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1

Czech, Philip. "Der Kaiser ist ein Lump und Spitzbube Majestätsbeleidigung unter Kaiser Franz Joseph." Wien Köln Weimar Böhlau, 2008. http://d-nb.info/999026437/04.

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Brüning, Günter. "Militär-Strategie Österreichs in der Zeit Kaiser Franz II. (I.)." [Münster : s.n.], 1986. http://catalog.hathitrust.org/api/volumes/oclc/19410944.html.

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Ménestrel, Alexandre. "De l'influence du système de Gall sur l'idéologie thèse présentée et soutenue à la Faculté de médecine de Paris le 10 mars 1836, pour obtenir le grade de docteur en médecine /." Paris : BIUM, 2004. http://www.bium.univ-paris5.fr/histmed/medica/cote?TPAR1836x064.

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Koch, Katharina. "Franz Joseph Molitor und die jüdische Tradition Studien zu den kabbalistischen Quellen der "Philosophie der Geschichte"." Berlin New York de Gruyter, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2780938&prov=M&dok_var=1&dok_ext=htm.

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Malone, Paul Matthew. "Starring Joseph K, four stage adaptations of Franz Kafka's novel The trial." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25107.pdf.

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Baidins, Valdis. "Franz Joseph, Kaisertreue and loyalty in the late Habsurg empire Valdis Baidins." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/10400.

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Koch, Katharina Baader Franz von Molitor Franz Joseph. "Franz Joseph Molitor und die jüdische Tradition : Studien zu den kabbalistischen Quellen der "Philosophie der Geschichte". mit einem Anhang unveröffentlichter Briefe von F. von Baader, E.J. Hirschfeld, F.J. Molitor und F.W.J. Schelling [unveröffentlichte Briefe von und an Molitor] /." Berlin ; New York : de Gruyter, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2780938&prov=M&dok%5Fvar=1&dok%5Fext=htm.

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Mertens, Bram. "Das Denken der Lehre : Walter Benjamin, Franz Joseph Molitor and the Jewish tradition." Thesis, University of Nottingham, 2001. http://eprints.nottingham.ac.uk/13924/.

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This thesis is a dialectical exploration of the importance of the Jewish tradition and theology in the work of Walter Benjamin, primarily through his reading of Franz Joseph Molitor's Philosophie der Geschichte oder über die Tradition, and secondarily through his close friendship with Gershom Scholem. It also argues that the influence of the Jewish tradition is a constant factor in Benjamin's work, transcending the conventional division between his 'metaphysical' Frühwerk and his 'Marxist' Spätwerk. The first chapter presents a historical-philosophical overview of the form and content of the J
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Gillingham, Amy E. "Cultivating Perception: Bridging Schematic Patterns and Audience in Franz Joseph Haydn's Violoncello Concertos." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275919165.

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Bösche, Andreas. "Zwischen Franz Joseph I. und Schönerer die Innsbrucker Universität und ihre Studentenverbindungen 1859 - 1918 /." Innsbruck ; Wien ; Bozen : StudienVerl, 2008. http://catalog.hathitrust.org/api/volumes/oclc/316279880.html.

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Demand, Ursula. "Johann Heinrich, Hubert Martin Joseph und Franz Vogeno eine Aachener Goldschmiedefamilie des 19. Jahrhunderts /." [S.l. : s.n.], 1999. http://deposit.ddb.de/cgi-bin/dokserv?idn=967866529.

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Anderson, II Ellis T. "The reception of Franz Joseph Haydn in Austria and Germany 1798-1830 biography and criticism /." Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1115997037.

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Anderson, Ellis T. II. "The Reception of Franz Joseph Haydn in Austria and Germany 1798-1830: Biography and Criticism." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115997037.

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Yount, Kathrine. "Franz Joseph Haydn’s Sturm und Drang Symphonic Minuets: Convention and Deformation in Form, Cadence, and Meter." Thesis, Université d'Ottawa / University of Ottawa, 2017. http://hdl.handle.net/10393/36035.

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Franz Joseph Haydn’s (1732-1809) Sturm und Drang years (1768-1773) are described by Mark Evan Bonds as a period of exploration or experimentation of compositional techniques. Based on this premise, this thesis provides in-depth analyses of twenty symphonic minuet movements from the composer’s Sturm und Drang period with the goal of illuminating how Haydn treated the conventionally constrained minuet form. In particular, I discuss how Haydn thwarted formal and rhythmic generic expectations by drawing on James A. Hepokoski and Warren Darcy’s concept of formal deformation. Using William E. Calpin
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Harris, Kristine Lynn. "A collection of cadenzas for the trumpet concertos of Franz Joseph Haydn and Johann Nepomuk Hummel." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1137621.

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The Haydn Trumpet Concerto and the Hummel Trumpet Concerto are two of the most important concertos in the solo trumpet repertoire and the cadenza reflects the performer's personality and technical abilities. There have been numerous recordings of the two concertos and they are consistently used in performance and as a pedagogical tool. This document contains both published cadenzas and transcriptions of recorded cadenzas from the first and last movements of the Haydn Trumpet Concerto and the Hummel Trumpet Concerto.This study begins with an investigation of the concepts and historical informat
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Waschinsky, Navina [Verfasser], Franz-Joseph [Akademischer Betreuer] Barthold, and Andreas [Gutachter] Menzel. "Structural optimisation of diffusion-driven degradation processes / Navina Waschinsky ; Gutachter: Andreas Menzel ; Betreuer: Franz-Joseph Barthold." Dortmund : Universitätsbibliothek Dortmund, 2021. http://d-nb.info/1238348505/34.

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Veit, Joachim. "Der Junge Carl Maria von Weber : Untersuchungen zum Einfluss Franz Danzis und Abbé Georg Joseph Voglers /." Mainz ; London ; Paris : Schott, 1990. http://catalogue.bnf.fr/ark:/12148/cb35350461x.

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Grote, Marius [Verfasser], Frank [Gutachter] Schulz, Franz [Gutachter] Narberhaus, and Markus [Gutachter] Kaiser. "Kombinatorische Biosynthese zur Manipulation von Polyketiden / Marius Grote ; Gutachter: Frank Schulz, Franz Narberhaus, Markus Kaiser ; Fakultät für Chemie und Biochemie." Bochum : Ruhr-Universität Bochum, 2020. http://d-nb.info/1217858121/34.

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Arnold, Claus. "Katholizismus als Kulturmacht : der Freiburger Theologe Joseph Sauer (1872-1949) und das Erbe des Franz Xaver Kraus /." Paderborn ; München ; Wien [etc.] : F. Schöningh, 1999. http://catalogue.bnf.fr/ark:/12148/cb37194896d.

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Joseph, Nedumparambil George [Verfasser], and Franz [Akademischer Betreuer] Dünzl. "A Search of the Roots of Syro-Malabar Church in Kerala / George Joseph Nedumparambil. Betreuer: Franz Dünzl." Würzburg : Universitätsbibliothek der Universität Würzburg, 2013. http://d-nb.info/1034813099/34.

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Kijanski, Wojciech [Verfasser], Franz-Joseph [Akademischer Betreuer] Barthold, and Jörg [Gutachter] Schröder. "Optimal material design based on variational sensitivity analysis / Wojciech Kijanski ; Gutachter: Jörg Schröder ; Betreuer: Franz-Joseph Barthold." Dortmund : Universitätsbibliothek Dortmund, 2018. http://d-nb.info/1176189611/34.

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Leverenz, Anna. "The Debated Authenticity of Franz Joseph Haydn’s Concertos for Horn: An Historical and Theoretical Approach to Attribution." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1319487744.

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Zovko, Marie-Elise. "Natur und Gott : das wirkungsgeschichtliche Verhältnis Schellings und Baaders /." Würzburg : Königshausen und Neumann, 1996. http://catalogue.bnf.fr/ark:/12148/cb370926308.

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Kaiser, Franz R. [Verfasser], Rudolf [Akademischer Betreuer] Werner, Takahiro [Akademischer Betreuer] Higuchi, and Andreas K. [Gutachter] Buck. "Ein 18F markiertes PET-Radiopharmakon (LMI1195) zur Bildgebung des Norepinephrin-Stoffwechsels im Rattenherz / Franz R. Kaiser ; Gutachter: Andreas K. Buck ; Rudolf Werner, Takahiro Higuchi." Würzburg : Universität Würzburg, 2021. http://d-nb.info/1241965560/34.

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Gerzen, Nikolai [Verfasser], Franz-Joseph [Akademischer Betreuer] Barthold, and Kai-Uwe [Akademischer Betreuer] Bletzinger. "Analysis and applications of variational sensitivity information in structural optimisation / Nikolai Gerzen. Betreuer: Franz-Joseph Barthold. Gutachter: Kai-Uwe Bletzinger." Dortmund : Universitätsbibliothek Dortmund, 2014. http://d-nb.info/1097212173/34.

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Tichit, Agnès. "Deux traductions en hébreu de l’évangile de Marc : franz Delitzsch (1877) et Joseph Atzmon (1976). Étude de la langue. Enjeux théologiques." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040096.

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La thèse porte sur la confrontation de deux traductions en hébreu de l’évangile de Marc. Tout d’abord, l’étude de la traduction en hébreu moderne, réalisée par une équipe sous la direction de Joseph Atzmon et publiée par les United Bible Societies, s’attache à établir les variantes textuelles entre la première édition (1976) et les suivantes II-III (1991/95). Il apparaît que le réviseur II-III reproduit la première édition en faisant preuve d’une certaine liberté qui le conduit plusieurs fois à donner la priorité à la langue cible. Ensuite, les caractéristiques philologiques de cette traductio
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Hickman, Melinda Lee. "MEANING IN PIANO MUSIC WITH A RELIGIOUS THEME: A PHILOSOPHICAL AND HISTORICAL APPROACH." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin991745344.

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Barthold, Franz-Joseph [Verfasser], E. [Akademischer Betreuer] Stein, and E. [Gutachter] Ramm. "Theorie und Numerik zur Berechnung und Optimierung von Strukturen aus isotropen, hyperelastischen Materialien / Franz-Joseph Barthold. Betreuer: E. Stein. Gutachter: E. Ramm." Dortmund : Universitätsbibliothek Dortmund, 2007. http://d-nb.info/1101594160/34.

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Lakemeyer, Markus [Verfasser], Stephan A. [Akademischer Betreuer] Sieber, Kathrin [Gutachter] Lang, Franz [Gutachter] Hagn, Markus [Gutachter] Kaiser, and Stephan A. [Gutachter] Sieber. "Probing the catalytic activity and oligomeric assembly of S. aureus ClpXP / Markus Lakemeyer ; Gutachter: Kathrin Lang, Franz Hagn, Markus Kaiser, Stephan A. Sieber ; Betreuer: Stephan A. Sieber." München : Universitätsbibliothek der TU München, 2018. http://d-nb.info/120009848X/34.

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Molod, Mohammad Amin Esmail [Verfasser], Franz-Joseph [Akademischer Betreuer] Barthold, and Panagiotis [Gutachter] Spyridis. "Strengthening reinforced concrete column-beam joints with modular shape memory alloy plate optimized through probabilistic damage prediction / Mohammad Amin Esmail Molod ; Gutachter: Panagiotis Spyridis ; Betreuer: Franz-Joseph Barthold." Dortmund : Universitätsbibliothek Dortmund, 2021. http://d-nb.info/123207523X/34.

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Bogner, Ryan. "A study of the factors that influence compositions of common texts with an emphasis regarding the text of Te Deum settings by Antonín Leopold Dvořák and Franz Joseph Haydn." Thesis, Kansas State University, 2011. http://hdl.handle.net/2097/9096.

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Master of Music<br>Department of Music<br>Joshua Oppenheim<br>Julie Yu Oppenheim<br>The Te Deum chant began in the Roman Catholic Church in prayer, and like many other psalms used in the Mass, it has evolved into a concert piece with settings composed for coronations, military victories, and other festive occasions. This author has identified two significant settings of this text by Joseph Franz Haydn and Antonín Leopold Dvořák for this discussion to study how common factors (primarily a common text) influence their compositions. Chapter I provides the purpose of the study, a brief descripti
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García, Sevilla José Antonio. "Propuesta de una fórmula de interpretación para la práctica instrumental históricamente informada del repertorio clásico para trompeta. Aplicación performativa al Concierto para Trompeta y Orquesta en Mi Bemol Mayor de Franz Joseph Haydn." Doctoral thesis, Universitat Politècnica de València, 2018. http://hdl.handle.net/10251/103685.

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Existen unas convenciones interpretativas que afectan de manera directa a los diferentes estilos musicales. La música de los distintos periodos o etapas en las que clasificamos la historia de la música generan una manera de escribir por parte del compositor que plantea numerosas dudas a la hora de una interpretación fiel al estilo de la obra. Se pueden observar distintas maneras de escribir que han ido evolucionando hasta llegar en la actualidad a un grado de concreción en cierto modo extenuante, que viene determinado por algunas tendencias que surgieron a partir de la segunda mitad del siglo
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Mueller, Paul Martin. "An examination of George Frideric Handel’s “Let the bright seraphim” from Samson, Franz Joseph Haydn’s Concerto for trumpet in E flat major, Karl Jenkins’ Salm o Dewi Sant, and Erik Morales’ Concerto for trumpet in C and piano." Kansas State University, 2009. http://hdl.handle.net/2097/1416.

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Master of Music<br>Department of Music<br>Gary C. Mortenson<br>This Master’s report contains biographical, historical, and theoretical analysis as well as stylistic and technical considerations for the four works performed for the author’s Master’s recital on April 29th, 2009. The works are Handel’s aria “Let the Bright Seraphim” from Samson, Franz Joseph Haydn’s Concerto for Trumpet in E Flat Major, Karl Jenkins’ Salm o Dewi Sant, and Erik Morales’ Concerto for Trumpet in C and Piano.
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Mueller, Paul Martin. "An examination of George Frideric Handel's "Let the Bright Seraphim" from Samson, Franz Joseph Haydn's Concerto for Trumpet in E Flat Major, Karl Jenkins's Salm o Dewi Sant, and Erik Morales's Concerto for Trumpet in C and Piano." Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/1416.

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Giessel, Matthew. "Richard Wagner's Jesus von Nazareth." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3284.

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In addition to his renowned musical output, Richard Wagner produced a logorrhoeic prose oeuvre, including a dramatic sketch of the last weeks of the life of Jesus Christ entitled Jesus von Nazareth. Though drafted in 1848-1849, it was published only posthumously, and has therefore been somewhat neglected in the otherwise voluminous Wagnerian literature. This thesis first examines the origins of Jesus von Nazareth amidst the climate of revolution wherein it was conceived, ascertaining its place within Wagner’s own internal development and amongst the radical thinkers who influenced it. While Lu
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FEDERICO, LUCA. "L'apprendistato letterario di Raffaele La Capria." Doctoral thesis, Università degli studi di Genova, 2020. http://hdl.handle.net/11567/1005664.

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Superati «novant’anni d’impazienza» e dopo un lungo periodo votato all’autocommento e all’esplorazione delle proprie intenzioni, Raffaele La Capria ha raccolto le sue opere in due Meridiani curati da Silvio Perrella. La Capria ne ha celebrato l’uscita nella prolusione inaugurale di Salerno Letteratura, poi confluita nel breve autoritratto narrativo "Introduzione a me stesso" (2014). In questa sede, l’autore è tornato su alcuni punti essenziali della sua riflessione sulla scrittura, come la relazione, reciproca e ineludibile, fra tradizione e contemporaneità. All’epilogo del «romanzo involontar
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"Bauwirtschaftliche Aspekte der Wiener Stadterweiterung unter Kaiser Franz Joseph I." Wirtschaftsuniversität Wien, 2001. http://epub.wu-wien.ac.at/dyn/dl/diss/epub-wu-01_83.

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Fahrngruber, Bernd. "Bauwirtschaftliche Aspekte der Wiener Stadterweiterung unter Kaiser Franz Joseph I. Die Schleifung der Wiener Stadtmauer 1858 bis 1864. Eine wirtschafts- und sozialhistorische Analyse." Thesis, 2001. http://epub.wu.ac.at/1937/1/document.pdf.

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Das Thema dieser Dissertation sind die bauwirtschaftlichen Aspekte der Wiener Stadterweiterung unter Kaiser Franz Joseph I. Dabei werden der Ablauf der Demolierung der Wiener Stadtmauer 1858 bis 1864 und deren bauwirtschaftliche Folgewirkungen dargestellt. Die Abhandlung des Themas erfolgte mittels Quellenaufarbeitung, Expertengespraechen und Literaturstudium. Das Ergebnis der Arbeit ist eine wirtschafts- und sozialhistorische Analyse, welche die eingehende Darstellung des Ablaufs der Demolierungsarbeiten an den Wiener Basteien unter besonderer Beruecksichtigung der an den Abtragungsarbeiten b
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Kaiser, Franz [Verfasser]. "Current and noise in driven heterostructures / von Franz Kaiser." 2009. http://d-nb.info/994443641/34.

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Wu, Chen-ying, and 吳貞瑩. "A Research on Franz Joseph Haydn’s“Theresa Mass”." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/05850055765260765861.

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碩士<br>國立臺南大學<br>音樂學系碩士班<br>97<br>This research serves mainly to explore the music contents of Franz Joseph Haydn’s “Theresienmesse” to provide reference for fellow performers, educators, and researchers. First of all, the biography and characteristics of his religious works were introduced. This paper attempts to discuss Haydn’s masses starting from the origins of masses; by understanding the history and background of “Theresienmesse” this research gets help in investigating the soul and contents of his music. Second of all, this paper attempts to come up with a standard for performers by ana
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Lin, Shin-yi, and 林欣儀. "A Research on Franz Joseph Haydn’s“Die Sieben Worte”." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/55e7xq.

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碩士<br>國立臺南大學<br>音樂學系碩士班<br>99<br>This thesis explores the characteristics of Franz Joseph Haydn’s compositional techniques and sacred music styles. The study of the texts of The Seven Last Words of Jesus leads to the understanding of Haydn’s composition “Die Sieben Worte”, and his contributions to the sacred music in the history. This thesis focuses on the original feature and music structure used in Haydn’s “Die Sieben Worte” and also provides information and suggestions on the performing aspects for the director and members of the choir. The analysis of Haydn’s “Die Sieben Worte” are include
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Chen, Jen-chieh, and 陳貞潔. "A Research on Franz Joseph Haydn’s “The Creation Mass”." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/69714084195593273991.

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碩士<br>國立臺南大學<br>音樂學系碩士班<br>101<br>This dissertation includes the four sections listed below: 1. A Biography of Haydn, masses composed by Haydn, and a literature review of previous studies on Haydn’s “The Creation Mass”: To understand Haydn’s musical style through a study of his biography and to examine his masses as well as initial compositional concepts and meanings in “The Creation Mass” by assessing the origins and development of the masses 2. Musical expression of “The Creation Mass”: To analyze musical expression such as structure, tonality, melody, and theme figuration in six component
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Malone, Paul Matthew. "Starring Joseph K. : four stage adaptations of Franz Kafka’s novel The Trial." Thesis, 1997. http://hdl.handle.net/2429/6790.

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This dissertation takes as its premise the belief that privileging the text of a play as the site of meaning is inadequate, given the social nature of theatre. This privileging is evident in the low critical opinion of dramatic adaptations of prose works: the dramatic text, incomplete by nature, cannot compete with the self-sufficient narrative text which it adapts. Rather, as described in the introductory chapter, the socio-historical context of a production must be investigated to flesh out the meaning of the text. Four theatrical adaptations of Franz Kafka's novel Der Prozefi (1925) i
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TSENG, CHIH-MING, and 曾志明. "An Analysis and Conducting Interpretation of Franz Joseph Haydn’s Symphony No.104." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/57980597856172758823.

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碩士<br>輔仁大學<br>音樂學系<br>105<br>Franz Joseph Haydn was one of the most famous composers of the Classical period.He composed a total of 104 symphonies in his lifetime. Haydn laid the foundation of the form of symphony, and as for the orchestration, he was also found to join musical instruments with different timbres together to create refreshing sound effects in this paper. Haydn’s huge contributions to the skills of symphony composition have thus earned him the title, “Father of the Symphony.” The topic of study, Symphony No.104 in D Major, was written in Haydn’s later year(1795), which is consid
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Liu, Pi-Chun, and 劉碧君. "The Analysis and Performance Interpretation of Franz Joseph Haydn’s Piano Sonata Hob.XVI:46." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/17617392170378618431.

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碩士<br>國立臺北教育大學<br>音樂學系碩士班<br>102<br>This thesis illustrates the analysis and interpretation of Joseph Haydn's Piano Sonata in A Major(Hob. XVI:46), In the process of research, thorough study was done throughout every chapter. In order to understand the musical style of Haydn, the background of his life and the forming of his music were included to reveal the character of his music. This thesis contains six chapters.The first chapter is the introduction,explaining the author's intent and motivation in analyzing the music structure and performance interpretations ofJoseph Haydn'sPiano Sonata
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Biao, Shi-yi, and 標詩儀. "The Study of Franz Joseph Haydn’s Work: Pauken Massand the Discussion about the Performance." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/47280245589800440294.

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碩士<br>東吳大學<br>音樂學系<br>95<br>Most of Franz Joseph Haydn’s (1732~1809) works written in his later years were masterpieces of vocal music. Aside from two oratorios (Creation and The Seasons) and the second The Deum, the masses he composed for Esterhazy Royal each year were the most significant ones. Marizellermesse was written in 1782. It was fourteen years later (1796) that he composed mass again. His six masses are entitled “The Last Six Mass” in music history. Each mass has its own title or an alias which reflects the circumstance at that time, and has its own character. This study, firs
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Demand, Ursula [Verfasser]. "Johann Heinrich, Hubert Martin Joseph und Franz Vogeno : eine Aachener Goldschmiedefamilie / vorgelegt von Ursula Demand." 1999. http://d-nb.info/967866529/34.

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Priscilla, Pei-chin Lin, and 林珮瑾. "The Disinherited Reclaimed: A Study of Joseph Conrad's Heart of Darkness and Franz Kafka's The Trial." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/32598681988360638795.

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碩士<br>國立中正大學<br>外國語文研究所<br>87<br>What does it mean by "disinherited"? What are disinherited? How are "the disinherited" reclaimed? "The disinherited" in this thesis can be seen in two ways: the disinheritance of Western civilization and the disinheritance of the artist. The former centers on the problem of Western civilization, the latter focuses on the role of artist in modern society. Joseph Conrad's Heart of Darkness and Franz Kafka's The Trial describe the falling apart of civilization, and man struggles within it. And such, too, is precisely the dilemma of Conrad and Kafka
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Hung, Meng-Yun, and 洪孟筠. "The Analysis and Performance of Franz Joseph Haydn’s Concerto for Oboe and Orchestra in C Major." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/39074336857998188467.

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50

Wang, Yun-ting, and 王韻婷. "The Analysis and Interpretation of “variation in f minor, Hoboken XVII: 6” by Franz Joseph Haydn (1732-1809)/Yun-ting Wang Graduate Recital." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/46102076131224627953.

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Abstract:
碩士<br>東吳大學<br>音樂學系<br>100<br>Abstract Among a number of his piano works, Joseph Haydn's piano sonatas has played an important role in music history. Besides his piano sonatas, Joseph Haydn's variation pieces also have great influence during the development of variations in the eighteenth century. As one of his five piano variations, Andante with variations in F minor (Hoboken 17/6) is the most representative works. Variations in F minor, which has a set of double variations, is quite different from his other four variations. This piece make up double theme variations. Haydn uses parallel majo
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