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Journal articles on the topic 'Kagura'

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1

Hrvatin, Klara. "Hozonkai – fenomen ohranjanja ljudske glasbe in uprizoritvenih umetnosti na Japonskem: primer združenja Kokiriko uta hozonkai." Asian Studies 8, no. 1 (2020): 211–36. http://dx.doi.org/10.4312/as.2020.8.1.211-236.

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Članek proučuje fenomen združenj hozonkai za ohranjanje ljudskih pesmi oz. ljudskih uprizoritvenih umetnosti, ki si prizadevajo ohraniti in prenašati japonske ljudske pesmi v »avtentični«, nespremenjeni obliki. Kot primer enega takšnih združenj in njegovega ravnanja z ljudskim glasbenim izročilom avtorica obravnava organizacijo in trenutne dejavnosti združenja Kokiriko uta hozonkai – ustanovljenega leta 1951 in zadolženega za ohranjanje in prenos plesne pesmi Kagura mai.Ob upoštevanju Hughesovih splošnih značilnosti združenj kot osnove avtorica poudari skupne značilnosti, ki jih Kokiriko uta h
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Averbuch, Irit. "Reflections of Buddhist Thought in Kagura Dance, Song, and Structure." Journal of Religion in Japan 2, no. 2-3 (2013): 244–75. http://dx.doi.org/10.1163/22118349-12341259.

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Abstract The influence of Buddhist thought, cosmologies and practices on the formation of folk kagura and other minzoku geinō (folk performing arts) forms in medieval Japan is widely recognized. The Buddhist worldview was often spread through the ritual performing arts of the yamabushi (Shugendō practitioners) of medieval times. Today the evidence for such influences is relatively obscure, due to the impact of Shintō policies since the nineteenth century. However, traces of Buddhist cosmologies, ideas and practices can still be found, to a greater or lesser degree, in most forms of kagura. Suc
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Sakurai, Takuya. "Communicating about Communicating with Kami (Deities): An Ethnographic Study of WASHINOMIYA SAIBARA KAGURA." Journal of Communication and Religion 37, no. 3 (2014): 83–99. http://dx.doi.org/10.5840/jcr201437321.

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Kagura is one of the oldest forms of Shinto folk performing arts in Japan. Performed as part of local religious festivals, it is considered to be a means of communicating with kami (deities). This article offers an ethnographic study of WASHINOMIYA SAIBARA KAGURA to explore the communicative dimensions of Shinto. The purpose is twofold: (a) to seek religious conditions that allow the Japanese to communicate about kami; and (b) to add an East Asian cultural insight into our understanding of intercultural communication and religion. The study demonstrates the ways the members of the kagura group
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Serang, Manuela Bernarda, and Nunuk Endah Srimulyani. "The Continuity Of Shinto Theatrical Dance in Aging Society Era: Case Study Of Kagura Dance Revitalization in Matsumae City Hokkaido." KIRYOKU 8, no. 1 (2024): 157–61. http://dx.doi.org/10.14710/kiryoku.v8i1.157-161.

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The Kagura dance is a sacred, theatrical dance to entertain the Shinto gods. In several areas, including the city of Matsumae, Hokkaido island, this dance is threatened with extinction due to a lack of the next generation. Using an ethnographic approach, this research aims to describe the development of the Kagura dance and efforts to revitalize the dance amidst the aging society phenomenon that has hit Japan. The data collection techniques used were observation and in-depth interviews. Researchers observed the preparation process for the dance festival for six months and conducted interviews
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5

Miyauchi, Hajime, Junko Kawanaka, and Yoshiko Kurisu. "Iwami-kagura Robot Performance Contest." IEEJ Transactions on Fundamentals and Materials 135, no. 7 (2015): 403–8. http://dx.doi.org/10.1541/ieejfms.135.403.

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Suzuki, Masataka. "Kumano Beliefs and Yudate Kagura Performance." Cahiers d'Extrême-Asie 18, no. 1 (2009): 195–222. http://dx.doi.org/10.3406/asie.2009.1337.

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MORIMURA, Shigeru, Fumio TASHIRO, and Yoshio UENO. "Establishment and characterization of cell lines (Kagura-1 and Kagura-2) from aflatoxin B1-induced rat hepatoma." CHEMICAL & PHARMACEUTICAL BULLETIN 38, no. 2 (1990): 460–63. http://dx.doi.org/10.1248/cpb.38.460.

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8

Lancashire, Terence. ""Kagura" - A "Shinto" Dance? Or Perhaps Not." Asian Music 33, no. 1 (2001): 25. http://dx.doi.org/10.2307/834231.

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9

Tarricone, Riccardo. "Kagura, trance sciamanica e teriomorfismo: animali divini alle origini delle arti performative giapponesi." AsiaTeatro 2024, no. 1 (2024): 5–22. http://dx.doi.org/10.55154/uerp2859.

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Vengono presi in esame alcuni aspetti della danza e del teatro giapponesi più facilmente riconducibili alle origini sciamaniche, attraverso riflessioni generali sui significati degli animali divini e della loro presenza all’interno del Kagura.
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KASUGAI, Shinei. "Acceptance and Transformation of Indian Elements in Kagura." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 39, no. 1 (1990): 280–82. http://dx.doi.org/10.4259/ibk.39.280.

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Kim, Eun-Jung, and Eun-Young Yoon. "Study on Japanese Kagura Costume Centered on “Nasaengmun”." Journal of Korean Traditional Costume 22, no. 2 (2019): 49–62. http://dx.doi.org/10.16885/jktc.2019.06.22.2.49.

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Fujie, Linda, and Janos Karpati. "Kagura: Japan sinto szertartasok zeneje [Japanese Shinto Ritual Music]." Yearbook for Traditional Music 23 (1991): 158. http://dx.doi.org/10.2307/768421.

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13

Averbuch, Irit. "Shamanic Dance in Japan: The Choreography of Possession in Kagura Performance." Asian Folklore Studies 57, no. 2 (1998): 293. http://dx.doi.org/10.2307/1178756.

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Lancashire, Terence. "Music for the Gods: Musical Transmission and Change in Iwami "Kagura"." Asian Music 29, no. 1 (1997): 87. http://dx.doi.org/10.2307/834412.

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15

János Kárpáti. "Typology of Musical Structures in the Japanese Shintô Ritual Kagura." Asian Music 39, no. 2 (2008): 152–66. http://dx.doi.org/10.1353/amu.0.0003.

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16

Wesołowska, Marta. "Muzyka w Kojiki." Porównania 18 (December 2, 2017): 257–81. http://dx.doi.org/10.14746/p.2016.18.10720.

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Artykuł jest poświęcony opisom muzyki w najstarszym zachowanym do dziś dziele historiograficznym Japonii – kronice Kojiki (Księga dawnych wydarzeń, 712). Autorka omawia kolejno: okoliczności powstania Kojiki (działalność kompilatora Hiedy no Are oraz Urzędu Muzyki Dworskiej – Gagakuryō), charakterystykę wczesnej tradycji muzycznej i widowiskowej w Japonii (kagura, ceremonia przywoływania duszy – chinkon), analizę zawartych w Kojiki pieśni kayō oraz fragmentów narracji poświęconych symbolice najstarszych japońskich instrumentów muzycznych. Analizy wybranych opisów muzycznych dokonano z uwzględn
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Ishii, Tatsuro. "The Festival of the Kasuga Wakamiya Shrine." Theatre Research International 12, no. 2 (1987): 134–47. http://dx.doi.org/10.1017/s030788330001347x.

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Kasuga Wakamiya no On-matsuri (hereafter referred to as On-matsuri) is a giant annual festival which has taken place for almost 850 years. Nara, the first permanent capital of Japan between 710 and 794 A.D., abounds in ancient rituals and festivals even to the present day; On-matsuri is the largest of these, attracting both local people and visitors from throughout Japan. On-matsuri is known particularly for its wealth of ancient Japanese performing arts such as kagura, bugaku, sēnō, dengaku, sarugaku, and nō, as well as for the ritualistic events of Shintoism, the polytheistic religion indige
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18

KASUGAI, Shin'ei. "The Lotus-Treasury World (Padmagarbha-lokadhatu) in the Kagura (Hanamatsuri) of Aichi Prefecture:." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 62, no. 1 (2013): 528–21. http://dx.doi.org/10.4259/ibk.62.1_528.

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19

Nygren, Christina, and Irit Averbuch. "The Gods Come Dancing: A Study of the Japanese Ritual Dance of Yamabushi Kagura." Asian Folklore Studies 56, no. 2 (1997): 408. http://dx.doi.org/10.2307/1178734.

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20

Horiuchi, Shiro, and Mari Morino. "How Local Cultures Contribute to Local Communities? Case Studies of Japanese Spirits Dance “Kagura‟." International Journal of Social Science and Humanity 5, no. 1 (2015): 58–62. http://dx.doi.org/10.7763/ijssh.2015.v5.422.

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21

Mira, Joao, and Irit Averbuch. "The Gods Come Dancing: A Study of the Japanese Ritual Dance of Yamabushi Kagura." Monumenta Nipponica 52, no. 1 (1997): 141. http://dx.doi.org/10.2307/2385500.

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22

Thornbury, Barbara E. "Kagura, Chaban, and the Awaji Puppet Theatre: A Literary View of Japan's Performing Arts." Theatre Survey 35, no. 1 (1994): 55–64. http://dx.doi.org/10.1017/s0040557400002556.

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“That night, a blind singer recited a Michinoku ballad to the accompaniment of his lute. He performed not far from where I was trying to sleep, and I found his loud, countrified falsetto rather noisy … But then I realized how admirable it was that the fine old customs were still preserved in that distant land.” In writing The Narrow Road of the Interior (Oku no hosomichi, ca. 1694), from which these lines are taken, the poet Bashō (1644–94) recalled a trip he had taken a few years earlier through Japan's northeast—what he referred to as “that distant land.” In the work Bashō reflects on the pa
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Thornbury, Barbara E., and Irit Averbuch. "The Gods Come Dancing: A Study of the Japanese Ritual Dance of Yamabushi Kagura." Asian Theatre Journal 14, no. 1 (1997): 146. http://dx.doi.org/10.2307/1124091.

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24

Klien, Susanne. "Demographic Change in Contemporary Rural Japan and Its Impact on Ritual Practices." Journal of Religion in Japan 9, no. 1-3 (2020): 248–76. http://dx.doi.org/10.1163/22118349-00901008.

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Abstract Contemporary rural Japan is characterized by depopulation, reflected by the large number of aging residents, abandoned houses and shops (akiya 空家) and an increased number of “hamlets at the margin” (Ono 2005), i.e. hamlets with more than 50 % of residents over 65 years old. As a result, many ritual festivities including matsuri 祭 (festivals) of various kinds face challenges in securing practitioners. This study explores the impact of demographic change on selected ritual practices in Niigata Prefecture, drawing on extensive ethnographic fieldwork conducted in 2007–2009 and 2018. With
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NISHIMURA, Hiroki, Aki HOSOYA, Tohru MATSUMOTO, et al. "Growth regulation of Kagura-2 cells established from aflatoxin B1-induced rat hepatocellular carcinoma by glucocorticoid." Mycotoxins 1992, no. 35 (1992): 29–35. http://dx.doi.org/10.2520/myco1975.1992.29.

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Lortat-Jacob, Bernard, and Daniele Sestili. "La voce degli dèi [la voix des dieux], Musica e religione nel rito giapponese del kagura." Cahiers de musiques traditionnelles 14 (2001): 328. http://dx.doi.org/10.2307/40240425.

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27

Sari, Herlina Sunarti, Ni Luh Suparwati, M. Egi Wardana, Rima Novita. "IDENTIFICATION OF MIKO IN JAPAN: RELIGIOUS AND CHANGING ROLES AS A PART-TIMER EMPLOYEE." AKSARABACA Jurnal Bahasa, Sastra, dan Budaya 3, no. 1 (2024): 410–17. http://dx.doi.org/10.47313/aksarabaca.v3i1.1413.

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ABSTRACTMiko is a young woman thought to have power and function as an intermediary to connect with God. Folklorists for Japanese culture split this word into two groups: shrine-bound Miko or Kannagi Miko and shrine-not-bound Miko or Kuchiyose Miko. The shrine-bound Miko is responsible for performing kagura dance, which is the popular Shinto’s rite until now. This research will identify Miko in Japan and their responsibilities in religion. Religion that describes will follow Shomin Shinko or Shinto in particular. The study employed a qualitative approached with descriptive analysis. Based on t
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28

Lancashire, Terence. "From Spirit Possession to Ritual Theatre—A Potential Scenario for the Development of Japanese Kagura." Yearbook for Traditional Music 36 (2004): 90–108. http://dx.doi.org/10.1017/s0740155800020476.

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The Japanese goddess Arne no Uzume no Mikoto bound up her sleeves with a chord of heavenly pi-kage vine, tied around her head a head-band of the heavenly masaki vine, bound together bundles of sasa leaves to hold in her hands, and overturning a bucket before the heavenly rock-cave door, stamped resoundingly upon it. Then she became divinely possessed, exposed her breasts, and pushed her skirt-band down to her genitals. (Philippi 1968:84)This description of the possession dance of the goddess Ame no Uzume no Mikoto in the eighth century Kojiki (Record of Ancient Matters) A.D. 712, to entice the
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TASHIRO, F., S. MORIMURA, K. HAYASHI, et al. "Expression of proto-oncogenes in afatoxin B1-induced rat hepatocellular carcinomas and cultured cell line, Kagura-1." Mycotoxins 1986, no. 23 (1986): 29–33. http://dx.doi.org/10.2520/myco1975.1986.29.

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IIDA, Naoyuki, Ayano MURAKAMI, Toshiki MIYAZAKI, Koichiro OHTSUBO, Mutsuyuki KOCHI, and Fumio TASHIRO. "Analysis of cell death induced by sodium 5, 6-benzylidene-ascorbate in rat hepatoma Kagura-2 cells." Mycotoxins 1996, no. 42 (1996): 35–49. http://dx.doi.org/10.2520/myco1975.1996.35.

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Rambelli, Fabio. "Gagaku in Medieval Japanese Religion." Religions 13, no. 7 (2022): 582. http://dx.doi.org/10.3390/rel13070582.

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Contrary to the widespread assumption in the study of Japanese religions that Kagura is historically the main genre of performing arts at Shintō festivals, something dating back to the beginning of Japanese history, in this article I focus instead on Gagaku (and its Bugaku dance repertory) as a central component of rituals, ceremonies, and festivals not only at the imperial court but also and especially at many temples and shrines across the country. While Gagaku and Bugaku were deeply rooted in the Kansai area, with guilds of hereditary professional musicians affiliated with, respectively, th
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TAKAMICHI, Masashi. "THE FORMATION AND TRANSFORMATION OF KAGURA-KASHI AND ICHIBEI-KASHI ON THE KANDA RIVER IN THE MEIJI ERA." Journal of Architecture and Planning (Transactions of AIJ) 80, no. 712 (2015): 1483–92. http://dx.doi.org/10.3130/aija.80.1483.

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HIRANO, Naomitsu, Eriko TANAKA, Kotaro AKAOGI, and Fumio TASHIRO. "Characterization of neuronal differentiation factor(s) produced by Kagura-2 cells established from aflatoxin B1-induced rat hepatoma." Mycotoxins 1990, no. 32 (1990): 47–49. http://dx.doi.org/10.2520/myco1975.1990.32_47.

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Horiuchi, Shiro. "Community Creation by Residents and Tourists via Takachiho <i>kagura</i> in Japanese Rural Area." Sociology Mind 02, no. 03 (2012): 306–12. http://dx.doi.org/10.4236/sm.2012.23041.

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HIROTA, K., N. HIRANO, S. MORIMURA, K. NEMOTO, Y. UENO, and F. TASHIRO. "Stimulatory effect of glucocorticoid hormones on the growth of Kagura-2 cells established from aflatoxin B1-induced rat hepatoma." Mycotoxins 1989, no. 30 (1989): 29–31. http://dx.doi.org/10.2520/myco1975.1989.30_29.

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Kawasaki Mizuho. "Study on the Origin of Kagura Musical Accompaniment “Teketetton”: from the Relationship between the “Age Byōshi” (in “Komagaku”) and “Teketetton”." Journal of Next-Generation Humanities and Social Sciences ll, no. 12 (2016): 237–60. http://dx.doi.org/10.22538/jnghss.2016..12.237.

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Simpson, Emily B. "Like a Fierce God: Reenvisioning the Enemy in the Legend of Empress Jingū in the Wake of the Mongol Invasions." Religions 13, no. 8 (2022): 695. http://dx.doi.org/10.3390/rel13080695.

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The legend of Empress Jingū’s conquest of the Korean peninsula is well-known for its many divine elements. However, the legend’s successful conquest of a foreign enemy has also been key to its longevity. In particular, the Mongol Invasions of the late thirteenth century inspired a renaissance of the Jingū legend in the fourteenth, with the addition of several new motifs. One such motif is Jinrin, a red demon with multiple heads and immense power from the continent who threatens Japan before being slain by Jingū’s husband Emperor Chūai. In this paper, I argue that the Jinrin motif plays an impo
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Nakamoto, Masami, Akihiro Kakuda, Toshinori Miyashita, et al. "Seated Virtual Reality-Guided Exercise Improved Gait in a Postoperative Hallux Valgus Case." International Journal of Environmental Research and Public Health 18, no. 24 (2021): 13267. http://dx.doi.org/10.3390/ijerph182413267.

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Virtual reality (VR)-guided exercise therapy using mediVR KAGURA has been reported to improve gait function by extending the arm to spatial targets while sitting. We aimed to investigate toe and trunk–pelvic function and plantar sensation during gait in a postoperative patient with hallux valgus. A 60-year-old woman, whose foot deformities had improved 6 months earlier, participated in the study. The exercise therapy interventions were performed twice weekly for 15 min. This study used an A-B-A design: 1-week pre-phase, 3-week intervention phase, and 2-week post-phase. The plantar pressure dis
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Lee, Gang Min. "A study of gods in Shinto Kagura songs(神樂歌) - Centered on god of A-ji-me(阿知女)". Journal of Korean Sundo Culture 28 (28 лютого 2020): 355–410. http://dx.doi.org/10.35573/jksc.28.8.

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조은애. "A Study on the Ritual Characteristics of dance in “Hokburiyounggam” Forktales at japan -Focused on KAGURA(神樂)and bump mask-". Yeol-sang Journal of Classical Studies ll, № 65 (2018): 319–51. http://dx.doi.org/10.15859/yscs..65.201810.319.

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Kim, Hyun-Ah. "The Transformation of Yasukuni Shrine in Japan under the GHQ Occupation." Korean Association For Japanese History 63 (April 30, 2024): 153–77. http://dx.doi.org/10.24939/kjh.2024.4.63.153.

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This study aims to examine rituals performed in relation to peaceful commemoration, with a focus on Yasukuni Shrine’s pursuit of pacifism centered on the appeasement of the spirits during the occupation by the General Headquarters (GHQ). The GHQ issued the Shinto Directive and the Religious Corporations Ordinance immediately after the occupation of Japan. This meant Yasukuni Shrine was no longer supported by the state and was reduced to a mere religious corporation, necessitating self-reliant measures. Departing from its militaristic image, Yasukuni Shrine chose to advocate for peaceful commem
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Putri, Mellati Riandi, and Wagiati Wagiati. "PENGGUNAAN POLA KALIMAT KAGIRI DAN KAGIRI DA DALAM BAHASA JEPANG (ANALISIS STRUKTUR DAN MAKNA)." Prosodi 15, no. 1 (2021): 77–84. http://dx.doi.org/10.21107/prosodi.v15i1.10489.

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The purpose of this research is to find the way of using kagiri and kagiri da as sentence patterns in Japanese. The type of this research is qualitative research with descriptive method. The data was taken from Japanese online news website, Asahi Shinbun which published on early December 2020 that contain sentences that using kagiri and kagiri da sentence pattern. There are 21 data gathered from Asahi Shinbun, and based on the part of speech that formed with kagiri and kagiri da sentence pattern, there are ten data were classified as noun, nine data were classified as verb, and 2 data classifi
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Wijaya, Kurniady, and Pheni Cahya Kartika. "Analisis Bahasa Gaul dalam Novel Ayat Amat Cinta Karya Asma Nadia, Boim Lebon, Fahri Asizah, Birulaut-Taufan E. Prast, LIan Kagura, Rex-Ratno Fadillah." Stilistika: Jurnal Pendidikan Bahasa dan Sastra 11, no. 2 (2019): 97. http://dx.doi.org/10.30651/st.v11i2.2367.

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Novel ayat amat cinta karya asma Nadia, Boim Lebon dkk Menampilkan bahasa gaul guna menyesuaikan dengan kondisi peminat nya terutama remaja. Berdasarkan penelitian bahasa telah banyak mengalami pergeseran yang signifikan atas bahasa yang di ciptakan hendaknya dapat menciptakan bahasa gaul yang sewajarnya sehingga tidak mengacaukan komunikasi pendidikan bahasa Indonesia. Proses morfologis ini hanya di batasi pada afiksasi reduplikasi, dan pemendekan kata yang terdapat pada novel ayat amat cinta karya asma Nadia, Boim Lebon dkk. Sebagai data penelitian, data ini berbentuk kosakata bahasa gaul da
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Adharani, Deanita, and Rouli Esther Pasaribu. "Kajian Adaptasi Film Kaguya Hime No Monogatari: Refleksi Terhadap Masyarakat Patriarki Jepang Modern." Jurnal Seni Nasional Cikini 5, no. 1 (2019): 7–21. http://dx.doi.org/10.52969/jsnc.v5i1.73.

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Penelitian ini bertujuan untuk melihat perbedaan penggambaran tokoh utama Kaguya hime versi cerita rakyat dan versi adaptasi film Kaguya Hime no Monogatari (2013) produksi studi Ghibli dan mengaitkannya dengan kondisi sosial budaya masyarakat Jepang pada saat film ini diproduksi. Dari hasil pembacaan dekat terhadap teks primer dengan menggunakan pendekatan feminisme dan teori adaptasi Hutcheon, ditemukan bahwa Kaguya hime versi cerita rakyat digambarkan sebagai tokoh yang asing, berjarak, dan tidak merupakan bagian dari masyarakat tempatnya tinggal. Di sisi lain, Kaguya hime versi film adalah
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Walansendow, Sandy, Helena Pandi, and Amelia G. Sompotan. "ANALISIS NILAI-NILAI BUDAYA DALAM CERITA KAGUYA HIME NO MONOGATARI." KOMPETENSI 1, no. 06 (2022): 562–70. http://dx.doi.org/10.53682/kompetensi.v1i06.1978.

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Tujuan dari penelitian penelitian Ini adalah menganalisi Nilai- Nilai Budaya Dalam Cerita Kaguya Hime No Monogatari serta struktur teks dalam cerita Kaguya Hime no Monogatari. Penelitian menggunakan teknik Studi kepustakaan dokumentasi Hasil Penelitian: Karya ini merupakan adaptasi dari dari dongeng legendaris Jepang berjudul Kaguya Hime no Monogatari (Kisah Putri Kaguya) atau juga dikenal dalam judul Taketori no Okina no Monogatari (Kisah Kakek Pengambil Bambu). Kisah ini diperkirakan berasal dari awal zaman Heian dimana si pengarang sangat memahami gaya sastra Tiongkok maupun agama Buddha. B
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Toyoda, Sonoko. "La Principessa Kaguya." STUDI JUNGHIANI, no. 44 (April 2017): 116–24. http://dx.doi.org/10.3280/jun2016-044009.

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Kato, Manabu, Susumu Sasaki, and Yoshisada Takizawa. "The Kaguya Mission Overview." Space Science Reviews 154, no. 1-4 (2010): 3–19. http://dx.doi.org/10.1007/s11214-010-9678-3.

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SASAKI, Susumu, Manabu KATO, Yoshisada TAKIZAWA, and SELENE Project Team. "KAGUYA(SELENE) Science Mission." TRANSACTIONS OF THE JAPAN SOCIETY FOR AERONAUTICAL AND SPACE SCIENCES, SPACE TECHNOLOGY JAPAN 7, ists26 (2009): Tk_17—Tk_21. http://dx.doi.org/10.2322/tstj.7.tk_17.

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Tandayu, Lalita, and Hirmawan Wijanarka. "The Interrelations of Nature and Woman in Takahata's The Tale of The Princess Kaguya: An Ecofeminist Perspective." Journal of Language and Literature 23, no. 1 (2023): 115–24. http://dx.doi.org/10.24071/joll.v23i1.5863.

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Abstract:
Nature, as an essential part of human life, should be preserved to maintain a good quality of life for living beings, and literature can be a tool to promote this issue. This article aims at (1) exploring the characters in Isao Takahata's The Tale of the Princess Kaguya and (2) analyzing the interrelations of woman and nature as parallel in a patriarchal society. In discussing the movie, this article employs the ecofeminist approach. Five theories are applied to support the analysis: the theory of characterization and Mise en Scène, the theory of ecofeminism, the theory of symbolism, and the t
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Kashamba, Archard, Coletha C. Ngirwa, and Maulid Maulid. "Heads of School and Teaching Commitment in Public Secondary Schools in Kagera Region, Tanzania." Asian Research Journal of Arts & Social Sciences 22, no. 7 (2024): 12–22. http://dx.doi.org/10.9734/arjass/2024/v22i7546.

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Teaching commitment plays a pivotal role in the success of any education system. In vein, leadership behaviours by heads of schools is instrumental in shaping the teaching commitment. This study aims to examine the relationship between supervisory practices of heads of schools (HoS Practices) and teachers’ commitment within public secondary schools in Kagera Region, Tanzania. The study was grounded from transformational leadership theory. The study used positivism research paradigm and cross-sectional research design. The results has consistently demonstrated a strong connection between instru
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