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Relevant bibliographies by topics / Juzhoniy

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Academic literature on the topic 'Juzhoniy'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Juzhoniy"

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Fang, Fei. "A Comparative Study of the Two Versions of Wenji’s Return to Han by Juzhong Chen and Yu Zhang." Science Insights 46, no. 3 (2025): 1769–76. https://doi.org/10.15354/si.25.or018.

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The story of the return of Wenji to the Han Empire originated from The Book of Later Han: A Biography of Si Dong’s Wife, which is about the eventful life of Wenji Cai, the daughter of Yong Cai (a high-ranking official and renowned intellectual) in the late Eastern Han Dynasty. Wenji Cai was an accomplished lady but was unfortunately captured by the Xiongnu invaders in the turmoil of war. Cao Cao paid a colossal sum of money to the Xiongnu to have her return to Han after he unified northern China. Inspired by this story, later artists created a series of paintings on the subject. This subject m

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2

Tangirov, A.J. "In creating the image of Ibn Sina, the reality of life and artistic fabric." Multidisciplinary Journal of Science and Technology 5, no. 5 (2025): 1400–1404. https://doi.org/10.5281/zenodo.15549528.

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   The creation of historical reality and the character of a historical person in fiction is a complex process, in which creators create styles specific to each event and event and refer to genres when creating a work of art. This can only be confirmed by the colorful aspects used in the creation of the image of Ibn Sina, the great scholar of the East.  

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3

Wang, Haowei, Feng Zhao, and Siyu Wu. "Images and Historical Facts: A Study of Cross-cultural Textiles in Chen Juzhong's Painting Wen Ji Gui Han Tu." Asian Social Science 21, no. 1 (2025): 48. https://doi.org/10.5539/ass.v21n1p48.

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This article explores the cross-cultural textiles depicted in Chen Juzhong&#39;s (陳居中) painting Wen Ji Gui Han Tu (文姬歸漢圖), which is housed in the National Palace Museum, Taipei. By comparing cross-cultural textile representations with historical records, artifacts, and other contemporary images, this study demonstrates that their forms and features align with historical facts from the Song and Jin dynasties. The article further analyzes the origins and evolution of cross-cultural textile styles depicted in the image, noting that the robes worn by attendants and women were influenced by Isl

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4

Cao, Mengge. "Immersion and Absorption." Archives of Asian Art 75, no. 1 (2025): 1–28. https://doi.org/10.1215/00666637-11696792.

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Abstract This paper explores the relationship between the development of painting's material formats and the viewer's experiences in China between the mid-eighth and late thirteenth centuries, with a special focus on the issues of size and scale. As various mounting formats emerged and gained their medium specificities respectively during this period, the description of paintings orients toward their material surfaces and their perceptual impact on viewers. Based on the close analysis of three paintings—Nested Rocks, Level Distance (Keshi pingyuan), attributed to Guo Xi; Nomads Hunting with Fa

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Lee, Hwok-Aun. "Inequality in Asia and the Pacific: Trends, Drivers and Policy Implications ed. by Ravi Kanbur, Changyong Rhee and Juzhong Zhuang." Journal of Southeast Asian Economies (JSEAE) 33, no. 1 (2016): 112–14. http://dx.doi.org/10.1353/ase.2016.0011.

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Books on the topic "Juzhoniy"

1

Xi qu ju zhong yan jiu juan: Xiqu juzhong yanjiu juan. Anhui wen yi chu ban she, 2015.

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Conference papers on the topic "Juzhoniy"

1

Varenov, A. V. "An Episode from the History of Southern Xiongnu and Han Empire Contacts as Reflected in the Southern Song Painting by Chen Juzhong." In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-1-8-49-54.

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This paper briefly describes the biography of Han poetess Cai Yan (Cai Wenji). After the capture of Eastern Han capital city Luoyang by general Dong Zhuo’s troops in 192 AD she became a prisoner of Southern Xiongnu and 12 years later was redeemed by Cao Cao general. Cai Wenji was often a subject for artists of different periods. Southern Song painting “Wenji returns to Han” by Chen Juzhong was finished at the beginning of the XIII century. It expresses allegorically the hope of the author that Chinese territories captured by Jurchen will return to Song.

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