Relevant bibliographies by topics / K-Pop Artist

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'K-Pop Artist'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "K-Pop Artist"

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Dwiputeri, Lita, and Venie Viktoria Rondang Maulina. "Kontribusi Body Comparison Dengan Artis K-Pop Perempuan Terhadap Body Dissatisfaction (Studi pada Remaja Perempuan Indonesia Fans K-Pop)." Jurnal Perkotaan 7, no. 1-2 (2015): 58–76. http://dx.doi.org/10.25170/perkotaan.v7i1-2.271.

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K-pop is a popular music genre from South Korea. K-pop female actresses or singers have an ideal body, which are desired by female K-pop fans. K-pop female actresess‟ ideal body can be regarded as a standard by female adolescent K-pop fans for body comparison, which can be defined as a comparison process with other‟s body. Female adolescent K-pop fans who do body comparison with K-pop female artist can have body dissatisfaction, which is defined as unfavorable or disparaging opinion of their own body components. Based on that phenomenon, this research investigates the contribution of body comp
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Lainsyamputty, Nokia Putri Andika. "Konstruksi Identitas dan Relasi Interpersonal oleh Roleplayer Artis K-Pop di Twitter." Jurnal Komunikatif 10, no. 2 (2021): 197–213. http://dx.doi.org/10.33508/jk.v10i2.3218.

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Indonesia is a country with the highest development of the K-Pop target market in Southeast Asia. This also raises various participatory behaviors from fans. One form of participatory behavior is roleplaying, which is playing roles on social media using a K-Pop artist's identity. As roleplayers, they will present themselves as K-Pop artists and build relationships with other roleplayers. Twitter is the social media most commonly used by roleplayers because of its features that support identity presentation and personal communication with other people. Even though they use other people's identi
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Hakim, Alfian, Satrio Hadi Wijoyo, and Nanang Yudi Setiawan. "Prediksi Tipe Kepribadian MBTI Artis K-Pop Berdasarkan Caption Instagram Menggunakan Word2Vec dan Long-Short Term Memory (LSTM)." Jurnal Teknologi Informasi dan Ilmu Komputer 10, no. 5 (2023): 993–1002. http://dx.doi.org/10.25126/jtiik.20231057064.

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Myers-Briggs Type Indicator (MBTI) adalah metode pengujian psikologi yang membedakan kepribadian seseorang. MBTI termasuk pembagian tipe kepribadian yang paling populer di dunia, termasuk di Korea Selatan. Tren MBTI di Korea Selatan juga dimanfaatkan oleh para artis K-Pop untuk berbagi tipe MBTI sehingga bisa mendekatkan hubungan antara penggemar dan idolanya. Salah satu media sosial yang umum digunakan oleh artis K-Pop adalah Instagram. Penelitian ini mencoba membuat model klasikasi tipe kepribadian berdasarkan caption Instagram artis K-Pop menggunakan Word2Vec dan Long-Short Term Memory (LST
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Hakim, Alfian, Satrio Hadi Wijoyo, and Nanang Yudi Setiawan. "Prediksi Tipe Kepribadian MBTI Artis K-Pop Berdasarkan Caption Instagram Menggunakan Word2Vec dan Long-Short Term Memory (LSTM)." Jurnal Teknologi Informasi dan Ilmu Komputer 10, no. 5 (2023): 993–1002. https://doi.org/10.25126/jtiik.2023107064.

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Myers-Briggs Type Indicator (MBTI) adalah metode pengujian psikologi yang membedakan kepribadian seseorang. MBTI termasuk pembagian tipe kepribadian yang paling populer di dunia, termasuk di Korea Selatan. Tren MBTI di Korea Selatan juga dimanfaatkan oleh para artis K-Pop untuk berbagi tipe MBTI sehingga bisa mendekatkan hubungan antara penggemar dan idolanya. Salah satu media sosial yang umum digunakan oleh artis K-Pop adalah Instagram. Penelitian ini mencoba membuat model klasikasi tipe kepribadian berdasarkan caption Instagram artis K-Pop menggunakan Word2Vec dan Long-Short Term Memory (LST
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Susanto, Veren, and Suzy Azeharie. "Studi Komunikasi Budaya Fandom ARMY dan EXO-L (Studi Tentang Perbandingan Pemaknaan Simbol K-Pop)." Koneksi 6, no. 2 (2022): 272–77. http://dx.doi.org/10.24912/kn.v6i2.15609.

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Korean Pop or K-Pop is part of the hallyu wave. K-Pop music consists of many artists. Fans of each artist gathered and formed a group called fandom. Each fandom has a culture that distinguishes one fandom from another. Symbol is a form of message that contains meaning. Through the interaction between group members, symbols can be formed. Fandoms have their own culture and symbols are included in their culture. BTS and EXO are in the top 30 most popular K-Pop boy bands since June 2021. BTS fans named ARMY and EXO fans named EXO-L. Both fandoms have symbols that become cultural and have differen
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Novita, Dwi Wulandari. "Discussing the Fashion Style of K-Pop Artist in Indonesia." International Journal of Social Science and Human Research 07, no. 07 (2024): 4540–44. https://doi.org/10.5281/zenodo.12624287.

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This research stems from the author's concerns about seeing the phenomenon of local fashion styles in photos uploaded to Taeyong NCT's Instagram when he was in Indonesia. The aim of this research is to reveal Taeyong NCT's local fashion style which represents Indonesian culture. This research uses qualitative research methods with Peirce's semiotic approach. The findings from this research are that the fashion worn by Taeyong represents culture, while the style displayed is the style of a photo model. So, his fashion style interprets that Taeyong is "playing a role" as someone with Indonesian
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Ahn, Ji-Hyun, and Tien-wen Lin. "The politics of apology: The ‘Tzuyu Scandal’ and transnational dynamics of K-pop." International Communication Gazette 81, no. 2 (2018): 158–75. http://dx.doi.org/10.1177/1748048518802947.

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This article examines how transnational cultural flows such as K-pop create intensified regional dynamics and conflicts by looking at a specific case called the ‘Tzuyu incident’. A young Taiwanese member, Chou Tzuyu, of the K-pop girl band TWICE apologized for waving a Republic of China’s flag on a Korean TV show in an apology video released on JYP Entertainment’s official YouTube channel. The video soon went viral among K-pop fans around the globe, especially in Taiwan, China, and Korea, creating a transnational discursive space that vividly captures the complex dynamics among various actors
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Rinata, Asfira Rachmad, and Sulih Indra Dewi. "FANATISME PENGGEMAR KPOP DALAM BERMEDIA SOSIAL DI INSTAGRAM." Interaksi: Jurnal Ilmu Komunikasi 8, no. 2 (2019): 13. http://dx.doi.org/10.14710/interaksi.8.2.13-21.

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Abstract. Korean wave has become a big phenomenon in Indonesia, enthusiasm and passion for K-pop culture has led to fanaticism for fans. The distribution of K-pop content on social media such as Instagram gives fans space to participate in supporting their idols and this is one of the factors forming the fanaticism of k-pop fans. This study aims to determine the fanaticism of kpop fans in social media on Instagram as well as how kpop fans respond in responding to hoax and negative information from favorite idols. This research uses descriptive qualitative methods and data collection techniques
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Jessica, Jessica, and Lusia Savitri Setyo Utami. "Penggunaan Atribut Lightstick dalam Komunikasi dan Pembentuk Identitas Sosial." Koneksi 8, no. 2 (2024): 295–303. http://dx.doi.org/10.24912/kn.v8i2.27545.

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K-Pop, or Korean Pop, is a subgenre of pop music originating from South Korea. K-Pop is synonymous with boy groups and girl groups. Apart from their music, K-Pop idols are loved by the public because of their charming visuals and special trinkets that are not owned by other genres. Fans compete to buy attributes such as lightsticks because they are unique and different. Fans cheer, sing, and dance in concerts using lightstick attributes to convey support to their idols. K-Pop fans with similar interests and preferences for the same artist usually join a group called a fandom. In this fandom, f
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Kusuma, Arya Ardany, and Pitri Yandri. "Efektifitas Penggunaan Brand Ambassador K-Pop dalam Meningkatkan Minat Beli Produk Kecantikan dan Merchandise K-Pop di Tokopedia." GEMA : Jurnal Gentiaras Manajemen dan Akuntansi 14, no. 3 (2012): 233–48. http://dx.doi.org/10.47768/gema.v14.n3.202207.

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Korean Pop (K-Pop) is a trend that is in great demand by the public, especially young people.The trend is followed by the rise of industries that use attributes identical to korea, such as KPop. in line with the emergence of this phenomenon, Tokopedia as one of the marketplace inIndonesia also uses attributes identical to korea. Tokopedia then made the artist or group inthe K-Pop world a Brand Ambassador (BA). Based on that, this study was conducted with the aim to examine the effectiveness and how the influence of the use of K-Pop BA in increasinginterest in buying products in various beauty
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Dissertations / Theses on the topic "K-Pop Artist"

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Ranni, Davide. "La produzione di videoclip attraverso le sue trasformazioni economiche, sociali e distributive." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amslaurea.unibo.it/23538/.

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Questo lavoro intende dimostrare in quali modi e tramite quali strumenti la produzione di videoclip sia cambiata nel corso degli anni attraverso le sue trasformazioni nei campi della distribuzione, della legislazione e dei finanziamenti al videoclip. Comprendere cosa voglia dire oggi produrre un videoclip significa constatare come questi tre macro-argomenti abbiano influenzato, secondo diverse sfaccettature, i budget e gli investimenti monetari da parte delle case discografiche. Inoltre, non si vuole dare un giudizio sulla natura stilistica dei videoclip o fare una critica su quelli che stilis
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Chi, Ruo-Yun, and 祁若昀. "Beyond Consumer： Fan Practice and Value Productivity of K-pop Fan Artists." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/hq79d6.

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碩士<br>國立交通大學<br>傳播研究所<br>106<br>Nowadays, fans not only consume the media texts but also produce new texts. Take K-pop fan artists as an example, they translate their experience of consuming media texts through painting fanarts and taking fancams. Painting and photography as practices of audiences, express K-pop fans’ creativity and productivity. As producers, K-pop fans have the potential of creating values. First, this article observes how K-pop fans experience pleasures by painting fanarts and taking fancams. Take K-pop fans as the creators and produces. Second, this article is trying to de
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Books on the topic "K-Pop Artist"

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Lichtenstein, Roy. Roy Lichtenstein: Pop masterpieces 1961-1964. Blum Helman, 1987.

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Yŏng-dae, Kim. Chigŭm yŏgi ŭi aidol at'isŭt'ŭ: Idols as artists in the K-pop era. Munhak Tongne, 2021.

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Chei, Tŭraegon. Sŭt'a ka mandŭrŏ chigi kkaji: How to become a K-pop star. Pungnaep, 2020.

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Lichtenstein, Roy. Roy Lichtenstein: Exposition du 26 septembre 1992 au 31 janvier 1993. FAE musée d'art contemporain, 1992.

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Lichtenstein, Roy. Roy Lichtenstein: Spiegelbilder 1963-1997 ; Kunstmuseum Wolfsburg. Kunstmuseum, 2000.

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Liverpool, Tate Gallery, ed. Roy Lichtenstein. Tate Gallery, 1993.

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Ingried, Brugger, Steininger Florian, Brüderlin Markus, Rosenblum Robert, and Kunstforum Wien, eds. Roy Lichtenstein. Edition Minerva, 2003.

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J, Fitzpatrick Robert, and Museum of Contemporary Art (Chicago, Ill.), eds. Roy Lichtenstein: Interiors. Hudson Hills, 1999.

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Gagosian Gallery (Hong Kong, China), ed. Roy Lichtenstein: Landscapes in the Chinese style. Gagosian Gallery, 2011.

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Lichtenstein, Roy. Roy Lichtenstein: Brushstrokes, four decades. Mitchell-Innes & Nash, 2001.

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Book chapters on the topic "K-Pop Artist"

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Li, Zihan. "Research on the K-pop Value Chain: A Case Study of K-pop Artist Group BTS." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-062-6_147.

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Freitas, Isabella Lima Leite de. "Social media platform features and artist-fan engagement in K-pop phenomenon." In Oportunidades e desafios da administração contemporânea 3. AYA Editora, 2022. http://dx.doi.org/10.47573/aya.5379.2.58.4.

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Anderson, Crystal S. "“Listen to the Music”." In Soul in Seoul. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830098.003.0001.

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This chapter defines K-pop with a focus on hybridity that reveals citational practices that draw on African American popular music and are confirmed as authentic by fans functioning as K-pop’s music press. This definition goes beyond “idols,” or Korean performers who sing and dance, to capture the diversity of K-pop artists that share characteristics that transcend genre. Hybridity, K-pop’s most salient characteristic, is largely informed by African American popular music. It reflects intertextuality through the emulation of R&amp;B genres and improvisation spurred by Korean popular music aest
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Ermilova, Kira E. "“Artificial Body” in the Modern Pop-Culture of South Korea: the Phenomenon of K-pop Idol." In Artificial Body in the World Intellectual and Artistic Culture. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0719-9-513-531.

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Recent years, the “Korean wave” has been actively continuing and the influence of modern South Korean culture on world culture is becoming more and more obvious — consumers are interested in dramas, Korean cuisine, Korean cosmetics and, of course, the K-pop music. Now the basis of K-pop is not only creativity itself (music, choreography, video clips, etc.), but also the figure of an idol — a talented, beautiful and in all respects positive member of a K-pop group with an impeccable reputation. In this article, we explore the main features of creating an “ideal” idol, constructing his “artifici
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Hu, Richard. "“White” Korean Music." In Advances in Media, Entertainment, and the Arts. IGI Global, 2023. http://dx.doi.org/10.4018/978-1-7998-5817-1.ch005.

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With the rise of K-Pop globally, demonstrated through popular groups like BTS, NCT, or AESPA, K-Pop's influence has also expanded into the West and leads to the question: Can—and should—white people be K-pop idols? This chapter seeks to answer this question by exploring the example of EXP-Edition, an all-white K-Pop group created by then-NYU MA student Bora Kim, who wrote a Master's thesis defending the creation and attempting to legitimize the group. This chapter critiques EXP and Kim's thesis through racial rhetorical criticism, examining how Korean and other Asian performers are both racial
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Lee, Wonseok. "Tradition, Transition, and Trends: Contextualizing BTS's Gugak-Inspired Performance of “IDOL”." In Bangtan Remixed. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059615-003.

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Wonseok Lee’s “Tradition, Transition, and Trends: Contextualizing BTS’s Gugak-Inspired Performance of ‘IDOL’” looks at the state’s role in K-Pop’s integration of traditional Korean music and dance. In 2009, the government established an agency affiliated with the Ministry of Culture, Sports, and Tourism, called KOCCA (the Korea Creative Content Agency), which has initiated several projects to support local musicians, including idol groups, independent musicians, solo artists, and even traditional Korean music gugak-oriented fusion bands. Lee claims that the government contributes to not only e
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Anderson, Crystal S. "“A Song Calling for You”." In Soul in Seoul. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830098.003.0002.

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Korean pop groups cite the R&amp;B tradition by emulating R&amp;B musical and vocal elements in catchy pop songs and enhance the tradition through Korean music strategies that infuse multiple genres with R&amp;B elements. Korean pop groups emulate the R&amp;B tradition by citing elements of funk, club, and urban R&amp;B. Moreover, Korean and African American producers infuse K-pop with different varieties of R&amp;B. These artists also enhance the R&amp;B tradition by mixing pop genres with R&amp;B within individual songs and over the course of their careers. In music videos, they cite the cho
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Myhre, UyenThi Tran. "“Let Us Light Up the Night”: BTS and Abolitionist Possibilities at the End of the World." In Bangtan Remixed. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059615-034.

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In the days following the murder of George Floyd by Minneapolis police, BTS made a $1 million donation to Black Lives Matter, a donation that was quickly matched by ARMY worldwide. During the uprisings that summer, K-Pop stans jammed police surveillance websites with fancams, and visual artists repurposed BTS lyrics to create protest art. UyenThi Tran Myhre draws fierce hope from BTS and their embrace of both destruction and creation, a duality also found at the heart of abolitionist movement building. By following the threads of her own origin stories as a Minneapolis-based abolitionist, a da
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Pacheco Pardo, Ramon. "Freedom and Crisis 1988–97." In Shrimp to Whale. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197659656.003.0005.

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Abstract The Seoul 1988 Olympic Games were South Korea's "coming out" party as a developed and democratic country, boosting minjok and South Koreans' pride in their own country. High rates of economic growth and a growing middle class continued throughout the early years of South Korea as a democratic country. In this context and coinciding with the final years of the Cold War, Roh Tae-woo, South Korea's first post-dictatorship president, launched Nordpolitik, a policy for the South to support the North, which was already much poorer. As a democratic country, South Korea pushed with economic l
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de Miranda Neto Manoel Isidro and Mahler Claudio Fernando. "Estimativa de Par&acirc;metros de Modelo Hiperb&oacute;lico Tens&atilde;o-Deforma&ccedil;&atilde;o para um Solo Tropical." In From Fundamentals to Applications in Geotechnics. IOS Press, 2015. https://doi.org/10.3233/978-1-61499-603-3-1349.

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O modelo hiperb&amp;oacute;lico el&amp;aacute;stico n&amp;atilde;o linear &amp;eacute; largamente empregado em an&amp;aacute;lises para previs&amp;atilde;o do comportamento de solos e tamb&amp;eacute;m para validar dados experimentais encontrados em ensaios. O presente artigo resultou de um desdobramento de um trabalho anterior que consistiu em estabelecer uma rela&amp;ccedil;&amp;atilde;o entre a tens&amp;atilde;o confinante cr&amp;iacute;tica e o &amp;iacute;ndice de vazios cr&amp;iacute;tico, visando determinar a condi&amp;ccedil;&amp;atilde;o que conferiria um comportamento dilatante na ru
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Conference papers on the topic "K-Pop Artist"

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Guangjie, Zheng, Liu Jiayi, and He Meixuan. "Unraveling Young Chinese Addiction With the K-pop Culture: Cultural Identity and Representation." In The Barcelona Conference on Arts, Media & Culture 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2435-9475.2023.8.

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Kunkhet, Arus, Keattikorn Samarnggoon, and Ketsaraporn Maneejuk. "3D Character Modelling for K-Pop Dances: A Workflow Analysis." In 2019 Joint International Conference on Digital Arts, Media and Technology with ECTI Northern Section Conference on Electrical, Electronics, Computer and Telecommunications Engineering (ECTI DAMT-NCON). IEEE, 2019. http://dx.doi.org/10.1109/ecti-ncon.2019.8692264.

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Octaviani, Andita Dyah, and Harumi Manik Ayu Yamin. "The Rise of English Among K-Pop Idols: Language Varieties in The Immigration." In International University Symposium on Humanities and Arts (INUSHARTS 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200729.023.

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Faria, Felipe, Álvaro Jr., and Luiz Merschmann. "Predição de Rankings de Artistas por Meio de Regressão." In XI Simpósio Brasileiro de Sistemas de Informação. Sociedade Brasileira de Computação, 2015. http://dx.doi.org/10.5753/sbsi.2015.5805.

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A construção de rankings consiste na ordenação de resultados recuperados de acordo com um determinado critério. Os rankings podem fornecer informações relevantes para analistas de diferentes setores da indústria. Na indústria fonográfica, os rankings possibilitam a compreensão de como os estilos musicais e a popularidade dos artistas e suas músicas evoluem com o tempo, permitindo análises de históricos de execuções e de tendências. Devido à importância da construção de rankings no escopo musical, técnicas de minera- ção de dados têm sido utilizadas para predizer os rankings através de informaç
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Danesi, Lorenzo Dalla Corte, and Daniel Lichtnow. "Estudo Comparativo de Bibliotecas para Sistemas de Recomendação em Python." In Escola Regional de Banco de Dados. Sociedade Brasileira de Computação - SBC, 2025. https://doi.org/10.5753/erbd.2025.6883.

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Este artigo apresenta uma análise de bibliotecas em linguagem Python que implementam algoritmos de Filtragem Colaborativa usados em Sistemas de Recomendação. Por meio de duas bibliotecas, Surprise e LensKit, são explorados os algoritmos K-Nearest Neighbors (K-NN) e Slope One e realizados testes comparativos para avaliar as bibliotecas.
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Dos Santos, Jorge, Guilherme Londe, Alexandre Ribeiro, and Welverton Da Silva. "Formulações e heurı́sticas para os problemas leasing k-median e leasing k-center." In IV Encontro de Teoria da Computação. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/etc.2019.6397.

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Neste artigo, consideramos as generalizações dos problemas k-median e k-center, conhecidas, respectivamente, por leasing k-median (LKM) e leasing k-center (LKC). Apresentamos formulações de programação linear inteira e uma heurı́stica baseada na meta-heurı́stica BRKGA. Comparamos as soluções geradas pela heurı́stica com as soluções geradas pelo resolvedor GUROBI aplicado às formulações em programação linear, estabelecendo um prazo de 10 minutos de execução para ambos. Para as instâncias pequenas testadas, os custos das soluções heurı́sticas foram próximos aos custos ótimos (GAP médio ≤ 8%). Pa
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Botler, Fábio, Wanderson Lomenha, and João Pedro de Souza. "Coloração caminho não repetitivo de ladders circulares." In Encontro de Teoria da Computação. Sociedade Brasileira de Computação - SBC, 2023. http://dx.doi.org/10.5753/etc.2023.229946.

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Fixe uma coloração c : V (G) → ℕ dos vértices de um grafo G e seja W = v1 · · · v2r um caminho em G. Dizemos que W é repetitivo (com respeito a c) se c(vi) = c(vi+r) para todo i ∈ [r]. Finalmente, dizemos que c é uma coloração caminho não-repetitiva de G se não existe caminho repetitivo em G, e denotamos por π(G) o menor número de cores em uma coloração caminho não-repetitiva de G. Nós estudamos o número cromático não repetitivo de ladders circulares. O k-ladder circular CLk é o grafo obtido de duas cópias v1 · · · vkv1 e u1 · · · uku1 do ciclo de ordem k pela adição do emparelhamento perfeito
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Arantes, Luciana, and Julien Sopena. "Garantindo a Circulação e Unicidade do Token em Algoritmos com Nós Organizados em Anel Sujeitos a Falhas." In Workshop de Testes e Tolerância a Falhas. Sociedade Brasileira de Computação - SBC, 2010. http://dx.doi.org/10.5753/wtf.2010.23093.

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Apresentamos neste artigo um algoritmo que oferece um conjunto pequeno de funções que, quando chamadas por algoritmos distribuídos do tipo token-ring, fazem com que o token utilizado por estes se torne tolerante a falhas. Ele garante assim a circulação e unicidade to token em presença de falhas por parada dos nós. O número máximo de falhas consecutivas toleradas é limitado a k. A perda do token é evitada mantendo-se cópias temporárias deste em k outros nós. O algoritmo é escalável pois um nó monitora no máximo k nós, não necessita de uma eleição de líder, que envolva todos os nós do sistema e
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Neto, Francisco, Romero Silva, Roberta Gouveia, Maria Batista, and Igor Oliveira. "Computação em Nuvem e Aprendizado de Máquina para Análise de Grandes Volumes de Dados Educacionais." In Encontro Nacional de Inteligência Artificial e Computacional. Sociedade Brasileira de Computação - SBC, 2020. http://dx.doi.org/10.5753/eniac.2020.12117.

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Este artigo descreve a aplicação de aprendizado de máquina supervisionado e não supervisionado em grandes volumes de dados abertos governamentais do INEP, por meio dos algoritmos K-Nearest Neighbors, Logistic Regression, Decision Tree, Random Forest e K-means. A metodologia fundamenta-se nos processos CRISP-DM e KDD, sendo necessária a utilização da plataforma em nuvem DataBricks, além das tecnologias de clusters Hadoop e Apache Spark. Tais tecnologias proporcionaram alto poder de processamento para execução dos experimentos, o que viabilizou a avaliação de desempenho dos modelos e a descobert
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10

Gomes, Guilherme de C. M., Bruno P. Masquio, Paulo E. D. Pinto, Vinicius F. Santos, and Jayme L. Szwarcfiter. "Emparelhamento Conexo Ponderado é NP-completo." In Encontro de Teoria da Computação. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/etc.2022.222633.

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Um emparelhamento M também é chamado de P-emparelhamento se o subgrafo induzido pelos vértices incidentes por arestas de M satisfaz à propriedade P. Encontrar emparelhamentos de cardinalidade máxima para muitas propriedades P, tais como o subgrafo induzido ser 1-regular, desconexo ou acíclico, é NP-difícil. Por outro lado, um emparelhamento conexo de cardinalidade máxima, em que a propriedade é que o grafo seja conexo, pode ser obtido em tempo polinomial. Nesse artigo, consideramos o problema Emparelhamento Conexo Ponderado, onde, dado um grafo ponderado em arestas e um inteiro k, deseja-se ob
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