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1

Hibberd, John, Ronald Speirs, and Beatrice Sandberg. "Franz Kafka." Modern Language Review 94, no. 4 (1999): 1156. http://dx.doi.org/10.2307/3737315.

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2

Steiner, Carl, and Richard H. Lawson. "Franz Kafka." German Studies Review 11, no. 1 (1988): 153. http://dx.doi.org/10.2307/1430861.

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3

Ferreira, Rafael Leopoldo Antonio dos Santos. "Franz Kafka." (Des)troços: revista de pensamento radical 2, no. 1 (2021): 178–88. http://dx.doi.org/10.53981/destroos.v2i1.35060.

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O presente ensaio procura se aproximar da zooliteratura de Franz Kafka para caracterizarmos o que chamamos de subjetividades desérticas. Com a noção de subjetividades desérticas procuramos enfatizar a construção da subjetividade como algo permanentemente instável como uma miragem no deserto. Esta instabilidade ontológica tão móvel quanto andar com os pés na areia se caracteriza pela forma-plástica e a forma-morte. Nesse sentido, Kafka nos ajuda a adentrar nessa instabilidade com seus personagens, seja um homem que um dia acorda um inseto, ou ainda, um macaco que se transforma em um homem.
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4

Neuse, Werner. "Franz Kafka [1935]." World Literature Today 63, no. 2 (1989): 184. http://dx.doi.org/10.2307/40144807.

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5

Sperber, George Bernard. "Franz Kafka: Raízes." Pandaemonium Germanicum, no. 1 (November 5, 1997): 27. http://dx.doi.org/10.11606/1982-8837.pg.1997.62707.

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Der Text versucht den Wurzeln des Schaffens Franz Kafkas nachzugehen, und sucht diese in verschiedenen, konzentrischen und exzentrischen Kreisen. Ein erster un enger Kreis ist der der Familie Kafkas, mit der vorherrschenden Figur des autoritären Vaters. Ein zweiter und weiterer Kreis ist der des Prager Judentums, mit dem ihm auferlegten Außenseitertum, das auch den dritten und noch breiteren Kreis bedingt, und zwar den der deutschsprachigen Bevölkerung Prags am Anfang des Jahrhunderts. Die aus diesen Kreisen sprießenden Wurzeln bedingen das Außenseitertum Kafkas, befähigen ihn aber auch die Ro
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6

Ramos, Juan Antonio, and Mark McCaffrey. "The Metamorphosis (Franz Kafka)." Callaloo 17, no. 2 (1994): 501. http://dx.doi.org/10.2307/2931771.

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7

Kramsch, Claire. "Multilingual, Like Franz Kafka." International Journal of Multilingualism 5, no. 4 (2008): 316. http://dx.doi.org/10.2167/ijm114.0.

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8

Kramsch, Claire. "Multilingual, Like Franz Kafka*." International Journal of Multilingualism 5, no. 4 (2008): 316–32. http://dx.doi.org/10.1080/14790710802152446.

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9

Fabian, George. "Was Franz Kafka Tubercular?" Oxford German Studies 45, no. 4 (2016): 434–43. http://dx.doi.org/10.1080/00787191.2016.1243331.

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10

Shastina, M. V. "Franz Kafka and China." Nauchnyy dialog, no. 2 (2017): 148–59. http://dx.doi.org/10.24224/2227-1295-2017-2-148-159.

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11

Thompson, Marvin, and Frederick R. Karl. "Franz Kafka: Representative Man." World Literature Today 66, no. 2 (1992): 339. http://dx.doi.org/10.2307/40148212.

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12

Taylor, Dan. "Franz Kafka, subversive dreamer." Journal of Modern Jewish Studies 18, no. 2 (2019): 255–56. http://dx.doi.org/10.1080/14725886.2019.1597494.

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13

Beveridge, Allan. "Metamorphosis by Franz Kafka." Advances in Psychiatric Treatment 15, no. 6 (2009): 459–61. http://dx.doi.org/10.1192/apt.bp.109.007146.

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SummaryThis article examines the short story Metamorphosis by the enigmatic Czech writer Franz Kafka, whose work has been the subject of extensive critical discussion. His writings have been seen in the context of existentialism, Jewish mysticism and as a warning of the advent of totalitarianism. Kafka has attracted the attention of psychoanalysts and psychiatrists, who have maintained that his life and work manifest evidence of unresolved Oedipal issues and of schizoid personality. Metamorphosis is open to a multitude of interpretations, but a potentially fruitful approach is to see parallels
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14

Small, Robin. "Franz Kafka at Summerhill." Educational Theory 37, no. 2 (1987): 179–83. http://dx.doi.org/10.1111/j.1741-5446.1987.00179.x.

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15

P.C.-B. "Franz Kafka in Prague." Museum Management and Curatorship 11, no. 1 (1992): 82–83. http://dx.doi.org/10.1016/0964-7775(92)90054-9.

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16

Peter Clar, Peter Clar. "„Bitte betrachten sie mich als einen Traum.“ Sprache und Identität in Hamid Sadrs „Gesprächszettel an Dora“." Studia Germanica Posnaniensia, no. 40 (June 15, 2019): 129–38. http://dx.doi.org/10.14746/sgp.2019.40.11.

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Wie Jacques Derrida u. a. in Die Einsprachigkeit des Anderen oder Die ursprüngliche Prothese zeigt, ist jeder Mensch immer schon mehrsprachig. Wenn wir diesen Zustand der Nicht-Einsprachigkeit als ein allgemein-menschliches Phänomen begreifen, und dazu eignet sich die sogenannte exophone Literatur besonders, dann hilft uns das zu verstehen, dass das Fremd-Sein eines/einer Fremden zu befragen immer zugleich bedeutet, auch unser eigenes Fremd-Sein zu befragen, dann wird die Frage nach dem Fremden zur Frage der eigenen Identität. Um dies zu zeigen, lese ich Hamid Sadrs Gesprächszettel an Dora (19
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17

Carone, Modesto. "O realismo de Franz Kafka." Novos Estudos - CEBRAP, no. 80 (March 2008): 197–203. http://dx.doi.org/10.1590/s0101-33002008000100013.

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Com base no conto "Na galeria", incluído no volume Um médico rural, procura-se mostrar como o realismo se materializa na obra de Franz Kafka. Argumenta-se que a deformação da realidade que pode ser sugerida pela obra do autor obedece a uma percepção aguda do mundo. Kafka mostra, no próprio corpo de obras-primas como esta, as coisas como elas são e as coisas como elas são percebidas pelo olhar alienado.
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18

Brito, Eduardo Manoel de. "Franz Kafka, leitor de Heinrich von Kleist." Pandaemonium Germanicum, no. 11 (November 5, 2007): 37. http://dx.doi.org/10.11606/1982-8837.pg.2007.62069.

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A fortuna crítica sobre Franz Kafka é pródiga em relacionar o modo de o escritor construir sua narrativa e algo dos próprios temas com a produção kleistiana. Como uma forma de refletir sobre isso, atentarei para dois críticos que expuseram aspectos desta relação em solo brasileiro: Otto Maria Carpeaux e Luiz Costa Lima . Distados várias décadas, os dois parecem, contudo, possuir certas linhas de confluência na abordagem kleistiana da obra de Franz Kafka. Após expor aspectos da relação Kleist-Kafka nos recortes da crítica brasileira, buscarei referências a Kleist em textos não literários de Kaf
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19

Dewolf, Linda. "Marcel Lecomte et Franz Kafka." Textyles, no. 52 (January 1, 2018): 65–78. http://dx.doi.org/10.4000/textyles.2806.

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20

Goth, Maja, and Ruth V. Gross. "Critical Essays on Franz Kafka." German Quarterly 66, no. 1 (1993): 118. http://dx.doi.org/10.2307/408534.

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21

Schlant, Ernestine, Hartmut Binder, Brigitte Flach, Hans Helmut Hiebel, Richard Jayne, and Jeong-Suk Kim. "Franz Kafka und der Antisemitismus." German Quarterly 58, no. 3 (1985): 428. http://dx.doi.org/10.2307/406574.

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22

Paskow, Jacqueline Merriam, and Hans H. Hiebel. "Franz Kafka: Form und Bedeutung." German Studies Review 24, no. 3 (2001): 618. http://dx.doi.org/10.2307/1433435.

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23

Tully, Carol, Manfred Engel, and Dieter Lamping. "Franz Kafka und die Weltliteratur." Modern Language Review 103, no. 1 (2008): 287. http://dx.doi.org/10.2307/20467752.

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24

Iranzo, A., A. Stefani, B. Högl, and J. Santamaria. "The insomnia of Franz Kafka." Sleep Medicine 50 (October 2018): 24–28. http://dx.doi.org/10.1016/j.sleep.2018.05.024.

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25

Kohn, Max. "Franz Kafka : Écoutez le yiddish." Figures de la psychanalyse 16, no. 2 (2007): 193. http://dx.doi.org/10.3917/fp.016.0193.

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26

Heidsieck, Arnold, and Paul Heller. "Franz Kafka: Wissenschaft und Wissenschaftskritik." German Quarterly 65, no. 1 (1992): 84. http://dx.doi.org/10.2307/406826.

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27

L�wy, Michael. "Franz Kafka et l�anarchisme." Raison publique N�21, no. 1 (2017): 63. http://dx.doi.org/10.3917/rpub.021.0063.

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28

Zuliani, Diane. "Diane Arbus and Franz Kafka." History of Photography 19, no. 2 (1995): 127–29. http://dx.doi.org/10.1080/03087298.1995.10442409.

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29

Lawson, Richard H., Karl Erich Grozinger, Stephane Moses, and Hans Dieter Zimmermann. "Franz Kafka und das Judentum." German Studies Review 11, no. 3 (1988): 508. http://dx.doi.org/10.2307/1430528.

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30

Breen, Margaret Sönser. "Franz Kafka: The Office Writings." European Legacy 18, no. 5 (2013): 651–52. http://dx.doi.org/10.1080/10848770.2013.804708.

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31

Rizzatti, Luísa, and Cida Golin. "Franz Kafka no cinema animado." Novos Olhares 8, no. 2 (2019): 43–55. http://dx.doi.org/10.11606/issn.2238-7714.no.2019.154512.

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Por meio do diálogo comparado entre audiovisual e literatura, este artigo analisa o conto Um médico rural, de Franz Kafka, e a sua adaptação para o cinema a partir da animação homônima criada pelo japonês Koji Yamamura. O objetivo central é compreender e investigar como as características narrativas e a atmosfera criada no fantástico de Kafka são trabalhadas na animação. Através da análise fílmica, verificamos que os principais recursos utilizados foram as deformações gráficas no desenho das personagens, o exagero nos gestos, a ênfase no modo de se movimentar das figuras, as abruptas mudanças
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32

Verstraet, Antoine. "Les insomnies de Franz Kafka." Savoirs et clinique 25, no. 2 (2019): 53–59. http://dx.doi.org/10.3917/sc.025.0053.

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33

Gray, Richard T., and Rainer J. Kaus. "Erzahlte Psychoanalyse bei Franz Kafka: Die Deutung von Kafkas Erzahlung." German Quarterly 73, no. 3 (2000): 320. http://dx.doi.org/10.2307/3072876.

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34

Egebak, Jørgen. "Kafka-fabrikken." K&K - Kultur og Klasse 32, no. 97 (2004): 126–28. http://dx.doi.org/10.7146/kok.v32i97.21589.

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Maria Luise Caputo-Mayr, Julius Michael Herz (udg.): Franz Kafka. Internationale Bibliographie der Primär- und Sekundärliteratur. Eine Einführung = International Bibliography of Primary and Secondary Literature. An Introduction. 2. erweiterte und überarbeitete Auflage, München 2000 (K.G. Saur). (Bd. 1. Bibliographie der Primärliteratur 1908-1997. XLIX, 213 s. Bd. 2. Bibliographie der Sekundärliteratur 1955-1997. Teil 1: 1955-1980. LIV, 626 s. Teil 2: 1981-1997. s. 627- 1115.)
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35

Zard, Philippe. "Le rire théologique de Franz Kafka." Études françaises 47, no. 2 (2011): 83–99. http://dx.doi.org/10.7202/1005651ar.

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Peut-on rire en lisant Kafka et, si c’est le cas, de quoi rit-on ? Qu’est-ce qui rit en nous alors même que La métamorphose, La colonie pénitentiaire, Le procès ou Le château se sont acquis la réputation de fictions cauchemardesques ? Par réaction contre l’esprit de sérieux qui ramène ses romans à des allégories, certains critiques choisissent de mettre en lumière la force comique de Kafka. On se tromperait cependant en opposant les deux dimensions de l’oeuvre, car l’humour omniprésent n’y est aucunement dissociable de sa portée métaphysique. Le rire de Kafka est, entre autres, le surgeon inat
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36

Kurniawati, Wisma. "Metanarasi dalam Novel Metamorfosa Karya Franz Kafka." Lingua Franca:Jurnal Bahasa, Sastra, dan Pengajarannya 2, no. 2 (2018): 57. http://dx.doi.org/10.30651/lf.v2i2.2206.

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Di era posmodernisme, sastra sering dianggap sebagai pemikiran. Salah satu karya sastra yang mencerminkan pemikiran adalah novel Metamorfosa karya Kafka. Melalui tokoh dan dunia yang ditampilkan, serta penceritaannya, Metamorfosa mampu merefleksikan pemikiran pengarang tentang masalah-masalah sosial, psikologi, dan politik masyarakat yang dipenuhi dengan dominasi dan kekuasaan. Kajian difokuskan pada dua pertanyaan. Pertama, metanarasi apa saja yang tergambar dalam novel Metamorfosa karya Kafka? Kedua, problematika sosial apa yang ditimbulkan dengan adanya metanarasi dalam novel Metamorfosa ka
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37

Maia, Claudia. "Kafka: de menino triste a conhecedor do mundo." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 3, no. 5 (2009): 147–49. http://dx.doi.org/10.17851/1982-3053.3.5.147-149.

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38

Brito, Eduardo Manoel de. "Os leopardos kafkianos de Moacyr Scliar: provocações, ditadura e humor entre dois judeus." O Eixo e a Roda: Revista de Literatura Brasileira 17 (December 31, 2008): 33–44. http://dx.doi.org/10.17851/2358-9787.17.0.33-44.

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A partir do aforismo de Franz Kafka reproduzido por Moacyr Scliar em seu livro Os leopardos de Kafka, propomos uma reflexão sobre violência e humor entre os dois escritores, que têm em comum a origem e a tradição judaica. Primeiramente procuramos estabelecer os pontos de contato entre os escritores Moacyr Scliar e Franz Kafka, para, em seguida, enfocarmos a questão da violência expressa desde o ponto de vista mítico (no aforismo kafkiano) edesde o ponto de vista político (no texto de Scliar). Reflexões tais como os micropoderes (Michel Foucault) e conceitos de violência (Hannah Arendt) fundame
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39

Parvulescu, Anca. "Kafka's Laughter: On Joy and the Kafkaesque." Publications of the Modern Language Association of America 130, no. 5 (2015): 1420–32. http://dx.doi.org/10.1632/pmla.2015.130.5.1420.

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In a letter Franz Kafka wrote to Felice Bauer in January 1913, he describes himself as a “great laugher.” Although Kafka is conventionally associated with anxiety, gloom, even terror, his laughter is joyful.
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40

Löwy, Michael. "Franz Kafka et le socialisme libertaire." L Homme et la société 125, no. 3 (1997): 123–34. http://dx.doi.org/10.3406/homso.1997.2904.

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41

Weinberg, Manfred. "Franz Kafka im (Prager) interkulturellen Kontext." Franz Kafka 41 (June 30, 2019): 173–92. http://dx.doi.org/10.31647/fk.2019.06.41.173.

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42

Mandelbaum, Enrique. "Um fio vermelho em Franz Kafka." Estudos Avançados 21, no. 60 (2007): 315–18. http://dx.doi.org/10.1590/s0103-40142007000200025.

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43

Bancaud, Florence. "Franz Kafka « champion d’une épistolarité désenchantée » ?" Cahiers d’études germaniques 71, no. 71 (2016): 171–82. http://dx.doi.org/10.4000/ceg.698.

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44

Minden, Michael, and Stanley Corngold. "Franz Kafka: The Necessity of Form." Modern Language Review 87, no. 4 (1992): 1041. http://dx.doi.org/10.2307/3731546.

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45

Holub, Robert C., and Stanley Corngold. "Franz Kafka: The Necessity of Form." Comparative Literature 43, no. 1 (1991): 94. http://dx.doi.org/10.2307/1771004.

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46

Taubeneck, Steven, and Stanley Corngold. "Franz Kafka. The Necessity of Form." German Quarterly 63, no. 3/4 (1990): 577. http://dx.doi.org/10.2307/406778.

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47

Greenberg, Valerie D., and Stanley Corngold. "Franz Kafka: The Necessity of Form." South Atlantic Review 55, no. 3 (1990): 131. http://dx.doi.org/10.2307/3200317.

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48

ROCKOFF, ALAN. "Demotion (With Apologies to Franz Kafka)." Skin & Allergy News 38, no. 6 (2007): 17. http://dx.doi.org/10.1016/s0037-6337(07)70415-1.

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49

El Hajj, Murielle. "Lire Franz Kafka pour Leslie Kaplan." French Studies Bulletin 41, no. 156 (2020): 79–84. http://dx.doi.org/10.1093/frebul/ktaa017.

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50

BALCİ, Umut. "PLACE AND ENSTRANGEMENT IN FRANZ KAFKA." Journal of Academic Social Science Studies Volume 5 Issue 3, no. 5 (2012): 35–41. http://dx.doi.org/10.9761/jasss_66.

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