito de atender los compromisos adquiridos en la Convención de Viena, los países incorporaron a sus estatutos penales el delito de lavado de activos, inicialmente como una forma de encubrimiento y luego como un punible autónomo. Esta técnica legislativa ha generado una serie de polémicas, especialmente relacionadas con los delitos fuente, es decir aquellos de los que provienen los bienes a los cuales se busca dar apariencia de legalidad. En este artículo se abordan esos cuestionamientos desde la óptica de la doctrina y la jurisprudencia.

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17

Halac, Ugur, and Denise Herzog. "Bardet-Biedl Syndrome, Crohn Disease, Primary Sclerosing Cholangitis, and Autoantibody Positive Thyroiditis: A Case Report and A Review of a Cohort of BBS Patients." Case Reports in Medicine 2012 (2012): 1–5. http://dx.doi.org/10.1155/2012/209827.

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Bardet-Biedel syndrome (BBS) is a rare autosomal recessive, genetically heterogeneous ciliopathy. Although the disease has been described in a patient with psoriasis, individuals with BBS are not known to be at risk of developing autoimmune disorders. Our objective was to describe a 14-year-old patient with BBS who presented with Crohn disease (CD), primary sclerosing cholangitis (PSC), and thyroiditis in the context of a cohort review at Sainte-Justine Hospital and to alert clinicians to the increased risk of autoimmune disorders in these patients. The cohort contained fifteen patients (9 boy

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18

Pérez Solano, Jimmy Antony. "La comercialización de bienes inmuebles sobre planos o en fase de construcción. Análisis jurídico de la figura en el derecho colombiano." Justicia 24, no. 36 (2019): 125–44. http://dx.doi.org/10.17081/just.24.36.3526.

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El auge de la comercialización de bienes inmuebles sobre planos en las últimas dos décadas, ha cambiado las tendencias del negocio de la construcción, erigiéndose como una figura novedosa e interesante para el campo jurídico, por lo que es preciso delimitar lo que se entiende por la compraventa de inmuebles sobre planos en el imaginario colectivo o la comercialización de los mismos sobre planos a través de esquemas de vinculación en fiducia mercantil y lo que en estricto derecho implica este negocio jurídico, con miras a poder dimensionar si efectivamente el negocio es tan ventajoso como apare

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19

Fernando Trejos, Luis, and Jolie Guzmán Cantillo. "Clientelismo armado en el Caribe colombiano por medio de la Reconfiguración cooptada del Estado. El caso del Bloque Norte de la Autodefensas Unidas de Colombia." Justicia 23, no. 34 (2018): 555–78. http://dx.doi.org/10.17081/just.23.34.3408.

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El caribe colombiano ha sido, desde hace varias décadas, escenario de fuerte presencia de los grupos paramilitares en el marco de la dinámica del conflicto armado. La región Caribe fue, sin lugar a dudas, un escenario configurado para la acción y desarrollo de las AUC (Autodefensas Unidas de Colombia) como agente social ilegal, logrando, mediante prácticas ilegales o ilegales pero ilegítimas, alterar desde adentro el régimen y tener real influencia en la formulación, modificación, interpretación e implementación de las reglas de juego y de las políticas públicas. Así, el presente trabajo sosti

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20

López Casalins, Marvin. "El derecho a la reparación integral a las víctimas en el proceso de restitución de tierras en el marco de la justicia transicional en Colombia." Justicia 24, no. 36 (2019): 102–22. http://dx.doi.org/10.17081/just.24.36.3525.

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Colombia ha sido un país en constante violencia, guerra como todas que deja huellas indelebles en el presente y futuro político, social y económico. El problema social se vislumbra ante la vulneración prolongada y sistemática de los derechos de un grupo significativo de personas que se ha visto obligada a migrar dentro de nuestro propio territorio dejando atrás no solo su patrimonio, sino su vida; ante tal situación el Estado se visto obligado a adoptar medidas que propendan por la recuperación de dicha población. Es así como surge la restitución de tierras en favor de las víctimas de desplaza

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21

Hernández García de Velazco, Judith Josefina, Andreina Cerpa Muñoz, and Olga María Molina Martínez. "Marco jurídico de la paz en Colombia. Una revisón sistemática y crítica." Justicia 25, no. 38 (2020): 242–52. http://dx.doi.org/10.17081/just.25.38.4485.

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 La presente disertación, se orienta hacia el análisis sobre el proceso de paz en Colombia según el ordenamiento colombiano y desde un contexto histórico desde el cual se consideran los aspectos y factores que han hecho perdurar el conflicto. Los conflictos en Colombia se remontan desde los años de la independencia de Suramérica, en las cuales se luchó por la libertad frente al yugo español, sin embargo, las olas de violencia no cesaron porque hasta siglos después perduran con enfrentamientos intestinos, ya no por temas de territorialidad extracontinental sino por desacuerdos en ideológi

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22

Hasler, Thomas. "Schlichte Unkenntnis oder magistrale Ignoranz?" medialex, March 4, 2020. http://dx.doi.org/10.52480/ml.20.8.

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Art. 70 StPO, der die Einschränkung und den Ausschluss der Öffentlichkeit von Gerichtsverhandlungen regelt, scheint auf den ersten Blick inhaltlich klar zu sein. Die einschlägigen StPO-Kommentare befassen sich damit eher stiefmütterlich. Der Blick in gerichtliche Verfügungen oder Beschlüsse offenbart aber ein sehr unterschiedliches Verständnis der Justiz von Art. 70 und wie Verfügungen und Beschlüsse inhaltlich gestaltet sein müssen, damit sie übergeordnetem Recht und bundesgerichtlicher Rechtsprechung entsprechen. Im vorliegenden Beitrag zieht der langjährige Gerichtsberichterstatter auf der

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23

Paz, Miguel Ángel Quintana. "¿Es éticamente aceptable la propiedad intelectual de los derechos de autor?" REVISTA PROCESOS DE MERCADO, March 19, 2021, 91–130. http://dx.doi.org/10.52195/pm.v5i1.317.

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We intend to analyze the plausibility of the two kind of ethical justi-fications that are most commonly used in order to defend the concept of an «intellectual property» of copyrights. Firstly, we will examine justifications of property based on natural law, like the one originally provided by John Locke. We will argue, with the help of authors like Lysander Spooner, that the same arguments that Locke uses for property in general are entirely appli-cable to intellectual property, although this is certainly a peculiar kind of property. Secondly, we will examine whether or not we can apply to in

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24

Pedersen, Isabel, and Kristen Aspevig. "Being Jacob: Young Children, Automedial Subjectivity, and Child Social Media Influencers." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1352.

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Introduction Children are not only born digital, they are fashioned toward a lifestyle that needs them to be digital all the time (Palfrey and Gasser). They click, tap, save, circulate, download, and upload the texts of their lives, their friends’ lives, and the anonymous lives of the people that surround them. They are socialised as Internet consumers ready to participate in digital services targeted to them as they age such as Snapchat, Instagram, and YouTube. But they are also fashioned as producers, whereby their lives are sold as content on these same markets. As commodities, the minutiae

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