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Relevant bibliographies by topics / Kagura

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Journal articles

Academic literature on the topic 'Kagura'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Kagura"

1

Hrvatin, Klara. "Hozonkai – fenomen ohranjanja ljudske glasbe in uprizoritvenih umetnosti na Japonskem: primer združenja Kokiriko uta hozonkai." Asian Studies 8, no. 1 (2020): 211–36. http://dx.doi.org/10.4312/as.2020.8.1.211-236.

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Članek proučuje fenomen združenj hozonkai za ohranjanje ljudskih pesmi oz. ljudskih uprizoritvenih umetnosti, ki si prizadevajo ohraniti in prenašati japonske ljudske pesmi v »avtentični«, nespremenjeni obliki. Kot primer enega takšnih združenj in njegovega ravnanja z ljudskim glasbenim izročilom avtorica obravnava organizacijo in trenutne dejavnosti združenja Kokiriko uta hozonkai – ustanovljenega leta 1951 in zadolženega za ohranjanje in prenos plesne pesmi Kagura mai.Ob upoštevanju Hughesovih splošnih značilnosti združenj kot osnove avtorica poudari skupne značilnosti, ki jih Kokiriko uta h

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2

Averbuch, Irit. "Reflections of Buddhist Thought in Kagura Dance, Song, and Structure." Journal of Religion in Japan 2, no. 2-3 (2013): 244–75. http://dx.doi.org/10.1163/22118349-12341259.

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Abstract The influence of Buddhist thought, cosmologies and practices on the formation of folk kagura and other minzoku geinō (folk performing arts) forms in medieval Japan is widely recognized. The Buddhist worldview was often spread through the ritual performing arts of the yamabushi (Shugendō practitioners) of medieval times. Today the evidence for such influences is relatively obscure, due to the impact of Shintō policies since the nineteenth century. However, traces of Buddhist cosmologies, ideas and practices can still be found, to a greater or lesser degree, in most forms of kagura. Suc

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3

Sakurai, Takuya. "Communicating about Communicating with Kami (Deities): An Ethnographic Study of WASHINOMIYA SAIBARA KAGURA." Journal of Communication and Religion 37, no. 3 (2014): 83–99. http://dx.doi.org/10.5840/jcr201437321.

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Kagura is one of the oldest forms of Shinto folk performing arts in Japan. Performed as part of local religious festivals, it is considered to be a means of communicating with kami (deities). This article offers an ethnographic study of WASHINOMIYA SAIBARA KAGURA to explore the communicative dimensions of Shinto. The purpose is twofold: (a) to seek religious conditions that allow the Japanese to communicate about kami; and (b) to add an East Asian cultural insight into our understanding of intercultural communication and religion. The study demonstrates the ways the members of the kagura group

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4

Serang, Manuela Bernarda, and Nunuk Endah Srimulyani. "The Continuity Of Shinto Theatrical Dance in Aging Society Era: Case Study Of Kagura Dance Revitalization in Matsumae City Hokkaido." KIRYOKU 8, no. 1 (2024): 157–61. http://dx.doi.org/10.14710/kiryoku.v8i1.157-161.

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The Kagura dance is a sacred, theatrical dance to entertain the Shinto gods. In several areas, including the city of Matsumae, Hokkaido island, this dance is threatened with extinction due to a lack of the next generation. Using an ethnographic approach, this research aims to describe the development of the Kagura dance and efforts to revitalize the dance amidst the aging society phenomenon that has hit Japan. The data collection techniques used were observation and in-depth interviews. Researchers observed the preparation process for the dance festival for six months and conducted interviews

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5

Miyauchi, Hajime, Junko Kawanaka, and Yoshiko Kurisu. "Iwami-kagura Robot Performance Contest." IEEJ Transactions on Fundamentals and Materials 135, no. 7 (2015): 403–8. http://dx.doi.org/10.1541/ieejfms.135.403.

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6

Suzuki, Masataka. "Kumano Beliefs and Yudate Kagura Performance." Cahiers d'Extrême-Asie 18, no. 1 (2009): 195–222. http://dx.doi.org/10.3406/asie.2009.1337.

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7

MORIMURA, Shigeru, Fumio TASHIRO, and Yoshio UENO. "Establishment and characterization of cell lines (Kagura-1 and Kagura-2) from aflatoxin B1-induced rat hepatoma." CHEMICAL & PHARMACEUTICAL BULLETIN 38, no. 2 (1990): 460–63. http://dx.doi.org/10.1248/cpb.38.460.

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8

Lancashire, Terence. ""Kagura" - A "Shinto" Dance? Or Perhaps Not." Asian Music 33, no. 1 (2001): 25. http://dx.doi.org/10.2307/834231.

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9

Tarricone, Riccardo. "Kagura, trance sciamanica e teriomorfismo: animali divini alle origini delle arti performative giapponesi." AsiaTeatro 2024, no. 1 (2024): 5–22. http://dx.doi.org/10.55154/uerp2859.

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Vengono presi in esame alcuni aspetti della danza e del teatro giapponesi più facilmente riconducibili alle origini sciamaniche, attraverso riflessioni generali sui significati degli animali divini e della loro presenza all’interno del Kagura.

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10

KASUGAI, Shinei. "Acceptance and Transformation of Indian Elements in Kagura." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 39, no. 1 (1990): 280–82. http://dx.doi.org/10.4259/ibk.39.280.

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