Academic literature on the topic 'Kahlil Gibran'

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Journal articles on the topic "Kahlil Gibran"

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Jamil, Nuri Nurmila, Indah Arvianti, and Eko Heriyanto. "ANALYZING MORPHOLOGICAL AFFIXES FOUND IN THE POETRY “THE FORERUNNER” BY KAHLIL GIBRAN." Jurnal CULTURE (Culture, Language, and Literature Review) 9, no. 2 (2022): 178–200. http://dx.doi.org/10.53873/culture.v9i2.465.

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In the process of reading sometimes the readers have difficulty identifying the meaning of words correctly, especially words with affixes of prefixes and suffixes. The writer had made three objects of research. The first research is to find out how many affixes were used in the poetry “The Forerunner” by Kahlil Gibran, the second research is to find out what types were used in the poetry “The Forerunner” by Kahlil Gibran, the third research is to find out what types were dominant use in the poetry “The Forerunner” by Kahlil Gibran. In this study, the writer uses a descriptive mixed
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Sarah, Rima. "AN ANALYSIS OF THE SYMBOLS OF LOVE, LIFE, AND DEATH IN KAHLIL GIBRAN'S POEMS." Jurnal Adabiya 23, no. 2 (2021): 154. http://dx.doi.org/10.22373/adabiya.v23i2.10287.

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Kahlil Gibran is a Lebanese-American artist, writer, and poet. He is no stranger to literary lovers and connoisseurs. His phenomenal works made Kahlil Gibran famous. His life experience also adds its unique value to his works. The various meanings hidden behind each of his works deserve further analysis. Some of them are typical poems from Kahlil Gibran. He has his way of expressing the true meaning of life through his poems. Therefore, this study will show the symbolic meaning of these poems by using the hermeneutical analysis method from Paul Ricoeur. This method explains the meaning of the
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Anhar, Anhar. "Pergeseran Ideologi Agama dalam Puisi Almustafa Karya Kahlil Gibran." Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia 4, no. 2 (2022): 97–106. http://dx.doi.org/10.26499/bahasa.v4i2.287.

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The purpose of this research; (1) describe, explore, and analyze the shift in religious ideology in Kahlil Gibran's poem Almustafa, (2) describe, explore, and analyze the construction of the reality of religious values in Kahlil Gibran's Almustaf poem. This type of research is classified as a qualitative descriptive research. The approach used is a critical literacy approach, which is to analyze the use of language aspects that experience a shift in religious values. The object of this research is the poem Almustafa by Kahlil Gibran. Data collection techniques used library techniques, namely r
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Fitria, Tira Nur. "Figurative Language in the Broken Wings by Kahlil Gibran: An Analysis of Language Style as Stylistic Effect." NOTION: Journal of Linguistics, Literature, and Culture 4, no. 2 (2022): 104–16. http://dx.doi.org/10.12928/notion.v4i2.5798.

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The objective of this research is to find out the figurative languages in the Broken Wings by Kahlil Gibran. This research is descriptive qualitative. The data was taken from Kahlil Gibran’s novel entitled “The Broken Wings”. The researcher analyzes the data based on Abrams’s theory (1999) about figurative language. The result analysis shows that Based on table 9 above, shows there are several types of figurative language in “The Broken Wings” by Kahlil Gibran. 292 data contains figurative language in 8 types of figurative language including simile, personification, metaphor, synecdoche, hyper
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Pundi Baladaya, Nyimas, Apriyanti Apriyanti, and Rahmat Hidayat. "Nilai-nilai Tasawuf dalam Kumpulan Puisi Karya Kahlil Gibran." EL-FIKR: Jurnal Aqidah dan Filsafat Islam 4, no. 2 (2023): 128–53. http://dx.doi.org/10.19109/el-fikr.v4i2.19640.

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Penelitian ini bertujuan mengkaji lebih dalam nilai-nilai tasawuf dalam kumpulan puisi karya Kahlil Gibran. Hal ini dikarenakan puisi-puisi Kahlil Gibran diduga kuat mengandung nilai-nilai tasawuf meskipun ia bukan seorang muslim. Penelitian ini merupakan penelitian kepustakaan (Libarry Research). Sumber data dalam penelitian berupa primer dan sekunder. Data primer diambil dari tiga puisi Kahlil Gibran dalam buku yang berjudul Setitis Air Mata Seulas Senyum. Sementara data sekunder meliputi dokumentasi berupa buku dan artikel yang berkaitan dengan penelitian. Pengumpulan data dilakukan dengan
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Ulfa, Rusdiyana, Syukur Ghazali, and Anang Santoso. "Sarana Kohesi Dalam Kumpulan Puisi Cinta Karya Kahlil Gibran“Melancholic Gibran Karya-Karya Syahdu Penggugah Jiwa“." Jurnal Pendidikan: Teori, Penelitian, dan Pengembangan 5, no. 5 (2020): 637. http://dx.doi.org/10.17977/jptpp.v5i5.13488.

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<p><strong>Abstract:</strong> This study aims to describe and explain the means of cohesion in the formation of the wholeness of discourse in a collection of love poems by Kahlil Gibran entitled "Melancholocic Gibran Works by Soul-Raising Syahdu". The approach used in this study uses a qualitative descriptive approach and this type of research uses the type of discourse analysis research. The data in this research are in the form of excerpts from poetry that can describe cohesion and coherence in a collection of love poems by Kahlil Gibran. The data source of this research is
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Faiz, Fahruddin. "GIBRANISME: ANTARAEKSISTENSIALISME DAN ROMANTISISME." Refleksi Jurnal Filsafat dan Pemikiran Islam 15, no. 2 (2015): 183–201. http://dx.doi.org/10.14421/ref.v15i2.1088.

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Not many in this world there is a person as a philosopher as well as a poet. Among the few of them there is one popular name incontemporary literature's world, i.e. Kahlil Gibran. Many people knew Kahlil Gibran as poet-philosopher from Lebanon resided in Boston, United States. Gibran's thoughts and ideas are very philosophical and full of meaning, since expressed in beautiful poetical style, therefore popular in public. In another side, Gibran's styles are often using parables and aphorisms make people easier to understand even within esoteric and mystical dimension. Inits analysis the writer
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Haliza, Haliza, Johan Mahyudi, and Mahmudi Efendi. "Metafora Dalam Kumpulan Puisi Setitis Air Mata, Seulas Senyum Karya Kahlil Gibran." Kopula: Jurnal Bahasa, Sastra, dan Pendidikan 5, no. 1 (2023): 36–44. http://dx.doi.org/10.29303/kopula.v5i1.2761.

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Penelitian ini berfokus pada penggunaan Metafora yang terdapat dalam kumpulan puisi Setitis Air Mata, Seulas Senyum karya Kahlil Gibran. Permasalahan yang dikaji dalam penelitian ini yaitu bagaimana penggunaan metafora dalam kumpulan puisi Setitis Air Mata, Seulas Senyum karya Kahlil Gibran. Berdasarkan permasalahan tersebut, tujuan penelitian ini adalah untuk mendeskripsikan penggunaan metafora dalam kumpulan puisi Setitis Air Mata, Seulas Senyum karya Kahlil Gibran. Penelitian ini adalah penelitian yang bersifat kualitatif yaitu penelitian yang tidak melakukan atau mengadakan perhitungan den
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Zai, Buteria. "ANALISIS MAKNA KONOTATIF PADA KUMPULAN PUISI KETIKA CINTA BICARA KARYA KAHLIL GIBRAN." KOHESI : Jurnal Pendidikan Bahasa dan Sastra Indonesia 2, no. 1 (2021): 51–63. http://dx.doi.org/10.57094/kohesi.v2i1.420.

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Penelitian ini dilatarbelakangi oleh keinginan peneliti untuk mengidentifikasi makna konotatif pada kumpulan puisi Ketika Cinta Bicara karya Kahlil Gibran. Tujuan penelitian ini adalah untuk mendeskripsikan makna konotatif yang digunakan pada kumpulan puisi Ketika Cinta Bicara karya Kahlil Gibran. Pendekatan yang digunakan dalam penelitian ini merupakan pendekatan penelitian kualitatif dengan jenis penelitian deskriptif. Sumber data dalam penelitian ini adalah kumpulan puisi Ketika Cinta Bicara karya Kahlil Gibran. Hasil penelitian menunjukkan bahwa, makna konotatif yang digunakan pada kumpula
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Altabaa, Homam, Waleed Fekry Faris, and Adham Hamawiya. "A Review of Kahlil Gibran’s Major Creative Works (Ulasan Hasil Karya Kreatif Utama Kahlil Gibran)." Journal of Islam in Asia (E-ISSN 2289-8077) 18, no. 3 (2021): 231–53. http://dx.doi.org/10.31436/jia.v18i3.1082.

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Kahlil Gibran is one of the most important writers of modern Arabic literature and one of the most successful poets of English in the twentieth century. He is undoubtedly a pioneer among Arab poets and novelists writing in English and the most important figure in the Émigré literary movement. His world-wide popularity is due in large part to his universal spiritual message of love and compassion. This study, focusing on both his Arabic and English works, seeks to explore the various contextual aspects that affect all of Gibran’s works since his birth in Mount Lebanon. It also presents a critic
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Dissertations / Theses on the topic "Kahlil Gibran"

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Lopes, Jose Aparecido Ferreira. "O sagrado em Gibran Khalil Gibran." Universidade Presbiteriana Mackenzie, 2011. http://tede.mackenzie.br/jspui/handle/tede/2661.

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Made available in DSpace on 2016-04-18T18:44:05Z (GMT). No. of bitstreams: 4 Jose Aparecido Ferreira Lopes_Parte1.pdf: 4184748 bytes, checksum: ef6135c06707b4b0266e2f1f65cf62de (MD5) Jose Aparecido Ferreira Lopes_Parte2.pdf: 3989808 bytes, checksum: 7be9dafbea3fd6536ffc113000fad081 (MD5) Jose Aparecido Ferreira Lopes_Parte3.pdf: 3888856 bytes, checksum: b0da6bd8bd3f9e58c1cae7b4a5690bd2 (MD5) Jose Aparecido Ferreira Lopes_Parte4.pdf: 3993085 bytes, checksum: 4e49917519bf00d3860fb4fb2ed28888 (MD5) Previous issue date: 2011-08-19<br>Fundo Mackenzie de Pesquisa<br>The research, literary and phil
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HADDADEEN, SAMI. "Gibran Kahlil Gibran : un pionnier du mouvement moderniste dans la littérature arabe et "le Blake du vingtième siècle"." Dijon, 1988. http://www.theses.fr/1988DIJOL009.

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Les affinités entre Gibran Khalil Gibran et William Blake se manifestent incontestablement par leur personnalité et leurs idées. En effet, de nombreux extraits de leurs œuvres nous ont montré qu'il y a beaucoup de ressemblances dans leurs idées. Ils développent la même conception du poète en tant que prophète. Ils font les mêmes réflexions concernant la nature qui est le reflet de la réalité divine. De plus, Gibran rejoint Blake dans sa révolte contre l'église et le clergé ainsi que contre les valeurs fondamentales et les éthiques conventionnelles. Beaucoup de caractéristiques de la pensée de
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Haddadeen, Sami Jiryes. "Gibran Kahlil Gibran un pionnier du mouvement moderniste dans la littérature arabe et "Le Blake du vingtième siècle /." Lille 3 : ANRT, 1992. http://catalogue.bnf.fr/ark:/12148/cb376141375.

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Faiq, Tatheer Assim. "Allegorical and Cultural Landscapes in the Novels of Nathaniel Hawthorne and Al- Nahda Arab Writers." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/367596.

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The fictional works of American author Nathaniel Hawthorne and the Arab writers, Mohammadd al-Muwaylihi and Kahlil Gibran share an interest in allegorical landscapes which respond to political and religious tyranny. Throughout their novels, we encounter historically specific images of political corruption and religious oppression located among the urban settings of Salem, Rome, Cairo, Paris, Baalbek, and Beirut. In this thesis, these settings are considered as cultural landscapes: geographical sites which are perceived and presented allegorically within a socio-political frame. These lands
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Mcharek, Sana Carroll Pamela S. "Kahlil Gibran and other Arab American prophets." Diss., 2006. http://etd.lib.fsu.edu/theses/available/etd-04102006-114344.

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Thesis (M.S.)--Florida State University, 2006.<br>Advisor: Pamela Sissi Carroll, Florida State University, College of Education, Dept. of Middle and Secondary Education. Title and description from dissertation home page (viewed June 7, 2006). Document formatted into pages; contains viii, 64 pages. Includes bibliographical references.
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WANG, TZU-YING, and 王姿穎. "A Comparative Study of Taiwanese and Chinese Translation Versions of The Prophet by Kahlil Gibran." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/2jtm2q.

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碩士<br>長榮大學<br>翻譯學系碩士班<br>107<br>This thesis is divided into six chapters. The first chapter is introduction. The second chapter is literature review, which describes the author of The Prophet and his works as well as the two translators of The Prophet and their translations and other works. The third chapter discusses the translation strategies of the two Chinese translations from the aspects of accuracy, word order, omission, and amplification by using Lawrence Venuti’s domesticating and foreignization as important theories. The fourth discusses the differences between the two Chinese transla
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"To Melt into the Sun: The Mystery of Light." Master's thesis, 2020. http://hdl.handle.net/2286/R.I.57224.

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abstract: “The Mystery of Light” is the first movement of a yet to be completed larger work titled ...to melt into the sun for chamber choir and percussion quartet. The text of the work is an excerpt from Kahlil Gibran’s masterpiece, The Prophet. This book tells the story of a prophet-like man, Almustafa, who, before embarking on the journey back to his native land, stops in the city of Orphalese, where the townspeople, having known him for many years, entreat him to share his wisdom before he departs. The seeress, Almitra, urges him, “speak to us and give us of your truth.” Almustafa proceeds
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"What are the characteristics and driving forces behind the creativity and vision of successful Lebanese immigrants?" University of Technology, Sydney. Faculty of Education, 2003. http://hdl.handle.net/2100/283.

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Creative visualization is an essential attribute to be possessed by an artist to achieve success in any art endeavour. To reach its purpose in all its fields, art is made manifest and is expressed through real genuine passion. This research study acknowledges Gibran Kahlil Gibran, as a distinguished immigrant artist, with a vision. A comparison is then made of six other artists, including the researcher, who have all had similar ordeals in the successful attainment of their vision. This biographical, neo-narrative research design methodology was recorded through extensive readings and lengthy
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"What are the characteristics and driving forces behind the creativity and vision of successful Lebanese immigrants?" Thesis, University of Technology, Sydney. Faculty of Education, 2003. http://hdl.handle.net/10453/20205.

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University of Technology, Sydney. Faculty of Education.<br>Creative visualization is an essential attribute to be possessed by an artist to achieve success in any art endeavour. To reach its purpose in all its fields, art is made manifest and is expressed through real genuine passion. This research study acknowledges Gibran Kahlil Gibran, as a distinguished immigrant artist, with a vision. A comparison is then made of six other artists, including the researcher, who have all had similar ordeals in the successful attainment of their vision. This biographical, neo-narrative research design me
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LIN, YU-CHUN, and 林俞均. "A Comparative Study between Two English-to-Chinese Versions of Kahlil Gibran's " The Prophet"." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/46nq6s.

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碩士<br>長榮大學<br>翻譯學系碩士班<br>106<br>This study aims at discussing two Chinese translators’ versions of The Prophet by Kahlil Gibran. This thesis is divided into five chapters: The first chapter indicates the motivation and purpose of this study, and the value of The Prophet. The second chapter is about Gibran’s background, as well as his accomplishments in literature and his writing style. The chapter also includes the background of the two translators. Chapter three compares the translations of the two translators, exploring how their translating skills and their understanding of the book impact
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Books on the topic "Kahlil Gibran"

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Budianta, Eka. Kahlil Gibran di Indonesia. Badan Pelestarian Pusaka Indonesia, 2010.

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Nuʻaymah, Mīkhāʼīl. Kahlil Gibran: A biography. Philosophical Library, 1985.

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Kahlil, Gibran. The definitive Kahlil Gibran. Rupa Publications India Pvt. Ltd., 2016.

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Gibran, Kahlil. Kahlil Gibran de mahan vichar. Kulbir Singh Suri, 1999.

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Helou, Joseph Habib. Kahlil Gibran: A nonpareil artist. [Joseph Habib Helou], 2002.

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Kahlil, Gibran. The prophet: By Kahlil Gibran. Alfred A. Knopf, 1989.

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Kahlil, Gibran. A second treasury of Kahlil Gibran. Mandarin, 1992.

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Kahlil, Gibran. The spiritual sayings of Kahlil Gibran. Citadel Press, 1988.

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Gibran, Jean. Kahlil Gibran: His life and world. Canongate Press, 1992.

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Gibran, Jean. Kahlil Gibran, his life and world. Interlink Books, 1991.

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Book chapters on the topic "Kahlil Gibran"

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Walton, Les. "Kahlil Gibran: The 1960S and Custody Battles." In Education: The Rock and Roll Years. Routledge, 2025. https://doi.org/10.4324/9781041055228-28.

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Aslamiyah, Yulia Nurlayly, and Markhamah. "Character Education Values in Kahlil Gibran's Broken Wings." In Proceedings of the International Conference on Learning and Advanced Education (ICOLAE 2022). Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-086-2_195.

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Arslane, Ghazouane. "Arabic, American and/or World Literature: Kahlil Gibran’s Bilingualism and the Problem of Reception." In Universal Localities. Springer Berlin Heidelberg, 2022. http://dx.doi.org/10.1007/978-3-662-62332-9_5.

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"Kahlil Gibran." In The Situe Stories. Syracuse University Press, 2025. https://doi.org/10.2307/jj.28210041.14.

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"A Rebel Syrian: Gibran Kahlil Gibran: Adel Beshara." In The Origins of Syrian Nationhood. Routledge, 2012. http://dx.doi.org/10.4324/9780203816776-17.

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HARTMAN, MICHELLE. "Grandmothers, Grape Leaves, and Kahlil Gibran." In Sajjilu Arab American. Syracuse University Press, 2022. http://dx.doi.org/10.2307/j.ctv2v55b2k.12.

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Salameh, Franck. "Lebanon." In The Other Middle East. Yale University Press, 2018. http://dx.doi.org/10.12987/yale/9780300204445.003.0004.

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This chapter features Lebanese authors spanning the period of the “pioneers” of modern Lebanese literature. Kahlil Gibran (1883–1931), Nadia Tuéni (1935–83), Charles Corm (1894–1963), and Anis Freyha (1903–93), whose works spanned the first century of Lebanon's modern history, wrote tirelessly, extolling the glory of ancient Lebanon, recalling the “golden age” of its Phoenician ancestors and the era spanning “classical antiquity,” expressing both hope and concern for the future of a nascent political entity gushing out of a region torn by conflict, irredentism, and resentful nationalisms. Thei
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Higgins, Kathleen. "Reading Zarathustra." In Reading Nietzsche. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195066739.003.0008.

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Abstract Thus Spoke Zarathustra was recommended to me when I was a high school senior, and I asked a fellow teenager who was reading it what the book was like. “Nietzsche’s kind of like a perverted Kahlil Gibran,” she told me. And when I perused the book for myself, I saw what she meant. Zarathustra was a prophet, and his sermons, although filled with blasphemous precepts, were pretentiously biblical in tone. I was annoyed even before I finished the prologue. The surreal plot seemed more theater of the absurd than philosophy, and I was appalled when Zarathustra tossed off his famous “God is de
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