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Books on the topic 'Kahra block'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Bush, Max. Kara in black: A play. Dramatic Pub., 2006.

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2

(Japan), Kokuritsu Rekishi Minzoku Hakubutsukan. Beniitajime: Edo kara Meiji no ranjerī : kikaku tenji. Kuritsu Rekishi Minzoku Hakubutsukan, 2011.

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3

Murakami, Shihori. Kōbe: Yamiichi kara no fukkō : senryōka ni semegiau toshi kūkan. Keiō Gijuku Daigaku Shuppankai, 2018.

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4

Hayashi, Waichi. Shoho kara no mokuhanga: Hori suri no gihō nyūmon. Tsuchiya Shoten, 1988.

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5

Hatsuda, Kōsei, 1977- author, editor, ed. Sakariba wa yamiichi kara umareta. Seikyūsha, 2013.

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6

György, Kara, and Grivelet Stéphane, eds. The black master: Essays on Central Eurasia in honor of György Kara on his 70th birthday. Harrassowitz, 2005.

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7

Galloway, Joel M. Selected hydrogeologic data for the Inyan Kara, Minnekahta, Minnelusa, Madison, and Deadwood aquifers in the Black Hills area, South Dakota. U.S. Dept. of the Interior, U.S. Geological Survey, 2000.

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8

Galloway, Joel M. Selected hydrogeologic data for the Inyan Kara, Minnekahta, Minnelusa, Madison, and Deadwood aquifers in the Black Hills area, South Dakota. U.S. Dept. of the Interior, U.S. Geological Survey, 2000.

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9

Kyllonen, David P. Geohydrology and water quality of the Inyan Kara, Minnelusa, and Madison aquifers of the northern Black Hills, South Dakota and Wyoming, and Bear Lodge Mountains, Wyoming. Dept. of the Interior, U.S. Geological Survey, 1987.

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10

Carter, Janet M. Selected data for wells and test holes used in structure-contour maps of the Inyan Kara Group, Minnekahta Limestone, Minnelusa Formation, Madison Limestone, and Deadwood Formation in the Black Hills area, South Dakota. U.S. Dept. of the Interior, U.S. Geological Survey, 1999.

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11

Hawking, S. W. Kara Delikler: Kara Delikler Hakkinda Son Bilgiler. Alfa Yayinlari, 2019.

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12

Black Beetle Kara Bocek. Planeta Cómic, 2019.

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13

DeClue, Jennifer. Visitation. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478023791.

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In Visitation, Jennifer DeClue shows how Black feminist avant-garde filmmakers draw from historical archives in order to visualize and reckon with violence suffered by Black women in the United States. DeClue argues that these filmmakers—including Kara Walker, Kara Lynch, Tourmaline, and Ja’Tovia Gary—create spaces of mourning and reckoning rather than voyeurism and pornotropy. Through their use of editing, performance, and cinematic experimentation, these filmmakers intervene in the production of Blackness and activate new ways of seeing Black women and telling their stories. Theorizing these

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14

Crawford, Margo Natalie. Black Inside/Out. University of Illinois Press, 2018. http://dx.doi.org/10.5406/illinois/9780252041006.003.0007.

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The sixth chapter examines the role of inner and outer space in cultural productions of black post-blackness. Crawford develops a theory of black public interiority (a theory of black cultural movements’ ability to create a sense of shared interiority within the public space of the collective). She argues that the Black Arts Movement was aspiring for public art that could be experienced as both a black interior and an open space created by a collective. This chapter analyzes a range of installation art and other visual art, film, and letter writing that dramatize the black interior being exper

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15

Farley, Walter. Kara Rüzgar. Beyaz Balina Yayinlari, 2021.

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16

Kelly, Michael, and Monique Roelofs, eds. Black Art and Aesthetics. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350294592.

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Black Art and Aesthetics comprises essays, poems, interviews, and over 50 images from artists and writers: GerShun Avilez, Angela Y. Davis, Thomas F. Defrantz, Theaster Gates, Aracelis Girmay, Jeremy Matthew Glick, Deborah Goffe, James B. Haile III, Vijay Iyer, Isaac Julien, Benjamin Krusling, Daphne Lamothe, George E. Lewis, Sarah Elizabeth Lewis, Meleko Mokgosi, Wangechi Mutu, Fumi Okiji, Nell Painter, Mickaella Perina, Kevin Quashie, Claudia Rankine, Claudia Schmuckli, Evie Shockley, Paul C. Taylor, Kara Walker, Simone White, and Mabel O. Wilson. The stellar contributors practice Black aest

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17

El libro negro (Kara Kitap / The Black Book). Punto de Lectura, 2005.

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18

Barnard, John Levi. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190663599.003.0001.

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This introduction situates the study within the fields of classical receptions, black classicism, and African American cultural studies. Drawing on postcolonial critical insights into classical tradition as a mechanism of imperial power, as well as work elaborating black classicism in the United States, the introduction sets the framework for a dialectical reading of African American cultural production in relation to dominant American cultures of classical monumentalism and public historiography. It establishes the relevance of the study to debates about theories of temporality and historical

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19

letterer, Piekos Nate, ed. The Black Beetle in Kara Böcek: A mystery tale. Dark Horse Books, 2017.

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20

Hawking, S. W. Kara Delikler ve Bebek Evrenler. Alfa Yayincilik, 2013.

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21

Jarenski, Shelly. “Who Are the Other Potters? What Are Their Names?”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199390205.003.0016.

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This chapter focuses on Theaster Gates’s 2010 exhibition To Speculate Darkly, which puts Gates’s multimedia work in dialogue with Drake. Jarenski’s chapter engages with the theme of erasure in Gates’s aesthetic and examines the ways that Gates imagined himself as Dave “the Slave” Potter, using Dave’s hyperbolic vessels as the staging area for his own artistic performance. Gates’s work with Dave resonates with the work of other artists, like Kara Walker (inspired by the panorama, the silhouette, and sentimental fiction) and Carrie Mae Weems, who has incorporated ethnographic daguerreotypes into

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22

Kara Walker: A Black Hole Is Everything a Star Longs to Be. JRP Ringier Kunstverlag AG, 2020.

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23

Ankara: Kara kalpaklı kent, 1923-1938 = Ankara : city of the black calpac, 1923-1938. İstanbul Araṣtirmalari Enstitüsü, 2009.

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24

Musser, Amber Jamilla. Sensual Excess. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479807031.001.0001.

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This book offers multiple inroads into thinking with and through the dominant tropes of sexuality. By analyzing particular works of art, each chapter draws our attention to specific aspects of pornotropic (violent and exoticizing) capture that black and brown people must negotiate. These technologies differ, but together, they add to our understanding of the ways that structures of domination produce violence and work to contain bodies and pleasures within certain legible parameters. In addition, the book identifies and analyzes moments that exceed these constraints—the sensual excess that is

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25

Barnard, John Levi. Empire of Ruin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190663599.001.0001.

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This book traces the development of a critical practice within African American literature, art, and activism that identifies and critiques the widespread appropriation of classical tradition to the projects of exceptionalist historiography and cultural white supremacy in the United States. This appropriative method has typically figured the United States as the inheritor of the best traditions of classical antiquity and thus as the standard bearer for the idea of civilization. Where dominant narratives—articulated through political speeches and editorials, poetry and the visual arts, and the

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26

Survey, United States Geological. Potentiometric surface of the Inyan Kara Aquifer in the Black Hills area, South Dakota (Hydrologic investigations atlas). Information Services [distributor], 2000.

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27

Moore, Laura Ashley. "The feeling of being thrust into history": Kara Walker, the memory of slavery, and the postmodern (Black) self. 2009.

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28

United States Geological Survey. Altitude of the top of the Inyan Kara Group in the Black Hills area, South Dakota (Hydrologic investigations atlas). For sale by USGS Branch of Information Services, 1999.

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29

PUBLICATIONS, CUSTOMEYES. Kara Sketchbook: Letter K Personalized First Name Personal Drawing Sketch Book for Artists & Illustrators | Black Gold Space Glittery Effect Cover | ... & Art Workbook | Create & Learn to Draw. Independently Published, 2019.

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30

Publishing, Classic. Kara's Guide to Surviving in a Word Full of Idiots: Personalized Name Journal for Kara / Black Lined Notebook /Birthday Gift for Women and Girls/ Planner for Moms for Daughter,120 Pages. Independently Published, 2021.

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31

Publications, Customeyes. Kara My Story Book: Personalized Letter K First Name Blank Draw & Write Storybook Paper Black Gold Cover Write & Illustrate Storytelling Midline Dash Workbook for Pre-K & Kindergarten 1st 2nd 3rd Grade Students. Independently Published, 2019.

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32

Publishing, N. W. F. Kaira: College Ruled Composition Book, 200 Pages, Size 7. 44 X 9. 69 , White Paper with Light Grey Lines, Personalized Soft Black Cover Filled with Wordcloud Made of Title in Handletter Typewriting in Various Sizes, Colors, Directions and a Red Spline. Independently Published, 2022.

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