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Journal articles on the topic 'K-Pop Artist'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Dwiputeri, Lita, and Venie Viktoria Rondang Maulina. "Kontribusi Body Comparison Dengan Artis K-Pop Perempuan Terhadap Body Dissatisfaction (Studi pada Remaja Perempuan Indonesia Fans K-Pop)." Jurnal Perkotaan 7, no. 1-2 (2015): 58–76. http://dx.doi.org/10.25170/perkotaan.v7i1-2.271.

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K-pop is a popular music genre from South Korea. K-pop female actresses or singers have an ideal body, which are desired by female K-pop fans. K-pop female actresess‟ ideal body can be regarded as a standard by female adolescent K-pop fans for body comparison, which can be defined as a comparison process with other‟s body. Female adolescent K-pop fans who do body comparison with K-pop female artist can have body dissatisfaction, which is defined as unfavorable or disparaging opinion of their own body components. Based on that phenomenon, this research investigates the contribution of body comp

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Lainsyamputty, Nokia Putri Andika. "Konstruksi Identitas dan Relasi Interpersonal oleh Roleplayer Artis K-Pop di Twitter." Jurnal Komunikatif 10, no. 2 (2021): 197–213. http://dx.doi.org/10.33508/jk.v10i2.3218.

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Indonesia is a country with the highest development of the K-Pop target market in Southeast Asia. This also raises various participatory behaviors from fans. One form of participatory behavior is roleplaying, which is playing roles on social media using a K-Pop artist's identity. As roleplayers, they will present themselves as K-Pop artists and build relationships with other roleplayers. Twitter is the social media most commonly used by roleplayers because of its features that support identity presentation and personal communication with other people. Even though they use other people's identi

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Hakim, Alfian, Satrio Hadi Wijoyo, and Nanang Yudi Setiawan. "Prediksi Tipe Kepribadian MBTI Artis K-Pop Berdasarkan Caption Instagram Menggunakan Word2Vec dan Long-Short Term Memory (LSTM)." Jurnal Teknologi Informasi dan Ilmu Komputer 10, no. 5 (2023): 993–1002. http://dx.doi.org/10.25126/jtiik.20231057064.

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Myers-Briggs Type Indicator (MBTI) adalah metode pengujian psikologi yang membedakan kepribadian seseorang. MBTI termasuk pembagian tipe kepribadian yang paling populer di dunia, termasuk di Korea Selatan. Tren MBTI di Korea Selatan juga dimanfaatkan oleh para artis K-Pop untuk berbagi tipe MBTI sehingga bisa mendekatkan hubungan antara penggemar dan idolanya. Salah satu media sosial yang umum digunakan oleh artis K-Pop adalah Instagram. Penelitian ini mencoba membuat model klasikasi tipe kepribadian berdasarkan caption Instagram artis K-Pop menggunakan Word2Vec dan Long-Short Term Memory (LST

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Hakim, Alfian, Satrio Hadi Wijoyo, and Nanang Yudi Setiawan. "Prediksi Tipe Kepribadian MBTI Artis K-Pop Berdasarkan Caption Instagram Menggunakan Word2Vec dan Long-Short Term Memory (LSTM)." Jurnal Teknologi Informasi dan Ilmu Komputer 10, no. 5 (2023): 993–1002. https://doi.org/10.25126/jtiik.2023107064.

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Myers-Briggs Type Indicator (MBTI) adalah metode pengujian psikologi yang membedakan kepribadian seseorang. MBTI termasuk pembagian tipe kepribadian yang paling populer di dunia, termasuk di Korea Selatan. Tren MBTI di Korea Selatan juga dimanfaatkan oleh para artis K-Pop untuk berbagi tipe MBTI sehingga bisa mendekatkan hubungan antara penggemar dan idolanya. Salah satu media sosial yang umum digunakan oleh artis K-Pop adalah Instagram. Penelitian ini mencoba membuat model klasikasi tipe kepribadian berdasarkan caption Instagram artis K-Pop menggunakan Word2Vec dan Long-Short Term Memory (LST

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Susanto, Veren, and Suzy Azeharie. "Studi Komunikasi Budaya Fandom ARMY dan EXO-L (Studi Tentang Perbandingan Pemaknaan Simbol K-Pop)." Koneksi 6, no. 2 (2022): 272–77. http://dx.doi.org/10.24912/kn.v6i2.15609.

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Korean Pop or K-Pop is part of the hallyu wave. K-Pop music consists of many artists. Fans of each artist gathered and formed a group called fandom. Each fandom has a culture that distinguishes one fandom from another. Symbol is a form of message that contains meaning. Through the interaction between group members, symbols can be formed. Fandoms have their own culture and symbols are included in their culture. BTS and EXO are in the top 30 most popular K-Pop boy bands since June 2021. BTS fans named ARMY and EXO fans named EXO-L. Both fandoms have symbols that become cultural and have differen

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Novita, Dwi Wulandari. "Discussing the Fashion Style of K-Pop Artist in Indonesia." International Journal of Social Science and Human Research 07, no. 07 (2024): 4540–44. https://doi.org/10.5281/zenodo.12624287.

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This research stems from the author's concerns about seeing the phenomenon of local fashion styles in photos uploaded to Taeyong NCT's Instagram when he was in Indonesia. The aim of this research is to reveal Taeyong NCT's local fashion style which represents Indonesian culture. This research uses qualitative research methods with Peirce's semiotic approach. The findings from this research are that the fashion worn by Taeyong represents culture, while the style displayed is the style of a photo model. So, his fashion style interprets that Taeyong is "playing a role" as someone with Indonesian

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Ahn, Ji-Hyun, and Tien-wen Lin. "The politics of apology: The ‘Tzuyu Scandal’ and transnational dynamics of K-pop." International Communication Gazette 81, no. 2 (2018): 158–75. http://dx.doi.org/10.1177/1748048518802947.

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This article examines how transnational cultural flows such as K-pop create intensified regional dynamics and conflicts by looking at a specific case called the ‘Tzuyu incident’. A young Taiwanese member, Chou Tzuyu, of the K-pop girl band TWICE apologized for waving a Republic of China’s flag on a Korean TV show in an apology video released on JYP Entertainment’s official YouTube channel. The video soon went viral among K-pop fans around the globe, especially in Taiwan, China, and Korea, creating a transnational discursive space that vividly captures the complex dynamics among various actors

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Rinata, Asfira Rachmad, and Sulih Indra Dewi. "FANATISME PENGGEMAR KPOP DALAM BERMEDIA SOSIAL DI INSTAGRAM." Interaksi: Jurnal Ilmu Komunikasi 8, no. 2 (2019): 13. http://dx.doi.org/10.14710/interaksi.8.2.13-21.

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Abstract. Korean wave has become a big phenomenon in Indonesia, enthusiasm and passion for K-pop culture has led to fanaticism for fans. The distribution of K-pop content on social media such as Instagram gives fans space to participate in supporting their idols and this is one of the factors forming the fanaticism of k-pop fans. This study aims to determine the fanaticism of kpop fans in social media on Instagram as well as how kpop fans respond in responding to hoax and negative information from favorite idols. This research uses descriptive qualitative methods and data collection techniques

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Jessica, Jessica, and Lusia Savitri Setyo Utami. "Penggunaan Atribut Lightstick dalam Komunikasi dan Pembentuk Identitas Sosial." Koneksi 8, no. 2 (2024): 295–303. http://dx.doi.org/10.24912/kn.v8i2.27545.

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K-Pop, or Korean Pop, is a subgenre of pop music originating from South Korea. K-Pop is synonymous with boy groups and girl groups. Apart from their music, K-Pop idols are loved by the public because of their charming visuals and special trinkets that are not owned by other genres. Fans compete to buy attributes such as lightsticks because they are unique and different. Fans cheer, sing, and dance in concerts using lightstick attributes to convey support to their idols. K-Pop fans with similar interests and preferences for the same artist usually join a group called a fandom. In this fandom, f

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Kusuma, Arya Ardany, and Pitri Yandri. "Efektifitas Penggunaan Brand Ambassador K-Pop dalam Meningkatkan Minat Beli Produk Kecantikan dan Merchandise K-Pop di Tokopedia." GEMA : Jurnal Gentiaras Manajemen dan Akuntansi 14, no. 3 (2012): 233–48. http://dx.doi.org/10.47768/gema.v14.n3.202207.

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Korean Pop (K-Pop) is a trend that is in great demand by the public, especially young people.The trend is followed by the rise of industries that use attributes identical to korea, such as KPop. in line with the emergence of this phenomenon, Tokopedia as one of the marketplace inIndonesia also uses attributes identical to korea. Tokopedia then made the artist or group inthe K-Pop world a Brand Ambassador (BA). Based on that, this study was conducted with the aim to examine the effectiveness and how the influence of the use of K-Pop BA in increasinginterest in buying products in various beauty

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González Romo, Zahaira Fabiola, and Luz Divina Pérez Sena. "K-pop and Celebrity Luxury Brands Endorsements: Influence on Luxury Goods Purchasing Intention Among Spanish Gen Z K-pop Fans Review." Review of Communication Research 12 (September 9, 2024): 49–64. https://doi.org/10.52152/rcr.v12.3.

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This research aims to study the influence of K-pop celebrity endorsements of luxury brands on the purchasing intentions of Spanish Generation Z fans. It combines quantitative data from an online survey with qualitative insights from an in-depth interview with a Spanish K-pop artist. The findings reveal that K-pop idols significantly impact the purchasing behavior of Spanish Gen Z fans, with 55% of participants having purchased products endorsed by their favorite idols. The study underscores the emotional connection and loyalty fans have towards K-pop idols, which translates into solid support

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Khanan, Andies Maftu. "Studi Kasus Multikultural Visual Maskulinitas Model Iklan Baliho Mie Sedaap Cup Korean Hot Spicy." INVENSI 8, no. 2 (2023): 164–72. http://dx.doi.org/10.24821/invensi.v8i2.11265.

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Tren K-Pop yang masuk ke Indonesia sejak 2019 membuat periklanan, khususnya sebuah brand menjadi terpengaruh. Penggunaan artis dari Korea untuk menjadi bintang iklan telah muncul di merk makanan Indonesia dan brand itu adalah Mie Sedaap. Tujuan dari penelitian ini untuk mengetahui fenomena multikultur iklan dalam bentuk baliho dengan merk Mie Sedaap edisi Korean Hot Spicy. Metode pada penelitian ini adalah metode kualitatif yang berdasarkan observasi lapangan, membuat catatan, dan mendeskripsikan. Hasil penelitian menemukan bahwa ditemukannya fenomena berupa budaya K-Pop yang memengaruhi brand

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Lathifah, Nisa, Putih Pusti Permana, Hanafi, and Faisal Reza. "Meaning Construction Of K-Pop Dance Cover Members." Sinergi International Journal of Communication Sciences 1, no. 2 (2023): 78–95. https://doi.org/10.61194/ijcs.v1i2.218.

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K-pop dance cover is an activity where individuals or groups replicate the dance movements of Korean idol groups, as done by the K-pop dance cover community called HD Girls. This research aims to understand the experiences, motives, and meanings related to the self-concept of HD Girls members. Members of the HD Girls community, when performing a dance cover, must be able to adjust their appearance to match the K-pop idols they are covering. Therefore, as community members, they can interpret themselves as individuals who can align their appearance with the characteristics of the K-pop idols th

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14

Liu, Jiaying. "K-pop’s Overcrowded Market: Analyzing the Effects of Excessive Debuts on Industry Revenue and Growth." Law and Economy 4, no. 2 (2025): 32–43. https://doi.org/10.56397/le.2025.02.05.

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The rapid expansion of K-pop has led to market oversaturation, where an increasing number of group debuts has fragmented revenue, intensified competition, and shortened artist careers. This paper examines the impact of excessive debuts on industry revenue and sustainability, highlighting the concentration of concert revenue among top-tier groups and the financial struggles of mid-tier and rookie artists. Additionally, it explores the decline in creative innovation due to mass production pressures. To address these challenges, the study proposes strategic solutions, including regulating debuts,

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Kusuma, Arya Ardany, and Pitri Yandri. "The Effectiveness of Using K-Pop Brand Ambassadors in Increasing Interest in Buying Beauty Products and K-Pop Merchandise at Tokopedia." GEMA : Jurnal Gentiaras Manajemen dan Akuntansi 14, no. 3 (2012): 233–48. http://dx.doi.org/10.47768/gema.v14i3.202207.

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Korean Pop or commonly referred to as K-Pop is a trend that is in great demand by the public, especially young people. The trend is followed by the rise of industries that use attributes that smell of korea, such as K-Pop. in line with the emergence of this phenomenon, Tokopedia as one of the lokapasar in Indonesia also uses attributes that smell of Korea. Tokopedia then made the artist or group in the K-Pop world a Brand Ambassador (BA). Based on that, this study was conducted with the aim to examine the effectiveness and how the influence of the use of K-Pop BA in increasing interest in buyi

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Prayoga, Gilang Aryogy Surya, and Poppy Febriana. "Strategi Promosi Dengan Model K-pop Untuk Meningkatkan Penjualan Pada E-commerce Tokopedia." Journal of Education, Humaniora and Social Sciences (JEHSS) 5, no. 2 (2022): 848–54. http://dx.doi.org/10.34007/jehss.v5i2.1249.

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The more advanced the era of technology is also increasingly sophisticated and old habits are abandoned and switch to new habits. One of them is shopping habits, since the introduction of the internet and android, buying and selling activities are easier with the existence of e-commerce. E-commerce is a type of business that allows companies or individuals to buy or sell goods via the internet (online). And one of them is Tokopedia. In recent years, many e-commerce companies often use Korean artists because young people's interest in the influence of Korean culture is very strong. Therefore, r

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Pratiwi, Haniefa Ayunafa, and Subi Nur Isnaini. "FENOMENA KONTEN VIDEO QUOTES ISLAMI DI MEDIA SOSIAL DALAM AKUN INSTAGRAM @KULOMETER_." JIQTA: Jurnal Ilmu Al-Qur'an dan Tafsir 2, no. 1 (2023): 16–36. http://dx.doi.org/10.36769/jiqta.v2i1.297.

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Social media that is still loved by the public is Instagram. Of course, Instagram contains a lot of elements in each post, for example posting on Instagram regarding religious matters, namely posting Islamic quotes that contain posts about verses of the Koran (qur'anic quotes). One account that displays content that contains various kinds of quote content (qur'anic quotes, Islamic quotes), reminders, and Islamic stories is @kulometer_. Uniquely, each of his video quote content always uses a video background or background from a K-Pop artist named Jaemin, both in the content about ordinary quot

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Effendi, Tonny Dian. "K-pop and J-pop Influences to University Students in Malang, East Java – Indonesia : A Comparative Public Diplomacy Studies." Andalas Journal of International Studies (AJIS) 1, no. 2 (2015): 182. http://dx.doi.org/10.25077/ajis.1.2.182-198.2012.

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This paper discussing the comparison of Korean Pop Culture and Japan Pop Culture to the youth in Malang.One of the important of this research is about public diplomacy using pop culture which creating many fans and lovers. The main purpose of the research is to show how the globalization in culture has influencing the youth in developing country like Indonesia. Malang is one of the city that have many K-Pop lovers and J-Pop lovers. This research is qualitative and using depth interview to get information from the participant as the member of the pop lovers. The result shows that both Korea and

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Pragiyasti, Yenisya Rama, and Arif Surya Kusuma. "Analisis Fluktuasi Partisipasi Penggemar K-Pop Melalui Platform Digital: Studi Kasus Penggunaan Aplikasi Weverse." Jurnal Politikom Indonesiana 10, no. 1 (2025): 17–31. https://doi.org/10.35706/jpi.v10i1.20.

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This study is motivated by the increasing interaction between fans and K-Pop artists on digital platforms, especially Weverse, which is designed as an exclusive media by HYBE Corporation. The purpose of the study is to analyze SEVENTEEN fans' participation in Weverse and identify the factors that influence it. Using a qualitative descriptive approach with McLuhan's Law of Media theory and ecological media as the analytical framework, data were collected through in-depth interviews with four active paying and non-paying fans who have interacted on Weverse for at least the past six months. The i

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Ryu, Eun Joo. "K-Pop Artist and Discourse on Musical Genie : Focused on the Case of ‘B.I’." Korean Association for the Study of Popular Music 27 (May 31, 2021): 157–95. http://dx.doi.org/10.36775/kjpm.2021.27.157.

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Kim, Yeogeun Yonsue. "Performed intermediality and beyond in the BTS music video ‘Idol’: K-Pop idol identities in contemporary Hallyu." East Asian Journal of Popular Culture 6, no. 2 (2020): 239–55. http://dx.doi.org/10.1386/eapc_00028_1.

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The recent music video ‘Idol’ (published 24 August 2018) by South Korean boy band BTS exhibits extensively Korean elements, compared to previous visual presentations of BTS music. This may be because the song ‘Idol’ attempts to explicitly delineate BTS’s identity not only as a musician in general but also as a K-Pop artist, in particular, in the context of Hallyu (the Korean Wave). The music video ‘Idol’ is an effort to visually deal with these twofold difficulties that BTS confronts as a boy band, branded also as an idol group from South Korea. To this end, throughout the music video, interme

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Yoon, Hyemi, and Sunyoung Kim. "A Study on Limits and Growth Potential of K-POP Content in Metaverse: Focused on the User Experience of Generation Z." Korean Society of Culture and Convergence 45, no. 11 (2023): 115–33. http://dx.doi.org/10.33645/cnc.2023.11.45.11.115.

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This study aimed to analyze the inconveniences and limitations of the experience specialized in the K-POP genre in the metaverse platform and its future utility and potential. To achieve this, Giorgi's research method, which allows for the exploration of the meaning and essence of experiences from the perspective of Generation Z users, was adopted. In-depth interviews were conducted to collect data, and the research results are as follows: Firstly, active consumers of K-POP exhibit distinct behaviors compared to general users. They engage in social consumption behaviors, and there is a clear d

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Pratiwi, Haniefa Ayunafa, and Subi Nur Isnaini. "FENOMENA KONTEN VIDEO QUOTES ISLAMI DI MEDIA SOSIAL DALAM AKUN INSTAGRAM @KULOMETER_ (KAJIAN LIVING QUR’AN)." At-Tahfidz: Jurnal Ilmu Al-Qur'an dan Tafsir 4, no. 2 (2023): 56–73. http://dx.doi.org/10.53649/at-tahfidz.v4i2.282.

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Social media that is currently still loved by the public is Instagram. Of course, Instagram contains many elements in each post, for example, posts on Instagram regarding religious matters, namely about posting Islamic quotes that contain posts about verses of the Qur'an (qur'anic quotes). One of the accounts that displays content containing various kinds of Islamic quotes, reminders, and Islamic stories is @kulometer_. Uniquely, every video content of these quotes always uses the background or video background of a K-Pop artist named Jaemin, both in the content about ordinary quotes and quote

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Юхименко, Я. В., та O. Hudoshnyk. "Досвід презентації субкультури у Twitter на прикладі k-pop community". Mass communication in global and national dimensions, № 13 (27 травня 2020): 143–48. https://doi.org/10.5281/zenodo.3859817.

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<strong>Yukhymenko Y., Hudoshnyk O. Experience of subculture presentation on Twitter on the example of the k-pop community</strong> This article describes the ways of presenting leisure activity though communication on the example of Twitter social network. The community of the Korean pop music fans and their ways of communication with each other were chosen as the object of the study. With the help of the data collected from Twitter, it became possible to describe the phenomenon of stan twitter and the Korean pop music community that exist within this area. The research was based on the exper

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Rahadi, Raden Aswin, Gun Gun Indrayana, Kurnia Fajar Afgani, Yudo Anggoro, and Alfred Boediman. "The Intangible Value and Economic Impact of Music Groups: A Case Study on NewJeans." Journal of Global Economics, Management and Business Research 17, no. 1 (2025): 53–61. https://doi.org/10.56557/jgembr/2025/v17i19163.

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The global music industry has evolved into a significant economic and cultural force, with K-pop playing a leading role in digital innovation, brand monetization, and global fan engagement. This study examines the intangible value and economic impact of K-pop groups, using NewJeans as a case study to assess how artist branding, digital economies, and corporate strategy drive financial success within HYBE Corporation. By integrating financial analysis, stock market evaluations, and sentiment analysis, this research provides an empirical assessment of the relationship between entertainment brand

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Yu, Daeun, and Sun-Yong Choi. "Uncovering the Impact of Local and Global Interests in Artists on Stock Prices of K-Pop Entertainment Companies: A SHAP-XGBoost Analysis." Axioms 12, no. 6 (2023): 538. http://dx.doi.org/10.3390/axioms12060538.

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Stock price prediction is a significant area of research in finance that has been ongoing for a long time. Several mathematical models have been utilized in this field to predict stock prices. However, recently, machine learning techniques have demonstrated remarkable performance in stock price prediction. Moreover, XAI (explainable artificial intelligence) methodologies have been developed, which are models capable of interpreting the results of machine learning algorithms. This study utilizes machine learning to predict stock prices and uses XAI methodologies to investigate the factors that

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Bonita Pardede and Atik Aprianingsih. "The Influence Of K-Pop Artist As Brand Ambassador On Affecting Purchasing Decision and Brand Loyalty (A Study Of Scarlett Whitening’s Consumers in Indonesia)." International Journal of Management Research and Economics 1, no. 2 (2023): 01–15. http://dx.doi.org/10.54066/ijmre-itb.v1i2.455.

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One of the current promotional strategies adopted by many brands in Indonesia is leveraging the K-Wave (Hallyu) phenomenon. Scarlett Whitening aims to capitalize on this opportunity by appointing the popular K-Pop girl group, Twice, as their brand ambassador. The significant investment involved in this collaboration raises high expectations for Scarlett Whitening, particularly in terms of the impact that their chosen brand ambassadors have on purchasing decisions and brand loyalty. Hence, the objective of this research is to examine the influence of various dimensions (visibility, credibility,

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Oliveira, Andrade Jandara Assis de, Alves Maria da Penha Casado, and Silva Juan dos Santos. "The k-pop idol in focus of Applied Linguistics: a discursive analysis of character construction in fanfiction." Revista Letras Raras 13, no. 1 (2024): e6190. https://doi.org/10.5281/zenodo.14579744.

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This paper analyzes the discursive construction of fanfiction character made by fan-author, considering that character is based on a real person, an idol from the South Korean pop music (K-pop) boyband BTS. This construction is shaped by how this fan-author perceives Asian men's masculinity. In this process, two aspects need to be observed, firstly the soft masculinity (Jung, 2010) performed by artist and the second is the characteristic vision of Asian man and the active/passive roles in same-sex relationships propagated by various Western social actors. To understand this process, it mobiliz

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Ramadhiansyah, Dimas. "“I had post-concert depression”: A study of Lucy fans after the Jakarta concert." Jurnal Komunikasi 19, no. 2 (2025): 335–54. https://doi.org/10.20885/komunikasi.vol19.iss2.art9.

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This study examines the impact of Hallyu, particularly K-pop, on fan communities in Indonesia, focusing on the phenomenon of Post-Concert Depression (PCD) often experienced by fans after major concerts. Using the netnography method, the study observes the interaction dynamics within a WhatsApp group of LUCY fans following the "We Are Landing in Jakarta" concert in January 2024. Findings show that social support within online communities helps alleviate PCD by sharing concert memories, photos, and emotional reflections. The group’s activities evolved from concert discussions to other topics lik

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Pardede, Bonita, and Atik Aprianingsih. "The Influence Of K-Pop Artists As Brand Ambassadors On Affecting Purchasing Decisions And Brand Loyalty (A Study of Skincare Products in Indonesia Consumers In Indonesia)." Journal of Consumer Studies and Applied Marketing 1, no. 1 (2023): 1–10. http://dx.doi.org/10.58229/jcsam.v1i1.35.

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One of the current promotional strategies adopted by many brands in Indonesia is leveraging the K-Wave (Hallyu) phenomenon. A skincare manufacturer aims to capitalize on this opportunity by appointing the popular K-Pop girl group, Twice as their brand ambassador. The significant investment in this collaboration raises high expectations for skincare products, particularly regarding their chosen brand ambassadors' impact on purchasing decisions and brand loyalty. Hence, this research aims to examine the influence of various dimensions (visibility, credibility, attractiveness, and power) of K-Pop

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Jeon, Min-a., and Kyung-Hoon Han. "A Study on the Phenomenon of Artist Concentration and Improvement Measures in Response to Changes in the Distribution Structure and Demand Trends of K-pop Albums." Journal of Korea Culture Industry 24, no. 4 (2024): 169–79. https://doi.org/10.35174/jkci.2024.12.24.4.169.

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SHIN, SEUNGKYU, and JUYONG PARK. "ON-CHART SUCCESS DYNAMICS OF POPULAR SONGS." Advances in Complex Systems 21, no. 03n04 (2018): 1850008. http://dx.doi.org/10.1142/s021952591850008x.

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In the modern era where highly-commodified cultural products compete heavily for mass consumption, finding the principles behind the complex process of how successful, “hit” products emerge remains a vital scientific goal that requires an interdisciplinary approach. Here, we present a framework for tracing the cycle of prosperity-and-decline of a product to find insights into influential and potent factors that determine its success. As a rapid, high-throughput indicator of the preference of the public, popularity charts have emerged as a useful information source for finding the market perfor

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Jaffar, Tanzeela, Tahir Jamil, Asma Saleem, and Hubab Ali. "Solo Stardom: How HYBE Managed BTS's Break and Promoted Solo Careers." Wah Academia Journal of Social Sciences 4, no. 1 (2025): 1042–63. https://doi.org/10.63954/wajss.4.1.54.2025.

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This case study examines the strategies employed by HYBE to advance the individual careers of its seven members, thereby adeptly managing BTS's group hiatus. In 2022, as BTS transitioned from collective pursuits to individual projects, HYBE faced significant pressure to uphold its financial achievements and global influence. In reaction, the enterprise meticulously launched individual debuts, employing pre-produced material, diverse promotional strategies, and strategic timing to ensure that each member received their opportunity to shine. This study meticulously explores the financial and cul

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Bezkarannu, Raaf, and Ani Widyani Soetjipto. "Korean Wave Issue as A Soft Power Strategy in Taiwanese Presidential Election 2016." Insignia: Journal of International Relations 9, no. 2 (2022): 172. http://dx.doi.org/10.20884/1.ins.2022.9.2.6817.

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AbstractBoth state and non-state actors need the power to influence others to achieve their desired goals. Soft power isoften used by state or non-state actors to attracts the attention of others without using coercive actions to achievethe desired goals. This strategy has been widely used in various cases, including in the issue of China and Taiwan,especially in the "Taiwan Flag" incident involving Tzuyu, a K-Pop artist who declared herself a Taiwanese andcarried the Taiwan flag on a South Korean television program. This incident was later brought up by Tsai Ingwen, a politician from Democrat

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Alia, Putri Nadila, and Armelia Windasari Nila. "Analyzing the Influence of Korean Celebrities as Brand Ambassadors toward Customer Loyalty in Indonesia." International Journal of Current Science Research and Review 05, no. 12 (2022): 4808–18. https://doi.org/10.5281/zenodo.7486673.

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<strong>ABSTRACT: </strong>K-Wave, also known as Hallyu, has taken over Indonesia, particularly among millennials. It is getting more challenging to find luxury brands that do not hire K-pop stars or Korean celebrities as their global ambassadors. Due to their promising engagement, several brands in Indonesia are currently courting Korean celebrities to become brand ambassadors. It is important to note that customers may be aware that the artist may not use products from all of the brands. Consequently, brands in Indonesia continue to employ Korean celebrities as brand ambassadors. Developing

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Yu, Haemin, and Jaehoon Chun. "Cultural Appropriation in K-pop Artists’ Fashion." Korean Society of Fashion Design 23, no. 4 (2023): 1–21. http://dx.doi.org/10.18652/2023.23.4.1.

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Ningsih, Sabda. "The Interest UNICEF on Involvement of K-Pop Artists in Humanitarian Campaigns." JURNAL HAK 2, no. 1 (2025): 53–62. https://doi.org/10.30656/jhak.v2.i1.10522.

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This paper analyzes why UNICEF collaborates with K-Pop companies in conducting campaigns. Before the Korean Wave phenomenon hit the global stage, UNICEF had involved several non-state actors, the majority of whom were artists, as international or regional ambassadors. Only when K-pop has global fans is UNICEF interested in attracting several K-pop artists, such as BTS, Super Junior, and Everglow. This is one of the reasons UNICEF chose K-pop idols as ambassadors. Furthermore, K-pop fans have high loyalty and fanaticism toward their idols. They unconsciously make their idol's behavior, habits,

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Mahmudah Widya Damayanthi and Wahyunengsih. "Analysis of Preferences and Behavior of K-Pop Fans in Comsuming K-Pop Content on Youtube." TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora 1, no. 3 (2023): 54–62. http://dx.doi.org/10.47861/tuturan.v1i3.299.

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This journal analyzes the preferences and behavior of K-Pop fans in consuming K-Pop content on YouTube. Through an online survey of 50 active fan respondents, this study aims to understand preferences for music genres, favorite K-Pop artists, frequency of visits to K-Pop YouTube channels, preferred types of content, and interactions with content. The results show a wide variety of fan preferences and behaviors, with particular inclinations towards music genres, favorite artists and types of content. Fans actively engage through comments and shares. This study provides important insights to und

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Diao, Zhuoyan. "An Analysis of Anti-Feminist Expressions in K-pop Culture." Communications in Humanities Research 18, no. 1 (2023): 69–74. http://dx.doi.org/10.54254/2753-7064/18/20231121.

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This paper critically examines anti-feminist expressions in K-pop culture, using a mixed methodology to analyze selected works. It highlights the impact on artists, global fandom, and cultural trends, emphasizing the necessity for intervention from stakeholders in the industry. While acknowledging the evolution of gender representation in K-pop, the paper addresses persistent criticism of objectification and commodification of female idols. Recognizing K-pops global influence, the study emphasizes the need to address anti-feminist nuances. It explores how K-pop fandoms influence perceptions of

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Rika, Atta, Alemina Br. Perangin-angin, and Dila Fitria. "DOUBLE STANDARDS IN HATE COMMENTS AGAINST K-POP ARTISTS: PRAGMATICS STUDY." ELP (Journal of English Language Pedagogy) 9, no. 1 (2024): 1–15. http://dx.doi.org/10.36665/elp.v9i1.873.

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This study aims to describe the forms of double standards in hate comments against K-POP artists found on Instagram. This research used a descriptive qualitative approach, which refers to research methods that produce descriptive data using a pragmatic approach. The data was collected from the most followed K-POP pages on Instagram in Indonesia: @fyi.korea, @officialkvibes, and @coppamagz. The objects of this study are the hate comments found on these Instagram pages. The theory used to analyze the data was speech act theory, which consists of locutionary, illocutionary, and perlocutionary. Th

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Yao, Xinzi. "K-pop Transcends Traditional Boundaries." BCP Social Sciences & Humanities 19 (August 30, 2022): 651–53. http://dx.doi.org/10.54691/bcpssh.v19i.1805.

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A growing amount of media attention is being paid to the subgenre of music known as K-pop as a direct result of the growth and extension of K-pop across the world. Using the band BTS as a case study and KCON as the key event to promote K-pop culture, this essay investigates the factors and influences that can have an effect on how to transcend beyond the traditional form. Based on data, the essay comes to four conclusions. 1) it changes with the times to accommodate the preferences of fans; 2) it has the power to shape aesthetic trends; 3) fans are attracted to more than just the appearance of

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Romario. "K-Pop: Islamisme populer Anak Muda Muslim." Jurnal Dakwah 23, no. 2 (2022): 12–24. http://dx.doi.org/10.14421/jd.23.2.22.2.

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Memasuki era media sosial yang ditandai dengan kehadiran facebook, instagram, twitter, dan youtube membuat hubungan antar berbagai wilayah dan negara semakin terkoneksi. Globalisasi yang awalnya didominasi oleh Barat mulai dari film, musik, dan hiburan kini bergeser dan mengalami perubahan dengan populernya musik, film, dan hiburan yang berasal dari Asia Timur terutama Korea Selatan.[1] Budaya globalisasi pada akhirnya juga berdampak di Indonesia yang mayoritas masyarakat Muslim, banyak anak-anak muda yang menyukai musik dan drama Korea, melalui media sosial mereka dapat mengakses secara langs

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Chansanam, Wirapong, Kulthida Tuamsuk, Kanyarat Kwiecien, and Sam Gyun Oh. "Korean-popular Facebook fan page analytics in Thailand." International Journal of Electrical and Computer Engineering (IJECE) 12, no. 5 (2022): 5291. http://dx.doi.org/10.11591/ijece.v12i5.pp5291-5303.

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<span lang="EN-US">The purpose of this study was to gather, analyze, and elaborate big data on Facebook’s essential information, with a specific focus on the information obtained from Korean-popular (K-Pop) fan pages on the social networking site. For this analysis, a total of 3,531,736 comments by Korean-pop fans were gathered from various K-pop Facebook pages. In order to interpret how 11 extremely popular Facebook pages shape Thai fans’ enthusiasm for the South Korean music industry, descriptive statistics and visualization analysis were employed. Finally, data analytics and correlati

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Wirapong, Chansanam, Tuamsu Kulthida, Kwiecien Kanyarat, and Gyun Oh Sam. "Korean-popular Facebook fan page analytics in Thailand." International Journal of Electrical and Computer Engineering (IJECE) 12, no. 5 (2022): 5291–303. https://doi.org/10.11591/ijece.v12i5.pp5291-5303.

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The purpose of this study was to gather, analyze, and elaborate big data on Facebook’s essential information, with a specific focus on the information obtained from Korean-popular (K-Pop) fan pages on the social networking site. For this analysis, a total of 3,531,736 comments by Korean-pop fans were gathered from various K-pop Facebook pages. In order to interpret how 11 extremely popular Facebook pages shape Thai fans’ enthusiasm for the South Korean music industry, descriptive statistics and visualization analysis were employed. Finally, data analytics and correlation analysis w

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Ciek Julyati Hisyam, Aline Nikita, Anissa Nurul Chotimah, Jemima Fathima Pasha, and Nadila Sahla Mulia. "Peran Platform Weverse Sebagai Sarana Interaksi Dan Ekonomi Dalam Industri K-Pop." Jurnal Ekonomi dan Pembangunan Indonesia 2, no. 3 (2024): 76–86. http://dx.doi.org/10.61132/jepi.v2i3.657.

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Weverse is a platform launched by HYBE Corporation in 2019 and has played a central role in facilitating interactions between fans and artists in the Korean music industry (K-pop). Through exclusive access to content, direct communication with artists, and a membership system offering discounts and exclusive content, Weverse has become a "home" for K-pop fans and an important revenue source in the industry's economy. This study uses a qualitative approach with a systematic literature analysis design to explore the impact of Weverse in the K-pop industry, highlighting the importance of this pla

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Wijayanti, Susi Yunarti, and Dian Harmaningsih. "Reinterpretasi Budaya Tabu Pada Perkembangan Musik K-Pop." Ikon --Jurnal Ilmiah Ilmu Komunikasi 29, no. 3 (2023): 278–87. http://dx.doi.org/10.37817/ikon.v29i3.3502.

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Tujuan penulisan artikel ini adalah untuk menjelaskan budaya tabu yang menemukan pemaknaan baru dalam penerapannya dengan mengamati perkembangan industri musik K-Pop yang telah banyak mengembangkan budaya baru pada Masyarakat lokal maupun global. Data untuk menyusun artikel ini didapatkan dengan melakukan pengamatan pada penayangan program musik TV Korea dan platform media sosial melalui kanal You Tube dan Video part streaming. Hasilnya disajikan dalam bentuk dokumentasi untuk dianalisis dan ditarik kesimpulan. Hasil temuan menunjukan adanya hal-hal tabu yang tidak lagi di anggap tabu dan teta

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Lim, Yoonju, Hyewon Kang, Andy-Joohyun Lee, and Ilhan Hong. "Exploratory Qualitative Approach to Quantitative Valuation of K-pop Artists." JOURNAL OF THE KOREA CONTENTS ASSOCIATION 24, no. 9 (2024): 198–210. http://dx.doi.org/10.5392/jkca.2024.24.09.198.

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Nabilah, Nabilah, and Muhammad Zakky Azhari. "Pengaruh Brand Ambassador K-pop dan Social Media Content Terhadap Minat Beli Produk Skin Care (Studi Kasus Azarine)." IKRAITH-EKONOMIKA 8, no. 2 (2024): 276–83. http://dx.doi.org/10.37817/ikraith-ekonomika.v8i2.4332.

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Fenomena Korean Wave yang terjadi saat ini telah dimanfaatkan produk-produk skin care untukstrategi pemasaran dengan menggaet artis-artis Korea untuk menjadi brand ambassador produknya.Azarine bekerjasama dengan artis-artis K-pop yang sedang naik daun untuk menjadi wajah brand mereka,serta aktif melakukan kegiatan promosi melalui social media content di berbagai platform sosial media.Penelitian ini menggunakan pendekatan deskriptif kuantitatif dan kuesioner sebagai metode pengumpulandata. Berdasarkan hasil pengujian hipotesis, dinyatakan bahwa brand ambassador K-pop dan konten sosialmedia berp

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Sania Rahmah, Febi, Anjarie Dharmastuti, Kukuh Setyo Pambudi, Basma Tania, and Bintang Mutia Rahmah. "K-Pop and Buying Behavior: A Study of Self-Regulation on Students' Purchase Intention in a K-Pop Era." Ilomata International Journal of Social Science 6, no. 1 (2024): 21–32. https://doi.org/10.61194/ijss.v6i1.1460.

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Indonesia has now entered the era of globalization. The era of globalization is when each country's culture blends into a global culture. One of the popular cultures favored in Indonesia is Korean POP culture. The purpose of this study is to determine the relationship between self-regulation and purchase intention for products advertised by K-Pop artists among students. The population in this study consists of K-Pop fan students. The sample used in this research was 105 students. The sampling technique used was purposive sampling. There were two instruments used in this study. First, the Short

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Ni Luh Theresya Putri, Resekiani Mas Bakar, and Andi Nasrawati Hamid. "Pengaruh Kontrol Diri Terhadap Perilaku Konsumtif Pada Penggemar K-Pop." PESHUM : Jurnal Pendidikan, Sosial dan Humaniora 2, no. 5 (2023): 868–74. http://dx.doi.org/10.56799/peshum.v2i5.2204.

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Perkembangan K-Pop yang semakin pesat menimbulkan pengaruh bagi perilaku penggemarnya salah satunya, yaitu timbulnya perilaku konsumtif penggemar K-Pop dalam membeli merchandise. Kontrol diri menjadi salah faktor yang mempengaruhi terjadinya perilaku konsumtif pada penggemar K-Pop. Tujuan dari penelitian ini adalah untuk mengetahui pengaruh kontrol diri terhadap perilaku konsumtif pada penggemar K-Pop. Partisipan pada penelitian ini adalah penggemar K-Pop yang berusia 15-21 tahun dan menyukai minimal satu artis K-Pop sebanyak 200 orang. Alat ukur yang digunakan dalam penelitian ini adalah skal

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