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Journal articles on the topic 'Kabuki'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Iida, Takuya, Susam Park, Kogo Kato, and Ichiko Kitano. "Cleft Palate in Kabuki Syndrome: A Report of Six Cases." Cleft Palate-Craniofacial Journal 43, no. 6 (2006): 756–61. http://dx.doi.org/10.1597/05-174.

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Kabuki syndrome is a syndrome of rare congenital anomalies that was named after its characteristic appearance, a face resembling that of an actor in a Kabuki play. Although cleft palate is a feature that is sometimes observed in patients with Kabuki syndrome, there are few clinical reports of cleft palate associated with Kabuki syndrome. This report presents six cases of Kabuki syndrome with cleft palate and reviews their clinical features. Our results suggest that (1) patients with cleft palate in Kabuki syndrome tend to fail in acquiring normal velopharyngeal function and (2) submucous cleft

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2

Gorkina, Oksana K., Pavel V. Pavlov, Maria L. Zakharova, and Nadezhda V. Nikitina. "Clinical observation of genetically confirmed Kabuki syndrome type 1, with an undetermined type of inheritance, in a 7-year-old child." Pediatrician (St. Petersburg) 14, no. 3 (2023): 121–28. http://dx.doi.org/10.17816/ped143121-128.

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Kabuki syndrome is a rare hereditary disease that has a specific clinical picture: facial features, growth retardation, muscular hypotonia, skeletal abnormalities, dermatoglyphic abnormalities, mild to moderate mental retardation, and postnatal growth deficiency. Kabuki syndrome (Kabuki mask syndrome / Kabuki makeup syndrome) got its name for the specific features of the appearance of patients who have a facial expression similar to a special makeup that highlights the eyes and eyebrows of the characters of the Japanese Kabuki theater. The main reasons for the development of Kabuki syndrome in

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3

Sudarsih, Sri. "Nilai-Nilai Dalam Kabuki di Jepang." KIRYOKU 1, no. 2 (2017): 1–8. https://doi.org/10.14710/kiryoku.v1i2.1-8.

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Kabuki is a part of culture the Japanese. Kabuki to progress changed and remain in existence in an age of modernization. Kabuki has meaning capable of inspired the Japanese people so must remain be preserved. Methods used by the author are description and interpretation. Material object in this writing is Kabuki and formal object is axiology. Kabuki is a dramatic arts in which contains value of aesthetic, value of social, value of heroism, and value of love.

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4

Permana, Muhammad Yogi, Budi Rukhyana, and Yelni Rahmawati. "Perkembangan Kabuki Menjadi Choukabuki Sebagai Kolaborasi Budaya Dengan Pengaruh Modernisasi." IDEA : Jurnal Studi Jepang 1, no. 1 (2019): 12–23. http://dx.doi.org/10.33751/idea.v1i1.1099.

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Abstrak Dalam penelitian ini penulis akan membahas perkembangan kabuki menjadi choukabuki sebagai kolaborasi budaya dengan pengaruh modernisasi. Kabuki merupukan salah satu seni teater tradisional Jepang yang menggabungkan beberapa seni tari, seni peran, dan seni musik. Sedangkan, Choukabuki merupakan pertunjukan teater yang tercipta dari hasil kolaborasi antara budaya tradisional Jepang yaitu kabuki yang menyuguhkan kolaborasi antara aktor kabuki dengan salah satu diva vocaloid yaitu Hatsune Miku dan dipertunjukan secara hologram 4D. Objek penelitian ini adalah mengenai perkembangan kabuki da

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5

Benina, A. R., and M. A. Melikyan. "Congenital hyperinsulinism as a part of Kabuki syndrome." Problems of Endocrinology 68, no. 5 (2022): 91–96. http://dx.doi.org/10.14341/probl13145.

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Kabuki syndrome is a rare hereditary disease characterized by distinctive facial features, skeletal abnormalities, mental retardation, developmental delay, and anomalies in multiple organ systems development.Congenital hyperinsulinism is a rare manifestation of his Kabuki syndrome. However, early diagnosis is crucial to prevent neurological complications of hypoglycemia.There are 2 types of Kabuki Syndrome depending on severity of symptoms. Kabuki syndrome Type 1 is associated with heterozygous mutations in gene KMT2D. Kabuki syndrome Type 2 is inherited in an X-linked manner. It’s associated

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6

Iezzi, Julie A. "Frozen Moments: Writings on Kabuki, 1966–2001. By Samuel L. Leiter. East Asia Series No. 111. Ithaca: Cornell University, 2002; pp. xx + 360; 210 illustrations. $21 paper." Theatre Survey 45, no. 2 (2004): 321–23. http://dx.doi.org/10.1017/s0040557404420262.

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This lavishly illustrated collection covers a period of time that has seen tremendous growth in English-language kabuki scholarship. In 1966, there were in print but three introductory books on kabuki in English—Faubian Bowers's Japanese Theatre (1952), Earle Ernst's The Kabuki Theatre (1956), and A. C. Scott's The Kabuki Theatre of Japan (1966)—along with a handful of plays in translation and a few journal articles. Today, thanks to the work of such researchers as Samuel L. Leiter, James R. Brandon, Leonard Pronko, Donald Shively, Lawrence R. Kominz, Andrew C. Gerstle, and others, kabuki scho

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7

Ni Nyoman Sariyanti, Ni Wayan Meidariani, and I. Wayan Nurita. "Makna Warna Tata Rias Wajah Pemain Kabuki pada Video Shibaraku." Ayumi : Jurnal Budaya, Bahasa dan Sastra 10, no. 1 (2023): 1–14. http://dx.doi.org/10.25139/ayumi.v10i1.4992.

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Tulisan ini bertujuan untuk mengetahui makna warna tata rias wajah seni pertunjukan kabuki pada karakter antagonis, protagonis dan karakter Putri pada video Shibaraku. Analisis makna menggunakan teori semiotika Peirce melalui klasifikasi jenis tanda yang dilihat dari objeknya yaitu ikon berupa gambar tokoh kabuki, indeks berupa warna dan jenis riasan yang digunakan tokoh kabuki dan simbol berupa hubungan warna dengan karakter tokoh kabuki. Klasifikasi tanda tersebut telah digunakan untuk memaknai warna dalam tata rias wajah kabuki. Sumber data yang digunakan pada tulisan ini merupakan sumber d

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8

Saltzman-Li, Katherine. "From Ataka to Kanjinchō: Adaptation of Text and Performance in a Nineteenth-Century Nō-Derived Kabuki Play." Mime Journal 27, no. 1 (2021): 48–66. http://dx.doi.org/10.5642/mimejournal.20212701.06.

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Nō techniques and play borrowings provided important infusions into kabuki throughout its history, but in the nineteenth century, a genre of kabuki plays in close imitation of nō or kyōgen wasadded to the kabuki repertoire. The genre came to be called matsubamemono, meaning “[nō/kyōgen-derived kabuki] plays [performed] on a stage with a pine painted on the back wall” or “pine-boardplays.”1 These plays are the focus of this article, in which I first introduce the genre and its place in kabuki history, and then discuss its most famous example, the play Kanjinchō (Hattori 17–40; Meisakukabuki zen

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9

Sсhugareva, Liudmila M., Oksana V. Poteshkina, and Svetlana M. Galaktionova. "Kabuki Syndrome. Neurological disorders, case report." HERALD of North-Western State Medical University named after I.I. Mechnikov 11, no. 2 (2019): 59–70. http://dx.doi.org/10.17816/mechnikov201911259-70.

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Kabuki syndrome [Kabuki syndrome, Kabuki make-up syndrome, Niikawa-s: Kuroki syndrome] (КS) – refers to rare genetic disorders, in which are involved multiple systems of the body. Of the neurological manifestations in КS are characteristic microcephaly, floppy baby syndrome, sizures, abducens nerve palsy, delayed maturation of the sucking-swallowing refleх, hearing loss, mental retardation.

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10

Brodsky, Marc. "Kabuki Actors Study." Medical Problems of Performing Artists 16, no. 3 (2001): 94–98. http://dx.doi.org/10.21091/mppa.2001.3016.

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The Kabuki Actors Study set out to explore the health status of Kabuki actors, their performance-related medical problems, and the nature and extent of their health care. Two hundred sixteen Kabuki performers voluntarily completed an anonymous three-page survey addressing their health issues. Thirty-eight percent of the actors reported a history of at least one significant medical condition, and 88% of them identified at least one musculoskeletal or nonmusculoskeletal problem associated with performance. Sixty-nine percent of the performers had visited a physician over the preceding year, and

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11

Kondratenko, I. V., E. N. Suspitsin, S. S. Vakhlyarskaya, A. A. Bologov, and E. N. Imyanitov. "Kabuki syndrome." Voprosy gematologii/onkologii i immunopatologii v pediatrii 16, no. 4 (2017): 75–83. http://dx.doi.org/10.24287/1726-1708-2017-16-4-75-83.

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12

Olney, Ann Haskins, G. Bradley Schaefer, and Peg Kolodziej. "Kabuki Syndrome." Ear, Nose & Throat Journal 77, no. 9 (1998): 734. http://dx.doi.org/10.1177/014556139807700909.

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13

McVeigh, Terri P., Siddharth Banka, and William Reardon. "Kabuki syndrome." Clinical Dysmorphology 24, no. 4 (2015): 135–39. http://dx.doi.org/10.1097/mcd.0000000000000092.

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14

Parker, Patricia L., Sawako Ariyoshi, and James R. Brandon. "Kabuki Dancer." World Literature Today 69, no. 2 (1995): 437. http://dx.doi.org/10.2307/40151356.

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15

Thornbury, Barbara E., Ariyoshi Sawako, and James R. Brandon. "Kabuki Dancer." Asian Theatre Journal 13, no. 1 (1996): 128. http://dx.doi.org/10.2307/1124308.

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16

Ogata, Takashi. "The Narrative Generation of Kabuki." Impact 2020, no. 8 (2020): 68–70. http://dx.doi.org/10.21820/23987073.2020.8.68.

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Japan has a long history of unique artistic expression which has created highly defined genres and styles. This formalisation and tradition have allowed Japan to be home to some of the oldest performing arts, the most famous being Noh and Kabuki. Kabuki, a form of dance-drama, is 400 years old and academics at Iwate Prefectural University are now examining the narrative structures underpinning Kabuki using novel AI techniques

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17

Kovalchuk, Olena, and Daryna Bogdan. "SCENOGRAPHY AND COSTUME IN JAPANESE KABUKI THEATER: TRADITIONS AND MODERNITY." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 30 (December 9, 2021): 45–51. http://dx.doi.org/10.33838/naoma.30.2021.45-51.

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Abstract. The article explores the history of traditional Japanese Kabuki theater, the stages of its formation and the basic principles of dramaturgy in retrospective and in modern times, the role and symbolic value of costumes, as well as the general features of theater performances. The modern trends of the theater were analyzed and issues of the space of its scene were investigated. Obvious conservatism of kabuki and its fundamental dissimilarity to the theater of the European model were noted. The process of evolution of the Kabuki theater was studied, which responding to the challenges of

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18

Sá, Michele Eduarda Brasil de. "Teatro Kabuki: das origens à contemporaneidade." Estudos Japoneses, no. 38 (August 9, 2017): 97–108. http://dx.doi.org/10.11606/issn.2447-7125.v0i38p97-108.

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Este trabalho objetiva estudar o gênero kabuki, partindo de um panorama histórico para então comentar algumas performances recentes, como a do ator Kirk Nishikawa Dixon no filme curto “The Lion” e o denominado chôkabuki (que significa, literalmente, “super kabuki”), apresentando Konjaku Hana Kurabe Senbonzakura (“A festa das mil cerejeiras de ontem e de hoje”), com Shidô Nakamura e a vocaloid Hatsune Miku, um dos maiores ícones pop da atualidade no Japão. Discorre-se sobre a adaptabilidade do gênero kabuki e as características que permaneceram em meio a tantas mudanças: o papel do ator e sua r

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19

Mhanni, Aizeddin A., and Albert E. Chudley. "Genetic landmarks through philately - Kabuki theater and Kabuki syndrome." Clinical Genetics 56, no. 2 (1999): 116–17. http://dx.doi.org/10.1034/j.1399-0004.1999.560203.x.

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20

Brandon, James R., and Samuel L. Leiter. "New Kabuki Encyclopedia: A Revised Edition of Kabuki Jiten." Asian Theatre Journal 15, no. 2 (1998): 282. http://dx.doi.org/10.2307/1124130.

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21

Usui, Soichiro, Kazumasa Kimura, Shingo Kinoshita, and Kenichi Minami. "A Kabuki and Information Communication Technology Collaboration: Kabuki × ICT." NTT Technical Review 17, no. 1 (2019): 20–27. http://dx.doi.org/10.53829/ntr201901fa5.

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22

Souayeh, Nesrine, Asma MARZOUK, Nour Jelalia, et al. "Case Report: Pre- and post-natal evolution of Kabuki Syndrome due to a novel genetic mutation." F1000Research 13 (April 26, 2024): 406. http://dx.doi.org/10.12688/f1000research.144099.1.

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Kabuki syndrome is a rare condition characterized by intellectual disability, poly-malformative syndrome, and distinctive facial dysmorphia. It also exhibits clinical and biological heterogeneity, with rare and diverse symptoms. Genetic analysis plays a significant role in both positive diagnosis and prognosis. Recently, whole exome sequencing has identified several genes responsible for the disease, notably KMT2D and KDM6A. Studying new mutations in this disease will contribute to understanding the role of these genes in the pathogenesis of Kabuki syndrome. We report a case of a 9-and-a-half-

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23

J Stanley, Jeffrey. "Otolaryngologic Manifestations of Kabuki Syndrome." Otolaryngology, Head and Neck Surgery 8, no. 2 (2022): 1–2. http://dx.doi.org/10.24966/ohns-010x/100072.

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Kabuki syndrome is a genetic disorder first described in Japan in the 1980s. It was so named because characteristic facial features of the disorder were thought to resemble the facial features and makeup of actors in the Kabuki Theater.

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24

Hernández-Woodbine, María José, Daniel Sebastián Del Castillo-Rix, and Ingrid Carolina Baquero-Mejía. "Reporte de una nueva mutación en Colombia: un paciente con síndrome de Kabuki." Iatreia 33, no. 1 (2019): 78–83. http://dx.doi.org/10.17533/udea.iatreia.38.

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Introducción: el síndrome de Kabuki es un desorden pediátrico congénito de origen genético. Los pacientes presentan anormalidades morfológicas como paladar hendido, globos oculares prominentes, eversión del tercio externo del párpado inferior, persistencia de cojinetes dactilares y anormalidades vertebrales. La mayoría cursan con dificultad del aprendizaje.Objetivo: reportar un caso pediátrico de síndrome de Kabuki y fomentar el reconocimiento del fenotipo asociado para facilitar su diagnóstico oportuno.Caso clínico: paciente masculino de 9 años con características clínicas y diagnóstico genét

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25

Siegel, Marcia B. "Kabuki for Beginners." Hudson Review 38, no. 4 (1986): 637. http://dx.doi.org/10.2307/3851567.

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26

Bögershausen, N., and B. Wollnik. "Unmasking Kabuki syndrome." Clinical Genetics 83, no. 3 (2013): 201–11. http://dx.doi.org/10.1111/cge.12051.

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27

Bokinni, Yemisi. "Kabuki syndrome revisited." Journal of Human Genetics 57, no. 4 (2012): 223–27. http://dx.doi.org/10.1038/jhg.2012.28.

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28

Suarez Guerrero, J. L., A. A. Ordónez Suarez, and G. A. Contreras García. "Síndrome de Kabuki." Anales de Pediatría 77, no. 1 (2012): 51–56. http://dx.doi.org/10.1016/j.anpedi.2012.01.016.

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29

Sang-il, Rhie, and Han Sang-chul. "Kabuki in Korea." Asian Theatre Journal 7, no. 1 (1990): 105. http://dx.doi.org/10.2307/1124039.

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30

Ariyoshi, Sawako, and James R. Brandon. "From Kabuki Dancer." Asian Theatre Journal 11, no. 2 (1994): 290. http://dx.doi.org/10.2307/1124235.

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31

Banu, Georges. "Gesamtkunstwerk and Kabuki." Contemporary Theatre Review 1, no. 2 (1994): 55–65. http://dx.doi.org/10.1080/10486809408568265.

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32

Lintas, C., and A. M. Persico. "Unraveling molecular pathways shared by Kabuki and Kabuki-like syndromes." Clinical Genetics 94, no. 3-4 (2017): 283–95. http://dx.doi.org/10.1111/cge.12983.

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33

Gao, Yang. "Misinterpretation and Misplacement in Intercultural Theatrical Communications between China and Japan: Ichikawa Sadanji’s and Morita Kanya’s Kabuki Tours in 1920s China." New Theatre Quarterly 40, no. 3 (2024): 210–25. http://dx.doi.org/10.1017/s0266464x24000162.

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In the 1920s, Ichikawa Sadanji and Morita Kanya conducted two rounds of kabuki tours in China, which clearly revealed the mechanism of misinterpretation and misplacement in the (re)construction of the cultural identities of Chinese and Japanese theatre. Both had been modelled upon each other in the context of intercultural communications in the early twentieth century. Some Chinese theatre critics indicated that Chinese xiqu should absorb the values of modernity identified by them in the Morita troupe’s kabuki performances. In contrast, Ichikawa Sadanji’s tours in Northeast China and his subse

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34

Tian, Min. "How Does the Billy-Goat Produce Milk? Sergei Eisenstein's Reconstitution of Kabuki Theatre." New Theatre Quarterly 32, no. 4 (2016): 318–32. http://dx.doi.org/10.1017/s0266464x16000403.

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Through a close examination of Eisenstein's writings on the Kabuki theatre, Min Tian demonstrates in this article that Eisenstein's interpretation of Kabuki from the perspective of his theory displaced the techniques and principles of Kabuki theatre from its historical and aesthetic contexts. Predicated upon his ‘montage thinking’, Eisenstein reconstituted the techniques and principles integral to Kabuki as an organic whole in the context of his evolving and synthesizing theory. Min Tian has a PhD in theatre history from the University of Illinois at Urbana-Champaign and a doctorate at the Cen

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35

Shen, Grant Guangren. "Zaju and Kabuki in English: Directing in the Classical Styles." TDR/The Drama Review 45, no. 3 (2001): 134–48. http://dx.doi.org/10.1162/10542040152587169.

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Zaju, a Chinese theatre genre, has not been staged for 500 years. Kabuki has never been performed in English in Asia. In Singapore, a vigorously multicultural city, Shen directed English-language productions of zaju and kabuki. Are such productions “authentic”? What does authentic mean these days?

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36

Lastivka, I. V., V. V. Antsupva, A. H. Babintseva, M. D. Unhurian, and I. A. Ushko. "MOLECULAR-GENETIC ASPECTS OF KABUKI MAKEUP SYNDROME. Review." Medical Science of Ukraine (MSU) 17, no. 3 (2021): 93–97. http://dx.doi.org/10.32345/2664-4738.3.2021.10.

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Relevance. Kabuki Makeup Syndrome (KS) is a rare monogenic genetic disease characterized by multiple malformations. The phenotype includes specific facial features, skeletal and dermatoglyphic abnormalities, mental retardation, short stature. Most cases are associated with de novo mutations in the KMT2D and KMD6A genes. However, in 25% of patients with KS, the genetic basis remains unknown, which indicates the genetic heterogeneity of the disease and encourages further accumulation of clinical experience in KS. The article summarizes current data on the molecular geneticі aspects of the develo

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37

Barbosa-Lima, Ricardo, Amanda Lopes, Juliely N. F. De Moura, Sabrina N. Ribeiro, and Matheus S. N. T. Cardoso. "Dental Findings in Kabuki Syndrome: A Systematic Review for Dentistry." Odovtos - International Journal of Dental Sciences 22, no. 2 (2020): 61–69. http://dx.doi.org/10.15517/ijds.2020.40798.

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Kabuki syndrome consists in a series of congenital anomalies involving intellectual disability, hypotonia, and facial and body dysmorphism. In addition to these cardinal signs, craniofacial and dental changes are frequently observed, although they are not fully understood. Thus, the aim of this article is to present the dental findings in patients with Kabuki syndrome. This is a systematic review developed according to the PRISMA protocol. A search strategy with descriptors ("kabuki syndrome" AND "dentistry") was applied to six databases. As inclusion criteria, we selected clinical case report

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38

Canan Seziş, Selen, Mehmet Faruk Baş, and Sabiha Güngör Kobat. "A Kabuki syndrome presenting with strabismus: case report." Archives of Ophthalmological Research 1, no. 2 (2024): 29–30. http://dx.doi.org/10.51271/aor-0009.

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Kabuki syndrome affects many systems and is characterized by a typical facial appearance and is a genetically inherited disease. Ophthalmological involvement is quite common and can be diagnostic. In this article, we aimed to present the ophthalmological findings of our patient with Kabuki syndrome, who was diagnosed and treated based on ophthalmological findings.

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39

Teixeira, Camila Santos, Claudia Renata Leite Silva, Rachel Sayuri Honjo, Débora Romeo Bertola, Lílian Maria José Albano, and Chong Ae Kim. "Dental Evaluation of Kabuki Syndrome Patients." Cleft Palate-Craniofacial Journal 46, no. 6 (2009): 668–73. http://dx.doi.org/10.1597/08-077.1.

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Kabuki syndrome is a genetic disorder of unknown etiology characterized by mental retardation, growth deficiency, and peculiar face (i.e., long palpebral fissures, eversion of the lateral third of the lower eyelids, prominent ears, and broad and depressed nasal tip). Oral manifestations commonly observed in Kabuki syndrome may comprise cleft lip/palate, bifid tongue and uvula, malocclusion, and dental abnormalities. We evaluated the dental findings of eight patients with Kabuki syndrome. One presented cleft palate; three presented caries; and seven had missing teeth, with the upper lateral inc

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40

Osorio Alarcón, Carlos, Diego Olaya Mantilla, Carlos Silvera Redondo, and Pilar Garavito Galofre. "Kabuki Syndrome: A case report and literature review." Salud Uninorte 32, no. 3 (2021): 565–75. http://dx.doi.org/10.14482/sun.32.3.9754.

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El síndrome de Kabuki (SK) es una patología muy rara la cual fue descrita por primera vez en 1981 por Niikawa y Kuroki en Japón. Se han publicado cerca de 400 casos a nivel mundial. En Colombia se conocen cinco casos diagnosticados y publicados con lo que nuestro caso a presentar sería el sexto en nuestro país. Presentamos la descripción del caso de una paciente de 2 años y 6 meses con rasgos dismórficos compatibles con síndrome de Kabuki. Examen físico: fisuras palpebrales elongadas, eversión del tercio lateral párpado inferior, cejas arqueadas con tercio lateral más despoblado, puente nasal

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41

Tuna, EB, G. Marşan, K. Gençay, and F. Seymen. "Craniofacial and Dental Characteristics of Kabuki Syndrome: Nine Years Cephalometric Follow-Up." Journal of Clinical Pediatric Dentistry 36, no. 4 (2012): 393–400. http://dx.doi.org/10.17796/jcpd.36.4.u021164272805116.

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Objective: Kabuki syndrome is a rare autosomal dominant trait with variable clinical expression. Common dental manifestations of Kabuki syndrome are high-arched palate, micrognathia, malocclusion, microdontia, small dental arches, hypodontia, severe maxillary recession and mid-facial hypoplasia. Study design: This report includes the oral manifestations of a Turkish patient with Kabuki syndrome with consideration of the long-term craniofacial prognosis for this patient based on the physical, clinical and radiological findings in 9 years follow-up period. General appearance of the patient was c

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42

Nosek-Wasilewska, Paulina, Aldona Ploszka, Marcin Tkaczyk, and Jacek Rubik. "Phenotypic anomalies in Kabuki syndrome and their implications – an analysis of two cases in the light of scientific literature." Pediatria i Medycyna Rodzinna 19, no. 3 (2023): 237–43. http://dx.doi.org/10.15557/pimr.2023.0040.

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Kabuki syndrome (KS1: OMIM 147920, KS2: OMIM 300867) is a rare disorder characterised by dysmorphic face and limbs, microcephaly, short stature, and concomitant multiorgan congenital defects. The prevalence is estimated at 1:32,000–86,000 live births. Most patients are also diagnosed with mild to moderate intellectual disability. Molecular diagnosis includes an analysis for the two most common mutations in KMT2D (KS1), also known as MML2, and KDM6A (KS2) genes. Children diagnosed with Kabuki syndrome require multidisciplinary care. This paper presents detailed case reports of two children diag

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43

Struzik, Małgorzata, and Marta Gawlik. "The role of the nursing team in the care of patients with Kabuki syndrome." Medical Science Pulse 12, no. 3 (2018): 36–41. http://dx.doi.org/10.5604/01.3001.0012.5180.

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Background: Kabuki syndrome is a rare genetic condition characterised by pathological changes within all the systems of the body, but with variable gene expression. All the patients described in the literature so far have specific facial features resembling the masks of actors from the Japanese Kabuki Theatre and mild to moderate mental impairment. Diagnosis is made based by genetic testing for mutations of the KMT2D and KDM6A genes. Therapy is mainly based on symptomatic alleviation of the effects of mutation, rehabilitation and improvement of the quality of patients’ life. Then prognosis of

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44

Lee, Chung-Lin, Chih-Kuang Chuang, Ming-Ren Chen, et al. "Illuminating the Genetic Basis of Congenital Heart Disease in Patients with Kabuki Syndrome." Diagnostics 14, no. 8 (2024): 846. http://dx.doi.org/10.3390/diagnostics14080846.

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Congenital heart defects (CHDs) affect a substantial proportion of patients with Kabuki syndrome. However, the prevalence and type of CHD and the genotype–phenotype correlations in Asian populations are not fully elucidated. This study performed a retrospective analysis of 23 Taiwanese patients with molecularly confirmed Kabuki syndrome. Twenty-two patients presented with pathogenic variants in the KMT2D gene. Comprehensive clinical assessments were performed. A literature review was conducted to summarize the spectrum of CHDs in patients with Kabuki syndrome. In total, 16 (73.9%) of 22 patien

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Antononoka, Olga. "Undermining the gendered genre: Kabuki in manga." Mutual Images Journal, no. 10 (December 20, 2021): 109–34. http://dx.doi.org/10.32926/2021.10.ant.under.

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According to Jaqueline Berndt, Thomas LaMarre, and other critics, manga is a highly participatory media form. Narratives with vibrant characters and creative inconsistences in the plotline encourage the reader to recontextualise the text, create new contents and unfold activities which go beyond reading (such as fan art and CosPlay). Recent popularity of manga about Japanese traditional arts – for example, Kabuki – further expanded the potential interaction with manga and other popular media to include (re)discovering traditional Japanese culture. Examples, such as Kabukumon by Tanaka Akio and

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Schwenty-Lara, Janina, Denise Nehl, and Annette Borchers. "The histone methyltransferase KMT2D, mutated in Kabuki syndrome patients, is required for neural crest cell formation and migration." Human Molecular Genetics 29, no. 2 (2019): 305–19. http://dx.doi.org/10.1093/hmg/ddz284.

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Abstract Kabuki syndrome is an autosomal dominant developmental disorder with high similarities to CHARGE syndrome. It is characterized by a typical facial gestalt in combination with short stature, intellectual disability, skeletal findings and additional features like cardiac and urogenital malformations, cleft palate, hearing loss and ophthalmological anomalies. The major cause of Kabuki syndrome are mutations in KMT2D, a gene encoding a histone H3 lysine 4 (H3K4) methyltransferase belonging to the group of chromatin modifiers. Here we provide evidence that Kabuki syndrome is a neurocrestop

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Dolgopolov, I. S., L. Yu Grivtsova, O. K. Ustinova, and M. Yu Rykov. "Primary immunodeficiency in a patient with Kabuki syndrome." Rossiyskiy Vestnik Perinatologii i Pediatrii (Russian Bulletin of Perinatology and Pediatrics) 67, no. 6 (2023): 104–12. http://dx.doi.org/10.21508/1027-4065-2022-67-6-104-112.

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Kabuki syndrome is a well-known disease characterized by postnatal growth failure, dysmorphic facial features, skeletal abnormalities, and mental retardation associated with one of the pathogenic mutations in the KMT2D or KDM6A genes. At least 50% of individuals with Kabuki syndrome tend to develop recurrent infections and immune abnormalities, primarily hypogammaglobulinemia. The article describes the clinical course of resistant infectious syndrome in an 18-month-old child without typical dysmorphic and dermatoglyphic manifestations characteristic of Kabuki syndrome. A long history of resist

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Kitamura, Yukiko. "L’exotisme justifié ou la venue du kabuki en Union Soviétique en 1928." Slavica Occitania 33, no. 1 (2011): 215–54. https://doi.org/10.3406/slaoc.2011.1664.

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Exoticism justified or the kabuki tour of the USSR in 1928 Japanese theatre gave rise to a craze in Russia as well as in other European countries at the end of 19th century. Nevertheless, it was only in 1928, during the noteworthy kabuki tour in Moscow and Leningrad, that, for the first time, it was possible to see a genuine performance of Japanese theatre on a European stage. The present article, which relies mainly on archives and publications in Japanese and Russian newspapers and journals of the period, goes back over the negotiations between the Kremlin, the Soviet Embassy in Tokyo and th

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Martínez-Lage, Juan F., Matías Felipe-Murcia, Encarna Guillén Navarro, María-José Almagro, Antonio López López-Guerrero, and Miguel A. Pérez-Espejo. "Craniosynostosis in Kabuki syndrome." Journal of Neurosurgery: Pediatrics 6, no. 2 (2010): 198–201. http://dx.doi.org/10.3171/2010.5.peds09286.

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Niikawa-Kuroki, or Kabuki syndrome (KS), is characterized by distinctive facial features, skeletal anomalies, persisting fingertip pads with dermatoglyphic abnormalities, short stature, and mental retardation. Neurological manifestations and CNS anomalies have been described in some patients with this condition. However, craniosynostosis has been documented in only 4 patients with KS who did not undergo operations. The authors report a case of KS with unicoronal synostosis that constitutes the first documented instance of a patient with this syndrome submitted to surgery. Previous reported ins

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Sakai, Takashi. "Onnagata, Grotesque Beauty, and Aging: Reading Tennessee Williams’s Kabuki-Inspired Plays." Modern Drama 66, no. 1 (2023): 26–47. http://dx.doi.org/10.3138/md-66-1-1168.

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This article examines Tennessee Williams’s kabuki-inspired plays, which were written after his first trip to Japan in 1959. I focus on And Tell Sad Stories of the Deaths of Queens… (1957–70), which Williams began writing in 1957 but completed after his trip to Japan, and the 1964 version of The Milk Train Doesn’t Stop Here Anymore, a play that Williams rewrote several times from 1962 to 1964. In so doing, I demonstrate how Williams used and modified kabuki traditions under the guidance of his Japanese friend, the acclaimed novelist and playwright Yukio Mishima. In And Tell Sad Stories of the D

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